An elegant sans serif typeface with style. Fashionable, classy but still modern! Designed and shared by Vikers | RerdSystems. Perfect for logos, posters and more.

In 1951 Alessandro Butti cut a fontfamily for Nebiolo which he called Fluidum. Both weights, light and bold, were now revived and named Butti.

Mummbler is your tiny, crunchy and lovely serif font with tall ascenders and deep descenders. Romantic, perhaps - but definately worth your next print project!

Eight was desinged to be heavily geometric. The main lines were intended to be entirely comprised of lines of eight different but set angles.

Ptoxina. Pixels join Circles. Ptoxina is a new member oft the Atoxina family with experimental character. In this experimental hypnotic font pixels join circles.

This is the 'dark' version of our font PaperCut Almond. It has all of its openings closed to enhance the effect of handcut lettering.

Illinoise is a mutation of one of the most beautiful screen fonts ever. But, there are no straight lines. Everything is shaking. Let's party!

Witches Crow is a Halloween Treat by our team. It's perfectly matches for any invitation type, and children theme, cartoon, poster, display, and comics.

The Swing Bill font was designed as a display face for sport material or pop music posters, but has also been seen on TV.

The swooshy swirls of the uppercase paired with the simple lowercase creates a very useful title font. Romantic and girly but still perfectly legible.

This teacher-friendly polka-dotted font is perfect for kids and teachers. It is fun but still perfectly neat and legible for little readers.

Ancient Rome boasted some of the most gifted Philosophers and Roman Philosophy puts those ideas to words in this fun and very wise DoodleBat!

Vanitas is an elegant high contrast contemporary sans. It is rooted in the style of a classic didone, excluding the typical serifs and ball terminals as well as being designed with a cleaner, more reductionist appearance. Strict attention was given to the cohesiveness and balance between letterforms as well as the careful refinement of all curves. Stylistically, Vanitas’ alluring, sophisticated sensibility is directly inspired by high fashion. The upright styles are complimented by a pairing of optically adjusted true italics, which were purposefully adapted to retain the sharpness of their counterparts. Abandoning traditionally executed cursive italic letterforms retains Vanitas’ sharp characteristic through each style. Features include: Precision kerning Standard Ligatures set including ‘f’ ligatures (fb, ff, fh, fi, fj, fk, fl ffb, ffh, ffi, ffj, ffk, ffl, ffy, ae, oe, AE, OE) Discretionary Ligatures set including (st, ct, No) Alternate characters (H, A, AE, Q, $, h circumflex, ¶ and numero sign) Case forms (shifts various punctuation marks up to a position that works better with all-capital sequences) Capital Spacing (globally adjusts inter-glyph spacing for all-capital text) Slashed zero Full set of numerators/denominators Tabular Lining, Proportional Lining, Tabular Oldstyle and Proportional Oldstyle Figures Automatic fraction feature (supports any fraction combination) Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

Rex Stephane, designed by Mans Greback, is a striking blackletter font that artfully blends medieval influences with modern geometric shapes. Inspired by the tall stature of Gothic architecture, merged with sharpened edges, this font captures the essence of strict ruling while having an elegance of the Middle Ages. First imagined while exploring an abandoned castle, the typeface is based on ancient manuscripts adorned with calligraphic lettering. These texts became the foundation for Rex Stephane, as Mans Greback aimed to recreate the rich history and grandeur of the medieval era while adding his own contemporary twist. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures, and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers. Mans Greback is a Swedish typeface designer with a passion for creating unique and versatile fonts. With an extensive background in design and typography, Mans has built a reputation for his meticulous attention to detail and prolific craftsmanship. His many fonts are widely used by designers around the world, making his work synonymous with creativity and innovation.

Etelka was designed for purposes of corporate identities, branding, product package design and outside lettering. It works anywhere an extremely legible typeface is needed. Package and label design often requires a wide choice of weights and widths: light and narrowed fonts to fit huge amount of mandatory informations onto a small box, or to squeeze text lines around a bottle, fat and wide styles to emphasize information on a poster or vehicle. The regular styles will serve well for business card, small texts and for your website. Etelka’s design idea is wide, open rounded square. Some details are extremely minimized: lower-case “a, n” or “u” lack their typical spur. The typeface has a distinctive industrial expression with all diagonals slightly softened, and her overall strict mono-linear principle is exceptionally broken only for fine optical adjustments in joints. Cyrillic and Greek scripts are present for international business, as well as rich latin diacritics. Etelka is actually very well suited for all kinds of visual communication, especially orientation systems in modern architecture. The first drawing of the font, which was later named “Etelka”, was submitted in 2004 for the Czech Television identity competition and was rejected by the jury. We later concluded that the design was worth extending to the current superfamily of 42 fonts. It is a reliable typeface for corporate identities and websites.

Font Etruria is based on a real Etruscan inscriptions and realistic accurately simulates the writing of the Etruscans. The idea of the font Etruria is to give an opportunity for anyone to touch the past of mankind! The character of the Etruscan alphabet involves the creation of a font with only uppercase letters. However, I did not limit this font by that. Etruria has not only a lowercase is different from uppercase, but an additional sets of alternative characters. In General, the main characteristic of Etruscan writing is randomness and diversity of characters. Differs from lowercase to uppercase is only the first step on the road to make randomness effect. Next to the aid of the OT features. To recreate the randomness effect, in Etruria there are several OT features (Contextual Alternates, Stylistic Alternates and Stylistic Sets), which built a script to simulate randomness. Additionally, another script creates the effect of random positioning. Together they create incredibly realistic Etruscan inscription. Thus, any of these features can be disabled at will. I also used a small line spacing, because it is characteristic of the Etruscan writing. Actually the Etruscan writings is a mirror of the writings compared with the current European alphabets. I didn't use this feature all the letters, because this would make the font difficult to perceive, but to make the font characteristic of the Etruscan style, Etruria has a few letters in mirror image. However, if for someone it may seem unusual, mirrored letters can be disabled instead of them will appear more familiar to them. Another feature of Etruscan writing is the use instead of a space dotacentered. Font Etruria has this feature, there is a OT feature Stylistic set ss03. Naturally, it also can optionally be disabled. All these features can be used together, separately, or turn it off. The main goal achieved! The text typed in Etruria, creates full impression of these Etruscan inscriptions.

“Loyolliams” is my first designed Latin typeface which has special meanings and unforgettable memories for me. The font's name, Loyolliams, consists of two mixed syllables stand for two different names. The first syllable is derived from the name “Loyola” and the second syllable is derived from the last five letters of the name “Williams.” These two names are related to “Concordia University”—located in Montreal in Canada—where I studied at a short academic term and spent in a very special period of my life in the late 2005. This renowned Canadian academic institution was created following the 1974 merger of “Loyola College” (1896) and “Sir George Williams University” (1926). This conglomeration formed “Concordia University” and the name Concordia itself was taken from the motto of the city of Montreal, Concordia salus (meaning ‘well-being through harmony’). This font comes in two different weights; light and regular. “Loyolliams” is a square, geometric, techno, and modern font. It is suitable for T-shirts, books' covers, websites’ addresses, advertisement light boards, and titles in technical, artistic, and other types of magazines and signboards. “Loyolliams” can be used also in posters, surfaces of electrical and electronic tools, digital devices and chips, geometrical machines, trucks, tractors, calculators, mobile phones, watches, laptops, personal computers, power equipments, digital cameras, technical magazines, and other digital and electronic tools. This fonts can be effectively used in titles especially when its uppercase and lowercase letters are mixed together and when it is used in its italic mode. "Loyolliams" is suitable for writing and printing small textual paragraphs in cards, magazines advertisements, and also posters. The main characteristic of "Loyolliams" Typeface is its non-curve style in most of its alphanumeric letters. The characters are deliberately designed to have only angular and square shapes.

PROSTY is a family of minimalistic and geometric fonts. It follows the style of other Fontsphere's forms, but goes one step further. It contains both uppercase and lowercase characters, which makes it useful for display, titling, captions but also for composing short, intermediate and longer texts, which is a very interesting and useful combination here. It was created carefully with details in mind. PROSTY contains a large number of characters as well as multilingual support.

Cristal is a modern typeface inspired in the cuts of a bevel effect. Its lines build each letter as a cutted gem giving an unique elegant aspect. It comes in two weights to be used at different sizes and has positive and negative versions. Also has a solid version that allows compose more legible texts. Cristal Dingbats and Cristal Frames are two essential complements to obtain a great typographic system of 15 fonts.

Booden is a name not to boo but to use in display type situations. but as texts funtion s to be read its functionality ges beyond a Cyber-tech font single weight single time use. it can be used for branding purposes or any type of editorial text because of its readability. Be it a logo, or a Title headliner, web or print booden typeface can certainly entertain your need for simple variation.

Nevaeh Scratch is a stylized version of the font Nevaeh. The design has been inspired by the paper cut effect. Nevaeh Scratch has a unique design with rough and irregular linings yet, a perfect font. The font has a simple and minimalist factor with all main characters, the font is specially made for those who are in the printing and branding fields. Carefully engraved and stenciled to deliver clean cuts and design.

Eleonora tends to defy standard categories. Had the typeface been designed in about 1790, it might've been called a "late transitional face" and lumped together with Bell and Bulmer. But it's a modern typeface, showing more restraint in its finer details than even Baskerville. Also noteworthy: it has no traditional, script-like italic but a more severe oblique with baseline serifs and other roman features. Has regular, italic, bold, and bold italic styles.

Aestero Futuristic Typeface Cutting-Edge Inspiration Aestero Futuristic Typeface, drawing from Gundam and sci-fi aesthetics, embodies a cutting-edge design for a bold display impact. Sleek Sci-Fi Elegance Named Aestero, this font seamlessly blends Gundam inspiration with sci-fi elegance, presenting sleek characters with a futuristic charm. Dynamic and Bold Presence Aestero commands attention with dynamic and bold letterforms, making it an ideal choice for projects seeking a strong visual presence.

Introducing Dirty Stains - Ink Bleed Type, created by ikiiko Dirty Stains embracing the fusion of ink and structure. Each character exudes the wild energy of city streets, and the ink spill effect blurs the distinction between chaos and creativity while encapsulating the spirit of resistance and rebellion. Get also a good offer & FREEBIE at our site : www.ikiiko.com Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Stovepipe Stencil JNL was not directly designed from a vintage source, but it does draw its influences from classic sans serif lettering of the past. Even its name borrows (somewhat gratuitously) from the "stovepipe" lettering so popular with sign painters. True stovepipe letters tend to be squarer with rounded corners, but the name has also been loosely associated with some tall, condensed type styles. The typeface is available in both regular and oblique versions.

To canoodle means to hug and kiss passionately. I leave the rest to your imagination. Canoodle is also a very adorable font - some would even go as far as calling it kissable. It is an all caps typeface, but upper and lower case differ and love to mix and match. I won’t guarantee a spot of canoodling if you use this font, but who knows, maybe you’ll get lucky. Canoodle speaks many tongues.

The long and frustrating search for a dynamic, monoline script drew our attention to the lack of such a typeface. This prompted us to create our very own, Terital, named after the 1960s Italian overcoat advertisement that was the original reference point for its 2003 creation. Fearing the odd all-caps script setting, we cheekily designed Terital as a lowercase set. This limitation was revised in the 2011 version. Beautiful swash capitals were also added.

I am not sure exactly how to classify these geometrical ornaments. They resemble the arabesque ornamentation of medieval Islamic art, but also have similarities to Celtic knots and to some Chinese and Korean ornamentation. The bolder of the two only works well at very large point sizes, while the thinner is designed for use at smaller point sizes. There are usually similar ornaments on the same characters of the two, but not always.

Introducing of our new product the name is Horror Vibes - Handmade horror Font and Multilanguage support.Introducing of designs look modern, unique and fun. It’s perfect for labels, quotes, posters, DIY projects, branding, packaging, greeting cards, websites, photos, photography overlays, signs, window art, scrapbooking, tags and so much more!our new product that inspired by Street Tagging, graffiti style with a fun theme very good for graffity poster, flyer, childrenbook, cartoon, comic etc

HALIVELAVIERTA is a combination font between blackletter and serif, but I included it in the blackletter category because of the boldness and spacing that is close to a blackletter font, resulting in a font with a slightly gothic feel, vintage but also suitable for modern designs. YOU WILL GET : Halivelavierta.otf To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Cheers!

Our Luckiest Softie Pro is a softened variation of our Luckiest Guy Pro typeface, inspired by hand-lettered vintage 1950's advertisement. The charm of the original typeface is enhanced with softened corners to give the typeface a more cuddly charisma. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

Hello Everyone have a nice day, let me introduce our new Classy Serif Font called "Gilbert Qualifi" !! Are you ready to make the project more elegant and classy? makes every eye that sees it stunned and silent for a moment This font is part of our dedication to the world of fonts, the work that takes a long time, makes us make this font as our mainstay font Whether you have a client that needs a new chic logo, or you're designing your social media posts. Maybe you're preparing your wedding mood board, stationery, invitations, Gilbert Qualifi font is just perfect for all of that and more. you can check it all on preview !! Enjoy !! and start Creating !! Include Multilingual : ÀÁÂÃÅÄĄĀĂÆÇĆČĎÈÉÊËĘĒĖĚĞÌÍÎÏĪİÐÑŃŇÒÓÔÕÖŌŐOEŔŘØÙÚÛÜŪŮŰŲŚŠŞŁÝŸŻŹÞ àáâãąåäāăæçćčďđèéêëęěēėğıìíîïīðñńňòóôõöoőoeøùúûüūůűŭųþýÿŕřśšşłżźž

Meleo is a semiserif consisting of 10 fonts with a few original quirks but still very legible at both text and display sizes. Since its conception, the aim was a balance of uniqueness and functionality. The typeface owes its energy to the slight suggestion of calligraphic crafting and humanist structure. But it also breaks the rules: a small x-height and a whimsical uppercase with resemblance to the lowercase may render Meleo more friendly than a conventional (semi-)serif. Titles and texts of moderate length, like those found on websites, flyers and packaging, are the natural habitat of Meleo, but it may as well thrive under different settings. Meleo supports most of western-european latin languages which are included in the ISO-Adobe character set.

I am a firm believer in the fact that breakfast is the most important meal of the day. So, for the last 10 years (ever since I became a father), I have been serving my family a healthy breakfast. I live in The Netherlands, so the main portion of breakfast is bread, but I try to serve something ‘nice’ every day. Like strawberries, yoghurt with banana and brown sugar (not too much sugar!), oatmeal porridge or granola. I myself like Indonesian fried rice (nasi goreng) for breakfast, but I am afraid my kids won’t eat that in the morning… Power Breakfast is a handmade display font. Yes, it is wobbly, yes, it is uneven, but that’s what’s so darn good about it!

Rosvard is our new old fashioned typeface. Inspired by vintage signages and brewery emblems. You could feel the vintage vibe on our preview images. Although you could use it to modern design as well. Since our last font just single font. We decide to make another layered font like we did in the past. This one in particular contains Stripe, Outline, Regular, Extrude and Shadow. You could combined all of them of just use two or three of them as you like. We also give you the separate ornaments we used for the preview image as an icon/dingbat font. You could mix and match each part to make your own badge / emblem. Because we believe you could do it.

Weaving is a family in which the letters fit together so that wavy lines separate them both horizontally and vertically. It creates this effect by alternating letters on upper-case keys with those on lower-case letters and this alternating is done automatically in applications that support the OpenType feature of contextual alternatives (calt). (The upper-case can be used alone but it unlikely that the lower-case characters could be used by themselves.) The family is a thinner and condensed version of the typeface Woven, but in condensing it, the tessellation properties that a were in Woven are lost. It is a decorative display face but because there are few typefaces similar to it, it is hard to predict what uses it may have. Be creative!

Mira is a playful, decorative Art Nouveau font, released by Roos & Jung Foundry in Offenbach AM, Germany about 1902. The exaggerated serifs and the sharp contrast between the thick and thin strokes gives the page a whimsical “salt and pepper” look that is very distinctive. Mira uses our new encoding. The Euro symbol has been moved to position 128 and the Zcaron/zcaron have been added at positions 142/158 respectively. Otherwise, MIRA has our usual idiosyncratic glyph selection, with the German ch/ck instead of braces, Western European accented letters, lower case “o” and “u” with Hungarian umlaut and our usual Hand-in-Hand symbol. In addition, black-letter-style upper case “H” and “T” characters are included. Download the PDF Type Specimen for locations.

"Hi there, thank you for passing by. Colllab Studio is here. We crafted best collection of typefaces in a variety of styles to keep you covered for any project that comes your way! Introducing, Slash Roller, it marks a new era in graffiti font. The slashing zig zag tape gives it an authentic DIY feel. The slashed tape is prominent but not overdone, adding an interesting layer to the blocky rough letters. Slash Roller is an attempt to create a lettering style that seems like it was made with a spray can and a brush, but keeps the appearance of a slightly imperfect and distorted typeface. It looks like the work of a vandal, but the slashed typography is actually intentional. A Million Thanks Colllab Studio www.colllabstudio.com