The proudly present an elegant font that always outstanding in every your project design. Garlic font is a versatile typeface that perfect for designing a headline, title, wedding invitations, logotype, quotes, advertisements, and more. Garlic font offered 4 styles set such as regular, italic, outline regular, and outline italic so you can be combining to make a more elegant and beautiful design. What's included Garlic regular and italic (otf, ttf, and web font) Garlic Outline regular and italic (otf, ttf, and web font) Multilingual, support 17 languages If you have any questions don't hesitate to drop me a message. Stay safe, healthy, and have a nice day

Validity Script is a cute, outlined handwriting font family. The typeface was drawn and developed by Måns Grebäck and Misti Hammers during 2019. With swirly letters and charming wilderness it is perfect for a crafty project or an invitation with a personal touch. It comes in three weights and each weight as Italic, totaling in six styles: Thin, Thin Italic, Regular, Regular Italic, Bold, Bold Italic. Each font of this family is of high-quality and contains OpenType features. The fonts have extensive ranges of glyphs; they support all Latin-based European languages, contain numbers as well as all symbols and characters you'll ever need.

A Geometric Angular Sans & Italic with Pizazz The Huerto Family began as a digitization of a film typeface from LetterGraphics known simply as "Horino Bold". The original specimen included standard Capitals and Lowercase, Numerals and limited punctuation. We've fleshed out the original style and added a true italic with swash alternates to the family. Where the original had a feeling of rugged permanence to it, the italic with swashes adds a fleeting dynamic appeal. Opentype features include: - Full set of Inferiors and Superiors for limitless fractions. - A small collection of Standard Ligatures. - A small set of Stylistic Alternates - Swash Capitals for the Italic style only. Approx. 423 Character Glyph Set: Each style of Huerto comes with a glyphset that includes standard & punctuation, international language support, and additional features. Huerto Italic has a 565 character glyphset due to additional swash and alternates.

Introducing, A NEW POWERFUL BOLD FONTS WITH ALTERNATES, Point Panther! Point Panther is a headline font with super bold style that contains up to 6 Alternates each characters! You can make a unique branding with this fonts. this powerful bold fonts also included italic and outline style! This fonts suitable to use for poster, branding, merchandise, and any street art style! Also support multilingual. What will you get: Point Panther Regular (Regular, Italic ) Point Panther Bold (Bold, Bold Italic) Point Panther Outline Regular (Regular, Italic ) Point Panther Outline Bold (Bold, Bold Italic) How to access the alternates! If you use PS/AI you can see the tutorial in this : https://helpx.adobe.com/illustrator/using/special-characters.html You can use the PUA for software design that not support Opentype. For another questions, please send a mail to saridezra@gmail.com. Thank You!

Because Contenu is designed for text use, it is spaced for body copy in the 9-12 point range. That is far too much spacing for heads, subheads, and the like. So I made the display version of Contenu Book to use for headers. In the process of tightening the spacing at the very large sizes, I also made some minor modifications to the glyph shapes to make this version a little more elegant. Contenu Opentype has two Opentype families for print design. Contenu Book has five fonts: Regular, Italic, Bold, Bold Italic, and Display. Contenu has Medium, Medium Italic, Black, and Black Italic. The name is French for content and this is what the family is designed for: text, body copy, and book layout. If it has a style, it is a modern take on oldstyle serif font using Jenson as a mask. There are no plans for display versions of the bolder weights or the italics. If you want them, use Contenu Medium, Book Bold, Contenu Black, or any of the four italics and tighten the tracking.

Because Contenu is designed for text use, it is spaced for body copy in the 9-12 point range. That is far too much spacing for heads, subheads, and the like. So I made the display version of Contenu Book to use for headers. In the process of tightening the spacing at the very large sizes, I also made some minor modifications to the glyph shapes to make this version a little more elegant. Contenu Opentype has two Opentype families for print design. Contenu Book has five fonts: Regular, Italic, Bold, Bold Italic, and Display. Contenu has Medium, Medium Italic, Black, and Black Italic. The name is French for content and this is what the family is designed for: text, body copy, and book layout. If it has a style, it is a modern take on oldstyle serif font using Jenson as a mask. There are no plans for display versions of the bolder weights or the italics. If you want them, use Contenu Medium, Book Bold, Contenu Black, or any of the four italics and tighten the tracking.

This condensed block is a true knockout. VT Showcard is a heavy-hitting headliner with presence. Inspired by the boxing showcards of the 60’s and 70’s, VT Showcard towers over body copy and demands attention. This tall and mighty athletic display typeface features chiseled corners and subtle embellishments that reinforce a steady rhythm across its dramatic letterforms. With 7 weights, VT Showcard provides a versatility for sports headlines and similar projects.

Nauplia is an organic script font, specially designed for use in logotypes, advertising and packaging. It is interesting to note the use of free-flowing lettering to perform its own eye-catching, connected and unconnected. Nauplia contain 450 glyphs with full OpenType features: swashes, ligatures, stylistics alternates and much more. Nauplia is a Greek city, its name according to Strabo, derives from the mythological character Nauplio, the son of Poseidon and Amimone.

Design System is a great type system consisted of 5X7X2=70 font styles from 70s-style simple square sans to the widest style of all time that are best for titles, logo and text. Their simple form does not limit the target of design and can be used for any creative work. Additionally they all have been designed not to provide a feeling of strangeness when they are used in mixture each others.

Pixter straddles the lines between the extreme forms of grid based pixel fonts, and more conventional grotesque fonts. Its array of styles create a palette of textures to work with multiple scenarios, from large format display to oversized passages of copy. Inspiration for Pixter initially grew from old computer bitmap fonts, but branched out into Swiss and Dutch graphic design, such as the graphic work of Josef Müller-Brockmann and typography of Wim Crouwel.

In a classic logotype style, Indiana Script is a sharp and steady typeface created by Måns Grebäck. With its bold brush strokes and vintage tilt, this typeface works great in old-style logos and headlines. It contains ligatures and alternate characters, and supports a very wide range of languages. Write _ after a word to get a swash. Example: Indiana_ With ligatures activated, write _ and a number for more swashes. Example: Visual_2 Music_6

Whiskey State strides onto the canvas like a cowboy entering a saloon: Tall, confident, and impossible to ignore. The font boasts an impressive height, stretching upwards with the same vigor as plumes of smoke rising from a smoldering campfire. Every letter stands upright and proud, imbued with the spirit of the Old West, yet exuding a contemporary coolness and innovativity. Its serifs aren't just appendages; they are expressions, giving the typeface its unique, assertive character.

Honest draws inspiration from the serif fonts prevalent in print media during the 1970s and 1980s. Its letter shapes are well-suited for prominent uses like logos and striking headlines due to their distinctive style. The font's large x-height makes it suitable for tight leading in headlines. Honest offers a variety of options, including seven different weights and two styles: Standard and Italic.

Toska is a geometric sans serif font. This font has a strong but friendly impression because the rounded corners make the eyes feel comfortable. Suitable for headings, poster titles, logotypes, signage, packaging and Toska can even be used for interesting paragraphs. Comes in eight weights, each weight having an italic version so you are free to pair various weights to make your typography more attractive.

Oculi Magni is a new sans serif type family of 8 weights with italics. This font was specially designed for the composition of texts in small size as captions or footnotes but the thin and black weights can also be used in display sizes. The x-height, as tall as possible, allows the composition of very tight, very dense texts while maintaining a perfect readability.

A geometric sans serif typeface, the square horizontal structure is evenly balanced with smooth curves and arcs producing a clean, distinct font ideal for both print and on screen uses. Further enhancements to improve legibility with the use of consistent stroke contrast and tapered diagonal angles. Details include eight weights and italics, 600 characters, Cyrillic, five variations of numerals, manually edited kerning and Opentype features.

Commuters Sans is a daily type. Classic but Modern. Very simple geometry and wide type with warm clearness. Useful for both body-text and titling by their minimal glyph shapes and slightly wide and eye-catching proportion. Consists of eight weights and their matching italics. Supporting almost all latin languages. All-caps text for one line or a few is as wonderful as normal mixed-case typesetting.

Anne Bonny is a modern face with a candy touch. She is noble and confident, bloomy and playful. If you want to give your texts a warm and fabulous note, Anne Bonny is the right one. You can choose between a range of Open Type Features, for example the Swashes Feature for decorating the Upright styles letters as well as the Italics. Share your vision!

Pack your bag, Reisebüro is about to take you on a romp to the most wunderbar destinations around the globe. This quirky and playful display font is inspired by hand painted lettering. Pick a city from the list in the travel agency’s window and book your flight—your glass of champagne will be waiting for you in First Class. 4 Styles included: Regular Oblique Thin Thin Italic

Beagley Display is a contemporary serif typeface, special designed for printing and advertising. With deliberately tight kerning. Beagley provides a warm and friendly atmosphere. Suitable for logotypes, brands, magazines and editorial. The font contains 6 styles from condensed, normal and expanded, plus matching italics. 250 glyphs include ligatures, discretionary ligatures and a wide range of flexibility for Latin language support for every typographical needs.

YOU WILL OBEY ALL OUR COMMANDS! YOU WILL OBEY INSTANTLY! YOU WILL OBEY WITHOUT QUESTION! OBEY! OBEY! OBEY! OBEY! OBEY! OBEY! YOU WILL BUY THIS FONT OR YOU WILL BE EXTERMINATED! Features Four fonts (Regular, Italic, Bold & Bold Italic) with alternate uppercase characters.

Zephyrine is modern family of Display fonts. Zephyrine has 6 families font, starting from the small Regular and Regular Italic to the largest black and Black Italic. This typeface is versatile and can be used successfully in magazines, posters, branding, websites, etc.*

Introducing "Queen Sansson" - a Serif font families with modern and nostalgic. This font is both modern and nostalgic and works great for logos, mastheads and pull quotes. Inclouded : - Queen Sansson regular - Queen Sansson italic - Queen Sansson Bold - Queen Sansson Bold Italic - Multilanguage

Milyuna is classic and stylish serif with high contrast. We made two different styles Regular and Italic which is suitable any purpose, such as heading, bussines card, quotes, or invitations. Includes: Milyuna Reguler Milyuna Italic Features Lowercase & Uppercase Numerals & Punctuations Multilingual characters (ÀÁÂÃÄÅÆÇÐĐÈÉÊËÌÍÎÏŁÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽ)

Close Together was designed to alternate convex and concave letter sets, with convex letters on the upper-case keys and concave shapes on the lower-case keys. The OpenType feature of contextual alternatives (calt) does this automatically. Individually some of the letter shapes are strange and unsightly. They have the shapes that they have so that they fit snuggly with adjacent letters. The family has three weights: regular, bold, and extrabold. The letter spacing is set very tight and the user may want to loosen it by altering characters spacing. (Either the convex or concave set the letters can be used alone if the character spacing is adjusted.) The typeface has four OpenType stylistic sets of alternates, one for numbers and the others for letters D, T, and Y.

Anona brings the upright italic to fruition and shows the handwriting shapes in a sans serif great to use in packaging and branding. Anona is an upright italic sans serif typeface perfect for packaging and playful identities. Explore the stylistic sets to see all the different shapes. Fruity and friendly upright italic sans serif come to brighten your projects. A warm and friendly sans serif will work for your identity. It has a complementary slanted version.

Oktah is a geometric grotesk that comes both as a variable font and 22 static fonts: 11 uprights and 11 matching italics, which make it a great tool for those seeking a versatile font with a strong character and high legibility. Throw in a very pleasing look, elegant curves and a wide range of weights, and you'd get what Oktah aspires to be: a perfect typographic tool for every need.In Oktah, elegant geometric curves meet bold strokes and wide apertures. Round letters are nearly circular, but, to boost readability, slight changes were introduced for optical compensation. Oktah is also equipped with amazing OpenType features: case sensitive punctuation, ligatures, fractions, superscript and subscript figures, two kinds of circular figures, stylistic & contextual alternatives and much more! Oktah supports all major European languages, as well as Vietnamese and some dozens of foreign languages that you may encounter in your designs. We've got all that covered. The glyph count for each of the styles is 800+ characters. Two styles (Extra Light and Bold Italic) are free to try and experiment with. If you need wide language support and more extensive OpenType features, consider taking a look at Oktah Neue, a bigger version of the classic Oktah.

Core Rhino is a contemporary typefamily designed by S-Core. The fonts have the mood of brushed feeling and come across as soft and gentle. Core Rhino displays warmth through its roundness and curved letterforms. Also it is legible in prints and on screens. The Core Rhino family consists of 7weights (Thin, Extra Light, Light, Regular, Bold, Heavy, Black) plus matching italics. The OpenType fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions. If you are looking for a sans serif style font which is practical and friendly, get this family and save your time.

Debugger is a futuristic, sicentific, digital family of next-generation monospaced fonts for developing, programming, coding, and table layout. Some desirable features in monospaced fonts are listed below. 1.Easy to distinguish 2.Easy to identify 3.Easy to read Debugger has very distinguishing letterforms for confusable letters such as Zero&Oh, One&I, and Two&Z. A lot of ingenuity makes this family very distinguishable. Italics have somewhat large inclination angle to be distinguished from their Roman. For the same reason, Italics are slightly lighter than Romans. Italic is not cursive Italic. It is near the slanted Roman. This is an intentional design to identify Italic letters. Cursive is not suitable for programming font. Octagonal and diagonal letterform is good for sci-fi, digital projects. Common elements for each letterform makes harmony and a sense of unity. Debugger supports almost all Latin languages. Try this all-new experiment.

Marvis is a vintage collection of fonts that includes serif, true italic, script, sans serif and slab serif each of them has two style - Clean and Rough style. Also for the script includes Alternates and Swashes. This collection was inspired by vintage signage, logos and this fonts are perfectly suitable for any vintage project and will make it at a high level. This fonts is easy to use has OpenType features. Font collection includes: Full Capital alphabet A-Z for Sans and Slab Full alphabet Uppercase and Lowercase A-z for Serif, Italic, Script Numbers, fractions for Serif, Italic, Script, Sans and Slab Punctuation and symbols for Serif, Italic, Script, Sans and Slab Alternates for Uppercase for Serif and Script Alternates for Lowercase for Script Swashes for Script Ligatures for Serif and Italic "Tb, Th, Tk, Tl, ct, fb, ff, ffi, fi, fh, fk, fl, st"

Senpai Coder is a family of typewrighter-style monospaced font for developing, programming, coding, and table layout. Some desirable features in monospaced fonts are listed below. 1.Easy to distinguish 2.Easy to identify 3.Easy to read Senpai Coder has very distinguishing letterforms for confusable letters such as Zero&Oh, One&I, and Two&Z. A lot of ingenuity makes this family very distinguishable. Italics have somewhat large inclination angle to be distinguished from their Roman. For the same reason, Italics are slightly lighter than Romans. Italic is not cursive Italic. It is near the slanted Roman. This is an intentional design to identify Italic letters. Cursive is not suitable for programming font. Typewriter letterform (serif) is good for reading. Common elements for each letterform makes harmony and a sense of unity. Senpai Coder supports almost all Latin languages. Try this all-new experiment.

Column Sans, talking about space efficiency. The character set that condensed can maximize the use of limited space without losing good legibility aspects. The typeface is very appropriate to be used as a text in a small column widths, display text, caption, title, author credit on the film, etc. Column Sans is available in OpenType format in the three weights Light, Regular, and Bold, whereby there are corresponding italics for all variants. In the same narrow italic versions, the "a" has a closed form while the "f" has a descender. Besides of standard ligature, this typeface is also equipped with some additional ligature and deligature like "fr", "tt", "cb", "ch", "ck" and so on as well as three "stylistic ligature": "the", "Mr" and "Mrs". Please find more information about the OpenType Manual of this typeface on the gallery page (pdf) if possible.