Czech Stencil JNL was modeled from examples of a 1930s-era typeface from Czechoslovokia called "Patrona Grotesk" as seen in the Steven Heller-Louise Fili book "Stencil Type" (published by Thames and Hudson).

Louisville Script is an informal script font based loosely on the handwriting of its designer, Steve Matteson. It was named for the town of Louisville, Colorado (pronounced "Lewis-ville"). Louisville Script is a youthful, casual handwriting script font. It is ideal for casual correspondence including cards, scrapbooks, menus and flyers. Louisville Script is also great for educational materials including the school newsletter or yearbook!

Goudy’s Newstyle typeface was desiged in 1921 began as an experiment in creating a phoentic alphabet with different shapes for letters depending on their unique sound. The design is strongly influenced by the Venetian Romans of Aldus which Goudy believed to be the most readable letterforms. Steve Matteson digitized the roman faithfully to Goudy’s original and designed the companion italic in the spirit of Goudy’s style.

Goudy Type was designed by Frederic Goudy for ATF in 1916. He endeavored to create a lively design with some brush-lettering qualities. In his words, he believed he was still attempting to ‘find himself’ as a designer. Thirty years later he was shown the design and could hardly recollect its creation. Steve Matteson has digitized Goudy Type to preserve its place in typographic history.

Alghera Pro is a casual script font family.  It was digitally engineered in 1996 by Pat Hickson of P+P Hickson and Steve Jackaman of International TypeFounders, Inc. (ITF).  Jackaman revamped the family in 2017 and added wider language support to include Western, Central, and Eastern European languages. Alghera Pro has a hand-written, antique feel, and was inspired by an old label on a bottle of Portuguese wine.  As with all the Red Rooster “Pro” versions, the family contains a 40% larger glyph set and improved designs.

Casablanca is a decorative sans serif font family. It was designed and produced in 1997 by Steve Jackaman (International TypeFounders). Jackaman loosely based the designs on the Carlos Winkow typeface ‘Electra’ from the Spanish foundry, Nacional, circa early 1940’s. Casablanca has a clean, Art Deco, jazz, and/or noir film feel. It sets nicely at any size, and brings an air of bold mystery to the projects it is applied in.

Coliseum Pro is a five-weight compressed spur serif font family. ITF’s original Coliseum family, released in 1992, was designed by Julie Hopwood and Pat Hickson. Steve Jackaman completely redesigned, redrew, and improved the Coliseum family over a two-year period, and two additional lighter weights have emerged: Light and Book. Coliseum Pro is inspired by Roman display typefaces, and is powerful and eye-catching at any size. Two sister typefaces, Clydesdale and Torpedo, were born from Coliseum’s redesign.

Ayita is a new sans serif design by Jim Ford and Steve Matteson. Ayita is a Cherokee name which translates to first in dance" and recalls the rhythm and flow of this new typeface. Originally conceived as an upright italic design, Ayita remains contemporary, friendly and hard working. The open shapes render faithfully at small point sizes and on device screens while the compact design allows more characters per line for headlines. Ayita is a useful design for a wide variety of uses including interfaces, spreadsheets, greeting cards and banners."

Steve Jackaman has refined and optimized Jolly Roger for digital release. The original design was created in 1970 by the legendary American type designer Phil Martin, founder and creator of the Alphabet Innovations and TypeSpectra type collections. Although quirky, playful and highly unusual, Phil describes Jolly Roger as his personal favorite out of his entire library of over 400 typefaces. We are proud and humbled to reintroduce the design in honor of our good friend and colleague.

Leighton is a four-weight serif font family that was created in 1993 by Paul Hickson (P&P Hickson) and Steve Jackaman (ITF) exclusively for ITF’s Red Rooster Collection. Its designs are loosely based on the typeface Lectura, which was designed in 1966 by Dick Dooijes for the Amsterdam Foundry. Leighton is a conservative, demi-serif font in a Dutch style. It is ideal for upscale corporate projects and excels at any size.

Basuto is a sans serif typeface that is characterized by its unusual shapes in the counters. It was originally created in 1927 by Stephenson Blake. After International TypeFounders, Inc. acquired exclusive rights to the Stephenson Blake Collection, Paul Hickson (P&P Hickson) and Steve Jackaman (ITF) created a digital revival in 1997. Basuto is an unusual yet highly legible typeface with upturned counters and crossbars. It brings a fresh, quirky feel to any project.

Clydesdale is a five-weight compressed sans serif font family. It was designed by Steve Jackaman over a several-year period, and was released in 2017. Clydesdale, much like its sister typefaces Coliseum and Torpedo, was inspired by authoritative Roman display typefaces. The font family excels in displays, but is a great performer in all text sizes. It is perfect for users who enjoy the impressiveness of Coliseum Pro and Torpedo, and need a complementary sans serif typeface.

Steve Jackaman and Ashley Muir. It was our initial intention to develop a suitable lowercase for Les Usherwood's 'Elston' typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin). However, the new design quickly took on a life of its own, and we decided to call it ‘Creighton’. Originally released as a four font family, we have now added eight more weights and made the entire family into 'Pro' versions for good measure.

Torpedo is a five-weight rounded, compressed sans serif font family. It was designed by Steve Jackaman over a several-year period, and was released in 2017 alongside its sister typefaces Coliseum Pro and Clydesdale. Torpedo, whose name was inspired by round torpedo warheads, is a visually sturdy font that maintains excellent legibility. Torpedo is flexible in its applications, like its violent namesake; it is explosive at large sizes, and still works efficiently at low profiles.

Pescadero Pro is named for the valley in California's rugged central coast. Early Spanish settlers called the area Pescadero (fishing place) as they observed it was a favorite fishing spot for the local natives. Designed by Steve Matteson, Pescadero is delicate and detailed for attractive documents but robust enough for serious reports and titles. The design is based heavily on calligraphic inscriptional lettering. Pescadero Pro's OpenType features include proportional figures, tabular figures, old style figures and initial swash caps.

Steve Jackaman & Ashley Muir. Packard Old Style is based on lettering drawn by Oswald Cooper for the Packard Motor Company (ATF 1913). The bold weight is credited to Morris Fuller Benton (ATF 1916), but it is highly probable that Benton did the adaptation for both weights. Packard Old Style Pro contains all the high-end features expected in a quality OpenType Pro font.

Frederic Goudy designed National Old Style Roman in 1916. It is loosely based on a logo he lettered for the National Biscuit Company in 1901. Steve Matteson expanded on Goudy’s original by designing a bold, semibold and matching italics. While much of Goudy’s work is strongly influenced by Venetian types of the 15th and 16th centuries - this design has a truly American quality about it. The design is useful for text or headlines that captures a sense of Americana.

The Ascender Sans Mono font family was designed by Steve Matteson as an innovative, refreshing sans serif design that is metrically compatible with Courier New. Ascender Sans Mono offers improved on-screen readability characteristics and the pan-European WGL character set. The Ascender Sans Mono Family (4 fonts) solves the needs of developers looking for width-compatible fonts to address document portability across platforms. Character Set: Latin-1, WGL Pan-European (Eastern Europe, Cyrillic, Greek and Turkish).

The script typeface named Fineprint is based on its designer's own handwriting, or at least as Steve Matteson saw his handwriting on a really good day. Unlike many digitizations of handwriting, Fineprint maintains a consistent harmony and balance across its letters in a line of text. The Fineprint family includes a number of swash and alternate letterforms, which helps pull this quirky personal nature off. Use Fineprint whenever you want to make something appear personal, friendly, or informal!

Hauser Script is a freely drawn brush script typeface, which was designed in 1936 by George Hauser for Ludlow. Hauser took advantage of the slanting matrices of the Ludlow machine to create what is possibly the most informal of American brush scripts. Steve Jackaman of International TypeFounders, Inc. (ITF) digitally engineered the typeface in 1998. Hauser Script has a graceful, calligraphic look that brings class to any project at display and subhead sizes.