Gridiot is a constructed, semi-serif, two-weight stencil family that expands an approach taken by Josef Albers. Intended for display or headline setting, it features chamfered or bevel-cut corners, used instead of curves. The individual letter components sometimes vary in depth, avoiding a strictly modular approach, while the widths are kept consistent. The lining figures provide a standard set of numbers, and the oldstyle figures align with the lowercase, encouraging lowercase-only setting. Currency and other useful numerical symbols are provided in both versions. The zero is intentionally lighter, following early Renaissance types; there are filled versions as stylistic alternates. While horizontal scaling distorts the relationship between verticals and horizontals in a typeface, since every chamfer in Gridiot is at 45°, changing the horizontal scaling of the type will affect all diagonals equally. When used at a large size, or for a just few words, Gridiot can be very tightly spaced. Remember, any idiot can design a typeface on a grid: Gridiot.

Akagi Pro is a complete rebuild and expansion of my popular Akagi typeface. Contemporary, clean, simple and friendly continue to serve as the adjectives for an expansion that includes 250+ additional characters per weight, many new ligature options, expanded stylistic alternates, 4 sets of figures, new symbols, case-sensitive punctuation, superscripts, subscripts, ordinals, expanded language support and two new styles that provide even more flexibility within the lighter weights of the family. When I designed Akagi in 2007, I wanted this new sans serif to "smile" at you — with this new expansion, I hope you smile back. Akagi Pro is economical while keeping a distinctive, expressive personality on the page that distinguishes it from among many of the mechanical/rigid/emotionless sans out there without becoming cliché. Perfect for the page and the screen, the flexible weights available allow for pinpoint selection at whatever size. Each style of Akagi Pro has a robust character set made even more functional with expansive OpenType features. A typesetter's dream — case-sensitive punctuation, tabular and proportional variants of lining and oldstyle numerals, true italics, small caps, expansive language support, an alternate 'g' and 'y', highlight a wealth of features of the typeface. This versatility infused within Akagi Pro will allow it to assume both roles of the utilitarian workhorse and light-hearted go-to typeface — and make the user happy.

The display typeface is a modern take on a classic style. While paying homage to old-style type sensibilities, Sangect Display takes the characteristics of serif type and leans into drama and boldness with strong contrast in stroke width, and soft edges. Sangect Display appearance emphasizes elegance and elegance; ideal for loud and proud headlines. Which is included in the file Capital letters Lowercase Number Ligatures Alternative Symbol Multilingual Accents (Uppercase and Lowercase) The download includes the Sangect Display font in an (Open Type Font) file, and as a (True Type Font) file. If you have any questions, or are experiencing technical difficulties with a downloaded file, please send a message and I will be happy to help you!

In a world of fleeting trends, Silver Archer stands as a testament to enduring elegance and timeless design. Inspired by the classic sans serif typefaces of the mid-20th century, Silver Archer exudes an air of sophistication and refinement, making it an ideal choice for a wide range of typographic applications. With its meticulously crafted proportions and harmonious stroke contrast, Silver Archer strikes a perfect balance between traditional aesthetics and contemporary sensibilities. Its open counters and generous x-height ensure exceptional legibility, both on screen and in print, while its nine weights, ranging from Thin to Black, with each weight complemented by its italic counterpart, provide ample flexibility to suit any design mood or hierarchy.

Magistech is a display font inspired by technology and future design. Designed with modern sensibility build based on slab serif with square letterform, consist in any character either uppercase or lowercase. This font is fit for any design like headline, video, or social media, particularly for future or modern nuances design. What's you get : Standard glyphs Ligatures (Opentype features) Web Font International Accent Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support Image used: All photographs/pictures/vectors used in the preview are not included, they are intended for illustration only. Thank You

Introducing Jillican, the sans-serif typeface that is all about precision and practicality. With its clean lines and geometric design, Jillican is the perfect choice for any project where clarity and efficiency are key. But don’t let its no-frills appearance fool you. Jillican’s simplicity is precisely what makes it so special. This typeface is angled only where necessary, free of any unnecessary adornments or distractions. The result is a typeface that is both modern and timeless, suitable for a wide range of applications. Jillican is available in six weights and italics, giving you plenty of flexibility to use it in any situation. And for those who want to take things up a notch, Jillican offers some exciting variations. Jillican War is a bold stencil style that makes a statement, while Jillican Warpaint adds a touch of artistic flair with its dripping paint effect. For a more dimensional look, there’s Jillican War 3D, a shaded stencil style that brings your text to life. Overall, Jillican is the perfect choice for anyone looking for a typeface that is both practical and distinctive. With its classic British inspiration and computer plotter-drawn aesthetic, Jillican is sure to turn heads and make an impact in any design project. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Mucho Sans is a geometric sans serif type family that comes in six weights with matching Italics. The design is very clean, yet friendly and modern. Some of its characteristics are the generous x-height, the Ascender-height that matches the Cap-height, the friendly looking real italics and the low contrast. The result is a contemporary versatile type family that is excellently suited for both display and text uses and that supports a wide range of languages. Mucho Sans is equipped with many Opentype features such as five numeral styles, numerators, denominators, superiors, inferiors, automatic fractions, alternative a and g, case sensitive forms and ordinals.

French type designer Xavier Dupré created this serif FontFont in 2009. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for advertising and packaging, book text, festive occasions, editorial and publishing, logo, branding and creative industries as well as web and screen design. FF Yoga provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Yoga super family, which also includes FF Yoga Sans.

French type designer Xavier Dupré created this sans FontFont in 2009. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries as well as web and screen design. FF Yoga Sans provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Yoga super family, which also includes FF Yoga.

German type designer Verena Gerlach created this sans FontFont in 2011. The family has 10 weights, ranging from Light to Black (including italics) and is ideally suited for book text, editorial and publishing as well as small text. FF Karbid Text provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Karbid super family, which also includes FF Karbid, FF Karbid Display, and FF Karbid Slab.

Danish type designer Morten Olsen created this serif FontFont between 2003 and 2004. The family has 14 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, software and gaming as well as sports. FF Max Demi Serif provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Max super family, which also includes FF Max.

Accia Moderato is a contemporary serif typeface with moderate contrast and large x-height. It will become a great choice for primary body copy. The font family contains 8 weights from Thin to Extra Bold, with matching true italics. It supports extensive language support including Cyrillic, as well as numerous OpenType features such as small caps, ligatures, several sets of figures, case-sensitive punctuation, ordinals. Accia Moderato is a member of Accia Type System. It encompasses five typefaces ranging from sans-serif to expressive serif, giving you the possibility to create sophisticated cohesive designs. Accia Type system consists of Accia Sans, Accia Flare, Accia Piano, Accia Moderato, and Accia Forte.

Blanket is a friendly, baby-soft typeface with a gentle slant. With the warmth of an italic but less of the speed, it is designed primarily for use on child oriented material. The ‘schoolbook’ a and g are default, but the more adult double storey versions are available through stylistic sets / stylistic alternates. Blanket is child friendly without being childish. Typographically sophisticated, it features a wealth of figure styles, automatic fractions, ligatures, alternates, case sensitive forms and a small spattering of swashes. Although the intent was to make a typeface fit for children’s books, the finished product works well anywhere a casual (but not sloppy) look is desired.

Designed in 2012 by Olivier Gourvat, this font family is inspired by the euskaran (basque language) font. Redesigned with modernism, this new font respects the traditional euskara language with lowercase addition. These nuances give Kara a traditional appearance for both text and headlines, but can be used for many more applications such as titles, decoration, posters, cartoons... Kara Text & Display support a wide range of languages, with more than 500 glyphs and OpenType features like case-sensitive forms, contextual alternatives, stylistic alternates, fractions, proportional and tabular figures. With its 2 fonts, Kara is an ideal font family for text, brand identity, signage, print and web design.

Polish type designer Lukasz Dziedzic created this sans FontFont between 2006 and 2008. The family has 84 weights, ranging from Thin to Ultra in Compressed, Condensed, Narrow, Medium, Wide, and Extended (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design. FF Clan provides advanced typographical support with features such as ligatures, small capitals, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

German type designer Erik Spiekermann and American type designers Christian Schwartz and Josh Darden created this display and sans FontFont in 2005. The family has 12 weights, ranging from Light to Black in Compressed, Condensed, and Normal and is ideally suited for book text, editorial and publishing as well as poster and billboards. FF Meta Headline provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with tabular lining and proportional lining figures. This FontFont is a member of the FF Meta super family, which also includes FF Meta, FF Meta Correspondence, and FF Meta Serif.

Sofia Soft is the rounded version of the successful Sofia Pro family. This softer variation with rounded strokes gives Sofia Soft a unique geometric sans friendly aspect for display uses, texts and headlines, branding, signage, print, and web design projects. Sofia Soft is the ideal companion to Sofia Pro and improves the versatility of the global font family with optimized spacing and kerning for print and display. Sofia Soft supports extensive languages such as Western European, Central and Eastern European languages. Available in 8 versatile styles, all weights contain the same Opentype features as her sister font with case sensitive forms, stylistic alternates, localized forms, standard ligatures, lining, and oldstyle figures.

Created by Olivier Gourvat in early 2013, Metronic Pro is a sans-serif typeface with a technological and minimalist look for text and headlines. It has six versatile weights from Air to Black with an alternative glyph set to improve its use in different graphic contexts. Metronic Pro has a wide range of OpenType features such as: old style and proportional figures, ligatures, case sensitive forms, fractions, stylistic alternates, arrows and an icons/ornaments set. This set of 60 icons, directly inspired from the typeface improves the OpenType features and can be quickly and easily use in your web design, GUI design, graphic design or any other graphic work.

TT Slabs Condensed update 1.110 What’s new. • Case Sensitive Forms • Tabular Figures • Fractions • Numerators • Denominators • Superiors • Scientific Inferiors TT Slabs Condensed it is a condensed version of our TT Slabs font family. This new version is designed for strong headlines and design presentations. Very well suited for designers who create Identity and logos, as well as for interior design and navigation. The special features of the typefaces include the classic formula: Thin, Light, Regular, Bold & Black. Scope: food packaging, packaging of household appliances, newspapers, magazines, headers, signs, theatrical scenery, logos, interior design, decoration of shops. Optimized for the websites, mobile applications, and printing materials.

Gomme Sans is a wide and masculine sans-serif family for text designed by Ryoichi Tsunekawa and the whole family consists of 6 weights from ExtraLight to ExtraBold and their matching Italics. The basic concept of this family is not only to make an impact by masculine, squarish letter form but also to be legible and readable even on small size screen by the sophisticated design, and their large x-heights. Gomme Sans supports almost all European languages: Western, Central, South Eastern Europeans and afrikaans. And proportional figures, superior figures, inferior figures, denominators, numerators, fractions, ordinals and case-sensitive-forms can be accessed by using OpenType features.

As the name, Clarina Sans is sans serif type family with two weight plus matching italics. Clarina Sans was desinged in 2018/19, influenced by geometrics typeface from handbook and newspapers in 80's during studying that have a good legibility. Clarina sans with medium to high x-heigh and geometric correction and smoothed corner has more elegant visibility, readable, and save space altogether. Its perfect for book, newspaper, web, logos, magazines, posters, and most other design. Equiped with more than 700 glyphs for eachs cut (latin plus, greek, cyrillic), ligatures, kerning, case sensitive for diacritical mark modifier, Clarina Sans has wide range languages coverage.

French type designer Xavier Dupré created this sans FontFont in 2005. The family has 10 weights, ranging from Thin to Bold (including italics) and is ideally suited for advertising and packaging and logo, branding and creative industries projects. FF Absara Sans provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Absara super family, which also includes FF Absara, FF Absara Headline, and FF Absara Sans Headline.

I created the »EXEC« sans font during the years 2018 to mid 2020. The »EXEC«-Corners-family is a very special, unusual design. »EXEC«-Corners has 7 weights, ranging from Thin to Bold (plus 7 italics). This exceptional font is suited for editorial, book text, advertising and packaging, logo, branding, small text as well as web and screen design. »EXEC«-Corners has advanced typographical support including ligatures, small caps, alternate characters, case-sensitive forms, fractions, super- and subscript characters. »EXEC«-Corners comes with a range of figures—oldstyle and lining figures, each in tabular and proportional widths. »EXEC«-Corners supports Basic-, Western-, and Central-European Latin-based languages including Turkish.

Dutch type designer Just van Rossum created this display and sans FontFont in 1992. The family has 5 weights, ranging from One to Five and is ideally suited for advertising and packaging, film and tv, music and nightlife as well as poster and billboard projects. FF Advert Rough provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Advert super family, which also includes FF Advert.

French type designer Xavier Dupré created this sans FontFont in 2009. The family has 6 weights, ranging from Regular to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards as well as web and screen design. FF Masala provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Masala super family, which also includes FF Masala Script.

June was first published in 2019 but it got a redesign and upgrade in the character set. It now supports Latin Extended and Vietnamese. It also has OpenType features such as stylistic alternates, case sensitive punctuation, small figures, arrows, superscript, subscript, fractions, and many more. June Pro was inspired by the work of Adrian Frutiger and his exploration into font design and legibility. June Pro is a modern sans-serif family in 10 weights ranging from Thin to Heavy with true italics. It was designed with legibility in mind. It is a versatile and distinctive font that makes it useful for various applications like editorial, web design, or branding.

German type designer Siegfried Rückel created this display, serif, and slab FontFont in 2003. The family has 6 weights, ranging from Light to Bold (including italics) and is ideally suited for advertising and packaging, logo, branding and creative industries as well as poster and billboard projects. FF Alega Serif provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Alega super family, which also includes FF Alega.

German type designer Verena Gerlach created this slab FontFont in 2011. The family has 10 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing as well as logo, branding and creative industries. FF Karbid Slab provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript character, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Karbid super family, which also includes FF Karbid, FF Karbid Display, and FF Karbid Text.

Strato Pro font family is a modern serif typeface family with readability and legibility in mind. Inspired by Classic Roman typeface design, Strato Pro has 16 weights, which range from book to black with small caps, and an ornament set if you want to give your creation a distinctive elegance. Strato Pro includes functions with all the OpenType features you would expect in a modern serif font family, such as stylistic alternates, discretionary ligatures, pro kerning, ornaments, language support, case-sensitive forms, old-style figures, and many more features. Strato Pro has an extended character set to support Central and Eastern European as well as Western European languages.

Gorga is a modern sans serif with Grotesque touch. With 6 Fonts with 3 different weight and matching italic version of this fonts. Inspired by a Geometrical fonts and also Humanist Sans serif. This fonts are most try and error when I'm working on it for a better readiblity and legibility. Gorga comes with Opentype features that help some of the important areas. The Opentype features available on this fonts such as : Ligatures, Discretionary Ligatures, Contextual Alternates, Fraction Height Number Sensitive, Small Caps, Numerators, Denominators, Superscripts, Scientific Inferiors All of the Fonts are support for Multilanguage, Carefully Crafted. Even on the small caps there are available diacritics set.

Canadian type designer Nick Shinn created this display, script, and sans FontFont in 2001. The family has 8 weights, ranging from Ultra Light to Extra Bold (including italics) and is ideally suited for advertising and packaging, festive occasions, film and tv, music and nightlife as well as software and gaming. FF Fontesque Sans provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Fontesque super family, which also includes FF Fontesque.

German type designer Jörg Hemker created this sans FontFont in 2002. The family has 16 weights, ranging from Extra Light to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries as well as sports. FF Zwo provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Zwo super family, which also includes FF Zwo Correspondence.

Finnish type designer Julia Sysmäläinen created this script FontFont inspired by Franz Kafka’s manuscripts in 2008. The family contains several styles and is ideally suited for unique visual identities, festive occasions, music and nightlife as well as software and gaming. FF Mister K provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript character, and stylistic alternates. This FontFont is a member of the FF Mister K super family, which also includes FF Mister K Dingbats , FF Mister K Informal , and FF Mister K Splendid . Find more information on FF Mister K’s very own Website ffmisterk.com .

French type designer Albert Boton created this serif FontFont in 2003. The family has 8 weights, ranging from Light to Bold (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing as well as logo, branding and creative industries. FF Page Serif provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Page super family, which also includes FF Page Sans."

Leapfrog is a friendly and restless cursive font with no baseline containing 3 glyph variations per character. Each variant of the glyph is slightly different and is replaced randomly as you type, giving the impression of a unique handwriting. The font is suitable for logos, large headlines, posters, signs, children's books and comics. Its character is cheerful, kind and playful due to the random set and rounded stroke endings. Leapfrog contains extended latin, cyrillic, ligatures, peace sign and frog, the total number of characters is 1902. It contains OpenType functions: liga, numr, dnom, calt, ss01, ss02. The font is also case sensitive, has fractions, currency signs, and arrows.

Actay Font is an elegant and remarkable family with its highly legible geometric lines. Crowded family members are divided into three separate groups: Normal, Condensed, and Wide. Each group has 20 weights. Actay Font also provides Cyrillic Alphabet support, providing unlimited possibilities in many languages and will not let you down. The fluent functionality of Actay is achieved with multiple OpenType features, such as case-sensitive forms, contextual and stylistic alternates. The standard numerals set encompasses tabular figures and symbols, superiors and inferiors, numerators and denominators, plus fractions. Thanks to its corporate structure, Actay can be shaped and used in accordance with many design trends.

German type designer Siegfried Rückel created this sans FontFont in 2008. The family has 10 weights, ranging from Regular to Black (including italics) and is ideally suited for advertising and packaging, festive occasions, logo, branding and creative industries as well as web and screen design. FF Nuvo provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Nuvo super family, which also includes FF Nuvo Mono."

Neogram is a modern neo-grotesque type family inspired by the early roots of Swiss design. The concept was to create a neutral typeface that would demonstrate great clarity while understated in its intended use and application. Stroke contrast is slightly increased, with a more geometric letter shape giving a warmer and more robust personality. Neogram is now available as version 2.0 (2021); the remastered letterforms meet a higher level of technical standards demanded by modern-day users. Details include nine weights with matching italics, three variable widths, 540 characters, five variations of numerals, Opentype features inferiors, superiors, fractions, case-sensitive punctuation, and language support covering Western, South and Central Europe.

Mesa is a revival of an old pointed Tuscan font from the MacKellar Smiths and Jordan type foundry called Broad Gauge circa 1874. This new version offers a few alternates including half slab and full slab uppercase A's. Opentype case sensitive forms are also included in the Mesa font family. We started production on this font in 2009 but set it aside to work on other projects, we're pleased to have finally finished it. If you're a Grillmaster or Pitmaster you're going to love this font for your new business logo t-shirts and other merch. To all you Grillmaster's and Pitmaster's out there, Keep On Smokin'