A 1949 piece of piano solo sheet music entitled "Playing Jacks" contained the title beautifully hand-lettered in a stencil-like alphabet. Finery JNL is the digital version of this design.

Marin, a name that is associated with water and ships, looks very confident and follows the ideas of Eurostile, but in a stencil design. Marin was designed for the URW++ FontForum.

Gaffer is a simple little font! The backward slant, large x-height and short ascenders/descenders give the font a casual handwritten look. I’ve included some extra ligatures (ffi, ffl, ff, ks, tt, tf, ft, st) which will substitute automatically when used with OpenType savvy applications. Use Gaffer for projects where you need a casual look: on the web, scrapbooking, greeting cards, emails or a letter to a friend. Where would *you* use Gaffer?

Yaro is a modern sans serif geometric font, includes upper and lower case characters, Latin, Cyrillic, Latin Extended symbols and other. The Yaro family consists of 20 fonts, divided into 4 subgroups (according to the type of style - St, Op, Rg, Cut, Bl), and have the 4 types of thickness in each subgroup. Yaro fonts will be useful in developing a brand, creating posters and other graphic products, and for word processing.

Pietra is a Baroque-inspired, all-majuscule type design, based on the massive five-foot tall mosaic lettering high above the floor in St. Peters in Rome. The font includes two sets of capitals: full sized, proportioned on the actual lettering; and small capitals, scaled vertically to capture the foreshortened effect of viewing the lettering from the floor. It was designed by Garrett Boge in 1996. Pietra is part of the LetterPerfect Baroque Set.

21 Cent - not Century or Clarendon. This is an original font family designed from scratch. 21 Cent is named after a magical coin that brings good luck. And well, in honor of the 21st century, of course. 21 cent family is used in the almanac of the State Hermitage Museum, St. Petersburg, Russia. All members of 21 Cent family include the expanded character set of with support of Cyrillics, Central European and Baltic languages.

Introducing! New Elegant Script Font. Just Sunday! Just Sunday is modern feminine font, every single letters have been carefully crafted to make your text looks beautiful. With modern script style this font will perfect for many different project ex: logo, photography, watermark, quotes, blog header, poster, wedding, branding, logo, fashion, apparel, letter, invitation, stationery, etc. Just Sunday also includes Regular and Bold, full set of uppercase and lowercase letters, multilingual symbols, numerals, punctuation. The font has smooth wet ink texture, so would be perfect for all types of printing techniques+you can do embroidery, laser cut, gold foil etc. Just Sunday has beautiful ligature following : Ju Su St af ah ak al am an as at ay ch ck cl ct dd ef eh ek el em en es et ey ff if ih ik im in il is it iy ll nn oo sh sl ss st tt uf uh uk um un ul us ut uy Contact me if you have any questions: dharmasahestya@gmail.com Thanks! dharmas Std

Dripps is a handpainted, stenciled typeface with lots of drips and two different sets of capital letters – no lowercase. Sometimes I enjoy doing the rough stuff, your brutal type designer Gert Wiescher

Stencimilla is a distressed stencil typeface with two different sets of capital letters - no lowercase. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Rima is a stencil display face with imposing slab serifs, designed to suggest strength, confidence, expertise and efficiency. Regular and Bold weights are included along with two handy italics (optically corrected obliques).

Scape is a precisely drawn, contemporary stencil face built from a single weight rounded end stroke. The fine, linear rounded forms create a subtle contrast to the raw utilitarian nature of the stenciled characters. Extremely versatile, Scape is highly legible due to it’s upright, consistently balanced sans letterforms. Stylistically, it exemplifies refinement and clarity with an distinct edge. Features include: Precision kerning Expanded ligature set Alternate characters (O, _, ®) Alternate zero Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

There are very few Western-style stencil digital fonts available, hence Overland Stage JNL. In the days when stage coaches, wagon trains, the Pony Express and the first transcontinental railroad crossed the landscape of this country, merchants shipped their goods any way possible to the growing territories and states. Picture wooden cases filled with dry goods, hardware or foodstuffs marked in hand-cut stencil lettering and nailed shut for their cross-country journey. Companion fonts to complement this design are Frontiersman JNL (Western lettering with an inline engraving) and Frontiersman Black JNL.

Waldo is a bold, stencil-focused display typeface loosely based on a 1973 science fiction movie poster for "The Battle For The Planet of The Apes". Narrow rectangular slots cut into heavyweight forms create a stylish and energetic font ideal for apparel, books, film titles, packaging and posters. Included in the font are over 400 characters with four unique styles; Black, Stencil, Outline, and Shadow. Opentype features consist of digital numerals, tabular figures, numerators, denominators and fractions. Other features cover alternate lowercase f and r, with language support for Western, South and Central Europe.

Lerum this is elegant stencil font. Classic serif, bold weight, stencil style, it all carries this font and with it in highlight the main thing, make a title or logo and much more. It can also be more expressive and playful, thanks to the many alternates that are harmoniously combined in this font and make it more attractive and expressive. Try to change the alternatives, ligatures and you will get a lot of options for your project that will make it unique. This font is easy to use and has OpenType features.

Lewis is a stencil typeface inspired by vintage sign painting. Lewis is designed for display use within printed publications as it has a high contrast of organic forms. Lewis consists of 3 styles; Classic, Display and Inline. Each style is based on the same skeleton but with a different personality. The Classic style is a simple and elegant stencil typeface which is also the original structure of Lewis. The Display style features intertwined flourish like parts and the last member of the family is the Inline style which features subtle internal details.

Simarigo is a serif-stencil display font with a unique shape. Simarigo has an interesting combination of typography, crafted from serif shapes that make it elegant and luxurious, yet one of those stencils that are abstract and strong. You can use this font in modern, vintage and retro design. This font is perfect for a variety of projects, such as branding, poster displays, logo designs, magazine, headline, sticker and more. Simarigo font feature open type, kerning, ligatures, and alternative styles. Simarigo font include uppercase, lowercase, numbers, punctuation and multilingual support.

Stenzilla is a stencil font based on a rounded sans serif, a careful design, with cuts on the same diagonal axis for the curved strokes and elegant slight curves on the oblique strokes. Useful for branding, highlighted paragraphs, signs, headlines, or reading text. The design incorporates characters from the Cyrillic alphabet, special characters, and characters with diacritical marks. It has the versatility of a sans serif that allows it to be used in a wide variety of designs and styles along with the cut-stroke grace of a stencil font.

We want to create a different feel for the stencil font style. Usually stencil fonts are synonymous with military, retro and bold characters, but here we created the MANDAY font with an elegant and attractive stencil style for a modern design, combined with a subtle swash. In addition to swash in the MANDAY font, there are also many alternative character shapes and unique Discreationary ligatures. So the MANDAY font is very worthy of being a font collection on your computer for projects with a unique and charming elegant concept. Sans serif typefaces such as "MANDAY" are very easy to apply to any design, especially those with an elegant, modern and classic, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The "MANDAY"contains 800 glyphs with many unique and interesting alternative options.

An image for a travel poster for the resort of Tulum, Mexico with its 1970s-era highly stylized semi-stencil type design inspired Vacation Mexicana JNL; available in both regular and oblique versions.

Modeled from a set of individual painting stencils, Mess Hall JNL is named for the armed services cafeteria where thousands of enlisted men endured bland, boring meals day in and day out for years.

A stencil font you won't find anywhere else. Part of Market LTD, a collection of limited faces, mostly alpha-numeric and some just plain numeric, used primarily in retail and display situations and titling.

Clobber Grotesk is a grotesk typeface family designed for high readability. It includes a range of weights and a stencil variant. The terminals of the letterforms are slightly flared in order to increase legibility.

Road Repair JNL is a bold (hand lettered) sans serif stencil font based on the opening credits from the 1954 film “Drive a Crooked Road” – and is available in both regular and oblique versions.

Generisch - a german equivalent of generic - sans serif typeface has gain its own place among designers and earn such popularity due to its "simple" design. Generisch is influenced by early grotesk typefaces from early 1900's when sans was starting to get popular and used as a body type. Some old ligatures such as ch ck and ng are present in generisch (not the ct and st tho), old style numeral for better typesetting experience and more.

A bit of Victoriana whimsy from this set of two fonts is heavily inspired by a variety of 19th Century faces without being a direct revival of any one in particular. Undulating curves, swirly terminals and bifurcated semi-serifs give these faces plenty of character. Both fonts include f ligatures and ct/st ligatures. Clementine Curly includes a full set of alternate curly caps as opentype alternates making it essentially a bonus font within a font!

Retro-futuristic styling infuses Kempt with the humming glow of a space shuttle control panel, bringing energetic radiance to page and screen. With quasi-LCD, neon, and stencil influences, Kempt shines through in any application.

By twisting and weaving separate strands of rope together, a stronger TWINE is created. The distinctive “valleys” that give the twine its twisted and wavy appearance is the result of the twining process. Similarly, TWINE the font, is an exaggerated representation of the calligrapher’s individual pen strokes that create a cohesive character which is enhanced with the stencil. Unlike other stencils, TWINE emphasizes calligraphic strokes, so you will find it very legible even in small point sizes. Check it out! Furthermore, twine is inspired by Plantin, an old-style serif typeface named after the printer Christophe Plantin, which is based on the 16th century Gros Cicero face cut by Robert Granjon. Twine is a great choice when you need a font that is timeless, contemporary and distinctive. Perfect for Advertising, Corporate identities and Packaging design, Museum display, Technology, Hospitality, Travel, and Retail applications. Twine is available in TWINE Regular, TWINE Italic, TWINE Bold, TWINE Bold Italic. It is a Stencil that is Distinctive, Contemporary, and Timeless.

Dwiggins Uncial is based on calligraphy by William Addison Dwiggins that he created for a self-penned short story, which appeared as an insert in the book-arts publication The Dolphin in 1935. This self-described “experimental uncial” lettering features rather unusual treatments of letterforms which combine manuscript calligraphy with modern idiosyncrasies. Dwiggins Extras is a set of decorative extras features 62 stencil and woodblock motifs adapted from abstract and representational Dwiggins designs. Although Dwiggins illustrated a number of books using conventional media, he is best known for his method of illustration that uses a series of hand-cut celluloid stencils or what he called “machine ornaments.” With these stencils Dwiggins (and other designers who use his ornaments) build-up repeated motifs and patterns into abstract designs and/or representational images which have a look that is uniquely Dwiggins’ own. Unlike other illustrators, Dwiggins’ style has not been commonly imitated and therefore his style is as distinctive today as it was 70 years ago.

We want to create a different feel for the stencil font style. Usually stencil fonts are synonymous with military, retro and bold characters, but here we created the Kronaby font with an elegant and attractive stencil style for a modern design, combined with a subtle swash. In addition to swash in the Kronaby font, there are also many alternative character shapes and unique Discreationary ligatures. So the Kronaby font is very worthy of being a font collection on your computer for projects with a unique and charming elegant concept. Serif typefaces such as "Kronaby" are very easy to apply to any design, especially those with an elegant, modern and classic, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The "Kronaby"contains 756 glyphs with many unique and interesting alternative options. In addition to the regular font, there is also an italic version of the Kronaby font.

Before ink jet and laser printers; before copy machines, the main way to make multiples of anything not provided by printing press was by a mimeograph machine or spirit duplicator. The mimeograph utilized a porous drum which inked the backside of a waxed stencil sheet. Unlike traditional stencils which have cut out areas that are directly inked or painted, a mimeo stencil has the area to be printed scratched away by removing the wax coating with a stylus. The resulting image allows the ink from the drum to seep through the sheet and transfer to the blank paper. Based on a plastic lettering guide once manufactured by the A.B. Dick Company of Chicago, Mimeograph Template JNL is available in regular and oblique versions. Albert Blake Dick, the company’s founder, coined the term ‘mimeography’. The font’s character shapes follow the routed letters of the template, complete with rounded terminals. An earlier font release [designed with flat terminals and some alternate characters] is available as Interoffice Memo JNL.

The hand lettered, condensed stencil title on a movie poster for the 1950 film “Customs Agent” inspired both the digital typeface and the font’s name. Customs Agent JNL is available in both regular and oblique versions.

An old set of brass stencils spotted for sale on eBay were the inspiration for this font from Jeff Levine. Redrawn completely from scratch, Jeff retained the narrow "M" and angled corners found in the original.

Talbot Type Kitami is a minimal, geometric, stencil display font, inspired by Herbert Bayer’s Universal Typeface, created at the Bauhaus in the 1920s. Each character is created from a single continuous stroke, or combination of strokes.

A futurist inspired geometric stencil in clean and rough versions. This design approach was distilled into a more regular typeface in Futura Black; State takes its inspiration from the more eccentric designs that predated that font.