Reso is an experimental geometric typeface built from a pointed arch module. Its minimal and contemporary letter shapes makes it well suited for logo design, headers and short texts. Five weights are available in OpenType format. The fonts include some standard OpenType features and support for most European languages.

The Pixel_Block font-family is specially designed for use with Flash so that it doesn't blur or fill. In contrast to most other pixelfonts Pixel_Block also works well in dynamic and input text fields. Pixel_Block fonts include a full character set and also contain outlines for any print application.

Faizer is a slab serif typeface font with a display theme. Great for presentations, billboard fonts, logo fonts, and more. Faizer has 3 styles, regular, rounded, and outline. The faizer also features alternates with bouncing styles, as well as alternate lowercase and alternate numbers with in-circle styles.

Ameo is a modern sans-serif font with flowinglines with sharp edges. The font has three sizes: bold, regular and light. Uppercase, lowercase letters, as well as numbers and symbols are included. Ameo is a simple font and has a modern look, so it will suit many projects

Catshape is a font of dingbats, which in combinations with uppercase and lowercase you can generate multiple characters with different textures. In addition to a set of ornaments and a font called Alquitran Stencil, it was designed for different graphics. I hope you can have fun with this font!

Huxley Vertical meets Peignot in this stylized cap/lowercase hybrid design called Ambule. French designer Julien Janiszewski has created a clean, straightforward design that is strikingly effective in both text and display settings. Ambule Oblique and Ambule Outline complete the typeface family, extending its range of possible uses.

A 1911 movie poster for a film called “How Bella Was Won” from the Edison studios had the name “Edison” hand lettered in a bold, spurred sans serif design. These few letters became the basis for Movie Show JNL, which is available in both regular and oblique versions.

The font Donau is named after the german name for the river Danube. It is an art nouveau inspired sans and slab serif typeface, sharing proportions and widths across two weights. It is intended for any kind of display use as well as short amounts of text. Enjoy!

Alderamind is a modern-themed san serif font with alternates and ligatures in it. You will get as if two fonts from Alderamind, because Alderamind has a full alternate in the uppercase. This font is perfect for logos, as well as other needs. immediately get our best offer.

Following up on the LP Saturnia, which is a modern interpretation of the classic Roman letterforms, comes the LP Saturnia Sans. While keeping the clear forms, this well-balanced Sans transports the original draft even further in the modern and at the same time preserves its classic character.

The movable letters used on temporary road signs in the U.K. inspired this utilitarian typeface. Also included in the font are numerous other carriageway symbols and emblems. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

The Hills is a script typeface, perfect for logotypes. Designed by Måns Grebäck during 2017, this high quality lettering brings you to the sunny fifties. It is well balanced and has a nice medium weight. The font contains 350 glyphs and has support for a wide range of languages.

Show you school spirit with this sporty, collegiate font. These big chunky serifs let the world know you speak with authority, and they'll read your message clear as a bell. It's like a traditional college font, but it's got a chanky flair. Good for hockey jerseys and house parties.

A mono-weight, bifurcated serif typeface in all caps. Based off of an old classic French biscuit logo. This distinctive vintage display typeface can also evoke edgier sentiments when set in a moodier context, as well as making for a playful option when set in a soft colour palette.

Florencia flows with the spirit and excitement of a beautiful dancer. Its extended and flowing letterforms are designed to glide across the page. This contemporary script is perfect for any project that calls for a spicy, exotic feel. Florencia includes OpenType swash alternates, old style figures and ligatures.

Here's Imaginary Cash - it features a full set of crusty upper- and lowercase letters, as well as ligatures for the most common double-letters (bb, cc, dd, ee, ff, gg, hh, kk, ll, mm, nn, oo, pp, rr, ss, tt, ww, xx and zz) Included is also multilingual support

Thornton is a bold script that looks elegant when used for your design. It's also elegant and modern and works well with your design interests, be it for logos, branding names, posters, podcasts and so on. Features 1.Uppercase & Lowercase 2.Numbers & Punctuation 3.Multilingual Support 4.Ligatures

The 1992 edition of The Solotype Catalog called this singularly strange typeface "Wilcox Initials". In case you're interested, this version features ducking accented lowercase characters. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Jaquizaca is hand drawn type to go well with vector illustrations. Jaquizaca was created in 2001 to make inter-titles for a TV-programme. After twelve years it was revised and updated with ligatures, contextual alternates and other OpenType features. It supports all the European languages using Latin alphabet.

A signpainter's chapbook called this style Show Card Casual, although "casual" might be understating the case a bit. Guaranteed to put some fun, and a wee bit of mischief, into your headlines. Both versions of this font include the complete Latin 1252 and Central European 1250 character sets.

Ansley - A Lovely Script Font by erlosDESIGN Ansley is a romantic, elegant and flowing modern calligraphy font. It has beautiful and well balanced characters and as a result, it matches a wide pool of designs. This font is perfect for invitation, wedding decoration, signs, logos, quotes and more!

Delicately swirled BabyDoll includes eight assorted dingbats, and like all Burghal Design fonts, includes upper and lower case letters, as well as numbers, symbols, punctuation, and accented foreign characters. BabyDoll is so cute and sweet, you just may get a cavity. Please remember to brush and floss regularly.

Italian type designer Alessio Leonardi created this display FontFont in 1994. The font is ideally suited for festive occasions, music and nightlife as well as software and gaming. FF Cavolfiore provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

Because of the geometric basis of its forms, Memphis is often thought of as a font for technical fields, making a rational, purposeful impression. This emphasis on objectivity is well-suited to technical texts, but Memphis is appropriate for any text which should exhibit a clear, neutral character.

Sales Event JNL is an inline sans that was modeled from examples of old wood type. Its casual, cheerful style well suits point-of-sale signage or banners, fun headlines and relaxed themes. The font is available in both the regular inline version and the black (solid) version.

‘My Darling’ is a stunning new typeface by Alex Kaczun. Inspired by the Didone shapes, ‘My Darling’ incorporates some Didot, a little Caslon, a splash of Scotch and a pinch of old Times. This unique display, with its high-contrast strokes is playful, formal and just a bit ‘sexy’. The swash capital terminals and lively curves, give this design a unique and distinctive look. It works well as a headline font, and because it was designed with generous counters, proportions and spacing—works equally well over a large range of text point sizes. My Darlings' character set supports most Central European and many Eastern European languages. Alex hopes to add many style variations, along with alternate glyph sets and weights to further enhance this offering. Stay tuned!

Remember those plastic Popsicle sticks that clicked together and you could make things from them with your sticky little fingers? Things like... camp crafts. Well, no� Of course you don't. You were too young. That�s why there is Campcraft. This is a fun loving dot-matrix font, or it would be a fun loving dot-matrix if the vertical and horizontal grid lines didn't pile up at the intersections. Then again, it wouldn't be any fun if they didn't pile up at the intersections, would it? Strictly a display type... Campcraft is excellent for what the name suggests. I goes well with Christmas sweaters, beaded jackets and purses and that time when we were all happy children with sticky little fingers.

Xyngia is a professional modern sans serif typeface. Thanks to its excellent legibility it is a great choice both for on-screen use as well as print purposes. Xyngia is designed for use in long and short paragraphs of text, headlines and user interfaces. Its design nuances gives it distinctive character making it an interesting option for brand identification and logo design. Xyngia consists of 22 fonts - 11 weights and their corresponding italics. It has extended language support (over 1000 glyphs) and true italics, as well as broad number of OpenType features, such as small caps, case sensitive forms, standard and discretionary ligatures, stylistic sets, contextual alternates, lining, oldstyle, tabular and small cap figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

Supria Sans™ and Supria Sans Condensed is an extended family of 36 fonts designed by Hannes von Döhren. It contains two widths, six weights and three styles, including the curvy, feminine Italic as well as the more conventional Oblique. Although it is inspired by the utilitarian clarity of Swiss type design, subtle curves and fine detailing impart a more playful character to the whole Supria Sans family. Supria Sans™ is equipped for complex, professional typography. As an exclusively OpenType release, these fonts feature small caps, five variations of numerals, arrows and an extended character set to support Central and Eastern European as well as Western European languages. Supria Sans™ received the “Certificate of Excellence in Type Design” at the TDC2 (2011).

New Millennium is one of three font families that share a common name, a common design philosophy, a common x-height, and basic character shapes. (The others are New Millennium Sans and New Millennium Linear; all three work well together.) New Millennium is a serif face of what some might describe as a "modern style." But although it has flat serifs, it differs markedly from, say, Bodoni or Didot -- especially in the italic, which is a radical departure from tradition. (The bold styles are in fact sans-serif, identical to those of New Millennium Sans.) There's also a nice, dark Headline style for display text. New Millennium is a distinctive, legible, accessible text face that might be well suited to, say, scientific documentation.

Danish type designer Ole Søndergaard created this display FontFont in 2011. The family contains 3 weights: Book, Bold, and Black and is ideally suited for advertising and packaging, film and tv as well as music and nightlife. FF Signa Stencil provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic writing system. This FontFont is a member of the FF Signa super family, which also includes FF Signa, FF Signa Correspondence, FF Signa Serif, and FF Signa Serif Stencil.

CAL iWasLike™ Pro is totally for sure the amazing friendly font you need for, like, everything! Its conversational tone makes reading fun and enjoyable! Designed for friendly, paragraph reading ease on screen or medium res print, with the full set of OpenType features. It's design gives it the most even text shade for digital fonts, and has less holes in the text for easier reading. iWasLike™ is a large x-height, informal text and caption font designed to render well for Apple Quartz and Microsoft devices, low res to high res printing, with full Western Central European, and Turkish support, small caps, superiors, inferiors, fractions, as well as some special additions like music symbols, pricing feature, arrows, and two sets of circled numbers.

Calton is a utilitarian workhorse sans serif family. It’s designed to work in as many environments as possible, from small text to big headlines. The roman and italic styles work well for any typographical situation while the stencil really packs a punch and shines as a display family. The design has a hint of familiarity from classical humanist sans serifs, but the proportions are much more economical and the detailing is distinctly modern. All styles come in eight weights, from Thin to Black and the family is well suited for film and TV, advertising, editorial design, packaging, branding, logo, sports, web and screen design. The family is available in multiple bundle options so check out the different choices. The family package is available with a bargain price.

British type designer Chris Burke created this serif FontFont in 1994. The family has 10 weights, ranging from Regular to Black (including italics) and is ideally suited for book text, editorial and publishing as well as logo, branding and creative industries. FF Celeste provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic and Greek writing systems. This FontFont is a member of the FF Celeste super family, which also includes FF Celeste Sans and FF Celeste Small Text.

Midpoint Pro is a soft sans-serif typeface with a modern technical look. Its spurless design creates a perfect balance between static rigid verticals and softened endings. The interplay of open and closed forms suggests increased legibility in small sizes and results in a vivid texture. The typeface will serve for a number of purposes, including posters, corporate branding or screen design of any kind like web or UI layouts. Midpoint Pro comes in 9 weights + oblique styles, each supporting numerous Latin-based languages as well as major Cyrillic languages. It is packed with OpenType features like ligatures, small caps, 4 sets of digits, 2 stylistic sets, superiors and inferiors, fractions, ordinals, respective punctuation varieties including all-cap punctuation, as well as language-specific alternates.

Inspired by the elegance of Herman Zapf’s designs crossed with the readability of early 20th century Gothic fonts by Morris Fuller Benton, 19-PRA is a sans-serif with a visible stroke contrast and a humanist tone of voice. The large x-height seen in fonts like News Gothic and Palatino increases legibility and condensed proportions give excellent readability making it perfect for newspaper and magazine publishing. A typeface that can serve for both body text and titling the uppercase excels for headlines and renders beautiful brand names when tracked out. It sets well with both a serif or sans serif and has various open type features including: 12 standard ligatures, 3 discretionary ligatures, tabular figures, old stye figures as well as European accents.

Like the graceful movement of a ribbon, Quiverleaf® CF glides effortlessly from letter to letter. Five weights – from a delicate, yearning thin to a hearty extra bold – combine with striking italics and wide language support for a well-rounded and expressive typeface. Quiverleaf's versatile design allows for both beautiful text and airy headlines. Quiverleaf® CF pairs well with itself at contrasting sizes and weights; it can also be used effectively alongside both sans typefaces like Greycliff® CF, and simple humanist designs like Artifex Hand CF. Quiverleaf is also available in an Arabic version, Quiverleaf Arabic CF, which pairs perfectly with the original Quiverleaf for multi-script visual design. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Sackers Gothic is part of the larger Sackers series, a collection of fonts drawn from templates for producing engraved stationery and social cards by Gary Sackers, a Charlotte, North Carolina intaglio printer. Many typefaces were made from similar sources, including Monotype’s Engravers series, as well as Jim Spiece’s ITC Blair, and Mark van Bronkhorst’s Sweet Sans. Sackers’ typefaces, which were initially made into photo-set type, were digitized by Compugraphic and released in the late 1980s. Sackers Gothic has since become a popular choice for conveying sincere and plainspoken language on dust jackets, posters, and of course, in stationery. The face pairs well with display faces of a disparate nature, and serves as a ready foil for anything requiring an air of typographic sophistication.

Brosse is a family of slabserif faces which emphasise clarity and geometric cleanliness of line, in a 'Brave New World' sprit that harks back to the 1930s and possibly also to postwar rebuilding in the 1950s. Its clear legibility makes it ideal for poster work and titles, as well as for signage of any kind. Eight faces are offered, regular and italic, bold and bold italic, as well as a condensed face and a bold weight thereof. There are also two decorative forms- outline and embossed faces. All faces include a large character set and extensive Opentype features. A Demonstrater version of the regular face is also offered free of charge-this is fully licensed but has a signnificantly reduced character set.

Lina sans is an Arabic typeface from Lina type family, it expresses modern vigor based on simplicity and clarity. It's Strong, Bold, legible, clear, simple, Modern. With a handful set of OpenType features and alternatives. Lina type family consists of Lina soft, Lina sans, Lina round. the design is inspired by the Kufic calligraphic style and influenced by the Naskh style. Lina sans was highly crafted in order to perform well both on screen and in print. The large x-height and open counters make it function well even on small font sizes. It has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv. Lina sans consists of 7-weight versions from thin to bold.