A new modern calligraphy font with Latin & Cyrillic support is here: It's Wonder Garden Script. This beautiful font is for those who are needing of elegance and stylish for their designs and particularly well suited for wedding invitations, cards and feminine branding. Wonder Garden Script includes Uppercase and Lowercase Cyrillic and Latin Basic Characters, Numbers and Punctuation. Also the font contains ligatures and stylistic alternates (for initial and final letters) to perfectly re-create natural calligraphy. Wonder Garden Script supports Latin & Cyrillic alphabets giving a huge range of language support, including: - albanian, belarusian, bosnian, bulgarian, croatian, czech, danish, dutch, english, estonian, filipino, finnish, french, german, hungarian, icelandic, indonesian, irish, italian, latvian, lithuanian, luxembourgish, polish, portuguese, romanian, russian, slovak, slovenian, spanish, swedish, swiss german, turkish, turkmen, ukrainian, welsh and much more. You can check your language typing characters in text box above. The Sans Serif font is perfect pair to the Script. It's a classy, high-contrast font that contains only uppercase characters, numerals and punctuation. Now creating your own wedding invitation is super easy and quick.

The Brotherside is a signature decorative font with which you can achieve a handwritten-type lettering feeling. This signature style is perfect for your modern graphic design needs. This font has a really nice flow so you use it in a large text if you want to give them a touch of personality. It can be used on social media content, for branding or packaging. The Brotherside is the ideal typeface for organic products branding and packaging. Additionally, you can use this for adding romantic vibes for wedding invitation designs. Especially if you are looking for a font for Instagram quote posts or any other social media content, this typeface is for you! With your purchase you get: Uppercase and Lowercase Numbers and Punctuation Marks Ligature PUA Encoded open Support for MAC or PC Simple installation for Adobe Illustrator, Corel Draw, Photoshop, or Procreate (New Updated) Support Multilanguage I hope you make something cool with it. If you have any questions don't hesitate to ask! Stay Classy! Fadhil - Figuree Studio

Bouquet font is a cursive fat typeface influenced by brush writing and skilfully flavored with elements of fractur. The result is really amazing – a font with bespoke personality, strong unique presence and classy standing out amongst the other look. Type designer Dzianis Serabrakou really did well in every single letterform, aperture, curve and line, but this was probably below satisfactory and he didn’t stop here – Denis developed the font to a higher level by making it fully open-type compatible. Bouquet supports large set of multilingual diacritics plus a beautifully designed set of Cyrillic characters. Additionally you will be able to use also ligatures and really lots of alternative symbols to bring more life, versatility and personalization in your work. Initially Bouquet has been designed as a logo font – it is so identical that could easily turn every brand name into logo icon. Furthermore this font is perfect for designing t-shirts, typographic posters, packaging etc and it is highly recommended for letterpress as well as for normal offset and screen printing.

Goodnight London is a Duo Font with a blend of 2 fonts, namely the Sans & Script font. A luxurious font, with thick and thin sizes with a combination of handwritten script fonts, so that it adds an elegant, luxurious and classy impression. This typeface is perfect for logos, branding, travel promotions, social media posts, magazine layouts, product packaging, quotes, or simply as a stylish text overlay onto any background image. 5 Style Font : Regular Sans Italic Sans Bold Sans Bold Italic Sans Regular Script Goodnight London Features : Uppercase Lowercase Numbers & Punctuation Alternates Ligatures Multilingual Support Simple installation All of features and special characters of this font are included in one file. So it is easy to accessed by using program or software that support the opentype like Adobe Illustrator, Adobe Photosop, and Adobe Indesign). This font also very easy to use because compatible for all software even for non-opentype supported. Please comment us if you have any questions Thank you and have a nice day. thank you

Beautinus Handwritten Script Font is a beautiful and exclusive typeface, designed specifically to add an elegant and feminine touch to your graphic designs. With its soft and classy handwritten appearance, this font exudes a romantic and artistic atmosphere. With its smooth-flowing characters, Beautinus Handwritten Script Font is perfect for various design projects such as logos, branding, greeting cards, wedding invitations, digital products, and more. Its uniqueness and elegance make it ideal for conveying messages of gentleness, beauty, and warmth in every design work. When you use Beautinus Handwritten Script Font, you will feel a personal and unique touch in every word and sentence you write. With the ability to adjust letter size and style, this font provides perfect flexibility to customize your designs according to your needs. Enhance your creativity with Beautinus Handwritten Script Font and let every word become a beautiful painting that portrays uniqueness, gentleness, and distinctive personality. If you have any questions please don’t hesitate to contact me. Features : Thank you best regards, Fikryal Studio

Brigast modern retro typeface Hi Ladies and Gentlemen! According to the market demand for fonts that tend to be more modern, then I decided to make a serif font that is in your view. The Brigast font is a serif font with very beautiful and popular alternates, comes with a modern style hoping to become a market favorite. We keep this font looking elegant, classy, ​​easy to read, stylish, attractive and easy to use. Brigast Font is a great choice for magazines, wedding invitations, retro designs, newspapers, books, brand names, branding, branding, quotes, album covers, and other projects. The Brigast font is here to take the quality of your designs to a higher level. Brigast Font is my thirtieth Font created in 2023 The Brigast font style will make you love designing and taking advantage of the cool design results for this font. Continue to follow us for updates on making further fonts :) Font Features: • Standard uppercase and lowercase letters • Stylistic alternate • Stylistic ligatures • Multilingual Support • Numeral and punctuation

Explorer - a classy typeface collection. Explorer collection includes following: • 8 Fonts - a clean and textured version of each • Catchwords • Swooshes • Pictures Explorer’s core is a strong script type with straight edges. All the fonts are designed to work nice together. Here’s a short introduction to the styles: •Explorer Script is equipped with Contextual Alternates that make the connections between letters smooth. In addition it has Swash, Stylistic and Titling Alternates for standard characters for more customised look. Explorer Script has three weights. •Explorer Sans is a wide all caps sans-serif that doesn’t shy away from taking it’s own space. Explorer Sans has two weights. •Explorer Condensed is a sturdy all caps condensed sans-serif with rounded edges. Explorer Condensed has two weights. •Explorer Serif is a bulky all caps serif. •Explorer Swoosh is a collection of strokes and swooshes designed to go with the Script. Try adding a connecting one in the end of a word written with Script or place a loose swoosh above or below a word. •Explorer Catchword is a collection of catchwords designed to go with Explorer fonts.

Bellanaisa Script - a new fresh & modern calligraphy style, decorative characters and a dancing baseline! A mixture of copperplate calligraphy with hand lettering style. So beautiful and perfect to be applied in any type of formal pieces such invitations, labels, menus, Logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting / wedding cards, packaging, labels, cards, branding materials, business cards, quotes, posters, and more design concept! Including multiple language support. With OpenType features with stylistic alternates, ligatures and swash characters, that allows you to mix and match pairs of letters to fit your design, and also a touch of ornament makes this font look elegant and classy. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Swash Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe Photoshop , Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer.

PMN Caecilia™ is the premiere work of the Dutch designer Peter Matthias Noordzij. He made the first sketches for this slab serif design in 1983 during his third year of study in The Hague, and the full font family was released by Linotype in 1990. The PMN prefix represents the designer's initials, and Caecilia is his wife's name. This font has subtle variations of stroke thickness, a tall x-height, open counters, and vivacious true italics. Noordzij combined classical ductus with his own contemporary expression to create a friendly and versatile slab serif family. With numerous weights from light to heavy, and styles including small caps, Old style figures, and Central European characters, PMN Caecilia has all the elements necessary for rich typographic expression. eText fonts - the optimum of on-screen text quality With our new eText fonts that have been optimised for on-screen use, you can ensure that your texts remain readily legible when displayed on smartphones, tablets or e-readers. The poor resolution of many digital display systems represents a major challenge when it comes to presenting text. It is necessary to make considerable compromises, particularly in the case of text in smaller point sizes, in order to adapt characters designed in detail using vector graphics to the relatively crude pixel grid. So-called 'font hinting' can help with this process. This, for example, provides the system with information on which lines are to be displayed in a particular thickness, i.e. using a specific number of pixels. As font hinting is a largely manual and thus very complex technique, many typefaces come with only the most necessary information. What is unimportant for a text printed in high resolution can result in a poor quality image when the same text is displayed on a screen, so that reading it rapidly becomes a demanding activity. Specially optimised eText fonts can help overcome this problem. An extremely refined and elaborate font hinting system makes sure that these fonts are optimally displayed on screens. Monotype has not only adopted font hinting for this purpose but has also thoroughly reworked the fonts to hone them for display in low resolution environments. For example, the open counters present in the letters C, c, e, S, s, g etc. have been slightly expanded so that these retain their character even in small point sizes. Also with a view to enhancing appearance in smaller point sizes, line thickness has been discreetly increased and x-height carefully adjusted. Kerning has also been modified. Don't leave the on-screen appearance of your creations to chance. Play it safe and use eText fonts to achieve perfect results on modern display devices. Many typefaces, including many popular classics, are already available as eText fonts and new ones are continually being published. The eText font you can purchase here are available for use as Desktop Fonts or Web Fonts. Should they be used in Mobile Devices such as smartphones, tablets or eReaders, please contact our OEM specialists at sales-eu@monotype.com.

Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org TT Ricordi Allegria useful links: Specimen | Graphic presentation | Customization options TT Ricordi Allegria is a sleek and intelligent contemporary Florentine grotesque inspired by the half-erased lettering in Basilica di Santa Croce, Florence. TT Ricordi Allegria was drawn by Antonina Zhulkova and reflects in its graphics the transitional stage between the classic serif with varying proportions, gravitating towards the Roman capital type, and the Florentine sans serif. The font is characterized by variability in the proportions of characters, contrast between strokes, wedge-shaped triangular characters, and the absence of traditional serifs. The main visual feature of the typeface is its diversity and the ability, using different stylistic sets, to completely change the character and perception of the typeface. The drawing of the characters from the main set is strict, thanks to which the font looks stern, as if the inscription in the font was really carved out of stone. And with the help of another set, we can add roundness, or even smoothness, to the font. This is due to the fact that the letters (E R K Q J Y in Latin, and Л К Ж Э in Cyrillic) from the second set have either very noticeable "curls" or smooth, rounded "legs". In addition, the typeface includes a set of beautiful ligatures for use in display inscriptions, such as large headlines. An interesting moment when working on the typeface was the creation of the Cyrillic typeset, since the Cyrillic alphabet does not so easily fit into the concept of the Florentine grotesque and stressed semi-serif. The most difficult thing in working on the Cyrillic alphabet was to create a system of spacing for characters, as it was done in the Latin alphabet, and to make sure that when typing in Cyrillic, the drawing of the text remained beautiful. That is why the letters Д Л У Ы appearing in the font family are somewhat unusual to the eye, and the proportions of other characters in Cyrillic are not quite “classic” either. In general, the Cyrillic set looks more display than its Latin prototype, but at the same time it lacks the sense of historicity or legacy of the Soviet past, which often comes to the foreground when working on the design of the Cyrillic alphabet in this type of serifs. TT Ricordi Allegria consists of two weights (Regular and Bold) and one variable font. Each style includes over 750 characters, as well as 19 OpenType features. Interesting features of the typeface include three stylistic sets that greatly change the perception of the font, a set of bright display ligatures, a few neat icons that are suitable for breaking text and will emphasize the visual language of the font. Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org FOLLOW US: Instagram | Facebook | Website

Cosmic Sans was my first font ever created for a school project. The class I made this font for was my Advanced Typography and was a semester project. I really couldn't think of a title for this font, until one of my good friends said, "Why don't you name it Cosmic Sans?" I searched the internet for any other fonts with that name, and sure enough there wasn't. Thus the name stuck. This font is more or less a display font, thus every secondary character was not created. I hope you enjoy this font and much as I have while creating it!

Buckthorn is a genus of about 110 species of shrubs and small trees, native to North America and Asia. Its uses are varied: it is used for dye, oil, printing ink and oil. That concludes the botany class for today, on with Buckthorn ‘The Font’. Buckthorn is a handmade typeface with a lot of character. It is severely eroded, giving your designs an authentic look. It comes in 4 styles, including a ‘hollow’ style, plus a dingbat font with very nifty shapes. Buckthorn is quite a pleasing font and comes with a rich harvest of diacritics.

Steliva is an elegant and luxurious font that exudes sophistication and class. Its fine strokes and sharp edges create a beautiful balance of elegance and modernity. Perfect for a variety of design projects such as branding, logos, invitations, and more, Steliva adds a touch of glamour and refinement to any design. Featured: Standard, Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw, so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Okaluera Sans Serif font seamlessly blends elegance and luxury with a touch of minimalism, creating a sophisticated visual experience. Its sleek and graceful letterforms exude opulence, making it ideal for projects that demand a touch of class. The font's minimalist design adds a sense of modernity, ensuring it remains versatile for various applications. Whether used in print or digital media, Okaluera effortlessly captures attention, making a bold statement with its refined aesthetics. Good for logos, branding, invitations, stationery, wedding designs, social media posts, and much more. Complete with ligatures alternates regular italic icon kerning multilingual support

Endaley is a modern and elegant serif typeface that seamlessly blends timeless sophistication with contemporary design. Its sleek and refined letterforms exude a sense of class and professionalism, making it a versatile choice for a wide range of applications, from editorial layouts to branding and beyond. The well-balanced serifs and subtle curves of Endaley create a harmonious visual rhythm, striking a delicate equilibrium between tradition and modernity. With its distinctive yet understated personality, Endaley adds a touch of refinement to any project, embodying a contemporary aesthetic while paying homage to the enduring elegance of serif typography.

Hello Everybody,. Are you going to make your business changes more widely known? Find the solution by giving a small touch to the design of your product promo using a natural and contemporary font style ! Penthagon is Script Font Duo with elegant and signature style, that are very beautiful,luxurious,and high class for creating handwritten-style logos, wedding stationery, photographer watermarks logos, modern websites, fashion branding, name card, wedding invitation, and all the identity of your business products. Features: -Multilingual Support for 83 Country -Ligature collection -PUA Encoded -Numerals and Punctuation What you get : -Penthagon Regular -Penthagon Tail Happy design !

Highfield is a luxury sans serif type family of three weights plus matching italics. It’s influenced by the modern and elegant style sans serif typefaces that are popular in high class editorial design. The fonts are based on geometric forms that have been optically corrected for better legibility. While the bold weight is a great performer in display sizes the light and regular wights are well suited to longer body & supporting text. Highfield is equipped for complex, professional typography. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages.

Naerya, a modern stylish serif font, effortlessly blends sophistication with contemporary design elements. With its sleek and clean lines, Naerya exudes a sense of timeless elegance, making it an ideal choice for projects that demand a touch of class. The font’s well-crafted serifs add a distinctive flair, striking a perfect balance between tradition and modernity. Naerya’s letterforms showcase a harmonious interplay of curves and straight lines, resulting in a balanced and refined aesthetic. Whether used for editorial design, branding, or digital applications, Naerya stands out as a versatile and visually pleasing serif font that lends a touch of sophistication to any project.

Sans or serif? Square or rounded? Calligraphic or geometric? Conglomerate is both all and none of these things — a subtle yet unorthodox blend of typographic traits resulting in a clean, unique, and versatile font family with large, open counters for legibility in text yet crisp, sharp details that sparkle at display sizes. Conglomerate is sturdy but never stiff, crisp but never stark — perfect for projects that require a more contemporary feel than either a traditional serif or geometric sans might bring. Conglomerate received a PRINT Magazine Best in Class award, and was one of Typographica’s Favorite Typefaces of 2016.

Introducing Glatic Typeface, a fancy bold font. Its unique construction is inspired by nature and all things beautiful. It's meant for graphic designers and typography professionals to get more done with style in mind! This font will go well with logos, headlines, titles, and minimal layouts. Features. - Fonts can be read from a much larger distance than regular fonts - Elegant letters give the impression of luxury - Smooth curves for elegant typography - Supports all languages in the world (37) - Versatile Single Font. - One font for all needs. Recommended use Play with your letter spacing to add more class to your designs.

Future Bugler Upright is a non-slanted version of Future Bugler, a font based on the second logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore. This font can convey several perspectives or moods. It can suggest a space-age vision of the future, or an art-deco perspective of the future as in the movie Sky Captain and the World of Tomorrow. It also communicates the idea of high performance, or extreme sports, without the grunge. Digitized by John Bomparte.

Proza is a humanist sans serif typefamily, consisting of 12 styles (6 weights + italics), with roots in serif designs from the Renaissance, such as Garamond and Jenson. Proza was made to function well at a large range of sizes, from the smallest of text sizes, to gigantic posters, making it a highly versatile type family. Its large character set (support for 100+ languages) and opentype features do all the heavy lifting for you, while its elegance and refined details ensure to deliver a punch of class to your designs. A detailed article about the development and design of Proza on ilovetypography.com.

By overwhelming popular demand, this is the wide display companion to Canada Type's Clarendon Text family. It comes in ten styles: regular, medium, bold, with small caps and oldstyle Figures counterparts, as well as stencil and sketch versions of the regular and the bold. All the fonts come equipped with superscripts/numerators, denominators, and scientific inferiors. The OpenType fonts also contain automatic fractions and class-based kerning. The Clarendon Wide fonts are available in all popular formats. Language support includes Western, Central and Eastern European character sets, as well as Baltic, Esperanto, Maltese, Turkish, and Celtic/Welsh languages.

Philip Bouwsma makes use of his extensive calligraphy and type design experience by reaching into his vault and completing one of his unfinished projects from the mid-1990s. The result is Styx, a four-font connected-script family, with rough and smooth variations, each containing two sets of majuscules and plenty of alternates sprinkled throughout the character map. The Styx family comes in all popular font formats, and includes an extended range of language support covering Western and Central/Eastern European languages, Turkish, Baltic, Esperanto and Celtic/Welsh. The OpenType fonts contain both flat and class-based kerning.

**Basyirah Script** is a chic hand calligraphy, smooth, modern and clasik, calligraphy wavy, which was created to meet the needs of your next design project. **Basyirah Script**, Can used for various purposes. such as the title, signature, logo, correspondence, Name Card, Quotes, wedding invitations, letterhead, signage, labels, newsletters, posters, badges, etc. **Basyirah Script** It contains a full set of lowercase & uppercase, a large range of punctuation, numerals, and multilingual support. The font also contains several ligatures, stylistic alternates, and Stylistic Set, for you who have opentype, or through a panel of glyphs capable software e.g. **Adobe Photoshop; Adobe Illustrator, Corel Draw and Adobe InDesign.** **Let's switch from the reguler character into character alternative to get the text with the layout of your dreams.** **Thanks for your visit.**

Inspired by the streets of Brazil, Just Pixo is a display typeface that mimics pixação, Brazilian graffiti. In his book Pixação: São Paulo Signature, François Chastanet says, “This alphabet, with its vertical inscriptions axis, is to be directly classified in the king-size, monumental category; the systematic use of capitals, meticulously aligned and justified, their extreme verticality, are symptomatic of this architectural dimension”. As such, we designed Just Pixo for monumental type sizes and vertical alignments—a family with seven weights, alternate glyphs, multiple ligatures and is provided as a Variable Font too. Unique decorative serif capitals and lowercase sans serif versions make Just Pixo the perfect option for large displays, strong headlines, urban logos, and contemporary concepts. Despite its controversial use on the streets, this often politically charged style will typeface will take your next project to the next level.

From the dainty light weight through to the striking UltraBold, Otama raises the bar to a new level of dangerous sophistication. Although easily classified alongside Modern typefaces such as Didot and Bodoni, Otama was purposely developed with minimum reference to these two visual heavy weights. In search of something more than a mere historical revival, Otama instead draws proportional reference from popular 20th century Transitional and Garalde typefaces with visual inspiration coming from calligraphic studies. Many characteristics from Tim Donaldson’s 2010 display face Pyes Pa were directly passed on in execution of Otama — The shoelaced k, e and a being the most obvious examples of this family relation. Refined over 2 years with well over 8,000 characters over 28 styles, Otama certainly deserves its place as a comprehensive and versatile typeface in any designer’s font library.

Mimeograph Lettering JNL is based on one of the numerous plastic lettering templates once manufactured by the A.B. Dick Company of Chicago and is available in both regular and oblique versions. The mimeograph utilized a porous drum which inked the backside of a waxed stencil sheet. Unlike traditional stencils which have cut out areas that are directly inked or painted, a mimeo stencil has the area to be printed scratched away by removing the wax coating with a stylus. The resulting image allows the ink from the drum to seep through the sheet and transfer to the blank paper. As with a companion font (Mimeograph Template JNL), the character shapes follow the routed letters of the template, complete with rounded terminals. A previous font release [designed with flat terminals and some alternate characters] is available as Interoffice Memo JNL.

Entered into the bykineks culture typeface edition. This 2nd edition typeface is inspired by the meander curves and waves often found in the culture and art of the Hellenistic era. The specifications for this font are bold typeface script, high contrast slope classification, stress axis, and X height. Comes with various alternatives for each upper and lower case letters. small offer a variety of silicates or optimal shapes for a given placement, having binding and sweeping characteristics. Suitable for coffeeshop branding needs, web design, stickers, apparel, invitation cards, and others. Consists of 503 glyphs support Languages ​​: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, ColognianCornish, Croatian, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician ,Double,Germany,Gusii,Hungary,Inari Sami,Indonesia,Ireland,Italy,Jola-Fonyi,Kabuverdianu,Kalaallisut,Kalenjin,Kamba,Kikuyu,Kinyarwanda,Lithuania,Lower Sorbia,Luo,Luxembourg,Luyia,Machame, Makhuwa-Meetto , Malagasy, Malt Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sobia ,Shambala , Somalia, Spain , Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin) Volapük, Vunjo, Walser, Zulu.

Grappa, a traditional Italian spirit with a rich history, shares much in common with typefaces - both embody cultural heritage, craftsmanship, and a sensory experience. Grappa is distilled from the skins, pulp, seeds, and stems left over from winemaking, resulting in a strong and aromatic drink that varies in flavor based on the grape and distillation process. Similarly, typefaces are designed characters that convey a unique style, weight, and form, communicating messages and expressing ideas through text. We are thrilled to introduce Grappa, a stunning new font based on the classic "Invitation" typeface by Morris Fuller Benton, a renowned American designer. Grappa features nine weights and a variable font that offers greater customization, with unique triangle serifs that give it a distinct edge. The font also comes with a variety of alternates and swash characters, including a second version with modified alternate characters for even more design flexibility. Like Grappa, typefaces evoke emotions and cultural associations, often associated with specific historical periods, artistic movements, and contexts. Whether used in stationery, packaging, editorial design, or branding, Grappa is a versatile and timeless font that can add elegance and sophistication to any project. In conclusion, Grappa is an excellent addition to any designer's toolkit, offering a perfect blend of tradition and modernity. The font's distinctive personality and cultural connotations make it a beloved drink in Italy, and a font that can effectively communicate messages and ideas through text.

Tokyo Olive was designed as an homage to nostalgic display types and advertisements in the mid-late 80s. The mid-late 80s was the era of the post-modernism and fancy-decorative design especially in Japan In other words, it was the mixture of superficial form-operation and girly taste. This curious design movement vanished without a trace in the 90s, but it had its moments. Tokyo Olive has voluminous and simple geometric skeleton (for post-modern) with rounded and craft-style stencil joints (for fancy decoration). We added a classic open style as a little spice. The mixture of those essences makes new impression we have never seen before. Tokyo Olive family consists of 5 styles for stacking color font. Please use Photoshop or Illustrator, or your favorite graphic design apps that can handle layers. Layers are the printing plates of wood type. You should be able to change text color for each layer. Tokyo Olive "Standard" style is the base of this font family. You can add open effect by stacking "Fill" layers over the Standard layer. Instruction 1. Type your text as you like. 2. Set font-name "Tokyo Olive" and font-style "Standard". 3. Set color of "Standard" layer. 4. Duplicate the "Standard" layer to make "Fill" layer. 5. Set font-style "Half Fill" or "Full Fill" and new color of upper layer. Tokyo Olive Standard, Half Open, and Full Open style can be used solely.

Outlook Font Duo offers a perfect combination of elegance and versatility by seamlessly blending serif and script font styles. This font duo provides a harmonious balance between a sophisticated and traditional serif typeface and a stylish and handcrafted script font, resulting in a visually captivating and dynamic typography experience. The serif font of Outlook Font Duo exudes a sense of refinement and classic appeal. Its letterforms are meticulously crafted with clean lines, precise curves, and balanced proportions, also includes many ligatures (CC,CO,EA,GG,GO,KA,LA,NN,OC,OG,OO,RA,TT) and dligatures (CC,CH,CI,CO,LL,LI,OC,OF,OH,OI,OO,OU) which lso you can see in the preview. Complementing the serif font, the script font of Outlook Font Duo adds a touch of creativity and informality. The script font features hand-drawn letterforms with rough strokes.This script font also includes ligatures, lowercase swsh which lso you can see in the preview. The versatility of Outlook Font Duo lies in its ability to be used together or separately, offering flexibility in creating various design compositions. Outlook Font Duo is suitable for a wide range of design projects, including branding, logos, packaging, invitations, and editorial designs. Feel free to give me a message if you have a problem or question. Thank you so much for taking the time to look at one of our products. ~Redy

Ramozact Script is a calligraphy script font that comes with beautiful alternative characters. a mixture of copper calligraphy with hand-lettering style. Designed to bring style elegance. Ramozact Script attracts such a subtle, clean, feminine, sensual, glamorous, simple and very readable typeface. The classic style is perfect to apply in various formal forms such as invitations, labels, menus, Logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting / wedding cards, packaging, labels. Ramozact Script has 397 glyphs. including multiple language support. With OpenType features with stylish alternatives, ligatures and characters, allowing you to mix and match pairs of letters to fit your design, as well as a touch of ornament to make this font look elegant. To enable OpenType Stylistic alternates, you need a program that supports OpenType features like Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later. (Windows), Font Book (Mac) or software programs such as PopChar (for Windows and Mac). How to access all the alternate characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ How to use the stylistic font set in Microsoft Word 2010 or later: https://www.youtube.com/watch?v=NVJlZQ3EZU0 There are additional ways to access alternatives / swashes, using Character Map (Windows), Font Nexus (Windows) Font Book (Mac) or software programs like PopChar (for Windows and Mac). How to access all the alternate characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw Thanks for your purchase!

Crabs Slab Comes with a Slab Serif style typical of sturdy and elegant typography, which gives a modern, retro, and classic style but has a unique and elegant style that gives an extraordinary impression. Crabs Slab also comes with multiple languages enabling Crabs Slab to be used in all your projects. Crabs Slab is very suitable for use in various purposes or projects, including Sports, Posters, Products, Logos, Branding, and many more that you can apply with this Crabs Slab Typeface. Supports languages: Afrikaans, Albanian, Asu, Azerbaijani, Basque, Bemba, Bena, Bosnian, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Igbo, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Metaʼ, Morisyen, North Ndebele, Northern Sami, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Thai, Turkish, Turkmen, Upper Sorbian, Vietnamese, Vunjo, Walser, Welsh, Western Frisian, Wolof, Yoruba, Zulu A guide to accessing all alternatives can be read at http://adobe.ly/1m1fn4Y Adobe Photoshop go to Window – glyphs Adobe Illustrator go to Type – glyphs Features: A – Z Character Set a – z Characters set Numerals & Punctuations (OpenType Standard) Multilingual Thank you and have a nice day

The history of Able’s connection with the Harry Potter phenomenon is really up in the air. It’s a catch-22 in this business - you either promote your own work and negotiate expensive exclusive licenses, or you work with a promoter and sell your designs to anyone and everyone. It could have been an in-house designer at Rowling’s publisher, Scholastic, or a freelancer who proposed Able for the headings and such. The responsible party licensed it from T26, and JK Rowling’s storytelling made it a star. (I suppose it’s ironic that there’s a whole lot of unwritten history in the typography business.) Able’s rise to fame really is a classic love story between reading and type design. If the books weren’t so popular, Able might still be waiting for some Mexican fast food chain to pick it up for packaging design. The movie deal certainly made the font all the more recognizable, what with its merchandising campaign. Popularity can also cripple a great decorative face. It’s always being recognized as “The Harry Potter Font.” It might just have to wait a few decades for the Potter phenomenon to subside to be freed from the “Chamber of Pigeonholed Fonts.” In the meantime, I’m sure that a lot of fledgling graphic design apprentices are reading their new Potter books, being charmed by the idea of type design when they’re not turning the pages too fast to notice.

Franz Kafka’s manuscripts have always been a source of inspiration for designer Julia Sysmäläinen. At first she was just interested in literary aspects but later she noticed that content and visual form can not be separated in the work of this ingenious writer. Analyzing Kafka’s handwriting at the Berlin National Library, Julia was inspired to design the typeface FF Mister – by now a well known classic. Over the years, FF Mister K became a handsome typeface family and even produced offspring: the Josef K Patterns. Some of Kafka’s most expressive letterforms were the starting point for these decorative ornaments. How do the Patterns work? Outlines and fillings correspond to the uppercase and the lowercase letters on your keyboard. You can use them separately or layer them on top of each other. If you write a line of “pattern-text” in lowercase and repeat it underneath in uppercase you get a row of fillings followed by a row of outlines. Now you can color them and then set line space = 0 to get a single line of layered colored ornaments. Alternatively, activating OpenType / stylistic set / stylistic alternates will also unite the two lines to a single layered line. Further magic can be done with OpenType / contextual alternates turned on. On the gallery page of this font family is a downloadable Josef K Patterns.pdf with an alphabetical overview of forms. Hundreds of patterns are possible … we’d love to see some of yours and present them here on the website!

Martin Wilke’s underrated yet influential deco classic from 1932 has both feet firmly planted in the high traditions of Western European calligraphy while carefully and subtly introducing some traits from the sweeping geometric/minimalist vision of the time. In a way, it was one of the representatives of the European anti-type typefaces of that era, when print media was searching for the elusive aesthetic balance between humanism and geometry. This typeface enjoyed some popularity in Germany for a few years, and went on to influence further type designs in Holland and Italy. After the second World War, the black hole that swallowed a big chunk of Europe’s print culture, new influences and technologies overtook the scene, and selective historical emphasis ensued, highlighting some of the era’s designs and overlooking others. Further selective picking in the digital era all but buried Wilke’s body of work - unfairly so, because he was just as important in German type history as Bernhard, Post, Schneidler, Tiemann and Trump. The original metal Wilke Kursiv came in one weight. This digital version goes a long way in expanding on that original offering. Now Wilke’s masterpiece comes in three weights, and with a full Pro treatment including swash caps, small capitals, five types of figures, automatic fractions, and plenty of other OpenType niceties. Each of the Wilke Kursiv Pro fonts comes with over 700 characters, and contains support for most Latin-based languages. Also available are three non-Pro fonts in each weight.

Temet Nosce - Serif font family - Multilingual - 6 Styles Temet Nosce Serif font family help you develop your creative projects with its 6 styles and multilingual supports. It was inspired by the famous saying from ancient Greek mythology. The characters that make up its structure were influenced by the carved letters in the old stone inscriptions. According to ancient Greek and Roman authors, there were three maxims prominently inscribed upon the Temple of Apollo at Delphi: "know thyself", "nothing too much" and "give a pledge and trouble is at hand". Their exact location is uncertain; they are variously stated to have been on the wall of the pronaos (forecourt), on a column, on a doorpost, on the temple front, or on the propylaea (gateway). The date of their inscription is also unknown, but they were present at least as early as the 5th century BC. Although the temple was destroyed and rebuilt several times over the years, the maxims appear to have persisted into the Roman era (1st century AD), at which time, according to Pliny the Elder, they were written in letters of gold. This font comes with uppercase, lowercase, punctuation, symbols and numbers, ligatures and multilingual supports. Ideal for books and magazines, editorials, headlines, websites, logos, branding, advertising and more. This font family can meet your needs in all creative projects, modern and classic. With this font you can create your unique designs. Have a good time.