The TYMA Garamont Roman was inspired by the Berner-Egenolff type sample from the 1560s. The Italic was inspired by a sample from Robert Granjon, also from the 1560s. The name TYMA is short for AB Typmatriser, a Swedish company founded 1948, because the Second World War stopped all import of matrices for Linotype and Intertype typesetting machines. It took until 1951-52 before the import was up to speed again. Until then, Sweden had to fend for itself. TYMA produced all technical equipment needed for type production, including the pantograph to cut the matrices, a complete set for each size and version. The templates for Garamont Roman were initiated by Henry Alm 1948. Bo Berndal was hired the following year, and continued the work by drawing and cutting templates for the rest of Garamont Roman, as well as for the remaining Garamont family. Bo Berndal stayed at TYMA until it went bankrupt in 1952. At that time Bo Berndal had already kick-started his career as type designer by drawing the typeface Reporter for one of the big daily newspapers, Aftonbladet, a version of Cheltenham for another daily, Dagens Nyheter, and copied several old typefaces for other customers. Librarian Sten G. Lindberg at The Royal Library of Stockholm, Kungliga Biblioteket, procured copies of original type samples. Henry Alm started the work in 1948, and Bo Berndal completed it - finally in this OpenType version.

Dick Jensen (USA) designed Serpentine, is a contemporary-looking display font, for the Visual Graphics Corporation in 1972. With the rise of digital typesetting and desktop publishing, this typeface quickly became both popular and ubiquitous. This dynamic, wide, boxy design is identifiable via tiny triangular swellings at the stroke endings - what might be called semi-serifs. Serpentine is available in six different font styles: Light, Light Oblique, Medium, Medium Oblique, Bold, and Bold Oblique. Serpentine" is a greenish rock that sometimes resembles a serpent's skin, and is often used as a decorative stone in architecture. Though this font doesn't seem at all snaky or sinuous, it does have an architectural, stone-like solidity. The subtle, almost non-existent curves and semi-serifs keep it from being too stern or cold. Although the underlying strokes of each weight are similar, the six members of the Serpentine font family all present their own individual personalities. Serpentine Light lends itself well to text for onscreen displays, for instance, while the numbers from typeface's heavier weights are seen around the world on soccer jerseys! Additionally, the oblique styles convey a streamlined sense of speed, furthermore lending Serpentine well to sport and athletic applications (especially the faster, high-speed varieties). Because of its 1970s pedigree, Serpentine has come to be known as a genuine "retro" face. This makes the typeface even more appropriate for display usage, in applications such as logo design, magazine headlines, and party flyers. If you like Serpentine, check out the following similar fonts in the Linotype portfolio: Copperplate Gothic (similar serifs) Eurostile (similar width) Princetown (another "athletic" font) Insignia (similar "techno" feeling)"

Dick Jensen (USA) designed Serpentine, is a contemporary-looking display font, for the Visual Graphics Corporation in 1972. With the rise of digital typesetting and desktop publishing, this typeface quickly became both popular and ubiquitous. This dynamic, wide, boxy design is identifiable via tiny triangular swellings at the stroke endings - what might be called semi-serifs. Serpentine is available in six different font styles: Light, Light Oblique, Medium, Medium Oblique, Bold, and Bold Oblique. Serpentine" is a greenish rock that sometimes resembles a serpent's skin, and is often used as a decorative stone in architecture. Though this font doesn't seem at all snaky or sinuous, it does have an architectural, stone-like solidity. The subtle, almost non-existent curves and semi-serifs keep it from being too stern or cold. Although the underlying strokes of each weight are similar, the six members of the Serpentine font family all present their own individual personalities. Serpentine Light lends itself well to text for onscreen displays, for instance, while the numbers from typeface's heavier weights are seen around the world on soccer jerseys! Additionally, the oblique styles convey a streamlined sense of speed, furthermore lending Serpentine well to sport and athletic applications (especially the faster, high-speed varieties). Because of its 1970s pedigree, Serpentine has come to be known as a genuine "retro" face. This makes the typeface even more appropriate for display usage, in applications such as logo design, magazine headlines, and party flyers. If you like Serpentine, check out the following similar fonts in the Linotype portfolio: Copperplate Gothic (similar serifs) Eurostile (similar width) Princetown (another "athletic" font) Insignia (similar "techno" feeling)"

Bellas Artes is what happens when the brush of Angel Koziupa and the technical expertise of Alejandro Paul go face to face with the Art Deco aesthetic. The recognizable Koziupa curves become players of a game of halves, where there is no such thing as a better half, but both sides complete each other like in that perfect romance you will never forget. Bellas Artes is an excellent choice not only for packaging design, but also for book and music covers meant for the feminine demographic, collateral of classical taste, and of course pre-WWII visuals.

Modesta Sans is a Neo Grotesque sans serif typefamily of seven weights plus matching italics. Inspired by Didone serif fonts and the first Sans serif types from the late 19th century and early 20th century, It reduces many of the eccentricities in order to make them more suitable to modern tastes. Every weight has more than 220 characters and includes uppercase, lowercase, numbers, special characters and a powerful opentype features. Perfectly suited for graphic design, headlines, advertisements, and any display use. It could easily work for editorial design, corporate, web, signage and many other uses in print and digital media.

Dumm DUM. Dumm DUM. Duh dum duh dum duh dum DUMMMM... Just when you thought it was safe to get back in the water, this font surfaces to take one last bite out of your summer vacation skinnydip! Scream and scream again — it won’t do you any good, SHARKSNACK is rough and ready to EAT YOU ALIVE! It’s too late to close the beaches, Chief Brody, this particular set of saw tooth letters has already consumed Dracula, the Werewolf, the Frankenstein Monster and any number of 70s comic book characters foolish enough to dip a toe in its maw!

Anthology is a contemporary design with a faintly mystical flavor. A curious collection of miscellaneous parts including blade-like curved crossbars, angle-cut serifs, and egg-shaped glyphs make for an intriguing futuristic blend. Great for games, science-fiction, or high-technology projects. Anthology is now available in the OpenType Std format. Some additional characters have been added to this OpenType version as stylistic alternates. This advanced feature works in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Disalina is a typeface adjusted to your needs. You are looking for geometrical shapes, stylized ligatures or lettering reminiscent of Art Nouveau? Three stylistic sets that are included in every weight will make your project more creative. The Disalina family was inspired by the lettering and posters of late 1800s and the beginning of the 1900s. It merges beautiful vintage design and modern graphic thinking. The whole family consists of 7 weights – you will find different opentype features such as ligatures, stylistic sets, arrows, swashes and more. Disalina is a true friend – no more different fonts to mix & match different styles.

This family was inspired by numerous documents and books printed in Paris during the end of the 1700s. Mainly, documents printed by P.G. Simon & N.H. Nyon, “Printers of the parliament” were used for the Normal and italic styles and “Caps”. “Titling” characters were coming from a collection of hymns printed by Nicolas Chapart. In France these Fournier characters, as Baskerville in Great Britain, were the most often in use in the late 1700s, just before the Didot designs. This font supports strong enlargements, specially the capitals of “Caps” file and “Titling”, remaining very smart, elegant and fine.

Anggie Display is an elegant script with a creative mood and perfect form, inspired by today's beautiful serif Display. thick, balanced and varied, born for luxury and beauty. In my example I show how this script can be used. It's great for logotypes, branding, wedding invitations, romantic cards, alcohol labels, packaging, name spelling and more. Anggie Displaycomes with beautiful uppercase and lowercase letters, numbers, and punctuation. In addition to the main character set, there are many alternative characters, early and late sweeps. Available Fonts: . Multilingual. . Ligature. . Swash. . Stylistic Set. If you have any questions don't hesitate to contact me! Thank you,

Thirteen or 14 years ago I admired, out loud, a book I found on a shelf in Matt Carter's office. That Christmas I was pleasantly surprised to find that Matt had found another copy of the book and he gave it to me. The book was about the life of Oswald Cooper and it contained numerous specimens of Cooper's lettering jobs. Among them was an interesting image of 7 letter that spelled out the word 'Robusto'. These letters were used as the model for the font Robusto. All I needed to do was develop 221 other glyphs to finish the font.

TWT Prospero is the kind of typeface you seldom find in blocks of continuous text these days. Similar fonts based on late-18th-century work by Bodoni, the Didots, and others tend to be reserved for display type: their exaggerated contrast and vanishing hairlines can make you squint and strain at small sizes. But TWT Prospero, with its moderate contrast and fairly robust hairlines, is impressively legible in book text while remaining ideal for use in display situations. The full family has seven styles: roman, italic, bold, bold italic, condensed roman, condensed italic, and condensed bold.

Maat is a modular geometric stencil display font that includes a number of modular pattern characters, and can be used to create designs that echo early Modernism by merely applying letters, patterns and color. Maat is a loose interpretation of a hand lettered alphabet by the late Dutch designer Jurrian Schrofer called Sans Serious which was included in Wim Crouwel's publication Letters of Maat. It is inflected with a bit of influence from British designer Ken Garland's similar lettering form the cover of his textbook, The Graphics Handbook. Maat derives its name from the title of Couwel's booklet.

Debira is a contemporary display wedge-serif typeface. Its sharp and longer serif makes Debira a versatile type family that can be used in many different themes of design projects, from classic style to modern. It comes in seven weights from thin to bold with matching italics. Its mixture of weights provide a wide range of styles that will help you find the best vibe for your projects, for headlines or a short paragraph. The set of special ligatures can be perfect mates for your brand. It is well suited for book covers, editorial, branding, advertising and more.

Mikado is a friendly, casual type family designed by Hannes von Döhren. It is intended to be used everywhere where a pleasant feeling should be conveyed: Games, Food, Service or Advertising. Mikado has a positive, kind of "out-of-the-box-appearance" in big sizes, but because of its straight architecture the fonts are also very legible in smaller sizes and longer texts - in print or on screen. Mikado is equipped for complex, professional typography with alternate letters, ligatures, arrows, fractions and an extended character set to support Central and Eastern European as well as Western European Languages.

Aero Wolves is a organic blackletter with handdrawn feel. Comes with regular, stamp, oblique and outline styles. This typefaces is perfect for people looking for vintage aesthetic and dark feel. Suitable for any graphic designs such as branding materials, t-shirt, print, logo, poster, t-shirt, quotes .etc ADDITIONAL INFORMATION For upgrading license please contact me. Upgraded licenses are required for apps, books, television, commercial exhibition, film, gaming, print on demand products, etc. We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and have fun! Regards, Ironbird Creative

Based on lettering with a sharp pen, Gangfield features a rather solid character and a measured rhythm. This is named after my nephew who has an optimistic and disciplined style. Gangfield is available in upright variants, with regular, italic and bold weights. Gangfield's bright and cheerful energy shines through either in the form of short blocks of text, or enhanced on display sizes with over 1,100 wildcards and swashes that vary in size and complexity. Gangfield includes 134 alternates with various variations plus several variants of ligatures which make it ideal for special dates such as weddings and parties.

German type designer Siegfried Rückel created this sans FontFont in 2011. The family has 10 weights, ranging from Regular to Black (including italics) and is ideally suited for film and tv, logo, branding and creative industries, software and gaming as well as web and screen design. FF Nuvo Mono provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, super- and subscript characters, and stylistic alternates. It comes with tabular oldstyle, proportional oldstyle, and tabular lining figures. This FontFont is a member of the FF Nuvo super family, which also includes FF Nuvo.

A slightly regularized digital version of a late Baroque Fraktur type, probably from the beginning of the 18th century, issued by the Norstedts type foundry in Stockholm in 56 point size as "Sju petit fraktur nr 2". This digital font is designed for rather large sizes, at least 30 points. The font includes accented letters for all Western languages, as well as a long s and the usual Fraktur ligatures, e.g. ch, ck, st, tz. The font can be used for logos, packaging, posters, restaurant menus, beer and wine labels etc. associated with traditional German and Scandinavian culture.

Bloody Ichor is a delicate and fun display dripping blood for Halloween layered display Font. Combine it with Bloody Ichor - Extrude to make an amazing 3D effect on your letter! Bloody Ichor perfect for halloween promotion, branding, logo, invitation, stationery, social media post, product packaging, merchandise, blog design, game titles, cute style design, Book/Cover Title and more. What's Included : - Multilingual Support - Made it into separated file to make it easier to use by beginner & separated file user can use the font with software which doesn't accept open type features. --- Hope you enjoy with our font! Attype Studio

The type design for Impecunious JNL comes from the 1939 sheet music for "You Don't Know How Much You Can Suffer (Until You Fall in Love)". The name comes from another piece of sheet music, 1899's "Impecunious Davis" [a piece of late 19th century tripe demeaning Black Americans]. However, the word "impecunious" was intriguing. According to the website Merriam-Webster.com, the simple definition of impecunious means "having little or no money". Since we've all been in that spot at one time or another, it became a perfect font name. Impecunious JNL is available in both regular and oblique versions.

Squickt was the first script I designed. The name is an atrocity, I don't remember what was on my mind, when I decided on that name, but after 25 years it is to late to change, so I have to stick with it. I have recently gone over the script and changed a little stroke here, a curve there and I added Small-Caps. The font is very useful for all kinds of signs, that have to look spontaneous. You can even condense or extend it without me going berserk; Squickt is very robust. Your scribe Gert Wiescher

Introducing our newest font called Sethasso, clean simple, and elegant themed signature font, which is written in natural hand strokes making this font more charismatic natural, This font in addition to having a charming and unique shape is also equipped with various alternative options that make it easier for you to create beautiful and extraordinary designs This font is perfect for business cards, photography studios, autographs, interior designs, model names, coffee late, travel, weddings, cosmetics, jewelry, social media posts, product packaging, watermarks, special events, or anything else. Start using this font to add an authentic and heartfelt vibe to any design project.

Laout Beauty playful font is incredibly adaptable in its use for all ages and genders, and it is always acceptable, not to mention the pleasant impression that occurs when you use it, causing your project to immediately capture a lot of attention. Let us wait, let alone utilize this font in your specific project, to capture the hearts of your customers, because this font offers all of your visitors a fun and familiar sensation. This font is perfect for games, sporting events, branding, banners, posters, movie titles, book titles, quotes, logotypes, and more. Start using our fonts for your amazing projects.

October is the season for pumpkins - some of them are meant for soups, salad or other kinds of food. Others are cut into creepy looking pumpkinheads...and then there are the ones that are used for fun and games only! And that is exactly what this font is about! Pumpkin Boy is my laid back comic font with a jumpy x-height and crunchy lines. If you choose to write in uppercase only, the letters are a bit less funky, but still crunchy and great for headlines. I've added ligatures for double letters substitution for the most common letter combinations.

Yasminda is a layered script font with versatile style and use it to create spectacular designs Combine it with Yasminda - Extrude to make an amazing 3D effect on your letter! Yasminda perfect for wedding promotion, branding, logo, invitation, stationery, social media post, product packaging, merchandise, blog design, game titles, cute style design, Book/Cover Title and more. What's Included : - Multilingual Support - Made it into separated file to make it easier to use by beginner & separated file user can use the font with software which doesn't accept open type features. --- Hope you enjoy with our font! Attype Studio

Introducing Battina - Inspired by typeface on 70s era, Battina has the vintage font & retro font style. with 2 font style, It's super easy to use 3D effect with Battina family font. Two style Font: Regular & Extruded Battina is perfect for children product, branding, logo, invitation, stationery, product packaging, merchandise, monogram, blog design, game titles, cute style design, Book/Cover Title and more. Features : - Battina Extruded - Battina Ending Swash - Ligatures - Multilingual Support - Made it into separated file to make it easier to use by beginner & separated file user can use the font with software which doesn't accept open type features.

Mittan Candy is a script font with versatile ending style and use it to create spectacular designs Combine it with Mittan Candy - Ending Swash to make an amazing effect on your letter! Mittan Candy perfect for wedding promotion, branding, logo, invitation, stationery, social media post, product packaging, merchandise, blog design, game titles, cute style design, Book/Cover Title and more. What's Included : - Multilingual Support - Made it into separated file to make it easier to use by beginner & separated file user can use the font with software which doesn't accept open type features. --- Hope you enjoy with our font! Attype Studio

Knucklebones is a game that is played with the knucklebones of sheep. I bought a set in Mongolia, which I stumbled upon when I was cleaning out the attic. Knucklebones font is a rough brush font, which comes in three styles: Knucklebones Regular, a slightly slanted version, Knucklebones Italic, a very slanted style and Knucklebones Upright, which looks like the name implies. Knucklebones is a very useful all caps typeface, which would look great on posters, product packaging and book covers - but don’t take my word for it: just grab this font and get creative with it!

Ida is a simple and utilitarian typeface reminiscent of late 19th/early 20th Century grotesques, yet having a warm and friendly nature. Closed apertures and low contrast combined with elegant skeleton of individual characters create an impression of both rationality and comfort. Technically the font is modern and functional but still calls forth the emotion of a valve radio. Ida comes in 18 styles – 6 roman weights with companion italics and 6 narrow widths. One can also benefit from the use of small caps, alternate characters and indices. The typeface was designed by Maria Kharlamova (Selezeneva) and released by ParaType in 2017.

This family was inspired by the two fonts used by the famous William Caxton in Westminster (UK) in the late 1400s. There is only one (Normal) style. We have added the accented characters and others not in use in the early time of printing, but the ligatures and the few abbreviations for the Old English language and Latin were present in the original fonts. The original cap height is about five to seven millimeters. Decorated letters like 1495 Lombardes, 1512 Initials, 1550 Arabesques, 1565 Venetian, and 1584 Rinceau can be used in complement with this font without anachronism.

Brokman is a contemporary sans serif designed to bring clarity and originality to brand related projects. The open apertures and large x-height help provide a fresh aesthetic with an easy, fluid texture across design layouts. While it's squarish proportions are balanced with subtle rounding achieving a carefully modulated and textured feel in longer text scenarios. Its weight-range allows great flexibility, making the typefaces suitable for a variety of media applications including apps, brand identities, broadcast, gaming and the web. Details include 430 characters, seven weights each with true italics, manually edited kerning and Opentype features.

Hard Race is a racing theme font with sharp and consistent angles combined with a hard and strong style. So it looks very fast and powerful. Hard Race it's perfect for logotype racing product, racing game covers, sports events, automotive posters, automotive magazine covers, branding, product design, labels and other creative project. What’s Included : Standard glyphs Works on PC / Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word PUA Encoded Characters, Fully accessible without additional design software. Multilingual support Thank you for your purchase! Hope you enjoy with our font!

Citrine is a study in curves, based upon word-processing and in-game text. A tall lowercase makes for easy reading, curved joints give it friendliness, and broad spacing delivers distinctive all-caps treatments. Here’s a downloadable PDF specimen. Citrine’s basic idea began as “a Havelock for reading.” Essential geometry delivers a sense of harmony, and forms sit broadly next to each other to be easily read, even onscreen and very small. Citrine includes case-sensitive alternate shapes for smooth all-caps typesetting, small caps, and a wide range of diacritics to cover a multitude of latin-based languages.

Pixerius is a family of pixel fonts containing 3 characters in width and 12 styles, from square shapes to very rounded ones. There is also a tracing mixing letters of different widths in a random order. The font is suitable for logos, large headlines, posters and signs. It combines the classic retro character of 8-bit games and the playful character of a random set. Pixerius contains extended Latin, Cyrillic, ligatures and space invaders. It contains OpenType features: liga, numr, dnom, calt, ss01, ss02. The font is also case sensitive, has fractions, currency signs including the ruble sign.

With over a year of design and development, Victorian Supremacy is ready to help you and your clients make a statement by adding elegance and unique flair to your next design project. Victorian Supremacy inspired by letterheads from the late 1800's and early 1900's. Set includes four major styles and layered version (gradient, outline & extrude). Victorian Supremacy offers an expansive set of options, making it the perfect choice for books, magazines, packaging, branding and signage. From period style and Victorian to modern and elegant, Victorian Supremacy is strong and stately, yet elegant and decorous.

This decorative tech typeface is inspired by the printed circuits boards of the twentieth century. Its default character set suggests commercially manufactured circuits while the OpenType alternates give more of a home-brew feel. The font is ideal for technical decorative titles in subjects as diverse as computers, techno music, ham radio, or “maker”-culture communications. It works well in large-type posters, logotypes, video games, album covers, or advertising. The OpenType font contains nearly 100 discretionary ligatures to give a varied appearance, along with several alternate cuts of common characters and ten electrical components (accessible as OpenType stylistic alternates).

Is there such a thing as an easy answer, or is it just because you know the question? Anyway, as a kindergarten teacher I like to make these quizzes with the kids. The object of the game is not to answer right, but to get a feeling of knowing a lot. I thought of these questions as being logical and really easy, but I also found out that it is a great way for the kids to remember and recall their knowledge! This font is easy to read, even if you use some of the many choices of swashes!

Kono is a font straight from the modern, gritty, warfare computer game genre. Rough and ready, with letters that double as numbers and look fit to be sprayed on a bunker wall, Kono brings you a bleak example of the near-future, where pragmatism rules out over artistry. Kono itself, ironically, is stylistically crafted to capture this feeling, carefully selecting the perfect mix between flat, straight lines and rounded corners, using wide, squat characters to mimic practical architectural styles. Kono is great for capturing a bleak but somewhat heroic attitude, whether you want to use that to encourage optimism or advertise pessimism.