The Shoreman This typeface is a vintage Sans Serif Display Typeface. The Shoreman comes packed with over 450 glyphs containing many alternates and decorative characters. With so many options of characters, you can give any of your projects it's own unique character. What's Included? Over 450 Glyphs with tons of alternates Western European characters Thanks!

A title card with cast credits for the 1935 movie “The Whole Town’s Talking” (starring Edward G. Robinson and Jean Arthur) formed the basis for People Talk JNL. The hand lettered names were done in a slightly condensed slab serif – mostly rectangular in shape with rounded corners. A few characters take on their own unique appearance. People Talk JNL is available in both regular and oblique versions.

Named after the steadfast doctor from Albert Camus’ The Plague, Rieux is an even-tempered slab-serif that is confident without being cocky and approachable without being casual. The aesthetic of Rieux is inspired by the industrial age. While the design is not directly derived from typefaces of that era, the shapes of letter-forms are informed by images of over-sized steel machines and the monolithic brick buildings that housed them. Rieux is available in 5 weights and is ideal for uncatalogued, magazines, short publications and company collateral. In addition to supporting Western, Central and Eastern European languages, Rieux includes an array of OpenType features to provide a range of typographic options.

Introducing Gathell Typeface GATHELL font family consists of 13 families, from Thin to Black style. The elegant modern font creates a unique design and is sure to steal the eye of the design target audience. Besides being unique, the GATHELL font also has a luxury simple character that makes the design charming and luxurious. These a fonts are perfect for designs with the concept of elegant, luxury, romance, fashion and so on.

Introducing Miloner Typeface MILONER font family consists of 14 families, from Thin to Heavy style. The elegant modern font creates a unique design and is sure to steal the eye of the design target audience. Besides being unique, the MILONER font also has a luxury simple character that makes the design charming and luxurious. These a fonts are perfect for designs with the concept of elegant, luxury, romance, fashion and so on.

Introducing Brolimo Typeface BROLIMO font family consists of 14 families, from Thin to Heavy style. The elegant modern font creates a unique design and is sure to steal the eye of the design target audience. Besides being unique, the BROLIMO font also has a luxury simple character that makes the design charming and luxurious. These a fonts are perfect for designs with the concept of elegant, luxury, romance, fashion and so on.

Bats, Cats, Ghosts and Ghouls, Zombies, Witches and Spiders galore. Cackling to herself alone in her coven, our very own Scary Godmother, Lilou, threw eyes of newts and wings of bats into her cauldron and sent her unearthly children down the street with mischief in mind. Our Halloween Dingbats have every kind of Spooky Monster she could imagine, and a few more besides. Keep your porch light on. Trick or Treat

Hollow Town is a Handwritten Graffiti typeface, perfectly suitable for youtube channel, movie title, design t-shirt, poster, etc.

You've been shot down over enemy territory and you've managed to survive for weeks thanks to your training and instincts*... but now you're being ruthlessly pursued by MAPPO's footsoldiers... The ELEPHANTMEN! Will your commanding officer go against orders in an attempt to rescue you or will his mission be abruptly aborted, stranding you behind ENEMY LINES? In order to survive, you may have to betray your own rebel forces, your allies and the entire free world! The future of mankind hangs in the balance! Failure is not an option! Bummer. *This font's modus operandi bears no relation to the story of any other font that may have been shot down behind enemy lines, real or imagined.

Introducing Lumiere Rosie – A Gorgeous modern sans serif with ton of stylistic alternates to choose. Its bold clean and simple. Works wonderfully on its own for logos, headlines, posters, packaging and many more! And with Three different weights to choose, your option to create more unique and versatile design is a lot wider. Have fun and create more. Your Imagination only your limit!

Introducing DECONDOR Typeface DECONDOR font family consists of 14 families, from Thin to Heavy style fonts. The elegant modern font creates a unique design and is sure to steal the eye of the design target audience. Besides being unique, the DECONDOR font also has a luxury simple character that makes the design charming and classic luxurious. These a fonts are perfect for designs with the concept of elegant, luxury, romance, fashion, classic royal and so on.

Well, if you found this page via Google and what you're looking for is NOT a Slam Bang display and logo font (made famous by the logo of our sister company's flagship comic book title, HIP FLASK), but in fact a small metal bottle suitable for brandy, whiskey or the spirit of your choice, then we deeply apologize. If you've read this far, then we'd like to point you to eBay where you'll find a wide selection of the items you're looking for. While you're there you might also like to consider how difficult it is for HIP FLASK fans to find back issues of our comic amongst all those pewter and stainless steel christmas gifts for your golfing friends and fellow alcoholics.

Garnet is a rare TT typewriter face, made digital from analog samples gathered with great care by Coniglio Type. A time and place; type and life. Garnet Euro Typewriter is the first new release by designer Joseph V Coniglio in over 5 years. It is contemporary designer type, made from the struck steel hammers of an art deco san serif face transferred from a mechanical 1926 Royal Portable typewriter. It has an obsessively complete commercial roman character set ––for the pre-opentype environment of the late 1990's. Yes, it has that great “Monopoly Game” question mark -- and all on a period-piece typewriter! You should have no trouble grafting that sorely needed Euro symbol.” –And he very well did!

Jump back to the classics with Staluco - A bold sans-serif font inspired by vintage greeting cards and town signs in the 70s 80s era. This font captures the vibes and sense of going-home and childhood-like spirits from your grandparent's house. Perfectly fit for logo, a town sign, branding, poster, clothing, merchandise, music project, books, greeting cards, street, and urban culture concepts, you name it.

Walk so fresh, talk so fresh - we like it, we like it! TalkSeek is in town and is ready to rock!

I live in a small hamlet near the Rhine river. It is a sleepy little town and it doesn’t have any facilities. For groceries I need to go to the next town. The only road leading to that town has been closed for half a year, because of ‘maintenance’, so doing groceries got a lot trickier. The fastest way to travel is through yet another hamlet in the forest, on a very narrow road with extremely bumpy shoulders. Yes, you’ve guessed it: it is a Bumpy Ride. Bumpy Ride was made using a so called Brush Pen. It comes with all the accents and a sweet set of alternates for the lower case letters.

There's a little restaurant in an old house on a sidestreet in town (Rockland, Maine, USA) called Cafe Miranda. The staff is friendly, the setting intimate, and the appetizer a basket of hot bread fresh from a brick oven. Its ample menu features such entries as "Quasi-Cassoulet" and "Gentle Sole." It's among my favorite local places to dine out. But the menu got photocopied once too often, and Cindy's personable handlettering got faded and broken. So I took matters into my own hands. And here's what I delivered to the newly computerized folks at the little restaurant on Oak Street. You, too, can travel in rather heavy felt-tip style.

A treasure trove of typographic rarity, found in an old print shop in the Saxon town of Frankenberg, now revived and carefully extended.

Vladimir Script is a brush-style font, similar to the kind of lettering found on old hand-painted department store signs during the 1950s. The letters have a steep slant, and the uppercase letters and the numbers are rather informal. Many of the letters' strokes end in looped terminals, some with dynamic amounts of contrast. Vladimir Script is best used in larger point sizes, where its subtle details can dance across the page. The typeface looks fabulous on signs and cards.

Excelsor Script is inspired by lithographically produced scripts. It is softer and simpler than, for example, engraved Splendid Script, because its designer used pens and lithographic needles. The graver for steel is held in a quite different way and this has an influence on the shape of the letter. Similar type faces were in use from Neo-Classicism until the beginning of Art Nouveau, when they were pushed aside by a completely different view of festive typography. It has, in contradistinction to other scripts, slightly narrowed letters, which signifies a distinctive elegance without wasting space on the line. For practical reasons it was not possible to encircle the bottle with too long a label. It is, therefore, a suitable type face for labels. Its two optical grades cover a wide range of sizes.

The rather wide, caps-only Monotype Engravers family imitates scripts that evolved from copperplate and steel plate engravers hands of the nineteenth century, which were a quite expressive medium! Monotype Engravers' letters show a strong contrast between thick and thin strokes and have sharply cut serifs. In 1899, Robert Wiebking (who worked for a number of foundries in his time) designed an all-caps typeface named Engravers Roman."" Shortly thereafter, American Type Founders, Inc. (ATF) released another successful ancestor of this design in 1902, ""Engravers Bold,"" designed by Morris Fuller Benton. Engravers Bold was also released by the Barnhart Brothes & Spinder foundry. Also made available by Lanston Monotype at the beginning of the twentieth century, the Engravers faces soon became a popular choice for letter heads, advertising and stationery.

The rather wide, caps-only Monotype Engravers family imitates scripts that evolved from copperplate and steel plate engravers hands of the nineteenth century, which were a quite expressive medium! Monotype Engravers' letters show a strong contrast between thick and thin strokes and have sharply cut serifs. In 1899, Robert Wiebking (who worked for a number of foundries in his time) designed an all-caps typeface named Engravers Roman."" Shortly thereafter, American Type Founders, Inc. (ATF) released another successful ancestor of this design in 1902, ""Engravers Bold,"" designed by Morris Fuller Benton. Engravers Bold was also released by the Barnhart Brothes & Spinder foundry. Also made available by Lanston Monotype at the beginning of the twentieth century, the Engravers faces soon became a popular choice for letter heads, advertising and stationery.

Roshage is an elegant, stylish and assertive serif font. This font is PUA encoded which means you can access all glyphs and swashes with ease! The elegant modern font serif creates a unique design and is sure to steal the eye of the design target audience. Besides being unique, the Roshage font also has a luxury simple character that makes the design charming and luxurious. Grogie excels in display settings such as headlines, titles, branding projects, Logo design, packaging, magazine headings, advertising, YOU GET: Multilanguange. Thank you!

In 1966 and 1967 a series of weird events spooked Point Pleasant, a small town in West Virginia. Townspeople described a creature that looked like a man, with red eyes and moth-like wings, which appeared at several locations around town. The Mothman myth was born. Mothman font is spooky as well. It is a very scratched and distorted typeface, completely hand drawn, using ink and various sharp utensils. Mothman font will surely leave a lasting impression!

Like many cities in the Midlands and North of England, Stoke-on-Trent has a rich history linked to making and industry. In Stoke’s case it was pottery. In the early 1900s bottle kilns could be seen covering the landscape of the six towns making up Stoke-on-Trent with hundreds of factories producing some of the best ceramics in the world. But by the 1990s most of these had gone. Torn down for development of housing or just left to rot. During the next few decades Stoke continued to change. The industry was in a decline and Stoke itself was seen as another poor midlands city with a dwindling industry. Then in 2008, Spode, one of the largest and most famousceramics factories in Stoke entered into administration. Pens cast aside, drawings left half finished, designs left in the turned-off kilns; Spode factory was abandoned. This was a real shock and the way everything was getting thrown into skips to be put on the tip was heartbreaking. Thankfully people salvaged some of the technical drawings, sketch design, old sample pieces and ceramics that people hard worked so hard on. Potbank has been in development over a number of years taking inspiration from the heritage and designs from the ceramics industry. It has a mixed Clarendon and Antiqua style structure with its main purpose to be used as a printed type.

African fonts are characterised by design considerations that differ from those of Europe and the Americas. At one extreme we have a relaxed and casual approach to life that values the quality of each moment in life far more than people do in the west. In this approach each element of the font, while being part of a community, nevertheless stands on its own and has its own "character". An African font that characterises this approach is Ubuvila (the word means relaxedness or relaxation in Zulu). There is no strict adherence to a design format in Ubuvila nor are the characters constrained by resting on the same baseline. They wander up and down in the sentence and find a comfortable resting place.

The term "podunk" usually refers to a small, insignificant town. In this case, Podunk JNL refers to a bold and brash font that resembles cut-paper characters.

Chenko is a nod to Alexander Rodchenko the Russian Constructivist artist and designer whose poster work is characterised by its stark, stripped down typography and bold, geometric graphics. It was truly revolutionary in its day, and continues to be influential in ours. Chenko is my own take on his deceptively simple letterforms, and designing a font without a curve or a diagonal (okay I cheated on a few details like the O-slash and A ring characters) presented some interesting design challenges!

The Antonela Font is inspired by classic typography and brings its own unique style to any design project. Its casual charm makes it appear wonderfully down-to-earth, readable and, ultimately, incredibly versatile The Antonela Font is perfect for various purposes such as branding, interior design, book title, printed on a t shirt, packaging, advertising, and many other stuff. Coming with a lot of language support, this font is perfect for you. Thanks for downloading, and I hope you enjoy it!

Tudor Perpendicular is Greater Albion's seasonal Black letter release (not that we rule out the possibility of non-seasonal ones...) for 2012. As the name suggests, it is a design which emphasises, and yes, exaggerates for effect, the perpendicular up and down nature of Black Letter typefaces. There's no particular historical basis for this one - straight out of our own minds, just as a lot of Black letter 'revivals' have been over the years. Come and visit 'Ye Olde' world today...

Add imagination and spice to your next design project with the Blagak font. This elegant font can be used in any project. With a wide variety of fasteners and alternatives, Blagak brings a bit of vintage charm to any design project. Take a trip down memory lane with the Blagak font. This elegant font combines vintage appeal with contemporary design sensibilities to create a whimsical yet professional look. Use this font in any design project to add your own sense of nostalgia.

Based on vintage wood type, Nostrand JNL is a tall, condensed serif face - named for an avenue in font designer Jeff Levine's home town of Brooklyn, New York.

Heinz is inspired by the poster design of Heinz Schulz-Neudamm for Fritz Lang’s famous silent movie Metropolis. Heinz Schulz-Neudamm did quite a lot of work for the German branches of big American movie companies like 20th Century Fox or MGM. His most famous work is probably the title lettering for the Metropolis movie. The original drawing for that poster sold in 2005 in London for 398.000 Pound Sterling (approx. US $ 600.000). I designed a completely new font in the feeling of Heinz’s lettering. Enjoy. Yours historically, Gert Wiescher

The Rosella™ family, by Sabina Chipară, is an elegant and playful suite of typefaces that are ideal for book covers, social announcements, packaging and posters. Inspired by late 19th century engravers typefaces that mimic the delicate and ornate hairlines of steel and copperplate engraving, the family’s foundation is built on the dramatic Solid design and then expands to Deco, Engraved, Flourish, Hatched and Inline styles. Rosella also takes to color like the beautiful Australian parrot it is named after. Words set in the typeface come alive when vibrant colors, or tinted backgrounds become part of their plumage. While modern as today, the design also has a quiet antique vibe that brings an understated refinement to a variety of hardcopy projects. Rosella is a typeface for those times you need a design that stands out from the crowd – but with grace and composure.

Giambattista Bodoni (1740-1813) was called the King of Printers; he was a prolific type designer, a masterful engraver of punches and the most widely admired printer of his time. His books and typefaces were created during the 45 years he was the director of the fine press and publishing house of the Duke of Parma in Italy. He produced the best of what are known as modern" style types, basing them on the finest writing of his time. Modern types represented the ultimate typographic development of the late eighteenth and early nineteenth centuries. They have characteristics quite different from the types that preceded them; such as extreme vertical stress, fine hairlines contrasted by bold main strokes, and very subtle, almost non-existent bracketing of sharply defined hairline serifs. Bodoni saw this style as beautiful and harmonious-the natural result of writing done with a well-cut pen, and the look was fashionable and admired. Other punchcutters, such as the Didot family (1689-1853) in France, and J. E. Walbaum (1768-1839) in Germany made their own versions of the modern faces. Even though some nineteenth century critics turned up their noses and called such types shattering and chilly, today the Bodoni moderns are seen in much the same light as they were in his own time. When used with care, the Bodoni types are both romantic and elegant, with a presence that adds tasteful sparkle to headlines and advertising. Parma was designed by the monotype Design Team after studying Bodoni's steel punches at the Museo Bodoniana in Parma, Italy. They also referred to specimens from the "Manuale Tipografico," a monumental collection of Bodoni's work published by his widow in 1818.

Artful Nouveau JNL was modeled from the hand lettering on the sheet music cover for the 1910 song "Gee, But It's Great to Meet a Friend from Your Home Town".

Godina was born from the interest in learning and deepening in the basic forms and how they are combined to compose a typographic system. The name, a tribute to the town of La Almunia de Doña Godina, the town for which the author of the typography connects. La Almunia is a crossroads in the typography designer's travels, a link between his family and friends. It combines the scent of a straight and modular typeface with sinuous and curved shapes, which make it a fun and playful typeface.

Cowboy Junk is my loose handmade impression of what would happen if the wild west crashed into grafitti! The letters are loose and jumpy and the terminals are kind of exaggerated to give that firce impression of handcraft! So, better get up early and leave this town, 'cos there’s only room for one sheriff in this here town, and that is Cowboy Junk! Comes with contextual alternates, which means that the font will automatically cycle through the 5 different versions AS YOU TYPE! Yieeehaaar!

I have a notation that the summer of 1994, when I worked with Kalix, was a warm one. I had no special typeface in mind when drawing the characters of Kalix, but many typefaces contributed to it, e.g. my own Omnibus from which I borrowed the looks of the smal case g. I think it is a lovely typeface whose use is mainly for books and magazines. Kalix is the name of a northern Swedish town situated along a river called Kalixälven. Its name is of sami origin, *káles, meaning cold. There comes the connection to the warm summer of 1994! But even the Latin word for chalice, calix, has something to do with my choice of name. Kalix was released in 1994.

Ever think that supermarkets are becoming less personal and more clinical and cold? What will cost you less than a trip to the supermarket and put a smile on your face? Smiley was inspired by the hand-brush lettered signage at country grocery stores. There's something about the feeling you get when you visit a small town and stroll on over to the corner market. Everyone is pleasant, courteous, and they all have a smile on their face. You can have that local small town grocery store charm for yourself when you buy Smiley today.