Years ago, I came across a vintage playbill and was struck by its lettering. The detailed floral pattern surrounded by thick outlines stayed in my mind even though the play's name and cast have faded. I finally tried to recreate the style from memory and Forgotten Playbill is the result. While all letters are actually capitals, the uppercase rotate slightly counterclockwise and the lowercase slightly clockwise. I suggest alternating between the two to reproduce my mystery inspiration.

Tomate started in 2006 as a brush lettering exercise for a poster and was later used for the ReType identity. In 2008 its author decided to turn it into a super fat typeface suitable for packaging and mass consumption products. The possibilities of ultra heavy forms are explored in this alphabet; trying to solve the design problems that these sort of forms present. Tomate shows influences from the beautiful Goudy Heavyface Italic which is a design the author admires.

The first ideas about creation this font appeared in spring 2005. I took gothic fonts and a technique of feather as the base and create something unusual. Zholud's Modern Ghotic font has only A-Z, a-z, 0-9 and . , : ; ' " ! ? - characters. I recommed you to use this font in headers. It looks better if you'll start each word with Caps. Please use an application that supports kerning in order to display the spaces between characters correctly.

Galdana font family is a Roman serifs typeface, whose most relevant characteristic is the slanted angle of its true italic, at seventeen degrees. Its design was inspired by one of the most prominent American calligraphers of the last century, the book designer Oscar Ogg. Galdana contains 18 styles: starting from thin to ending in a fat typeface. This family is completed with multilingual support and a set of OpenType features such as stylistic alternates, swashes, and ligatures.

Lining up on the start line is Resistenza’s DreamTeam! This fit font’s long limbs, nimble movement and shifting weight make the multiline-display (inspired by bestseller Afrobeat ) perfect to grab attention on signage, print advertising and editorial applications like book covers. DreamTeam’s distinctive forms also make it ideal for branding applications and obviously with its directional movement and the suggested speed DreamTeam’s 4 styles would be DreamSolutions on athleisure apparel and clothing lines. Check out also “Voguing” & “Afrobeat”

Hello, let me introduce my font called de Floras - 5 Fonts Family. de Floras is a lovely and beautiful script typeface that designs manually by hand and love. de Floras comes with 5 weight, light, regular, semi bold, bold and extra bold. de Floras comes with a beautiful start and end swash that made who look for the first time is falling in love. Very suitable for designing wedding cards, birthday cards, invitation, greeting, and many more.

Milk & Clay | handwritten sans serif font Meet Milk & Clay, the font that started it all. This font was inspired by a friend who is a ceramists. The smooth and soft bumpy edges of this font is influenced by the texture and shape of clay as you’re working with it - almost perfect letter or shapes but not quite there. The letters are unique and feel soft and handmade. Perfect for; handmade products, ceramics, branding, logos, instagram quote text.

This cunning, conniving, chattering font is devious, devilish and dashing! It's a toon town tattler that will lend a flippant insouciant personality to your comic books and animated features. These handsome letterforms will nab you, jab you, grab you and may even stab you with their sly wily guile. Our advice: Be Very Very Qwiet when tracking down this Wascally Wabbit. Features: Automatic alternate uppercase alphabets Western & Central European language support Manga characters & Crossbar I Technology™

Stuph Light is a collection of drawings pulled from one of the many sketch books Steve Zafarana is always doodling in. Because they are in a font, the drawings can be used in font format or opened and manipulated in vector programs like Freehand or Illustrator. Stuph Light continues to inflict upon an unsuspecting public Steves’ cockeyed outlook on the world that was started with ITC Fontoonies, ITC Gargoonies and ITC Backyard Beasties. Will this lunacy ever end?

This font was inspired by the bricks of my wall, I stared at them all the time thinking, wouldnt be great if fonts live in cooperation with bricks, and then, it came to my mind…A font family that shows naked bricks, like it is RIGHT on the middle of design process. The main features are the informal and wired look that make it worthwhile for bands and informal invitations, flyers, for concerts or infantile designs.

Friendly in lowercase; sophisticated in capitals. Visby® CF is a geometric font family inspired by the stark beauty of the Arctic. Straight lines and sharp corners mesh with subtle humanist influences, giving Visby a blend of precision and warmth. Includes Latin and Cyrillic scripts. Visby® CF pairs well with contrasting softer typefaces, particularly text-friendly serifs like Artifex CF and Addington CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Empire State Gothic is, from basement to spire, an exultant, soaring skyscraper of a font, distinguished by its high arches, steel-framed construction and the glory and pride of Comicraft's fine woodwork and stonework! You might find it surprising, then, that this tall, lanky font was something of a loner during its teenage years, mingling with others of its kind in the shadowy corners of coffeehouses, nurturing feelings of belittlement while craving attention it may not have rightly deserved.

Generisch - a german equivalent of generic - sans serif typeface has gain its own place among designers and earn such popularity due to its "simple" design. Generisch is influenced by early grotesk typefaces from early 1900's when sans was starting to get popular and used as a body type. Some old ligatures such as ch ck and ng are present in generisch (not the ct and st tho), old style numeral for better typesetting experience and more.

The image of a set of vintage French tin stencils spotted online was the starting point in designing Freight Yard Stencil JNL. A more traditional ‘B’ and ‘R’ replaces the original characters (which looked kind of awkward due to extra ‘stencil breaks’ within the letters). However, there are a few interesting variants in other characters to set the design apart from similar stencil fonts. Work Yard Stencil JNL is available in both regular and oblique versions.

What started out as a typographic exercise to produce the TypeTrust logotype turned out to be the product of obsession. Epic is the culmination of two years of work that has yielded a versatile and respectful contemporary garalde. With a full complement of six weights and true italics, the family offers itself as a true workhorse. Numerous standard and discretionary ligatures, majuscule ligatures, stylistic alternates and swash characters ensure visual interest as an effective headline face.

Happenstance came out of a play session with Bezier curves with a sense of fun built into its being. First came play, then came work. Thomas Edison once said,”Creativity is 1% inspiration and 99% perspiration.” Nikola Tesla thought the opposite. In this case, what started as inspiration took a lot of perspiration to corral into a usable font. So maybe the reality is a) different for different people or b) somewhere in the middle. Just sayin’.

There's a war starting; you just didn't notice because you were too busy fighting to realize what was happening. Take your sides. Pick your battles. Choose a face that stands ready to defend, enforce and police. All who are ready to serve, please step forward. Deathe Maach is a six-font family of descending weights with the strength and stamina to face all comers in the approaching conflict. Armor on. Pistols out. Barrels forward. Enforce and serve.

Rackem PB started as a digitization of a film typeface known as "Eightball" by LetterGraphics, not to be confused with Eightball that was released by other film type companies of a totally different look. This crazy typestyle had all the flavor it needed to make regular appearances in 70's sticker body modification ads for Chevrolet cars and trucks side panels. Loaded with hooptie appeal, it's something you really need to take for a ride to appreciate its novelty.

The Eagle series realizes the ideas behind Morris Fuller Benton’s famous titling face, Eagle Bold, which was drawn in 1933 for the National Recovery Administration and became the symbol of American recovery. Font Bureau’s Eagle was started in 1989 for Publish magazine. David Berlow designed a lowercase, finished the character set, and in 1990 added Eagle Book for setting text. In 1994, Jonathan Corum added Eagle Light and Eagle Black to form a full series; FB 1989–94

Angustina is an elegant display typeface, it takes inspiration from classic letter styles. I chose the font name after reading the classic Italian novel “The Tartar Steppe”. I was inspired by the sickly, stoic and mysterious man who differs for his willingness to stay at Fort Bastiani. Angustina conveys distress and stinging sensation with extreme contrasts between thick and thin strokes and exasperated serifs. The alternate of hairline and bracketed serifs gives Angustina a modern and military appearance.

I really enjoy making brush fonts. I usually just get my Chinese ink and a bunch of brushes and start drawing glyphs. It took some time to get Studio Brush right, but I think spending that extra time paid off. Studio Brush is quite a neat brush font: the glyphs of this all caps font are of equal height (more or less) and complement each other perfectly. Studio Brush comes with double letter ligatures and some alternate glyphs.

Antea is named after "Antaeus" the giant of Libya in Greek mythology, son of Poseidon and Gaia (mother earth), whose wife was Tinjis. He was extremely strong if he stayed in contact with the earth, but once lifted into the air he became weak and liquid. So is this font, strong if grounded and weak if floating in the air. I will in due course add different weights for different purposes. Your designer of very mysterious fonts, Gert Wiescher

The typeface Cat Finger is designed from 2021 for the font foundry Typo Graphic Design by Manuel Viergutz × Carmen Thiemer. The display font based on the human hand. Started analog with acrylic paint, a finger and a white paper. After scanning, a digital brush was created. With the help of a touch tablet, this brush was used as a writing tool. One font-stlye written with the left hand (left) and one with the right hand (right).

Vowels produce 'end-characters'. These are used whenever a string of symbols start or end. Consonants make 'middle-characters'. Numerals are zero-width characters. these can be used whenever you feel like it, they will float above and below the string of symbols. Puncuation adds extra spice. Hold down 'shift' and you get the individual symbols mirrored. (very useful with the vowels.) Check my website for a more graphic representation and play, for gods sake, play!

Vilonti a new font family from the Owlking project Vilonti designed by ilen nalishawa. a font that carries 20 weights including italics in it. Vilonti inspired by the legendary logo of sports products, so our desire arose to create a font that looks clean, simple, professional, and can be applied more broadly, both for font based logo design needs, or for making paragraphs or sentences. We hope Vilonti can collaborated with your imagination. Let's start desiging. be happy.

«Envelove» is the brand new typographic challenge handwritten by Yani Arabena and designed along with Guille Vizzari and Ale Paul, for Sudtipos. It all started as a game for Yani. A carefree and spontaneous calligraphy, making use of the pointed nib with black ink, exploring its expressive possibilities pressing against paper. With time that nib turned into her dearest tool to flow through her writing, breeding this particular style of hers that let her trespass the barrier that kept personal and professional passions apart. All that inspiration is present in «Envelove», a play on words that reflects the love of letters. An expressive free-and-easy typeface that follows no formal calligraphic model and lets itself go with the meaning of words, rhythm and sensations. «Envelove» successfully joins three different fonts, «Envelove Script»—free, spontaneous and unique of its kind—going together with «Envelove Caps»—an uppercase style that builds controlled but dynamic words thanks to its alternates and ligatures, and to its own true Small Caps set as well—and «Envelove Icons», ideal to decorate and bring to life any written message. «Envelove» encourages you to write as if you have a nib, ink and an envelope. It invites you to take part in other worlds like a magic cocktail, a summer night, a long-awaited reunion, a first dance, a dish cooked with your own hands. The fashion world, gourmet, stationery, scrapbooking and everyone where a Handmade or Handcrafted feel is craved for, save a special place for «Envelove». (The illustration series that are shown with «Envelove» were made by the incredible Argentine illustrator Eugenia Mello.)

Graffiti is all repetition. Style, like brand logos, makes the repetition more recognizable, but style should never keep you from reading the word. Chanse Fresh was a project to make a handstyle font that wasn't self-concious and overworked - the font is clearly readable and fresh AF. Round is the base font with a thin version to create hierarchy or for longer pieces of text. Both round and thin have a "wet" drippy mop tag version best for key text. The font is all caps with alternates, so you can sub in capitals as needed with repetitive letters to change things up. There's a full latin alphabet so you can type all the words with accent marks natively and a ton of discretionary ligatures and accessory glyphs like arrows, stars, and crowns to make your lettering extra fresh.

In the amazing world of typography, the Glasfur font shines as a bright star. This font brings a sense of playfulness, uniqueness, and strength to any of your projects. With its bold and vibrant Bubble display style, Glasfur will take your message to the next level across a variety of visual displays. Glasfur's special features are not limited to his striking appearance. With four family variants, including regular, blurry, outline, and shadow, this font provides unlimited flexibility to depict your creativity. In addition, the ligature and alternate features allow you to create unique and interesting letter combinations. We understand that every project has different needs, and that's why Glasfur supports multiple languages, allowing you to connect with a global audience easily. Make each of your visual displays special with Glasfur. Own this font immediately and make your work the main highlight!

Card-O-Mat is an inspiring font family that makes it easy to design awesome greeting cards for many occasions. Each font is packed with an impressive number of items, check out the glyphs map and get surprised! Card-O-Mat Messages font counts more than 170 unique lettering designs, with a great assortment of messages. From an effusive ‘Happy Birthday’ to a sensible ‘Thank You’, you'll find charming choices for many situations. Card-O-Mat BuddyBirds brings more than 180 picture elements, comprising a pocketful of birds and handy adornments such as flowers, leaves, stars, clouds, speech bubbles and so on. Beyond making a perfect pair with Card-O-Mat Messages, it also goes brilliantly well with our hand-crafted fonts, like Populaire, Oyster, Berimbau, Amarelinha and many others. Pick the ones that fit you better and happy card making!

Like a bright star shimmering on a still and quiet summer night, Arched Gothic Condensed is a glowing example of Victorian type. Thin in the middle with clumpy wedges on top and bottom, it truly bears the spirit of a bygone era. Originally known as Concave Extra Condensed, this typeface has shed its waist-high spur notches and gained new figures and lowercase letters. Developed around 1885 by the James Conners & Son Foundry (New York), Arched Gothic Condensed is a marvel of sparkle and glitter in nineteenth century typeface design. Arched Gothic Condensed is also available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Hi there! I'm happy to present you my new font! Adrim is a modern symbols and lines display font. Each uppercase character have a unique pattern with moon, stars and leaves. Here are also clear font option. It is perfect to use in any vintage logos, branding, flyers, product packaging, romantic stationery, ecology posters, astrology blog design, holiday invitations. What you will get: * Pattern and Clean styles * Uppercase and lowercase * Numbers * Symbols * Ligatures * Punctuation * Multilingual support If Adrim font family is not ok, please check out Avery https://www.myfonts.com/fonts/kaer/avery/ I hope you enjoy this font. Follow my shop to receive updates of products and the very hottest news! If you have any question or issue, please contact me: kaer.pro@gmail.com Please request to add additional characters and glyphs if you need! Thank you!

Dereza is a grotesque typeface designed specially for display use in children’s books and magazines. Books for little ones are usually set in grotesques, and a vigorous font would make a nice addition to the main face. Playful and lively, Dereza is great for any non-grown-up design such as games and toy boxes, cookie jars and cereal packs, clothing labels and other things meant for kids. It looks super in speech bubbles. The Dereza family includes four fonts, from light to bold, with ligatures, lowercase figures and accented characters.

Introducing our cutting-edge Sporty Techno font, designed to add a futuristic and sleek aesthetic to your designs. With its sharp lines, geometric forms, and high-tech vibe, this font is perfect for projects that require a modern and forward-looking visual identity. Inspired by the sleek designs of technology and the digital age, this font captures the essence of innovation and progress. Its clean and precise letterforms, along with its distinct futuristic style, make it an excellent choice for technology-based branding, gaming graphics, sci-fi posters, and digital interfaces.

PT Octava™ was designed at ParaType in 2001 by Vladimir Yefimov. The first (Cyrillic only) version named Scriptura Russica (1996) consisting of three styles (book, italic, bold) was commissioned by the Russian Bible Society. Lately the Latin letters and bold italic were added. Inspired by Lectura, 1969, by Dick Dooijes and Stone Print, 1991, by Sumner Stone. In spite of large x-height the typeface is both space saving and quite legible at small sizes. Expert fonts including small caps (book) and old style figures are available.

SK Eliz is an eight-bit old-school geometric font based on pixels. Despite the old school, the font looks modern and simple. The font is built on a clear geometric grid, verified to the last pixel. It is ideal for design works in the old style, illustrations and for game design. This font also contains a set of pixel icons for more convenient operation. There are also paired styles of numbers. The font comes in one weight but it has 850 glyphs which supports classical Latin, Cyrillic and most European languages.

Admiral was inspired by and extrapolated from the Art Nouveau lettering incised into the facade of a local hostelry. This gave us some inspiration for the capitals 'A', 'B', 'C', 'E', 'H', 'I', 'L', 'O', 'S', 'T' and 'U'; we then had great fun extrapolating the rest! The source of the name Admiral can be spotted if you look at characters such as 'A', 'H' and 'N'. Admiral's distinctive charm and humour lends it to projects with a 1900s Art Nouveau theme, be they book covers, posters, signage, invitations, cards, or anything else you enjoy!

Ela Sans is the sister of the typeface I originally designed for the business of my second wife and mother of my two sons, her name is - of course - Michaela. Ela - the typeface - is suitable for magazines, newspapers, posters, advertiments, books, text, documentation/business reports, business correspondence, multimedia, and corporate design. Because lately this typeface became very popular I decided to extend the Ela Sans family to eight weights and I added italic and smallcaps versions to it. So now Ela Sans and Demiserif together is a full fledged typeface family.

ITC Musclehead is the work of type designer Timothy Donaldson, a robust, densely packed handwriting typeface. It almost looks like brushwork but was in fact made with a ruling pen which Donaldson had bought from a company in Salem, Massachusetts. He says, The world's gone ruling-pen mad at the moment [late 1990s] and I was beginning to tire of all the skinny splashiness of the letters that most people were making with them. I wanted to do something heavy and robust with the tool, so that's what I did.""

Get ready to channel your inner (cute) fear with KONSIDER—spooky yet playful fonts. It was inspired by the vintage Halloween visual campaign, with a touch of happiness and cheerful vibes. To amplify the font itself so it can be a "no-doubt" choice for your branding campaign. Packed up with Ligatures and Stylistic Alternates to double up the joy of your visual statement. Perfectly fit for logo, branding, mood board, campaign, events, poster, game, esport, fashion, snack, packaging, streaming overlay design, graphic design, toys, and many more.

American type designer Christian Schwartz created this display and sans FontFont in 2005. The family contains 3 weights: Light, Regular, and Bold and is ideally suited for advertising and packaging, music and nightlife, poster and billboards, software and gaming as well as sports. FF Oxide Solid provides advanced typographical support with features such as ligatures, titling alternates, case-sensitive forms, fractions, and super- and subscript characters. It comes with tabular lining and proportional lining figures. This FontFont is a member of the FF Oxide super family, which also includes FF Oxide Stencil.