FS Koopman is a hard-working typeface. A crossbred workhorse that draws on inspiration from Swiss grotesks, American gothics and early British grotesques. It refuses to fit neatly into any of these categories, it’s neither one nor the other, but all of the above. It’s kinda Swiss meets American… (but with a slight Yorkshire twang).

Tabor Sinfonia is a blackletter typeface that marries the historic beauty of Gothic script with the rhythm and harmony of music. This decorative font is perfect for logotypes, artistic projects, and designs that require a touch of vintage elegance. The inspiration for Tabor Sinfonia came from a fascinating combination of medieval manuscripts and musical compositions.

“Grendel Regular” Evolved out of a hand lettering piece I designed for a record album (Royal Crescent Mob). Inspired by old gothic forms, my intention was to create a playful letter form that could be used in an antique as well as a modern context such as food product packaging or fun video projects, etc.

Rogain is a unique font that seamlessly blends modern elegance with tropical charm and a touch of gothic influence. Inspired by lush tropical landscapes, Rogain features sleek serifs and subtle floral motifs. Perfect for a wide range of designs, it captures the essence of sophistication and natural beauty. Experience the fusion of styles with Rogain.

Guglia is an extra textura typeface ispired by the gothic architecture shapes and in particular to his vertical extremization based on a rigid scheme, like the calligraphy of that period. A spire (Guglia in italian) is a tapering conical or pyramidal structure on the top of a building, often a skyscraper or a church tower.

A gothic blackletter font named after the Parler master builder family which built the Schwaebisch Gmuend cathedral. This font contains a bunch of useful ligatures, and by typing 'N', 'o' and period plus activating the Ordinals feature you get an oldstyle numbersign. In this blackletter font the # key is occupied by the 'round' s.

If you are looking for a unique and unique gothic blackletter font that will set your project apart from the rest, look no further! ARHOKY is the perfect font for adding a touch of elegance to all kinds of creative work - including wedding invitations, tattoos, and packaging designs. Use it immediately to realize amazing projects!

The boss of extended typefaces, Brian Bonislawsky, has belted out this ultra wide design, EuroMachina, that looks like an odd meld of OCR-A, Microgramma and Bank Gothic. And if that wasn't enough, Brian then felt the need to distort it in various ways, creating Broken, Eroded and OverGreased. A little something for everyone.

Ludwig Sans is a modern Sans Serif Font Family inspired by american Gothics. It also contains many Alternates that are inspired by Ludwig Sütterlin’s Latin Script from 1911. All those Alternates can be combined seamlessly within the neutral Sans Serif Typeface, so you get both: a bread-and-butter type and a display font.

Ramban is a high quality blackletter typeface for your designs, with metal and gothic accents to make your designs even more exclusive. Can be use for various designs such as band logos, cloting, even film covers or tour posters. Includes Uppercase Letters and unique Roman Numbers with some extra bonus Ligature Characters. No Punctuation !

Kenjo I & Kenjo II is an elegant font collection, with Japanese & Art Deco influence. An uppercase character set for display purposes, it houses the standard more versatile Serif (Kenjo I), along with a more fashion-based, stylised option (Kenjo II). Kenjo also includes a versatile collection of unique ligatures, to add a more creative approach to the standard sensibility of Serif based fonts.

Blemished is a hand drawn brush font with a playful, yet evenly spaced look. The name blemished was chosen because of its flawed and spontaneous character, which, however, in the overall picture appears to be even and legible. The Font is equipped with Standard Characters upper and lower case, Punctuation, Numbers and some Standard Ligatures. Includes multiple multilingual support, designed by LukerType

Churchward Maori is the second of a series of eight Maori style typefaces designed by New Zealand type designer Joseph Churchward, and released by BluHead Studio, LLC. Churchward Maori infuses standard Latin glyph forms with traditional Maori decorative elements to create a wildly organic design. BluHead Studio expanded the character set to support standard Latin character sets. BluHead previously released Churchward Ta Tiki.

Neuzeit Grotesk was originally designed by Wilhelm Pischner (1904-1989) and was released by the font foundry D. Stempel in 1928-1939. In 1970, the German Standards Committee advised the standard use of Neuzeit-Grotesk for official signage and traffic directional systems, and the abbreviation DIN was added to the name of the font. DIN" stands for Deutsches Institut für Normung (The German Institute for Industrial Standards). Neuzeit Grotesk was also once the standard in the German printing industry. It has been seen as a straightforward and utilitarian typeface, with no unusual or distracting features. Like other typefaces from the 1920s, it reflects the philosophy of those times, "Form is Function." Today, however, because of its familiarity and practicality, Neuzeit™ Grotesk has acquired an almost cheerful and reassuring aura. Try it out for signage, magazine headlines, or flyers. See also Neuzeit S for text weights of Neuzeit Grotesk.

Cross Stitch Carefree is based on upper case characters 10 stitches tall and contains the characters A-Z and period. Several characters extend above the capital line or below the base line.

Ragazzi is well balanced serif with display impact. Contains 2 widths – Normal and Condensed and matching Italics for Normal in weight distribution from Light to Black. With gently rounded serifs, teardrop terminals, elegant hairline, equal ascender and descender heights, playful ear and smooth spur, Ragazzi represent distinctive serif family for respectable area of usage. Family's display elements are especially noticeable in headlines, but they handle longer paragraphs with same success, not effecting on legibility keeping right dose of display touch present. Ragazzi contains OpenType features: Small Caps, Initials, Standard Ligatures, Ordinals, Fractions, Superscript, Subscript, Oldstyle Figures, Tabular Figures and two decorative dingbats. Condensed and Italics font files don't contain Initials and dingbats. Ragazzi is our 104th release.

Giacinta is developed as a fresh alternate take on the traditional black-letter style. Rather than simply reproducing the standard uncial or Old English style, Luke William Turvey followed the tradition of Bastarda, making up his own scripted style with the Latin standards in mind. This style was conjured purely from imagination, so while it bares a resemblance to the standards, keeps its own original flavor. Giacinta is extended, containing the full West European diacritics & a full set of ligatures, making it suitable for multilingual environments & publications. Use Giacinta for medieval themed projects, certificates, awards, diplomas, anything that you want to look old fashioned and stately.

Tokyo Olive was designed as an homage to nostalgic display types and advertisements in the mid-late 80s. The mid-late 80s was the era of the post-modernism and fancy-decorative design especially in Japan In other words, it was the mixture of superficial form-operation and girly taste. This curious design movement vanished without a trace in the 90s, but it had its moments. Tokyo Olive has voluminous and simple geometric skeleton (for post-modern) with rounded and craft-style stencil joints (for fancy decoration). We added a classic open style as a little spice. The mixture of those essences makes new impression we have never seen before. Tokyo Olive family consists of 5 styles for stacking color font. Please use Photoshop or Illustrator, or your favorite graphic design apps that can handle layers. Layers are the printing plates of wood type. You should be able to change text color for each layer. Tokyo Olive "Standard" style is the base of this font family. You can add open effect by stacking "Fill" layers over the Standard layer. Instruction 1. Type your text as you like. 2. Set font-name "Tokyo Olive" and font-style "Standard". 3. Set color of "Standard" layer. 4. Duplicate the "Standard" layer to make "Fill" layer. 5. Set font-style "Half Fill" or "Full Fill" and new color of upper layer. Tokyo Olive Standard, Half Open, and Full Open style can be used solely.

The Arial® Nova family takes Arial back to its roots. Character spacing has been adjusted and a number of subtle modifications were made to the design to return the shapes and proportions to those of the original 1982 design created for IBM's then new high-speed laser printers. Although these first Arial fonts, called "Sonora Sans" by IBM, were low-resolution bitmaps, it was apparent that the design could also be an important high-resolution digital typeface, and Arial was redrawn for Monotype's imagesetters in the late 1980s. In the process Arial evolved from its original design loosing some of its earlier personality. The restored Arial Nova family is made up of three weights of roman design of standard proportions and three weights of condensed - all with complementary italic designs. The Arial Nova family is also compatible with the fonts that Microsoft® provides in the Windows® 10 operating system.

Oliviar Sans Variable is a modern sans serif with Grotesque touch. It's my experimental to study the new trends for the future fonts that is Variable Fonts. Inspired by a Geometrical fonts and also Humanist Sans serif. Created with 8 Masters that export to the traditional OTF to 28 Styles!. On the Applications that support variable fonts such as Adobe Illustrator & Photoshop, you can get more than only 28, you can customize the Weight, Width and Slant. Weight created from Thin (100) to Bold (900), Width created from Standard (100) to Expanded (900) and Slant based on degree angle from 1˚ to 10˚. There is a new slider icons for accessing this features Check on Last Display Image. Another advantage on the Variable fonts are you just need 1 files to install to your computer and it will install all the styles available. All of the Fonts are support for Multilanguage, Carefully Crafted.

Karibu™ is a 100-font original, ultra versatile geometric grotesk family with a lot of character. It is designed for modern projects, to serve as display as well as paragraph text typeface. It is perfect for lots of design situations - from magazine editorial use, logo design & branding, to web design, user interfaces and mobile applications. Main features: - 5 widths (Narrow, Condensed, Normal, Expanded, Wide), each consisting 20 fonts - 10 weights for each width (from Hairline to Black) - handdrawn, carefully crafted italics - alternate stylistic set for more technical and minimalistic projects - pronounced ink traps and large x-height improving legibility in small sizes and adding strong personality to display sizes - flatten letter shapes adding vertical rhythm and elegance to narrow widths - extended latin language support - OpenType features (case sensitive forms, standard and discretionary ligatures, stylistic sets, contextual alternates, lining, oldstyle and tabular figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols)

Delwyn is a Serif font family, which has a condensed and explicit character with 10 variants, namely; Thin, Light, Extra Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Black and Extra Black. Delwyn gives a clear and elegant look to logos, quotes, headings, wedding invitation, t-shirt, letterhead, lable, news, posters, badges, magazines, films. etc. Delwyn is a versatile typography filled with the character you want. with Marston you work.Marston has standard styles, Stylistic Alternates and ligatures. and includes upper and lower case letters, numbers and punctuation marks. Multilingual support for various languages including: French, German, Spanish, Portuguese, Italian, Dutch, Finnish, Swedish, and more. The different weights give you full range to explore a whole host of applications, while the outlined fonts give a real modern feel to any project.OpenType features can be accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. can also be accessed through the character map

Tlidia is a modern sans serif font, tall, thin and elegant. Talidia will work perfect for business card design, cover design, advertisement and many more Talidia have 10 families will make great combination