A light roundhand with mildly clubbed terminals on the capitals. It was expertly transferred from an engravers’ pattern plate to the Fotosetter Intertype about 1955.

Kids Activities JNL is based on the hand lettering found on the covers of some 1955 Cub Scouts activity books. It's available in both regular and oblique versions.

Ashley Script is a typeface developed by the British designer Ashley Havinden in 1955 for Monotype Corporation. Ashley Script is a brush script and is based on Havinden's own handwriting.

Hand-lettered stencil lettering on the movie poster for Alfred Hitchcock's 1955 dark comedy-thriller "The Trouble with Harry" inspired Hitchcock Stencil JNL; named in honor of the great master of suspense cinema.

Italian designer Aldo Novarese first created Egizio in 1955. Egizio is a Clarendon-style typeface, based on type fashions that were especially common in Britain during the 19th Century. This font is a popular choice for newspaper headlines.

While this bold, chamfered typeface may look like a sports font, it actually came from the opening credits for the 1955 Western film “The Man from Bitter Ridge”. Game Rules JNL is available in both regular and oblique versions.

Introduced by the font foundry C.E. Weber in 1951 and 1955, Delphin was designed by Georg Trump and cut by Egon Graf. Its lower case letters have a handwritten feel which contrasts nicely with the straighter, relatively small capitals. Delphin has a lyric character particularly suited for poetic texts.

The 1955 British edition of the sheet music for Frank Sinatra's hit "I'm Walking Behind You" had its title hand lettered in a sans serif design straight out of the Art Deco era. This bold, condensed type style is now available as Top Tune JNL; in both regular and oblique versions.

Brush Off JNL is based on the hand-lettered title from the cover of the 1955 sheet music of "Love is A Many Splendored Thing". The unique, artistic and somewhat eccentric letter shapes are both reminiscent of show card lettering and calligraphy. The design is available in both regular and oblique versions.

SPECX This is my #11/12 Font a slabserif typeface. In fact it’s a very, very basic and extreme strong typeface! We gave this new Font a special touch by adding an extra family-member: a stencil-version of the SPECX. My inspiration for the SPECX is based on the cover of a 1955 French School-Notebook. Concept/Art Direction/Design: André Toet © 2017

SPECX Stencil This is my #11/12 Font a slabserif typeface. In fact it’s a very, very basic and extreme strong typeface! We gave this new Font a special touch by adding an extra family-member: a stencil-version of the SPECX. My inspiration for the SPECX is based on the cover of a 1955 French School-Notebook. Concept/Art Direction/Design: André Toet © 2017

Inspired by the hand lettered title on the cover of a mid-1950s comic book [based on the beloved children’s TV host Captain Kangaroo], Treasure House JNL is a casual, playful serif font available in both regular and oblique versions. From 1955 through 1984, the late Bob Keeshan brought the gentle Captain into the living rooms of eager youngsters who were both taught and entertained each weekday morning.

The eight-part Belizio series updates the first Font Bureau typeface. David Berlow’s family is based on Aldo Novarese’s Egizio, designed in 1955 for Nebiolo. It was first prompted by the popularity of Haas Clarendon, designed by Hoffmann and Eidenbenz, an impeccably Swiss revival of the traditional English letterform. Aldo Novarese was among the first to investigate a true italic designed in the Clarendon style; FB 1987–98

The Pilatus font is a sans-serif standard technical font based on the ISO 3098 standard. The standard was developed for a good reading when reducing technical plans on films. The font follows clear rules and geometric proportions.

Folkwang is an unusual roman type with a lowercase that resembles an upright italic. Unusual top serifs are contrasted by almost no foot serifs. Originally released by the Klingspor foundry in 1955, this face originated from Hermann Schardt while he was the director of the Folkwang Werkkunstschule in Essen Germany circa 1949. According to British book designer and printing historian John Dreyfus in the 1955 Penrose Annual: Folkwang “…is a lovingly made piece of work which could have easily have been little more than an act of awe-struck reverence for the calligraphic techniques rediscovered by Edward Johnston and spread abroad in Germany by Anna Simons. Of special interest is the serif treatment of the lower-case letters: at the feet the terminals are mostly left bare, but the ascenders and the cross-strokes of the f and t are given elaborate curving serifs which in the mass create an effect unusual in a page of letters made as movable types, resembling rather more a piece of intaglio engraving. The ligatures ch and ck are original and successful.”

Calisso is meant to set a new standard. Calisso is a complete redevelopment of the Latin alphabet, where every stroke in each letter was given a new geometry - a complete reformulation of these most atomic components. The challenge of designing such a highly stylized font is to maintain legibility. The Calisso Standard steps up to that challenge and surpasses it. The Calisso Standard is classy, contemporary, and cosmopolitian. For a unique, fresh look - use the Calisso Standard.

Romantina is Font Calligraphy Script, designed in modern style so that this font is beautiful and nice to see. very good to use for brand, t-shirts, packaging brand, greeting card, invitation card etc. The features of this font is: • STANDARD UPERCASE • STANDARD LOWERCASE • SWITH ALTERNATIVES UPERCASE • STYLISTIC ALTERNATIVES LOWERCASE • NITIAL & TERMINAL ALTERNATIVE • STANDARD LIGATURES • DISCRETIONARY LIGATUR

Presenting a professional designer font. Specially designed for the header, it will complement your collection. It contains standard ligatures. More than 1,500 kerning pairs. Standard Latin alphabet and European diacritics.

Standard sans serif face.

Alistair Signature Font is a modern font with more featured and made with hand lettering. Alistair Signature Font have a complete glyphs, this font suitable for wedding invitation, greeting cards, T-Shirt, Logo or any design that you create. comes with a complete set of standard characters, Alternates, Punctuation & have extra ornament for your design and many more. The Features of this fonts is: - UPPERCASE and lowercase - Numeral and punctuation - Stylistic Sets - Stylistic Alternates and Contextual Alternates - International Glyphs support to All Stylistic Sets - Support PUA unicode (specially coded fonts) - Standart Ligatures and Discretionary Ligature - Fractions - Initial and Terminal Forms - Swash - Smallcaps Numeral

Raxsoen elegant display serif with beautiful contrast. Designed for fashion-themed projects, suitable for creating elegant, chic, lifestyle design such as logos, title, and magazine, and more. The luxury serif comes in 2 weights, Regular and Italic. are enhanced by OpenType features such as standart ligatures. Raxsoen can be used in high-end branding, logo designs, magazines, product packaging & invitations. Raxsoen is also included full set of: Uppercase and Lowercase Letters Multilingual Numerals & Symbols Punctuation Standard ligatures Wish you enjoy our font and if you have a question, don't hesitate to drop message & I'm happy to help :

The English roundhand has always occupied the central position in the group of faces appropriate to the social printing handled by engravers, and their contemporary imitators, thermographers. At the end of the nineteenth century when engraving was mechanised by the pantographic engraving machine, the traditional roundhands found their way onto pantographic pattern plates. Embassy is a traditional roundhand of vigorous contrast with straightforward capitals with ball terminals; it was transferred from such an engravers’ pattern plate to the Fotosetter at Intertype about 1955. Alphatype’s Yorktown is similar, but appears to have less contrast.

Francis is a design previously offered by the Lanston Type Co. in the early 1990s. It is a revival of a 1955 Günther Gerhard Lange design, but with a heavier overall weight. Coming out of retirement, it has been fully reworked and refined with elegant curves and an expanded character set. This font works well at small sizes and larger display sizes for everything from wine labels to personal stationery. This type evokes the elegant sophistcation of the Jazz age and pairs well with a Martini and a fine selection of charcuterie.

An adaptation of the font Neuland, designed by Rudolph Koch in 1923. The freeware (TrueType) version has a limited character set. The Pro Set (Postscript) version has a complete character set (Adobe Standard for PC; Macintosh Standard for Mac), and extensive kerning.

Introducing Kin Grotesque Kin Grotesque has been created to be your new go-to grotesque font that will work well for copy text and headline titles. With carefully crafted letterforms, ligatures and stylistic alternatives, Kin Grotesque is perfect for brand identity and logo design. With nine standard weights in standard and italic families. Features: 9 separate font weights + variable weight font for compatible software Standard and Italic Upper and lowercase Numerals Trial versions are available from www.wearecolt.com

Freezetide is a handwritten font with alternates, ligatures, OpenType features which give your design a natural handwriting feel with personality. Freezetide comes with 299 glyphs including multilingual characters, standard numbers, lowercase stylistic and standard alternates, discretionary ligatures for variety. Letters have jagged edges imitating dip pen writing. Using these ligatures allows you to give a realistic somewhat quirky hand-lettered look to your typography. Write the same word differently by combining the default set, alternates, standard and discretionary ligatures.

Shepila is a beautiful, modern and elegant calligraphy script. And is perfect for weddings, fashion, brands, blogs, boutiques or any business that wants to appear upscale and pretty. Features: Uppercase & Lowercase Standard Ligatures Contextual Alternates Numerals & Punctuations (OpenType Standard) Multilingual characters (AÀÁÂÃÄÅÇEÈÉÊËIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛÝŸÆŒß) PUA Encoded

Dichigan is a modern, beauty calligraphy font, and will work perfectly for weddings, food, e-commerce brands, trend blogs, boutiques or any business that wants to appear upscale and sweet. Features: Uppercase & Lowercase Standard Ligatures Contextual Alternates Numerals & Punctuations (OpenType Standard) Multilingual characters PUA Encoded

We introduce our new script font called Blendhes. Blendhes is a strong bold script font inspired from Vintage baseball sport design. Blendhes has a standart OpenType Features. With the OpenType Features, Blendhes gives you so many options to create something awesome. Mix and match the alternate characters to add an attractive message to your design. Blendhes is great for Logotype, Branding Design, Logo Design, Badges, Digital Lettering Arts, T-Shirt/Apparel, Poster, Magazine, Signs, Advertising Design, and any vintage design needs. Blendhes Features : - Upper and Lowercase Standard Characters, Punctuation, Numerals. - Opentype Features such as Standard Ligature, Discretionary Ligature, Ornament (Trail and Swash), Contextual Alternates and Stylistic Set (ss01 - ss07). - Fully accessible without additional design software. - Includes a range of multilingual characters. You can access all those alternate characters by using a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Guides to access all alternates glyphs : http://adobe.ly/1m1fn4Y Please, Feel free to contact me by e-mail yyudhara@gmail.com for any question about my font, Extended License document and more.

Amongst a batch of antique sheet musical instruction booklets offered for sale online was a piece with Art Nouveau hand lettering on the cover entitled “Seven Musical Travelogues for Piano”. This design served as the inspiration and model for Ragtime Gal JNL, which is available in both regular and oblique versions. The font’s name comes from the line ‘Hello my baby, hello my honey, hello my ragtime gal…’ from the 1899 song “Hello Ma Baby”; a tune that found a new burst of popularity in an odd way within a 1955 Warner Brother’s cartoon [“One Froggy Evening”].

Blind is a braille font for both braille keyboards and standard keyboards.

OCR A and OCR B are standardized, monospaced fonts designed for Optical Character Recognition" on electronic devices. OCR A was developed to meet the standards set by the American National Standards Institute in 1966 for the processing of documents by banks, credit card companies and similar businesses. This font was intended to be "read" by scanning devices, and not necessarily by humans. However, because of its "techno" look, it has been re-discovered for advertising and display graphics. OCR B was designed in 1968 by Adrian Frutiger to meet the standards of the European Computer Manufacturer's Association. It was intended for use on products that were to be scanned by electronic devices as well as read by humans. OCR B was made a world standard in 1973, and is more legible to human eyes than most other OCR fonts. Though less appealingly geeky than OCR A, the OCR B version also has a distinctive technical appearance that makes it a hit with graphic designers.

OCR A and OCR B are standardized, monospaced fonts designed for Optical Character Recognition" on electronic devices. OCR A was developed to meet the standards set by the American National Standards Institute in 1966 for the processing of documents by banks, credit card companies and similar businesses. This font was intended to be "read" by scanning devices, and not necessarily by humans. However, because of its "techno" look, it has been re-discovered for advertising and display graphics. OCR B was designed in 1968 by Adrian Frutiger to meet the standards of the European Computer Manufacturer's Association. It was intended for use on products that were to be scanned by electronic devices as well as read by humans. OCR B was made a world standard in 1973, and is more legible to human eyes than most other OCR fonts. Though less appealingly geeky than OCR A, the OCR B version also has a distinctive technical appearance that makes it a hit with graphic designers.