A number of pieces of antique sheet music utilizing the same Roman typeface were the inspirational basis for Musical Score JNL. This antique design closely resembles pen lettering and its hand-made charm due to the rounded stroke ends and varying character widths. Informal, yet attractive - the character design evokes the feeling of the turn of the previous century and simplicity of life at that time.

Veneribe -the Venerable face- is an experiment in what many today might call 'grunge', though we at Greater Albion would probably prefer to talk of rustic (or if we're feeling really old-fashioned rustick) charm. It's a derivative of our Clementhorpe family, and aims to combine a battered antique look with the charm of that decorative Roman family. Regular and oblique forms are offered.

Zenon is a compact text font in four weights. Zenon is a sum of different styles, from Francesco Griffo to Granjon, from modern typefaces to the first sketches of Times New Roman. Zenon is an apparently Renaissance revival with modernish proportions. A closer look reveals that it is a typographic potpourri. Zenon was design as part of the MATD program at the University of Reading.

This lettering style is unusual in that combines aspects of several lettering styles. It is essentially a Germanic Blackletter but with many romanized capital letters and also features an italic slant along with some italic lower case traits. It is evocative of “old world” craftsmanship and early 20th century romanticism. The font was developed based on the logo of the Lakin Company of Buffalo, NY circa 1900.

Flavium is the reconstruction of the typographic character used in the engravings of the marble street name sign of Rome from about 1970 until the end of the eighties. It is an uniquely uppercase Roman font whose letters are confined within the space between the baseline and the caps line. Its style is severe but elegant, very useful for expressing authority and officialdom with simplicity.

Missale Solis is an overhaul of my previous font Missale Lunea from 2004. After some usecases and requestes for customized versions I decided to make a redesign that is better suited for screen. The font is useful for headlines and small amounts of text with a distinctive medieval impression. It includes Roman figures, dynamic fractions, zodiacs and an alternate design for T and ampersand (&).

P22 Posies is a six-font system for creating multi-colored initial caps in the spirit of illuminated manuscripts. Four layer fonts can be built upon each other to create any chromatic effect you desire. The Posies Initial font combines all four layers to allow easy one-color drop-caps, while the Solid font features the unadorned roman capitals for setting companion titling text.

Ambergate is a new typeface family redolent of the late 19th and early 20th centuries. It’s a display family of four small capitals roman faces, incised and elaborated with filigree scrollwork. The four typefaces which comprise the family recapture the elegance of traditional flourished sign writing and make and provide ideal lettering for period inspired design work such as posters, signage and book covers.

Spur Wide JNL was modeled from an example of hand lettering from the antique French alphabet book L'Art du Tracé Rationnel de la Lettre. Heavy Roman style letters with spurs (often referred to as Latin) were most popular with sign painters and show card writers in the early part of the 20th century. Spur Wide JNL is available in both regular and oblique versions.

While designing Trajan, Carol Twombly was influenced by the style of carved letters produced by the Romans during the first century AD. Twombly completed the design, adding numerals and punctuation, as well as a bolder version to allow for text emphasis. Most importantly, her interpretation of the ancient style resulted in a font family whose clarity and beauty come across in modern printed materials.

Because of the need for a new condensed serif font family, Jack Yan created this individualistic style of typefaces complete with one of the largest collections of unusual ligatures available at the time of launch in the mid-1990s. As well as the usual selection of double-f and ct, JY&A has provided gr, gt, ty, and other ligatures for JY Integrity Roman and Italic.

Hedgier - Modern Serif Typeface Hedgier is a modern bold serif typeface called weiss roman. The combination with the width of each letter forms a modern feel and is suitable for various magazines, logos, branding, photography, invitations, wedding invitations, quotes, blog headers, posters, advertisements, postcards, books, websites, etc. Files Includes: - Uppercase & Lowercase - Numerals & Punctuation - Multilingual - Ligature Drop any message if you any question, Thank you! Fridaytype

Fidel Black Essential is a heavily weighted, condensed, sans-serif typeface with a large x-height. Ideal for short, high-impact headlines, its design is inspired by Russian Constructivism and old Cuban communist posters. Variants include Fidel Black, Fidel Black Italic and Fidel Black Stencil. Fidel Black Essential is an excellent choice for headlines, subheadings, posters and logotypes. Languages: Basic Latin, Euro, Mac OS Roman.

This font provides a typical set of characters for the ancient Nabataean language, used in what is now Jordan and adjoining regions during the period of the Roman Empire, based on lapidary letter-forms of the first century of the present era. It includes a full set of alphabetic characters as well as the ancient numeral forms, with ligatures and variant shapes for some numerals.

Matita Geometric is part of a larger type family developed from 2005-2019 with handwriting and teaching in mind. A humanistic geometric sans serif in five weights containing mathematical symbols, roman numerals, fractions, superior-& inferior numerals, tabular & proportional figures. The family share proportions and weights to ensure all fonts (family members) work together well. Matita Geometric is also a very basic typeface suitable for many purposes.

The “XXII Totenkult” is inspired by the classical letterforms of old roman/renaissance typefaces and an ode to the decay. This is an allCapitals-font and the lowercase glyphs contain a variation of the uppercase. With activated “calt”-feature every second lowercase will be replaced by an alternate, this will give the font a more natural look. Detailed information here: XXII Totenkult on Behance.

The Vale Press was a contemporary of Willam Morris's Kelmscott Press. The types used by the Vale Press were designed by artist Charles Ricketts, who also supervised the design and printing of Vale Press books. The main type used, Vale, was based on the Jenson 15th century roman type style. The King's Fount was an experimental semi-uncial font based on the Vale type. The King's Fount was designed in 1903 for the Vale edition of the 15h century poem "The Kingis Quair". This semi-uncial font evokes old English and Anglo-Saxon lettering. P22 Vale Pro combines the two fonts P22 Vale Roman and P22 Vale King's Fount into one "Pro" font. This pro font also includes a Central European character set, old style figures, fractions, ornaments and a special faux "Middle English" feature to make "anee text appeer Olde." This feature is not known to exist in any other font.

Polarity is a serif typeface with a touch of retro flair. It exudes a classic charm that effortlessly captures the essence of vintage typography. Its 2 styles, a roman and an italic compliment each other gracefully, each one with its own unique personality. While the roman is bold and modern, the true italic gives an elegant refined look for a perfect combination that’ll make your creations truly unique. Each character has been meticulously crafted to achieve a harmonious balance between smooth curves and sharp angles. Thanks to the numerous alternates, stylish ligatures and swash letters, the font family offers countless options and shows great versatility whether you're designing a logo, crafting a vintage-inspired poster, or creating eye-catching headlines. With 2 weights (regular and bold) and 2 styles - 4 fonts in total, the type family is equipped with various opentype features such as stylistic alternates, beautiful ligatures, additional symbols, old styles figures and multilingual support for major latin based languages.

Wedge’ is the outcome of a search for the essence of a formal alphabet for text — for 26 letters of the simplest form consistent with ease of reading.. Noted New Zealand architect Bruce Rotherham (1926–2004) was inspired by Herbert Bayer’s ‘universal alphabet’ created at the Bauhaus in 1927. While he admired Bayer’s pure geometry, Rotherham felt it was ‘virtually unreadable’. The Bauhaus-inspired inclination for architectural publications to use sans serif faces provoked Rotherham to consider how a readable Roman book face might be approached using some of Bayer’s same principles of simplification, but also retracing the evolution and use of the Roman form in an analytic manner. The Wedge alphabet was started in 1947 when Rotherham was an architecture student at the University of Auckland. It was worked on and refined over several decades but never commercially released, until now. Over sixty years after it was first conceived, Wedge is available from P22.

A sanserif with human touch in 6 fonts Angie Sans is a low contrast incised sans serif sharing some similarities with Optima by Hermann Zapf and Pascal by José Mendoza, both created at the end of the 50’s. The later, feature an italic not published by the initial foundry who launched Pascal. Angie Sans follow same path with its italic based on Chancery forms from the Renaissance, narrower than the roman shapes. With its capitals based on Roman proportions, lowercases featuring open counters, strong horizontals, Angie Sans is a legible typeface. The manual gesture is present in Angie Sans, which offer the plastic qualities such as warmth, craftmanship and humanity. Angie Sans is an Incised Garalde who works well for display as text settings. Available in 6 series, with matching italics, Angie Sans will work well in design projects where delicate and human touch is required. Angie Sans Morisawa Awards 1990

“Due Giorni”, two days in italian language, express a measurement of time, it can be little or a lot, depending on who or what it is used for. “Due Giorni” is a script font very expressive, fresh, agile and dynamic, hand-drawn with connected forms on slanted angle of 23º This font contain 542 glyphs with plenty OpenType features: Standard and discretionary ligatures, stylistic alternates, swashes, Old style figures, small caps, case sensitives and ornaments. It come also, with three kind of capitals: Roman Capitals, Small Caps (different proportions) and Swashes. Roman Capitals are inspired on the beautiful inscription found in the Augustorium’s house in Ercolano, Naples.those letters have been carefully drawn and sculpted. Swashed Cursive Capitals are similar to 18th century penmanship. “Due Giorni” is a versatile font that may give you the chance to create original logos and headlines, specially by many stylistic sets, ligatures and alternates that can be combined with them.

Quars is a text and display typeface family designed to work on magazines. However, it is also suitable for books and other editorial material. It has a strong personality with elegant, sharp and contemporary features. This typeface comes from several subtle influences, from the contrast of the Scotch Romans to the sharpness of contemporary Dutch designers. Quars is a crystal clear and neat typeface full of small details, its structure is bursting with curves and accurate features which gives it its firm personality. Its italic experiments with the boundaries of italics themselves; with just 1 degree of slant Quars Italic accomplishes its purpose of highlighting pieces of text within its Roman. This carefully thought out inclination protects the uppercase from the usual distortion which Italic caps suffer. It offers a generous glyph set with many ligatures specially crafted for titling and ornaments based on anonymous metal types found in the drawers of an old printing workshop in a coast town near Barcelona.

I just returned from a short holiday in Japan. I stayed in hostels and small guesthouses and noticed a peculiar thing they all had in common: they love little notes, telling you where to go, what to do, how to use the microwave oven and when to check out. These notes were sometimes printed, but more often they were handwritten. I found that the Japanese way of writing roman characters is a little, well, unusual. The letters are correct, but they have that typical ‘Japanese look’ - most notably the a and A the b, d and g, the p and P and the t and T. I can’t really tell you what makes them look different, maybe it’s the proportions, but I do know that a Nippon Note is highly recognisable. So, here is Nippon Note, a highly recognisable, handmade font. You don’t really have to be in Japan to use it, but it will give your designs that extra cachet. And don’t forget Nippon Note Kawaii - the cute doodle font which is free if you download the Nippon Note family! Comes with extensive language support, but unfortunately not Japanese…

Gill Sans is a humanistic sans serif family that, while is considered by many to be quintessentially British in tone and concept, has been used in virtually every country and in nearly every application imaginable. Gill Sans has reached this level of near-ubiquity for one simple—and very good—reason: it is an exceptionally distinctive design with a potential range of use that is almost limitless. This toolkit family includes a wide range of styles including the standards such as Light—which is open and elegant—and a Regular that, with its flat-bottomed d, flat-topped p and q and triangular-topped t, has a more compact and muscular appearance. Its Bold styles tend to echo the softer, more open style of the light while the extra bold and ultra bold have their own vivid personalities, but each of them would make for an eye-catching headline. Take into account the family’s many weights, including condensed and extra condensed designs, and extended language support and you have yourself a tool you’ll be thrilled to return to, time and again. Gill Sans was designed by Eric Gill: a versatile, brilliant, and prolifically successful designer of the early part of the last century. One of the main reasons for the enduring success of his namesake design is that it is based on Roman character shapes and proportions, making it unlike virtually any other sans serif out there. Gill also worked his own warmth and humanity into his design, resulting in a typeface in which each weight retains a distinct personality of its own. Pair with serif fonts like Gill's own Joanna; or more modern offerings like Frutiger® Serif, Malabar™, Syntax® Serif, FF Scala®, or DIN Next™ Slab.

Nebulen is a beautiful and feminine serif font created by a romantic and lovely look. Nebulen was built with Open Type features, stylistic Alternate and Ligature makes your project will be awesome.

Mythical Prince is a beautiful and smooth sans serif font created by a romantic and lovely look. It is perfect for greeting cards, wedding invitations, posters, logotypes, product branding, and much more.

Dianora is a Script Font with Lovely Handwritten Calligraphy Style. Dianora is an equally elegant and authentic script, full of love. Use it to add a romantic spark to any design project!.

Takipedey Handwritten Font is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create.

Only You Icons, with more than 300 options between icons, ribbons and frames that will make your project very attractive and romantic. Only You Icons is brilliant. Also available Only you Pro.

Meet my new font Halbrein – a romantic delicate script font with its poetic flow, which simulates natural handwriting. Halbrein comes with uppercase, lowercase, standard punctuation and special letters for most European languages.

Selaris is a beautiful and feminine serif font created by a romantic and lovely look. Selaris was built with Open Type features, stylistic Alternate and Ligature makes your project will be awesome.

Liaison is a beautiful non-connecting handwritten script for headlines and display typesetting, e.g. for perfumes, reports of the glamour world, magazines about gardening and recipes, covers for romance novels and alike.

Mariosa is an elegant font with a romantic appeal; this font is for those who are in need of an elegant and appropriately modern calligraphy script. Get inspired by its bold swashes.

Handwritten font for a romantic and lovely messages, funny texts and happy postcards. This font is based on the Alya's handwriting for friendly messages. Also maybe use for menu, headlines, logos etc.

Almerita is a sweet and delicate handwritten font. Dainty and joyful, this font will be ideal for writing wedding invitations, cards, or any other design that may need a romantic, personalized touch!

Beatlove is a sweet and delicate handwritten font. Dainty and joyful, this font will be ideal for writing wedding invitations, cards or any other design that may need a romantic, personalized touch!

Nathaly is a sweet and delicate handwritten font. Dainty and joyful, this font will be ideal for writing wedding invitations, cards, or any other design that may need a romantic, personalized touch!

Based on a 1940s lettering stencil, Teacher JNL continues Jeff Levine's extensive collection of stencil fonts based on original sources.

Here's yet another stencil font based on a vintage source, and part of Jeff Levine's extensive library of stencil typefaces.