Grava is Neil Summerour’s injection of warmth within the geometric sans font category. Historically, geometric sans families have been based on primal shapes — triangle, circle, square — and the more closely they held to those rigid rules, the more internal inconsistencies they showed. Angles won’t match up correctly, letters will lean, overshoots complicate clean typesetting, and idealized circles become grotesque and unwieldy in some weights. Because of issues like these, geometric sans fonts have a reputation of being cold, austere, even a bit “off”. Grava was made to hold a T-square and triangle in one hand while giving a welcoming handshake with the other. The Grava font family comes in two styles (a normal and a Display), each with 20 weights (Thin to Ultra) and paired with italics. Its design allowed the three scripts of Latin, Cyrillic, and Greek to emerge seamlessly, ensuring Grava will find its home in multilingual publications. Even better, each character in the three scripts is spaced with every other character for a beautifully matched fit, and it’s a buy-one-get-all-three deal since they are all packaged together. The normal style’s large x-height won’t let you down in paragraphs, headings, and any call-out text. And have you seen the angles on those numerals? Pairing Grava’s numerals on a jersey is sure to catch some eyes, just sayin'. Grava Display is purposefully quirky and sharp, and made for poster sizes, book and album covers, and those websites with a well-defined character — somewhere between playfully self-aware and overtly vintage. Flat edges are abandoned to make way for sharp points and conspicuousness, for geometrical attitude and respectful expressiveness. Corporate reports use Grava Display to take on a professional and current look. The optional ligatures (N–T, L–L, G–A, C–O, almost anywhere an ‘A’ is placed, and more) in both the normal and Display styles invoke a midcentury modernist and high art feel. Now that introductions are done, you can let go of Grava’s hand and put it to work for you.

The Geantdum Script is modern script font, every single letters have been carefully crafted to make your text looks beautiful. With modern script style this font will perfect for many different project ex: quotes, blog header, poster, wedding, branding, logo, fashion, apparel, letter, invitation, stationery, etc. The Geantdum Script including alternate glyph and beautiful swirl. How to access alternate glyphs: Windows Character Map: https://www.youtube.com/watch?v=BScPsiubM1k Adobe Illustrator: https://www.youtube.com/watch?v=y5XTaWYwWA4 Thank you for your purchase! and please let me know if you have any questions. via email: joelpopon@gmail.com

Ruutu is a square but queer font presenting odd faces. Supports multiple tongues.

A wide, square font, ZygoSE fits perfectly into a clean, dynamic design piece.

A technical square-edged font influenced by modern architecture and computer aided design.

Cantiga is a monophonic song or melody, sometimes repetitive, often with unpretentious themes. In the same simplicity, this font family combines robustness with some very fine details, with 44 versions for various purposes. Choose thinner (or thicker) versions for titles, and intermediate versions (normal, medium, etc.) to small sizes. Explore the condensed versions when you need to save space. Use the light versions for special cases in huge sizes. Cantiga intended to be your new "Swiss army knife" sans typeface. The Cantiga family consists of 2 widths (normal and condensed) with 11 weights each, plus their respective italic versions. The fonts are available in OpenType PS format and have extended character set to support CE, Baltic, Turkish as well as Western European languages.

The Core Sans M Family is a part of the Core Sans Series, such as Core Sans N, Core Sans N Rounded, Core Sans N SC, and Core Sans G. This font family has open and square letter shapes, and overall rounded finishes provide a soft and friendly appearance. Simple and modern shapes with a tall x-height make the text legible and the spaces between individual letter forms are precisely adjusted to create the perfect typesetting. The Core Sans M Family consists of 2 widths (Condensed, Normal), 7 weights (ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy), and Italics for each format. Small Caps versions are also available. It supports WGL4, which provides a wide range of character sets (CE, Greek, Cyrillic and Eastern European characters). Each font includes support for Tabular numbers, Arrows, Box drawings, Geometric shapes, Block elements, Mathematical operators, Miscellaneous symbols and Opentype Features such as Proportional Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. The Core Sans M Family provides both OpenType (.OTF) and TrueType (.TTF) versions in the same package. We highly recommend it for use in books, web pages, screen displays, and so on.

Alice is a formal fantasy font. It’s inspired in the fairy tales and magical lands that my mother used to tell me as a child when I went to sleep. The capitals are really nice and complex, while the minuscules are cleaner for easier reading. The style Curly uses some features of the normal uppercase letters in the lowercase ones. There are some minor, yet noticable, flaws in a number of characters that will need correction for signage/vinyl letter cuts (characters appx. 2-1/2" and larger).

The Punkto font family comes in nine weights of Normal and Italic. With the Punkto font family, you can create beautiful works for the web, including logos, banners, body copy, and presentations. Punkto typeface also works nicely in print formats such as posters, T-shirts, magazines, and affiches. Because of its eye-pleasing style, this font is both effective and versatile. It supports a wide range of languages, including Extended Latin and Cyrillic.

Ungap Blocks This font was designed by blocks, square glyphs, by Pedro Teixeira Foundry

Unique square letter design enhanced with round edges that make any signage stand out.

Cutting Corners is all about letters made of squares that also suggest circles. That’s it. This is one of several fonts I’ve created based upon a strictly geometric form; in this case, a round-cornered square. The width is equal to height (except for i, I and most punctuation). Usage recommendations: logos, samplers.