Sku typeface is a elegant display font and comes in 2 styles: Regular & Italic.

William Caslon’s design as made regular by ATF at the beginning of this century.

FF Angie Regular won the Brattinga prize at the 1990 Morisawa awards in Japan.

Buntype’s new Bunday™ Sans Font Family consists of four main states with different moods: the crisp and distinctive sans, the cute script styled upright and the matching italics (these upright styles are currently not available). All states of Bunday™ Sans share the same contemporary, clear and open base forms and create a space-saving and homogeneous text colour. Despite the fact that the overall width is space-saving or narrow, Bunday™ Sans offers good legibility. The font was manually hinted and contains extensive handcrafted kerning tables to ensure perfect appearance in all media.  Bunday™ Sans ships with 9 standard, 9 upright italic, 16 italic styles from a considerable thin “Hair” to a pretty fat “Heavy” weight. It supports at least 99 languages and provides OpenType® features for ligatures, alternative glyphs, localised forms and more.  Please take a look at the other members of the Bunday superfamily: Bunday™ Clean Bunday™ Slab Further information: Bunday Sans Specimen PDF Bunday Sans OpenType® Quickguide Feature Summary: 9 weights: Hair, Light, Thin, SemiLight, Regular, SemiBold, Bold, ExtraBold and Heavy 4 Moods: Sans, Upright, Sans Italic and Upright Italic Overall width: Narrow or Space-Saving Advanced “f” ligature set* “s” and “c” ligatures* Alternates Characters: a, ç, e, f, g, l, t, y and more* Capital German Esszett* Supports at least 99 Languages * Available only in applications with advanced OpenType® support

Pikelet is a misprinted grunge font ideally suited to headlines, poster and display. As well as irregularities of printing in the actual letters, the ordinary versions contain "print errors" around some of the letters, whereas the Clean versions are identical but without those extra bits of overprint. The All Caps version has 2 sets of capitals which are different to the capitals in the Regular version (and to each other). And the jumbled versions have varying amounts of mis-alignment, but not variations in size. There's also an extensive selection of accented characters for both Western & Eastern European languages, and punctuation and fractions.

Purveyor Purveyor is a bold modern sans serif with a lot of character. This will be your "Work Horse" for a lot of projects. It works nicely for projects that require a more refined yet vintage aesthetic. Purveyor is a simple yet refined All-Caps sans serif. I had a ton of fun making the specimens for this font, which is usually a good sign that I'll use it regularly. Purveyor includes 8 versions: Regular, Rounded, Rough, Textured (+ 4 Oblique Versions). Purveyor comes with Western European Characters. By the way, I included 2 R's - Just uppercase and lowercase to access

urgle Jock is actually two fonts in one: The Regular version is a classic handmade sans and the Outline version is…well, an outlined version of the Regular - however, I made it a bit off-grid and hasty scribbled looking. The two versions works well as they are and even greater together!

Introducing a modern look label font named "Cyberpunk". All available characters you can see at the screenshot. This font have 2 basic styles - Regular and stencil. Regular font have Textured style and effect style with texture. This font will good viewed on any retro design like poster, t-shirt, label, logo etc.

Cuthbert is an unusual, semi-script, pseudo-medieval typeface. The capital letters are exuberant and whimsical. However, both the regular and italics styles are graceful enough to be used for purposes such as invitations. Included as a third member of the family is Cuthbert-ZNick, a corroded, distorted version of Cuthbert Regular.

Refinery is the newest font in the Evanston Collection of square typefaces. With a similar capital structure to Tavern and Alehouse, Refinery includes both lowercase and small caps, making it an ideal typeface for paragraph text settings. It also comes in a wide array of weights and widths, with 85 font files in total. DESIGN Refinery has it’s roots in early 20th century signage and saloon typography, but has been modernized - even future-ized - to fit the 21st century digital landscape. The design was aimed at providing a type family that could work in many modern design fields, from sports, tech and military to gaming, HUD, virtual reality and augmented reality. ENGINEERING Essentially. Refinery is a simple mono-linear square design has been expertly refined into an easy-reading sans serif typeface. It was designed to be used in both display and text settings. From hairline to black in ultra-narrow or extended, the wide array of weight and width options makes it easy to find the right font for each text need. SPECS Refinery not only includes 85 font files, but each one include a wide array of Opentype Extras that allow even further customization. • Stylistic Alternatives: Letters A W Y have a styling variation that rounds the pointed apex into a square curve. The S and 2 variation straightens the spine, making all curves in the alphabet read as 90º angles. • Small Capitals: A shortened version of the capitals for alternate header settings. • Titling Alternatives: In this typeface, this feature turns on lifted small caps. Take the small capitals, raise them to level with capitals and underline at the baseline. When multiple lowercase or small capital letters are typed in a row, the underlines connect, creating unique ligatures. • Figures: There are different figure styles for different text needs. Options include, proportional lining, tabular lining (for math), old style and small capitals. • Discretionary Ligatures: A little funk to this otherwise serious typeface. Letters with a long baseline or cap height stem - F, L, T - get elongated to hug a small capital vowel. Other ligatures include Co. and No. • Catchwords: These are common words that bring emphasis to a design. In English these words include ‘and’ ‘as’ ‘by’ ‘in’ ‘of’ ‘the’ ‘to’ ‘when’, among others. Refinery also includes multilingual catchwords of ‘el’ ‘la’ ‘oder’ ‘go’ ‘para’ ‘pour’ ‘und’ ‘y’, among others. For the full list, please check out the specimen images. EXTRAS To round the typeface off, a set of over 150 ornaments, icons, arrows, patterns and line breaks is included to provide complimentary graphics. These can be found in the Ornaments labelled font, it is recommended to use the Glyphs panel to select which text glyph is needed.

Pittsburgh is the latest (as at August 2011) in a range of inter-war American inspired commercial faces, and takes its place alongside the popular Bettendorff and the Spargo family. These shaded stab-serif capitals speak of the heyday of heavy manufacture and engineering and bring a gritty feel of the 20s and 30s to any project. Why not indulge in a little heavy engineering today?

This font family based on vintage German book called “Der Raupen wunderbare Verwandlung und sonderbare Blumennahrung.” by Merian, Maria Sibylla and printed in Frankfurt am Mayn in 1683. I manually redesign initials and regular style fonts from this folio. Also, I’ve added some modern symbols. I'm happy to present to you my new font family. Blumen font family has Initials and Regular styles. It's all you need to precisely imitate medieval style text. Use Drop cap style as a decorative element at the beginning of a paragraph or section, other part of the paragraph should be in Regular style. You’ll get: * Initials & Regular styles * Uppercase and lowercase * Multilingual support * Numbers * Symbols * Punctuation * Ligatures Please feel free to request any help you need: kaer.pro@gmail.com Best, Roman. Thank you!

Gutters Butter! A handwrittent marker font with 8 styles, Gutters Butter Regular, Gutters Butter Regular Italic, Gutters Butter Regular Bold, Gutters Butter Regular Bold Italic, Gutters Butter Rounded, Gutters Butter Rounded Italic, Gutters Butter Rounded Bold, Gutters Butter Rounded Bold Italic. Gutters Butter font is suitable for branding, logotype, apparel, T-shirt, Hoodie, product packaging, quotes, flyer, poster, advertising, etc. Whats Include? Uppercase and lowercase characters Supports international languages Opentype feature: ligatures, alternate Accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu, Adobe InDesign, Corel Draw, even work on Microsoft Word Please message me if you’re unsure of any language support. Thanks for looking, and I hope you enjoy it! Please don’t hesitate to drop me a message if you have any issues or queries.

Introducing Rowan - Elegant typeface. 116 font styles included and 1 script Rowan is elegant and retro typeface loaded with 116 font styles (narrowest, narrower, narrow, regular, wide, wider, rough, outline and script with 6 weights) 87 languages support, alternate and ligature glyphs to make you typography truly unique! Language Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusi,i Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian, Bokmål, Norwegian, Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu FEATURES Uppercase, lowercase, numeral, punctuation & Symbol ligature glyphs alternates Narrowest - regular, italic and styled with 6 weights Narrower - regular, italic and styled with 6 weights Narrow - regular, italic and styled with 6 weights Regular - regular, italic and styled with 6 weights Wide - regular, italic and styled with 6 weights Wider - regular, italic and styled with 6 weights 1 script 2 rough styles 6 outline fonts Multilingual support - 87 languages No special software is required to type out the standard characters of the Typeface. How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Nothing too fancy here, just your everyday workhorse sans in both regular and oblique versions.

Genial is an elegant, contemporary script font in nine styles, specifically designed for maximum versatility. All of the styles, ranging from condensed thin to expanded fat, are clear and legible. The font conveys a feeling of relaxed elegance. The Family: Medium weights - Regular: of medium weight and regular width - Expanded: of medium weight and wide - Condensed: of medium weight and condensed width (narrow characters) - perfect for limited space Black weights (for best readability) - Regular: for bolder statements - Expanded: expanded width for bolder statements Light weights - Regular: regular width, delicate line - Expanded: wide characters and a delicate line - Condensed: condensed width (narrow characters) and a delicate line Fat weight - Expanded: for maximum impact (wide and extra-bold) Use a combination of styles for product branding, book covers, invitations, greeting cards. The Genial combination will enable you to use different styles of the same font for headings, sub-headings and body text. Genial contains over 250 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in the major European languages.

Heller Sans JNL is based on the main letterforms of an experimental alphabet designed by Steven Heller; noted author of over 170 books on design and visual culture. Some modifications were made in turning his design into a digital font. In his own words, here is the background to this typeface: “I recently recovered this from the junk heap. It is a yellowing photostat of my first and only typeface design (1969-70). Total folly! At the time I was smitten by Art Moderne lettering. I called it “Klaus Boobala Bold” because I liked the K and B. I’ve lost the letters S through Z, which were made. The letters were drawn with compass, Techno pen (that frequently clogged). as well as a triangle and T-square. The inline and outline made no real logical sense. I based the design, in part, on Kabel, Avant Garde and it was a product of whatever I could accomplish with those tools. The caps-only alphabet was photographed and produced as a film negative that was cut in foot-long strips and spliced to fit on a Typositor reel. Sadly, the negatives made for the font were too brittle and the splice snapped apart in the Typositor. I worked on it for well over a month and used the face only once. I realized with this attempt, like so many other times I attempted different challenges, that type design — indeed mechanical drawing — was not my strong suit.” Heller Sans JNL is available in both regular and oblique versions.

Juxta Sans Mono is an experimental monospace sans, an extension of the Juxta superfamily. During the creation of the Juxta script, I felt that the aesthetics and the main idea of the font had promising potential and I started thinking about a pair for it. So the idea of Juxta Sans Mono was formulated. Juxta has several style-forming elements: 45° beveled or cross out bowls, squared m and w arcs and other unobvious letter structures. Despite its unusual and sometimes odd (f, g, m) letterforms, Juxta Sans is fairly easy to read due to its monospace font nature and wide spacing. Juxta Sans Mono offers great customization potential. It has two sets of stylistic alternates — [salt] makes a letter underscored, but keep it in line, [ss01] replaces some of the glyphs with different letterforms. The [case] function automatically adjusts the height of the punctuation marks to the neighbor letter and [onum] is a set of old style numbers. Juxta Sans Mono also has subscript and superscript features, but they are utilized a bit unconventionally — if you want to customize your logo or headline, you can make a glyph superscript and the one next to it subscript and they automatically kern into one letter width. You can see examples of using these features in the presentation. Juxta Sans Mono is available in 8 weights, including Thin, Light, Regular, Medium, SemiBold, Bold, ExtraBold and Black. It extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin, Afrikaans, and Basic Cyrillic.

Prêt-à-porter is a project developed as part of a series of type experiments appearing on the blog ‘Letritas’. Prêt-à-porter is a very expressive friendly font with a handwritten look, smooth curves and strong identity. Its counterforms make it a carefree, wild, cheerful, light and highly readable typeface. This type system consists of two Script families—Contrast and Linear—and a Slab family. The Contrast set works as a complement, providing more elegance and formal refinement. Both Linear and Contrast come in 5 weights plus Ornaments, which can be used as initial and terminal forms since they have been designed for connecting with each letter. Linear and Contrast families include ligatures and the whole font family supports 208 different languages.

Postulat Pro is a contemporary slab serif typeface. The family contains 16 fonts: 8 romans with matching italics, from Hairline to Bold. The character set include contains more than 2100 glyphs which support most Latin and Cyrillic languages including Vietnamese, Greek, as well as small caps, stylistic and local alternates, and many other useful characters. The font uses a combination of smooth and extremely simple straight shapes. The author abandoned the use of teardrop-shaped classical elements, replacing them with straight ones, which makes Postulat Pro more dynamic and modern. These unique features give the font a unique personality. Postulat Pro is the perfect choice for headlines, logos, branding, packaging, publications and websites. The typeface was designed 2021 by Alexey Chekulaev.

Neo-grotesque Sans Serif mixed with the classical handwritten Script in slanted geometric shapes - that’s the way Mixa was born. Those two faces of the new font family makes it as much as unique and recognizable. When you’re using the Capitals only nobody will suspect that there is script hidden in the lowercase. That’s why all eight weights can be combined perfectly with wide list of classical Sans Serif, Slab Serif and Serif typefaces. The font offers wide range of ligatures to ensure smooth readability and beautiful letter combinations. The decorative swashes in some of the Capitals presented as a stylistic sets give unique touch in any design. Mixa has it’s own style and personality, but without lacking of legibility.

Munchies is a reverse contrast slab-serif font family. Inspired by the volume and size of 19th century wood letterpress blocks and the Italian Caslon language. Munchies has 12 variants, from Heavy to Thin, with opentype options in a set consisting of uppercase, lowercase, small caps, ligatures, and alternate letters (A, M, N, V, W, &, Arrows, *). Munchies is divided into two subfamilies: Normal and Display. The Normal style has an appearance reminiscent of Western posters with a “measured” contrast. While the Display style takes the contrast to the extreme. Both styles are also available in Variable version. The inverted contrast makes it an interesting and striking looking typeface that stands out in any context. Perfect for headlines, bold branding, or animation like kinetic typeface.

An industrial strength slab-serif inspired by Detroit itself, Motor City is a heavyweight titan of type that breathes diesel and exudes brawn. Defined by its trapezoidal serifs that were characteristic of many Detroit-centric sign-painters during the dawn of the 20th century, this typeface is a modern adaption of a classic aesthetic. This typeface can be layered with the outline version to add levels of detail quickly and easily making an already strong statement even more powerful and prominent. This uppercase only typeface comes with a set of true small capitals that is certain to add an extra level of style to your next project. Features Include: Over 330 glyphs Uppercase Only Small CapsSupports 75+ Latin Languages OTF files Designed and Developed by Jason Carne

Elixir is a strong display pack of five styles and total eleven fonts. Elixir fonts are designed to act together but they also work just fine by themselves. Elixir Script is a monoline Script with plenty of OpenType features: Contextual Alternates helps to keep letter connections smooth whereas Swash, Stylistic or Titling Alternates can be used to add flavour to your words! Elixir Brush is a smooth brush script with Contextual Alternates, Swash and Titling Alternates. Elixir Sans is a sturdy all caps font with wider uppercase letters. Elixir Circus is a circus style version of Elixir Sans. Elixir Serif is a rounded slab serif. Elixir Print is a rugged version of Elixir with rough outlines and worn-out print texture.

Sagona is a contemporary slab serif building on the clarendon/ionic model dating back to the 19th century. Like its most famous representative Clarendon, Sagona features strong serifs and a variable stroke contrast resulting in a versatile typeface working great in headlines and small text sizes. Where great typefaces like Sentinel, Belizio or FF Hertz are staying close to the industrial and strict appearance, Sagona is focusing on a warm and welcoming approach, emphasizing a subtle elegance especially in the mid weights. The family comes in nine weights with matching true italics. It is equipped with a large set of alternative glyphs, ligatures, old style numbers, initials and finitials, two sets of arrows and many more opentype features making it a perfect choice for professional type setting.

JY Raj has had a lengthy gestation. The original one was a sans serif adaptation of a slab serif typeface design by Jure Stojan. Raj looked instantly better as a sans serif. After refining it further one lengthy night in 2001, he showed the drafts to Jack Yan, who completed the character sets and finished the kerning. A characterful sans serif, JY Raj pushes the boundaries of what is possible with various geometric shapes, combining legibility and tradition with sharp, unexpected angles. As with Stojan's earlier JY Koliba, it possesses a delightful balance, thanks to the designer's eye for detail and typographic harmony. The name has little to do with the Asian subcontinent: it translates to paradise in Stojan's mother tongue, Slovenian.

Ulises is a modern serif typefamily that comes in 9 weights plus matching italics. Beautiful typefaces such as Shift, Brioni, Skolar and Malaga inspired this project. Our goal was to create an eclectic slab serif with some grotesques features, which provides a wider range where Ulises can be used. Therefore this typefamily is perfectly suited for headlines and small text sizes. Ulises contains alternative glyphs, fraction, superscript, subscripts and special numbers. This project is a classical-modern serif typefamily that is ideal for graphic design, printed publications, web design, motion graphics and branding. We’re proud to introduce: Ulises. Learn about upcoming releases and work in progress, and get to know us better! On Instagram W Foundry On facebook W Foundry wtypefoundry.com

French type designer Xavier Dupré created this serif and slab FontFont in 2004. The family has 10 weights, ranging from Thin to Bold (including italics) and is ideally suited for advertising and packaging, editorial and publishing as well as logo, branding and creative industries. FF Absara provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. In 2005, FF Absara received the TDC2 award. This FontFont is a member of the FF Absara super family, which also includes FF Absara Headline, FF Absara Sans, and FF Absara Sans Headline.

Introducing Reinfolk - Decorative Sans, created by ikiiko. Reinfolk is a sans serif typeface with a unique decorative shape. The form is a combination of the sans typeface with the tail character on the slab letter, so that it forms a unique formation and has a distinctive character. Reinfolk is a simple font, with a elegant and calm impression. This typeface is perfect for an elegant logo, branding, layout magazine, home & decor layout, beauty product, packaging product, quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Alternates & Stylistic Multilingual Support Get also a good offer & FREEBIE at our site : www.ikiiko.com Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com