Biennale is a geometric typeface with a strong character and a large x-height which make it an excellent choice for a wide range of applications, such as headlines or branding. Although common in style, Biennale distinctive details and color on the page allow users to create really unique designs. The font comes in 11 weights, from Hair to Heavy, and includes matching italics. As you would expect from Latinotype, this typeface comes with a standard set of 417 characters that support over 200 Latin-based languages.

Afeelnooztii is an angular sans serif font that is useful for all sort of projects, including: books, essays, games, posters, signs, videos, and more. The 7-segment characters and Arbitrary fraction characters are both allocated in the Private Use Area starting at U+E000 and U+E100 respectively.

Blusty Font Duo is an handwritten script font based on the expression of real handwriting, lets you transform type into an exciting and beautiful piece of work. The irregular, hand-lettered look adds a real human touch to things and comes along with a lot of loving details.

Hello Bellandia is a new modern script font with an irregular base line. Hello Bellandia looks beautiful on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and more. Perfect for use in ink or watercolors. Includes initial and final letters, alternatives and multi-language support.

Quantico is an angular typeface family that was inspired by old beer packaging and military lettering. It utilizes 30 degree angles and completely straight lines to form unique character shapes. Equally at home in text or display settings, Quantico includes 3 alternate characters as well as several ligatures.

PL Benguiat Frisky is a script face designed by Ed Benguiat in 1960. It has an irregular x-height adding to its informal appeal. The PL Benguiat Frisky font is useful for books and posters and invitations for fun or informal events and also works well for packaging.

Lightnin' is the work of British designer Alan Meeks. Generous initial capitals complement a more reserved lowercase alphabet, both of which were designed to meet the needs of current fashions in headline typography. Lightnin' will light up all kinds of display work with its robust, angular script style.

Joanne Script BH is based on the handwriting of a BluHead friend. This fun design has a sharp, angular feel which lends itself to casual messages, greeting cards, post its, journals, you name it! Plus, a large complement of characters allows you to send your thoughts in multiple languages.

India Echo was simply derived from doodling on a whiteboard with a dry erase marker. The aim of the exercise was to create a string of writing that looked foreign enough to be an alien script, angular enough to appear to be futuristic, and familiar enough to be legible.

Prague was designed by Michael Gills, who was strongly influenced by the work of Czech designer Oldrich Menhart. It is a strong, angular roman typeface with classical overtones. The exciting vibrancy of Prague is suitable for a wide range of advertising work requiring a traditional or classical approach.

Freethinker is an irregular brush script with a hipster look and feel. This brush font benefits from OpenType features such as ligatures (and their alternates), stylistic alternates, design elements. The font can be used in branding, greeting cards design, packaging design, webdesign and publishing. It is fully unicode mapped.

Delicately swirled BabyDoll includes eight assorted dingbats, and like all Burghal Design fonts, includes upper and lower case letters, as well as numbers, symbols, punctuation, and accented foreign characters. BabyDoll is so cute and sweet, you just may get a cavity. Please remember to brush and floss regularly.

Baldufa is a charming typeface with strong personality, which looks very comfortable in text. There is a search to obtain complicated curves and detailed features, which gives the typeface a touch of beauty and elegance. However, this is also a self-conscious design that claims through the rounded serifs and irregular vertical stems appreciation for quirkiness and human imperfection. The letterforms are inspired by the slight distortions and idiosyncrasies that came with old printing methods. It has distinct, features such as rounded serifs, irregular vertical streams, ink traps and extremely thin junctions. In the Italic, serifs have been removed to enhance movement and expressivity. These experiments in form have not come at the cost of legibility: The typeface remains suitable for both small and display text.

Baldufa is a charming typeface with strong personality, which looks very comfortable in text. There is a search to obtain complicated curves and detailed features, which gives the typeface a touch of beauty and elegance. However, this is also a self-conscious design that claims through the rounded serifs and irregular vertical stems appreciation for quirkiness and human imperfection. The letterforms are inspired by the slight distortions and idiosyncrasies that came with old printing methods. It has distinct, features such as rounded serifs, irregular vertical streams, ink traps and extremely thin junctions. In the Italic, serifs have been removed to enhance movement and expressivity. These experiments in form have not come at the cost of legibility: The typeface remains suitable for both small and display text.

Grungy Old Typewriter is based on two typed letters, each on two pages and dated 1901. The results are eroded, rough, irregular and grungy. The final results are a vintage look. As a designer, I wanted as much flexibility as possible, so there are six versions that are designed to work together. Additionally, I decided to keep the grunge and irregularities within the shape and not include surrounding typewriter or paper marks. I leave it to the design to add those elements as desired. One note, the letter spacing is much tighter than an old typewriter. I felt that readability for modern readers suffered from the added space. Of course, you can get that same look by increasing the letter spacing in your favorite design program.

Los Lana Pro is a handmade display typeface. Unlike other font families, this type has not a modular structure, that is, each character has been individually designed. The coherence of structure elements across different characters is given by irregular strokes. This curveless typeface is perceived as being curved because of its straight lines, which form different-size angles. Los Lana Pro is a rustic typeface that captures the stereotypical “Andean hippie” handmade aesthetics. Irregular shapes and broken lines give it a distinct personality. Los Lana Pro looks better in larger sizes. Includes many ligatures, two groups of alternate characters, and titling caps characters. Languages include: Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian and Pan Africa Latin. Photos by Sergio Recabarren.

The Nesobrite typeface is a striking representation of the modern, boxy design aesthetic. Its linear, mechanical structure is the perfect embodiment of clean and neutral, with an austere edge that adds a touch of sophistication to any design. This font has been inspired by classic square-sans fonts, such as Bank Gothic and Microgramma, but with a contemporary twist that sets it apart. One of the most remarkable aspects of Nesobrite is its ability to imbue your message with a clear, professional, and authoritative voice. Its scientific vitality is sure to make your text come to life, whether it is for a technical report, a research paper, or a business presentation. The font’s versatility makes it ideal for conveying complex data and analytical information in a concise, clear, and easy-to-read manner. Nesobrite is also packed with useful features that make it an invaluable tool for any designer. Its small caps function is a useful addition for those looking to create designs that exude an air of formality and elegance. The font comes in five different widths and weights, as well as italics, which allows designers to use it in various contexts and settings. But what truly sets Nesobrite apart is its boxy design. The typeface’s clean and geometric structure is an ode to the modernist design movement, with its minimalistic and uncluttered aesthetic. Its sharp corners, angular edges, and right angles give it a distinct and eye-catching appearance that is sure to capture the attention of anyone who sees it. In conclusion, the Nesobrite typeface is the perfect tool for designers looking to create a sleek, modern, and professional look for their projects. Its linear, mechanical design, scientific vitality, and boxy design make it a versatile and dynamic font that is sure to elevate any project to new heights. With its range of weights, widths, and italics, Nesobrite is the perfect font for any designer looking to make a statement with their work. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

According to the two most popular statistics companies in England and North America, eight out of every ten people like to dance. Talk about useless information! But with such a market statistic, we thought there would be some collections of dingbats out there with dancers in them. And surprise, surprise; we found not even one! So this was our opportunity to be the first to issue such a collection, and we are very pleased with the results. Dancebats is a font of 75 silhouettes of people dancing. All kinds of dancing. Ballet, techno, slam, rock, swing, aerobic, hip hop, jump, lounge, and much more. Take a close look at the silhouettes and find out why these are shapes that belong on every party design, bar none. The Dancebats outlines were tweaked for use at all sizes, from the very large, as in posters and signs, to the medium height, as in party flyers, invitations and publications, to the very small, as in web banners and pin-on buttons. We are anticipating these silhouettes to be used soon all over posters, signs and web sites everywhere, so get your hands on a copy and give yourself some ammunition for your next party design.

Vaudeville JNL started out as the re-drawing of an angular Art Deco font hand-lettered on some old publications for sale online. After completing the basic alphabet, it was realized that it just didn't look good -- so a more traditional letter form was adapted to represent the style and times.

Wild Thing was created by British designer Martin Wait and appeared in the ITC library in 1995. The forms look as though they are normal alphabet figures viewed through swirling water, wavy and irregular. Wild Thing is a font which is always moving and is perfect for fresh new designs.

Punk-looking fonts usually embody the rebellious and edgy spirit of the punk subculture. It is characterized by its bold, jagged, and distorted letterforms, which often feature exaggerated or irregular shapes. This font is perfect for your design needs such as: for posters, magazines, covers, brands, logotypes, band logos, etc

Disgrunged is a distressed grunge font, as you might guess, and industrial sans-serif in feel. The Disgrunged ABCD family resembles bad printing with rubber stamps, with corners showing, along with misprinted letters, and the typeface has four versions (A, B, C, D) giving increasing amounts of chaos, jumbledness and irregularities.

Sportfield Varsity is a Sport Font Family. It’s perfect for all your athletic and sports-related designs. With its strong and angular letters, this font conveys a sense of power and motion, making it the ideal choice for logos, headlines, and other graphic elements that need to make a big impact.

ANGOLI is characterized by line geometric and simple. This font is ideal for titles and text in large sizes. The font has two uppercase versions. To realize this character I was inspired by angular shapes of the buildings. Each character has the characteristic of being formed by a single continuous line.

Pink is the work of British designer Timothy Donaldson, a sans serif in a style typical of the 1990s. Capitals are slightly condensed and feature unusual variations in stroke widths and the lowercase has an even more irregular stroke pattern, yet an even texture is produced when used in word settings.

The 80s era of techno/angular/mechanical fonts is typified in Wrenchworks SRF. The original design is by Ray Larabie with a remix by Jeff Levine. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Korobok mean "little box" in Russian. Korobok is irregular font with asymmectric serifs and slightly geometric appearance. This font is good for children books, comic books, videogames and package design. Korobok comes in two sub-families - Korobok Soft (with smooth edges) & Korobok Edgy (width straight edges), both includes 4 styles.

Pink Lemonade (formerly called Fresh Paint) is just like cool, tart lemonade on a hot summer’s day...refreshing! With varying widths and irregular sizes of the lowercase letters, Pink Lemonade lends a bouncy rhythm to text. Works very well for scrapbooking, invitations, children’s books, recipe books, titling, display purposes, etc.

PT Stroganov™ was designed in 2002 by Oleg Karpinsky and licensed by ParaType. An original low-contrast typeface with irregular one-sided serifs. It has been named after Count Sergey Stroganov, the founder of the Stroganov School of Industrial Art in Moscow. For use in advertising and display typography.

Broader is textured brush font using a contemporary approach to design. Handmade naturally with an irregular baseline, Broader is suitable for a number of display or decorative designs. It supports multilingual with complete punctuation. unique style just with combining the uppercase and lowercase. A true brush font you will love.

Amilionia is a new modern script calligraphy font with an irregular baseline. Trendy and feminine style.Amilionia Script looks lovely on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and more. Perfect for using in ink or watercolour. Including initial and terminal letters, alternates, ligatures and multiple language support

Deco is an Art Deco inspired chunky font. It has the irregular charm of a hand drawn font but the elegance of a classic Art Deco style font. It has enough humor and grace to be used in a wide range of applications. Its ideal use is as a display font.

Korobok mean "little box" in Russian. Korobok is irregular font with asymmectric serifs and slightly geometric appearance. This font is good for children books, comic books, videogames and package design. Korobok comes in two sub-families - Korobok Soft (with smooth edges) & Korobok Edgy (width straight edges), both includes 4 styles.

Make a bold statement with this modern, angular design - go wild and use it together with it's partner font, PolkaDot Wrench. This typeface features over 90 extended characters for setting European languages such as Czech, Danish, Dutch, Esperanto, Finnish, French, German, Italian, Hungarian, Polish, Portuguese, Romanian, Spanish, Swedish, Turkish & Welsh.

Educator JNL joins the large library of Jeff Levine's stencil fonts and was re-drawn from a set of individual letter stencils with the distinctive look of Franklin Gothic. All of the irregularities of the original die-cut letter forms were left intact, giving a "real world" look to the font.

Introducing incredible COLOR ANAGLYPH font. Unique font family with anaglyph stereo effect - a novelty in the field of color fonts. Inspired by global trends in contemporary design with a touch of retro 90s, electric music and minimalistic purity of glyphs. Truly a reflection of modern POP culture. Font is ideal in entertainment design. Night club poster design, fashionable business card, website title, magazine illustration - there are countless options for using it. Font family has two thicknesses - bold & regular, 3 types of stereo effect, 2 font colors with stereo effect (black and white). Font consists of letters of the same height without division into uppercase and lowercase glyphs. This font family is based on the Regular & Bold fonts Boldini - which means that if necessary you can combine these two families and they will be absolutely stylistically identical and complement each other. Check the quality before purchasing and try the FREE DEMO version of the font to make sure your software supports color fonts. Features: Free Demo font to check it works. 36 OTF SVG fonts in the family 2 thicknesses: Bold, Regular 3 types of stereo anaglyph effect 6 font colors with stereo effect Kerning IMPORTANT: - OTF SVG fonts contain vector letters with gradients and transparency. - Multicolor OTF version of this font will show up only in apps that are compatible with color fonts, like Adobe Photoshop CC 2017.0.1 and above, Illustrator CC 2018. Learn more about color fonts & their support in third-party apps on www.colorfonts.wtf - Don't worry about what you see all fonts in black and not in multicolor in the tab “Individual Styles” - all fonts are working and have passed technical inspection, but not displayed in multicolor they, just because the website MyFonts is not yet able to show a preview of colored fonts. Then if you have software with support colored fonts - you can be sure that after installing fonts into the system you will be able to use them like every other classic font. Question/answer: How to install a font? The procedure for installing the font in the system has not changed. Install the font as you would install the classic OTF | TTF fonts. How can I change the font color to my color? · Adobe Illustrator: Convert text to outline and easily change color to your taste as if you were repainting a simple vector shape. · Adobe Photoshop: You can easily repaint text layer with Layer effects and color overlay. ld.luxfont@gmail.com