Dharma Gothic Rounded is an antiqued sans serif designed inspired by 1800s-style wood type. All glyphs had been designed carefully to be retro-looking of the old time and to fill all with nostalgia. There is Dharma Gothic Family that is not rounded. This condensed font family with 42 styles will be the best solution for posters, titles and anywhere you need impact. To complete your work perfectly, Gothic Extras Family is ready for free. They include borders, ornaments and frames designed using vintage catalog of Hamilton in 1800s as a model. g, r and y have alternative glyphs that are available with the OpenType salt feature and tabular figures are available with tnum feature. Be sure to check out the slab serif style of this Dharma series named Dharma Slab and Distress version Dharma Gothic P. When you need more modern gothic, please try our Kaneda Gothic and Fairweather.

Tripper is a rock-hard display font family. The six styles – from Light to Black – of this robust stencil typeface will assure your text grabs all the attention it can get. Instead of settings large amount of texts, just use this font for a small amount of words. Or even better: just one word. But most importantly: make it really, really, really big. The lightest weight is pretty condensed, and slowly expands when the weight increases. The bridges – essential to a stencil font – have the same width across all styles, so you can safely apply all styles in the same size without the risk of stencils falling apart. Due to the absence of curves throughout the whole family, Tripper is suitable for more limited, industrial applications too. Tripper comes in several flavours. Next to the basic flavour, there is a stencil family which automatically creates borders around every letter, word or line. Then there is Tripper Rough, a textured version with that intelligent random, grungy look. Together with the previously released multi-colour font Tripper Tricolor, the complete family consists of 24 styles. Tripper is equipped with a bunch of OpenType features, like different figure styles, fractions, superiors, etc. But if all the OpenType ding-dong is not enough for you, just try the ornaments. The separate ornament font comes with icons, indicators, manicules, banderoles and patterns.

Noyh is a modern geometric font family that is based on research of similar typefaces of the 1990s and 2000s. Based on that research, font designer Chatnarong Jingsuphatada created a design whose main purpose is to perform equally well in as many environments as possible. Noyh offers a geometric structure with smooth corners, giving it great legibility and making it clean and friendly. As a result, Noyh works well both in print and on screen; it can be used freely for e-books and mobile applications and is perfect for headlines, banners, posters, web-sites, magazines, etc. Perhaps the greatest advantage of Noyh is the stunning number of fonts it includes. There are no less than 72 fonts, each containing over 350 glyphs. The family has 4 formats – Normal, Rounded, Slim and Slim Rounded. Each format is supplied in 9 weights – from Hairline to Black with their respective italics. The individual fonts work very harmoniously with one another, giving the potential user a variety of options. The Noyh font family was created by Thai designer Chatnarong Jingsuphatada and is released by the Typesketchbook type foundry. Chatnarong intends to add an additional member to the family – Noyh A – that will include ornaments, undoubtedly making the Noyh family even more versatile and multi-functional. In the meantime, please take a look at his other typographical projects: Delm, Mairy, Tolyer, Abula.

It can be a real challenge to deliver messages through designs due to the very ordinary display fonts lacking prominent characters. Let us present you the Happy Land, a prominent display font to add firm touches to any of your designs. The letters made all in capital can enhance certain effects on your designs. The font’s simple shapes with strong contrasts affect the legibility. As a result, it is suitable to apply for big text sizes. In addition, this font provides a clipart bonus for you. Enjoy the available features available here. Features: Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Happy Land fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Firm and resolute, the sharp, triangular wedge serifs of the new Aviano Wedge stamps your copy with the confidence of late 19th century luxury, wealth, and power. Indicative of banknotes and financial strength, the large, elegant Aviano Wedge is composed in the Latin style. Aviano Wedge takes its original footing from period signage found on a building in Asheville, NC. While shaped largely by engraved faces, the elegant Aviano Wedge maintains the extra-wide comfort and ease found with the rest of the Aviano series. Aviano Wedge comes in six different weights and is packed with OpenType features. As a complement to these characters, Aviano Wedge includes 40 discretionary ligatures for artistic typographic compositions. To see these features in action, please see the informative .pdf brochure. OpenType capable applications such as Quark or the Adobe Creative suite can take full advantage of the automatically replacing ligatures and alternates. Aviano Wedge also includes support for all Western European languages. This new face has also been designed to pair well with the rest of the Aviano series, including our best-selling Aviano, Aviano Serif, Aviano Sans, Aviano Didone, Aviano Flare, Aviano Contrast, and Aviano Slab. Use it alone, or combine Aviano Wedge with any of these other fonts to build the strong presence you’re looking for.

Ristretto Pro is an extremely narrow display sans-serif font family available in 8 weights. It features rich language support, 6 sets of figures and small caps. Ristretto Pro also comes with its slab-serif counterpart - Ristretto Slab Pro.

Betabet was drawn using traditional serif fonts as a guideline. The scribbled style and serifs combine to make an unusual font. Betabet does not look like handwriting, but works well where handwriting or script fonts might seem too insubstantial.

Display Dots Three Sans and Serif are display fonts not intended for text use. They were designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Three Sans and Serif include an uppercase alphabet, numbers, and punctuation.

Display Dots Four Sans and Serif are display fonts not intended for text use. They were designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Four Sans and Serif include an uppercase alphabet, numbers, and punctuation.

Introducing Cribin: Playful condensed serif inspired by 90s grunge & vintage aesthetics. Its condensed form, strong serifs & high contrast add attitude to logos, headlines, & more. Perfect for web, print, and branding. Embrace nostalgia, and elevate your design. Unleash Cribin's creativity!

Maknoe is a classic serif typeface. This beautiful serif font is suitable for logo, headline, cover book, magazine, and many more. Maknoe font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Claudia Alves is a New Modern Serif Typeface. This another collection of Serif is perfect for your next branding project, excellent for your business. Claudia Alves have a smooth edges, so this font gives an authentic handcrafted feel style.

Gothic Love is a modern serif font with elegant wavy details. The font is created in condensed proportions with high serifs. The font is suitable for the design on the theme of fashion, feminine branding, mysticism, gothcore, punk, surrealism.

A single top serif creates a modern look between serifs and a single weight font. SingleTyne contains short ascenders and descenders for tight line spacing designed as a display face that also works well for short sentences and paragraphs.

a bold sans serif family with many variants

Big modern sans-serif family, for multiple use.

Tender and serif font with romantic tender touch.

Qraxy is a crazy and unstable serif font.

A serifed phonetic Unicode font, extensive character set

This is a sans serif version of Flexy.

Gnarlee is a casual hand-drawn serif font.

a round sans serif with optical art effects

Nexus (2004) consists of three matching variants – a serif, a sans and a slab – which makes it a highly versatile typeface. Nexus started as an alternative to Seria, a typeface Majoor had designed some 5 years earlier. But soon the design developed into a new typeface, with numerous changes in proportions and in details and with a redrawn italic. Besides the three connected versions (Nexus Serif, Nexus Sans, Nexus Mix) Majoor designed a monospaced version called Nexus Typewriter. The Nexus family is a workhorse typeface system like Scala, with features such as small caps in all weights, four different sorts of numbers and an extensive set of ligatures. All fonts in the Nexus family come in regular, italic, bold and bold italic. Free bonus: there are more than 100 elegant Swash italics and dozens of arrows and other icons. The Nexus family was awarded the First Prize at the Creative Review Type Design Awards 2006.

Nexus (2004) consists of three matching variants – a serif, a sans and a slab – which makes it a highly versatile typeface. Nexus started as an alternative to Seria, a typeface Majoor had designed some 5 years earlier. But soon the design developed into a new typeface, with numerous changes in proportions and in details and with a redrawn italic. Besides the three connected versions (Nexus Serif, Nexus Sans, Nexus Mix) Majoor designed a monospaced version called Nexus Typewriter. The Nexus family is a workhorse typeface system like Scala, with features such as small caps in all weights, four different sorts of numbers and an extensive set of ligatures. All fonts in the Nexus family come in regular, italic, bold and bold italic. Free bonus: there are more than 100 elegant Swash italics and dozens of arrows and other icons. The Nexus family was awarded the First Prize at the Creative Review Type Design Awards 2006.

Nexus (2004) consists of three matching variants – a serif, a sans and a slab – which makes it a highly versatile typeface. Nexus started as an alternative to Seria, a typeface Majoor had designed some 5 years earlier. But soon the design developed into a new typeface, with numerous changes in proportions and in details and with a redrawn italic. Besides the three connected versions (Nexus Serif, Nexus Sans, Nexus Mix) Majoor designed a monospaced version called Nexus Typewriter. The Nexus family is a workhorse typeface system like Scala, with features such as small caps in all weights, four different sorts of numbers and an extensive set of ligatures. All fonts in the Nexus family come in regular, italic, bold and bold italic. Free bonus: there are more than 100 elegant Swash italics and dozens of arrows and other icons. The Nexus family was awarded the First Prize at the Creative Review Type Design Awards 2006.

Inspired by early grotesque typefaces such as Akzidenz Grotesk and Venus, Werksatz is our contemporary interpretation of this beloved genre. Some things are timeless. These are the things that only get better with use. The aforementioned typefaces certainly belong into this category. Rediscovered by designers from every generation again and again, they are here to stay. However, as tools evolve and technology moves on, even a well-tried design has to adapt to this evolution continuously in order to stand the test of time. Werksatz is such an adaptation, taking the best from the invincible classics and infusing them with the warm blood of today’s tech. With 10 weights from Thin to Black, each with painstakingly fine-tuned obliques, and more than 940 characters per style, this font family is ready for the future. Its Extended Latin support ensures you won’t miss a letter in any of hundreds of languages. Special glyphs like three variations of arrows and additional shapes will make your design work so much easier—for well-structured forms as well as radical editorial layouts. Among a treasure trove of OpenType features, you’ll find essentials such as Capital Spacing, Case-Sensitive Forms, and Ligatures, but also advanced functions like Small Caps, Subscript and Inferior figures and letters, plenty figure sets (Lining Figures, Tabular Figures, Old-Style Figures, circled and squared figures, figures for small caps … you get the idea), Slashed Zero, and more. You’ll discover that Werksatz is less formalistic and rigid than your average neogrotesk typeface. Sure, you can use it for serious business—whether in corporate design, branding, editorial design, publication design, or web design for industries and topics ranging from politics, government, management, or law to technology, entrepreneurship, commerce, or finance. However, Werksatz is much more versatile than that. Its more human appearance also allows for effective use in culture, fashion, art, entertainment, sports, exhibitions, leisure, and luxury. It’s an excellent choice for wayfinding applications, apps, packaging, and all kinds of nonfiction books. Other Grotesks with big names are left behind outdated by their proprietors, but Werksatz is here to stay. The classic industrial warmth of these letterforms will age like fine wine.

Boxcase is inspired by pixel fonts from the 20th century. Instead of having sharp corners, which was a limitation back then, Boxcase comes with soft touchable corners. Diagonally chopped pixels/boxes, merges smoothly with the rest of the shape, giving a slide like feel to the letterforms.

Roberta goes back to the old poster fonts of the 1930s. It is an excellent alternative and combination to fonts like Arnold Böcklin or Hobo. Ralph M. Unger redrew and digitized this font in 2003. His work is based on artwork taken from old font catalogs.

This delightful new design has a friendly, open face and will be useful for many display purposes. Due to the modular nature of this design there may be a very slight lack of smoothness to the curves at extremely large point sizes (around 200 pt and above).

Please welcome, KEHLIN!, a time machine font for you to get back to those magnificent era for the sake of old retro and vintage stuff. An implementation from the old store sign and vintage advertising. Perfectly fit for your headline content, logo, branding, posters, anytime - anything, oldsport :)

This bold display font has considerable strength and will grace any design that requires extra impact. Due to the modular nature of this design there may be a very slight lack of smoothness to the curves at extremely large point sizes (around 100 pt and above).

It is what it says: a classic woodtype face by the same name from Vanderburg and Wells' 1878 specimen book. What it lacks in refinement, it makes up for in exuberance. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Urmeba JNL has an odd history. Originally conceived a few years back as a... well... ‘barf’ font, this limited-character type design was revised by Jeff Levine into a less-offensive idea... that of friendly little amoebas (such as you'd find in a glass of water).

Masoud Nejabati has drawn upon his capable calligraphic skills to create this typeface. Persia represents his first latin-based design. This gentle and finely rendered script reveals Nejabati's extensive background in Islamic calligraphic art. The slight back slant further enhances the appearance of hand-scribed pen calligraphy.

Jump back to the retro vintage vibes with WALANOR. A bold, casual, and fun display font. Inspired by the visual trends of so-called retro and vintages from the 80s era. We talk about disco, pop culture, vinyl records, sign painting, magazines, posters, labels, and many more.