Hoyle is a dynamic high-quality serif typeface. Drawn and created by Måns Grebäck between 2019 and 2020, this classic design makes use of the fact that timelessness is the best manner to achieve modernity; the letters are of such composition that they will always be simultaneously contemporary and traditional. Hoyle is a family containing five weights: Thin, Light, Medium, Bold and Black. Each weight is also provided as Italic, resulting in 10 unique styles. The weights are harmonic and created to balance perfectly agaist each other. Try the included Variable Font! A format where you can set any weight manually, and any slant, resulting in more than 5000 variations. More info: https://www.mansgreback.com/variable-fonts This slab serif typeface is also filled with OpenType features such as ligatures, alternates, oldstyle, superscript, subscript, fractional and alternate numbers. It has a very extensive lingual support, covering European Latin, Vietnamese, Zulu and many more scripts. The font contains all characters you'll ever need, including all punctuation and numbers.

Mountella is a modern editorial serif font family that includes 18 fonts, uprights, italic, and 2 variable font from Extra Light to Black which has more than 500 characters, and still has all the nostalgic vibes!. Mountella is a beautiful serif family that includes many visual details, adding uniqueness that looks incredible in both large and small settings as a display and body text. Mountella can be used in high-end branding, logo designs, magazines, product packaging & invitations. One thing to note about Mountella is the letter spacing. It was intentionally for clean reading if you wanted to use it for the body type, so I recommended setting the spacing a little tighter for display use (around -10 to -50 should do!). Design Tips: combine the regular and italic, whether all in one word or body text for logo or quote. Adjust your letterspacing to add more groove! Tighter letterspacing for large headers.

Are you looking for a true cursive sans serif? Stile is a true cursive with moderate inclination. Its cursive character has mainly to do with writing-speed. Therefore it may serve also as copy font and not only for emphasizing purposes. Stile has a good readability and is really flexible and universally applicable. Stile is a sans serif and renounces to an excessive use of ligatures and other explicit calligraphic shapes in order to ensure a contemporary style and a homogenous text color. The whole font family consists of 8 weights (from ultrathin to black) and offers a wide range of Western and Eastern European special characters, typographical ligatures, uppercase, oldstyle and fraction figures. In addition Stile features a very complete and specifically tailored range of numberings and arrows. Bring a personal style into the artwork, with Stile. Download a free trial version of Stile with a reduced character set. Check it out!

When work started on the design of Gelica, there wasn't the same glut of retro-ish soft serifs there is today, and if I'd managed to complete it quicker, it might have been more trendsetter than bandwagon jumper, but that's the way it goes sometimes! I still think it's useful and unique enough to be a worthwhile addition to your typographic arsenal. Although obviously influenced by Cooper, it actually owes more to the lesser known Goudy Heavyface and Ludlow Black, particularly in the concave serifs. I wanted the family to be friendly and approachable, but not overly cutesy, and usability was always the prime concern. A nice weight range with matching italics was a must, along with useful OpenType features, and various figure styles. This is a display family first and foremost, but is also comfortable at smaller sizes for longer copy, and so works well in a supporting role to a more exuberant titling font.

Peachi is a serif typeface loosely based on Morris Fuller Benton’s Souvenir forms and some other serif fonts designed in the early 1900s. It has a soft look - round corners, slightly curved legs of capital K, R, V and W; and lowercase k, v, w and y. Rather heavy ball terminals and a very large x-heigh make Peachi a perfect choice for designing titles, book covers, for branding, quotes design - basically any design that needs to make an impact and to be remembered. Peachi is released in 6 weights from Thin to Black and has stylistic alternates that make it even more versatile. While the default style follows Souvenir’s trend, the alternative style looks more modern. It’s totally up to you which style to choose for your design. To access all alternates and ligatures you’ll an OpenType aware application such as Adobe Suite or MSWord. March 2021 Update: more alternates and ligatures have been added!

Originally commissioned in 1979 as a new corporate typeface for Volkswagen AG, the VAG Rounded™ family’s geometric sans letterforms feature distinct rounded terminals, imparting the design with a friendly, approachable demeanor. With its design led by Gerry Barney, the VAG Rounded family remained in use for Volkswagen AG’s unified, worldwide automobile marketing for over a decade. The design was released for public use in 1989, and was bundled with many desktop publishing software titles available at the time. This opened the door for millions of computer users to work with the VAG Rounded type family. Available in four weights—from thin to black the VAG Rounded family is an apt choice for logo design, identity systems, or any application where a typographic warmth is desired. For contrast in voice, consider pairing the design with a more reserved serif typeface, or a sans serif with narrow styles, such as those found in the Alternate Gothic, Trade Gothic, or FF DIN type families.

Elaina Family Elaina Script is a tidy, precisely penned script face — perhaps closest of all of Laura’s faces to her own handwriting. In its standard form, with its sober x-height and restrained ascenders and descenders, it’s a pleasure to read at smaller display sizes and in short blocks of text. It is accompanied by an unconnected version of the lowercase characters, its stylistic alternates, and a companion font, Elaina Semi Serif, useful for body text and complementary contexts. Of course, like most of Laura’s typefaces, it includes hundreds of swashes, alternates, and ligatures, for attention-getting effects at large sizes and in brand identities. Elaina Script Elaina Script is a tidy, precisely penned script face — perhaps closest of all of Laura’s faces to her own handwriting. In its standard form, with its sober x-height and restrained ascenders and descenders, it’s a pleasure to read at smaller display sizes and in short blocks of text. It is accompanied by an unconnected version of the lowercase characters. Of course, like most of Laura’s typefaces, it includes hundreds of swashes, alternates, and ligatures, for attention-getting effects at large sizes and in brand identities. Elaina Semi-Serif Elaina Semi Serif was designed to complement Elaina Script. Both faces share calligraphic roots and typographic and allow them to mix harmoniously. Its modulated strokes and subtly flared terminals give it a humanist feel that adds warmth and positivity to any setting.

Pickle Standard is the display version of bb-Standard rigorously built on a grid. Read the article by Madeleine Morley for Eye on Design: A Font as Crisp, Squat + Rounded as a Pickle 3 styles: italic, regular and reversed italic

Weekly: a slab serif that wants to be a sans. The font was created under the premise that it can be used as a sans: a fresh design without that retro feel typical of slab fonts. As a result, we developed an Egyptienne font—more simple compared to others of its kind, a feature that gives it its unique personality. Weekly was based on fonts with humanist proportions, such as ‘Oficina’ and ‘Caecilia’, both created in the ’90s. Typefaces like these give designers the possibility to use them in books or magazines, in contrast to geometric slab fonts or early 20th century fat faces, which are mainly used for advertising or display text. Another feature that reminds us of humanist sans fonts is the small difference between x-height and cap-height. Some characters in Weekly like ‘a’ or ‘g’ lack serifs and some like ‘c’ or ’s’ have short serifs, giving it a semi-serif air. Weekly comes in both light and heavy weights. The heavier ones bear resemblance to Egyptienne slab serif typefaces with strong personality. These variants are ideal for use in posters and big, powerful headings.

Caros Family is a modern sans-serif typeface that is clean, simple and highly readable. Letters in this type family are designed with geometric shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Caros is a versatile type family of 18 fonts. Caros family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

Bellmore is a beautiful serif font family with a classic feel to it. The elegant design is the result of combining modern and vintage elements. The different weights give you a lot of flexibility when it comes to choosing the right typographic color for your project. The available Ligatures and Italic styles offer a wide range of characters to give your project design an unique design. 5 Weights (Light, Regular, Semibold, Bold, Black) 2 Styles (Regular and Italic) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures and Alternate glyps Multilingual Support for ä ö ü Ä Ö Ü ... OTF file format Free updates and feature additions Thanks for looking, and I hope you enjoy it.

German type designer Yanone created this sans FontFont in 2010. The family has 14 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, logo, branding and creative industries as well as poster and billboards. FF Amman Sans provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Arabic writing system. This FontFont is a member of the FF Amman super family, which also includes FF Amman Serif.

Janek is a semi-serif typeface inspired by old Polish signage. Rather then mimic specific style, it synthesises various inspirations. It is named after an Author of a classic Polish manual, that kickstarted this project, „Techniques of Lettering“ by Jan Wojeński. Large character set and style selection allows for richness of expression. Pointy upright and slightly decorative italic bring unique blend of aesthetics. It works well in rich text and as a striking display. Janek consists of seven italic and seven upright styles ranging from Light, to Black. With extensive language support and wide selection of features, it is suited for range of latin use cases. Janek is a contemporary throwback to the past.

Has a serif foundation shape with minimal contrast. Campinas is designed to carry an expressive and engaging character making this font very suitable for casual and fun themed designs. With a complete set of discretionary ligatures and a complete set of alternates on the uppercase further confirms that Campinas is indeed made to attract people's attention, equipped with various weights ranging from regular to bold and decorative black. This font is very well used for design needs including Posters, Logos, Branding, Magazines, Album Covers, Web UI, Clothing, Social Media Posts, and various other applied designs. Campinas has supported multilingual support for most of Europe, each containing more than 700 glyphs in it.

Quat is a sans serif type family designed by Ani Dimitrova. The family comes in 22 weights, ranging from Hairline to Black with extra drawn italics and small caps versions, and each style contains more than 700 glyphs. The Regular and Medium weights are perfect for body text while the extra drawn Italic gives an interesting texture to the text. The lightest weights work well in subtle headlines while the heaviest ones are perfect for posters, short texts, web, branding and screen design. All weights contain ligatures, proportional figures, tabular figures, old style figure, numerals and arrows, matching currency symbols and fraction. The range of styles give a good flexibility to this family.

The Alamia type family is a sans serif in 20 weights, ranging from Hair Line to Black with matching italics. Each style contains more than 900 glyphs. Alamia comes with an extended coverage of the Latin and Cyrillic Script. All weights of this family are equipped for complex, professional typography with OpenType Features including: Small Caps, Ligatures, Discretionary Ligatures, Superscript, Subscript, Tabular Figures, Old-Style Figures, Circled Figures, Arrows, Matching currency symbols and fraction.The construction of the characters combines clean grotesque style with modern, that gives the font an organic, warm and friendly touch. The Alamia font family is a perfect choice for body text, branding design, web design, editorial design and more.

Givonic is a new geometric sans serif and clean variable font. The typeface is versatile to blend in your design- with 6 weight, ranging from regular, medium, thin, bold, semibold, extrabold, light, extralight and black & 18 styles + variable type to touch a lot of personality. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design. Features: Variable Font uppercase & lowercase numbers and punctuation multilingual 9 weight & 18 Style PUA encoded More about variable fonts : https://creativemarket.com/blog/what-is-a-variable-font if you have any questions don't hesitate to send our email at letterhend.com/tutorials/using-opentype-feature-in-any-software/

Core Rhino is a contemporary typefamily designed by S-Core. The fonts have the mood of brushed feeling and come across as soft and gentle. Core Rhino displays warmth through its roundness and curved letterforms. Also it is legible in prints and on screens. The Core Rhino family consists of 7weights (Thin, Extra Light, Light, Regular, Bold, Heavy, Black) plus matching italics. The OpenType fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions. If you are looking for a sans serif style font which is practical and friendly, get this family and save your time.

Vinho De Amora is a truly vintage serif font. Drawn by Mans Greback between 2019 and 2021, this font is created with inspiration from wine cellars, painted typography and genuine quality produce. It has a distinct sharp character, steady legs and a bold and wide appearance. The Vinho De Amora family consists of three styles: Black, White and Stencil; each one geometrically consistent and complimenting, perfect for stacking on top of each other to create more variations. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality. It has extensive lingual support, covering all European Latin-based languages. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Introducing Roby Soho Typeface The Roby Soho font is inspired by today's simple styles, the Roby Soho font is a serif typeface with alternative support that can make your designs more interesting and unique than others. In addition, the Roby Soho font also has multi-language that is easy to use. This is a versatile font that works great in both small and large sizes, for body text or header text. The Roby Soho font is also supported with a variety of families from thin version to Black version. It is suitable for editorial design projects, logo designs, branding, product packaging, magazine covers, Instagram posts, social media text stories, and so on.

TT Moons update 1.1 What’s new. • Case Sensitive Forms • Tabular Figures • Fractions • Numerators • Denominators • Superiors • Scientific Inferiors TT Moons is a slim, high-contrast serif. This font family works especially smart in classic design themes. TT Moons is a typeface of the glyptal modern font family. The ideal application range for this typeface is magazines, books and newspapers layout. Thanks to its narrow proportions and 5 weights (Thin, Light, Regular, Bold, Black), TT Moons perfectly fits into any contemporary digital design, such as interactive and product design, editorial and corporate web design. This font family is the real work helper and your joker when you need to combine contemporary and classic styles.

A Roman typeface with emphasized triangular serifs. A font like this one could have been designed in 18th century France. To some extent, Auxerre is a precursor of “Etienne,” which later became popular as an advertising typeface of the 19th century. Auxerre is available in five font weights: light, regular, semibold, bold and black. Auxerre supports Western and Central European languages including Scandinavian languages. Plus, the font includes lots of ligatures, tabular figures as well as a “Capital German Double S.” Auxerre fits perfectly with any topic related to the past two centuries. It also works amazingly well on technical issues. And of course it fits very well with topics of fine art and art history.

Vegas Nova is a unique & modern Sans-Serif typeface specially designed for headlines, big text, branding, logotypes & display usage. The typeface could be perfect choice for logo / logotype design, branding, marketing graphics, banners, posters, signage, corporate identities as well as for editorial design that can bring freshness and professionalism. Please see the examples shown above to get an idea about the capability of this typeface. Handcrafted and designed with powerful OpenType features in mind, each weight includes extended language support including Western European & Central European sets. Vegas Nova comes with 5 weights (Thin, Light, Regular, Bold and Black) and Italic versions of each weights. CREDITS: Font designed by Jean & Lis at Fontastica, distributed by Designova.

“The rounded shapes are like Chantilly cream or Italian meringue over a lemon pie,” says designer Xavier Dupré of his FF Sanuk Round typeface. Designed to work alongside the existing members of the FF Sanuk family, this sprightly sans serif offers a more mischievous personality than its counterparts. Angular shapes have been gently softened, to create a playful design that really comes into its own at larger sizes. Set this one on posters and packaging, or anywhere you need to be punchy yet approachable. The FF Sanuk Round family is based on the original FF Sanuk family and offers 5 weights plus from Ultra Light to Black plus italics. It offers OpenType features including stylistic alternates and ligatures.

Megabyte is a modern sans serif typeface built with minimal tapering and a geometric foundation in mind. The family contains 10 weights from light to black with matching italics that slant at 9°. Working on Megabyte, we’ve aimed to create a reliable workhorse typeface with the widest possible range of implementation. With its quirky curves and sharp edges Megabyte functions equally well in bulk text and in headings. Designed with an extensive collection of OpenType features and alternative forms, each weight includes extended language support + Cyrillic, ligatures, arrows, symbols and much more. Megabyte is ready to be put to work. Designed by Thomas Gillett, metrics and engineering with the help of Erin McLaughlin (Hindi Rinny).

This family is the rounded version of Segaon family. Segaon Soft Family is a humanist sans-serif typeface that is clean, simple and highly readable. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Segaon is versatile type family of 18 fonts. Segaon family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes old-style figures, proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

Posterman is a cool sans-serif typeface. With tall letterforms in a grotesque appearance, this legible typography is a lettering for neo-classic headline or clean logotype. The Posterman font family consists of Regular, Bold and Black, and each weight as Italic, totalling in six styles. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Modérnica is a sans serif type including roman & oblique styles in 9 weights. Originally published in 2014, then in 2020 we released version 2.0, in which we expanded the language coverage and character set, adding a new Fat weight, tabular figures, smart fractions & arrows. We’ve improved the OpenType features adding new Stylistic Sets. Besides this, we have retuned the letters spacing in the whole family. Seeking for the best performance, we added a bit of spacing between letters in the text versions (middle weights from Book to Bold), while as for the display variants (extreme weights from Thin to Fat) we made them gain space in the light versions and loose it in the blacks.

In a world of fleeting trends, Silver Archer stands as a testament to enduring elegance and timeless design. Inspired by the classic sans serif typefaces of the mid-20th century, Silver Archer exudes an air of sophistication and refinement, making it an ideal choice for a wide range of typographic applications. With its meticulously crafted proportions and harmonious stroke contrast, Silver Archer strikes a perfect balance between traditional aesthetics and contemporary sensibilities. Its open counters and generous x-height ensure exceptional legibility, both on screen and in print, while its nine weights, ranging from Thin to Black, with each weight complemented by its italic counterpart, provide ample flexibility to suit any design mood or hierarchy.

Introducing Ablation Sans Serif Typeface - 6 weighs Ablation is casual, clean typeface that contains 6 weights to enchant your next project. They have basic latin, advanced latin, basic Cyrillic and advanced Cyrillic character sets. Very versatile fonts that works great in large and small sizes. Ablation is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, numeral, punctuation & Symbol Hairline Light Regular Bold Extra Bold Black Basic and advanced latin character sets Basic and advanced Cyrillic character sets Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Dreams Note Is A Modern Family Font Serif Including 8 Font Style. Font Features : Dreams Note Thin Dreams Note Extra Light Dreams Note Light Dreams Note Regular Dreams Note Medium Dreams Note Semi Bold Dreams Note Bold Dreams Note Black SOFTWARE REQUIREMENTS : Fonts and alternate: No special software is required they may be used in any basic program /website app that allows standard fonts That's it, folks! You can go ahead and get cracking :) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Have a Good Day!

Spirits design was initially based on Hermann Ihlenburg's Schoeffer Old Style from the 1912 ATF catalog. Soft is the closest version to the printed original typeface. Neutral, with more formal serifs, is ideal for editorial design, for example newspaper headlines. Sharp, more contemporary, is the best choice for meeting today's design needs. Condensed proportions and large x-height, features found in the original font, make Spirits ideally suited for headlines and branding design. As you would expect from Latinotype, this font comes with a standard character set that supports over 200 languages. Each version includes its own alternates and comes in 4 weights, ranging from Light to Black, resulting in a total of 12 font styles.

Polish type designer Lukasz Dziedzic created this serif FontFont in 2010. The family has 30 weights, ranging from Light to Black in Condensed, Normal and Wide (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries as well as small text. FF More provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic writing system. In 2011, FF More received the CommArts award.

Kondes is our "101 Dalmatians" – it's 101th release in our catalog! And it is the 1st one that belongs to variable typefaces. Kondes (which is made up word as mixture of "condensed" and "kondezovan" on Serbian) is simple, compact, straight-in-your-face sans serif family with 9 weights and 9 Italics. It was designed with purpose to serve and to be use in any project, from editorial to website. For example, Black weight could be used effectively as poster type, in big sizes while Regular fits perfectly as main webfont. Stem joining is done with generous ink trap that divides and opens letter contours, so letter breaths in smaller sizes. Contains extended Latin character set. Enjoy!

American type designer Michael Abbink created this sans FontFont between 2006 and 2008. The family has 9 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising, packaging, book text, editorial, publishing, logo, branding, small text as well as wayfinding and signage. FF Milo provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters.It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. In 2011, FF Milo received the Letter.2 award. This FontFont is a member of the FF Milo super family, which also includes FF Milo Serif.

Forme Furniture Type Em and Furniture Type En Designed by using the pieces of letterpress furniture usually hidden, to create letter shapes. The square nature of the type means it could be used as a low resolution type. Forme Furniture Type Em – Low resolution type. Designed using *Furniture and **Em quads from letterpress printing. *Furniture: Pieces of wood or metal placed around or between metal type to make blank spaces and fasten the printed matter in the chase. ** Quads: (originally quadrat) is a metal spacer used in letterpress typesetting. An em quad is a space that is one em wide and one em high. Also available as Em Shadow to be used as a headline or display font. Forme Furniture Type En – Low resolution type. Designed by using *Leads and ** En quads from letterpress printing. *Lead or Reglet is a piece of Lead or wooden spacing material used in letterpress typesetting, to provide spacing between paragraphs. **An En quad is a space that is one En wide half the width of an Em quad, and the same height as the typeface. Also available as En Shadow to be used as a headline or display font.

From the realm of insigne, a new family has risen. By name, Mandrel. Courtly in character and elegant in appearance, the face finds great favor among those with whom it seeks audience. With confident air, Mandrel carries itself gracefully before each pair of eyes, never faltering or stumbling in its refined step. But while dressed with gentility, this elegant family is not faint of heart when challenged. Crafted well for high-impact resistance, Mandrel steps boldly and prominently into the arena of the reader’s eye, boasting its tall x-heights, high contrast, confident bends, and sharp serifs. Skillfully, it wields its sharp serif endings, cutting swiftly through opponents’ crude clutter, which fights for the reader’s attention. From Thin to Black, nine weights and their matching italics make up this noble family. Mandrel furthermore includes an abundant treasury of OpenType variables to adorn your text. Ligatures, old-style figures, and stylistic sets are available to accompany the family’s 500 glyphs and its support for more than 70 languages. Raise your cup to this new Mandrel! With strong serifs and high contrast, you’ll find this champion ready to take up your challenge in many a test ahead.

German type designer Steffen Sauerteig created this slab FontFont in 1999. The family contains 4 weights: Regular, Italic, Black, and Black Italic and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards as well as wayfinding and signage. FF Typestar provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with tabular lining and proportional lining figures. This FontFont is a member of the FF Typestar super family, which also includes FF Typestar OCR.

Luks Deco took inspiration from the glory of Roaring 20’s when the Art Deco style rose to its heyday. The strong geometric shape emphasizes the touch of retro yet modern style. Luks Deco is a good choice who wants to give Art Deco vibes to their designs. Luks Deco’s weight range from light to black, suitable to cater of all you need. The O,C,G and Q letters (and all glyphs that have circle form) have a bit different shape from light to black which will give unique display look for overall design. - Uppercase

Linotype Cutter was designed by Georg John in 1997. As the name suggests, the font looks like it was cut out of black cardboard pieces. Each letter has a irregular rectangle black background and they combine to form heavy rows of letter elements. The strong contrasts of the font make it good for short headlines or initials in larger point sizes and combines well with almost any text font. Georg John made a second version of this theme called Linotype Schere (scissors) it is a companion typeface where the conturs of the letters are even rougher in its form.