Boonville JNL is a slightly condensed version of Cloverdale JNL - a "Western" style typeface based on classic wood type from the 1800s.

A revival of one of the popular wooden type fonts of the 19th century, condensed, bold, a very useful design for display.

A dark, condensed, nineteenth century sanserif made popular by Linotype, the capitals deriving from Barnhart Brothers and Spindler, the lowercase from Farmer.

The Closed Door is a high-contrast and condensed font which can be used for letterings, posters, logotypes. Font supports cyrillic characters.

Mightyline- Ultra Condensed font and Come with ligatures collection, It's Perfect for logo, name card, magazin layout,headers, or large scale artwork.

Vertical Sans is an extremely condensed sans set in 3 weights offering a balanced, stylish font perfect for branding and communications projects.

Diamondwood JNL is based on examples of vintage wood type with condensed, elongated diamond shapes containing the various letters of the alphabet.

Based on some vintage metal type initial monograms, Long and Thin Initials JNL reproduces this condensed spur serif design in digital form.

Rebel mind - Sans Serif Condensed Font Family - Multilingual supports Rebel mind is a modern Sans serif condensed font family. With 6 styles and multilingual supports, you can easily use the sans serif font feature in many areas. You can enhance your projects from body text to big headlines, from classic to modern and bold styles, you can develop your projects. If you are looking for a condensed sans serif font, this font many meet your needs. Ideal for posters, newspaper, movie title and magazines, magazine covers, editorials, headlines, websites, logos, branding, advertising and more. You can create your unique designs with this font. If you have a question, please contact me. Have a good time.

TT Octosquares useful links: Specimen | Graphic presentation | Customization options TT Octosquares is a fresh, revised, expanded, and significantly improved version of our first commercial typeface TT Squares and its narrow version TT Squares Condensed. With all our love for the original font family, it felt there was a lack of functionality, character composition, features, and design freshness, which prompted us to the idea of a complete restart. Now TT Octosquares can be safely called a superfamily consisting of 4 widths (Compressed, Condensed, Standard, Expanded), 72 faces (18 in each width), and 1 incredible variable font in which variability works jointly on three axes. In addition to working on the contours themselves and their design, we completely revised the composition of the typeface. First, we added two completely new widths: Compressed and Expanded. Secondly, we increased the number of weights in each of the subfamilies—while in the old versions there were 5 weights, now in each of the subfamilies there are 9 weights. At the stage of working with the contours of characters, we revised the roundings, changed the forms of shoulder and stem crossings, added noticeable shelves at the letters, removed the sharpness from the triangular characters and cut off all sharp endings. From the very beginning of work on TT Octosquares, we planned to make a variable 3-axis version of it sewn into 1 font file. This means that by installing just one variable font file, you get access to three axial adjustment of the font: by thickness, width and inclination. Thanks to this flexibility in settings, you can always choose a custom combination of thickness, width or inclination that best suits your tasks. Due to the increased language support and the appearance of a bunch of useful OpenType features, the number of glyphs in the typeface has increased from 480 to 825 in each style. Now you can use stylistic alternates, standard and discretionary ligatures, or use old-style figures, numbers in circles and even slashed zeros in your design. Full list of features: aalt, mark, mkmk, ccmp, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, case, zero, dlig, liga, salt, ss01, ss02, ss03, ss04, ss05, ss06, ss07, ss08, ss09, ss10, ss11, ss12, calt, locl. To use the variable font with three variable axes on Mac you will need MacOS 10.14 or higher. For other software and browsers, you can check the support status here: v-fonts.com/support/.

A geometric Art Déco multi-widths type family Anisette has sprouted as a way to test some ideas of designs. It has started with a simple line construction (not outlines as usual) that can be easily expanded and condensed in its width in Illustrator. Subsequently, this principle of multiple widths and extreme weights permitted to Jean François Porchez to have a better understanding with the limitations associated with the use of MultipleMaster to create intermediate font weights. Anisette is built around the idea of two widths capitals can be described as a geometric sanserif typeface influenced by the 30s and the Art Deco movement. Its design relies on multiple sources, from Banjo through Cassandre posters, but especially lettering of Paul Iribe. In France, at that time, the Art Déco spirit is mainly capitals. Gérard Blanchard has pointed to Jean François that Art Nouveau typefaces designed by Bellery-Desfontaines was featured before the Banjo with this principle of two widths capitals. A simple sentence will be as diverse in its representations, as the number of Anisette variables available to the user. With Anisette, typography becomes a game, as to design any title page as flamboyant as if it has been specially drawn for it. Two typefaces, many possibilities The complementarity between the two typefaces are these wide capitals mixed with narrow capitals for the Anisette while the Anisette Petite – in its latest version proposes capitals on a square proportions, intermediate between the two others sets. Anisette Petite proposes capitals in a square proportion, intermediate between the two other sets, all of which are interchangeable. In addition, Anisette Petite also includes a set of lowercase letters. Its style references shop signs present in our cities throughout the twentieth century. Anisette, an Art Déco typeface Anisette: Reveal your typographic expertise Club des directeurs artistiques, 46e palmarès Bukva:raz 2001 Slanted: Contemporary Typefaces #24

Obcecada Sans & Serif are two geometric digital typefaces in regular and bold versions, very condensed and thin with a rounded finish on the horns and joints with a modern style. They include the Cyrillic and Greek alphabet. These fonts are the result of my obstinacy for very condensed fonts, in this case I have inclined to a very fine proportion with short ascending and descending that gives them elegance decó.

Haettenschweiler™ is a very condensed, very bold alphabet. Haettenschweiler was derived from a more condensed typeface, called Schmalfette Grotesk, first shown in the early 1960s in a splendid book called Lettera by Walter Haettenschweiler and Armin Haab. Haettenschweiler became popularized by the Paris Match magazine. Use this distinguished face in large sizes for headlines. Character Set: Latin-1, WGL Pan-European (Eastern Europe, Cyrillic, Greek and Turkish).

Hancock Bold Condensed is slab serif typeface. The original Hancock design was produced by the Keystone Type Foundry, circa 1903; a condensed version was added circa 1917 by Lanston Monotype. Steve Jackaman (ITF) designed and produced a digital version of Hancock in 1994, and completely redrew the typeface for its 2017 release. The new version has a 40% larger glyph set, and supports Latin 1 plus Central/Eastern European languages.

Havely Condensed Sans Serif is a balanced, smooth, elegant and stylish sans serif font. He has a beautiful character. It fits perfectly with invitation card designs, company logos, movie titles, movie names, business cards, book titles, brand names and various other designs. Havely Condensed Sans Serif is a subtle sans serif font that exudes sophistication and elegance. Its stylish alternations and ligatures make this font the perfect partner for any project.

A circa-1920s book on lettering entitled "Book of Alphabets" by Regan Publishing displayed an example of a Grotesk typeface (a popular style of sans serif of the time). This design was re-drawn digitally as Not So Grotesk JNL and is available in four varieties - regular, oblique, condensed and condensed oblique. Not So Grotesk JNL is the perfect companion font family to use alongside Simply Grotesk JNL.

Bosgema is a modern classy ligature serif typeface comes with joining ligatures that give it a fancy and unique style. This awesome font is perfect for branding, logos, invitation, watermark and so much more. Basgem typeface comes with regular, Condensed and Condensed italic font styles. Uppercase & lowercase letters, numbers, punctuation, ligatures, alternates and multilingual support. If you have any questions, please feel free to get in touch. Thank you

CHARM Mirage is a serif typeface comes with joining ligatures that give it a fancy and unique style. This awesome font is perfect for branding, logos, invitation, watermark and so much more. CHARM Mirage typeface comes with regular, italic, Condensed and Condensed italic font styles. Uppercase & lowercase letters, numbers, punctuation, ligatures, alternates and multilingual support. If you have any questions, please feel free to get in touch. Thank you

PH from Fontfabric Type Foundry is a multifaceted font system consisting of different font weights and type of condensation. Every one of these font weights contains a number of extension types - Condensed, Narrow, Regular, Extended and Wide. Along with all of this, you will also discover added groups of extras which could serve as a foundation or add that extra "cherry on the cake" to each unique design.

Theridge is a multipurpose condensed font that comes in 3 weights: light, normal, and bold. Inspired by hiking trips and forest views, Theridge represents a sense of clean highland adventure. These fonts themed retro, adventure, urban, hipster, vintage but still modern. These fonts are great for creating desired projects like logos, posters, headlines, albums, quotes, apparel and more. These fonts are perfect for you who need clean condensed typeface! Thank you!

Vulcant condensed serif is a balanced, smooth, elegant and stylish serif font. He has a beautiful character. It fits perfectly with invitation card designs, company logos, movie titles, movie names, business cards, book titles, brand names and various other designs. Vulcant is a condensed serif is a subtle serif font that exudes sophistication and elegance. Its stylish alternations and ligatures make this font the perfect partner for any project.

Quebra Expa (Expanded) is an extend display sans-serif font family, available with four widths (Extra Condensed, Condensed, Normal and Expanded) and ten weights, italics versions are available. The main strokes contain small breaks simulating modulated variations on the letterforms, these details are more present on large body sizes. All font versions contain Latin and Cyrillic encoding characters and also ligatures, case-sensitive forms, fractions, oldstyle and finally tabular figures.

Basgem is a modern classy ligature serif typeface comes with joining ligatures that give it a fancy and unique style. This awesome font is perfect for branding, logos, invitation, watermark and so much more. Basgem typeface comes with regular, italic, Condensed and Condensed italic font styles. Uppercase & lowercase letters, numbers, punctuation, ligatures, alternates and multilingual support. If you have any questions, please feel free to get in touch. Thank you

Many foundries had versions of Concave ‹ wide, narrow, extra condensed, some with lowercase, some without. A good general utility style for Victorian typography.

Rembord is a modern, inclined and slightly condensed typeface. This font contains a wide selection of swashes, stylistics alternates, stylistics sets and ligatures.

Steinschrift Pro is a condensed sans serif font which comes with West and Central European as well as with a Cyrillic character set.

A New Typographic workhorse with robust round over corner curvature construction. Rounded condensed sans serif. 331+ Characters Upper & Lowercase Adobe Latin 3 - CE

The concept of this letter is a young alligator. Young crocodiles have lean bodies and are agile. It has uncontrollable power, and the angular leather vinyl and teeth feel vivid. This font was created to convey the most compressed energy possible through a collection of compressed squares. Although it doesn't attack, it is quite an aggressive letter.

«KRAYS» is an ultra-thin font display. Simple structure and fine uniform strokes contrast with bold squares in the structural units. The combination of gravity and lightness. Krays supports Basic Latin and Extended Latin, Cyrillic — in total about 90 languages are supported. The font has one Regular weight. All uppercase. Krays font was designed by Viktor Pesotsky.

Theater Tickets JNL was inspired by a photo of the marquee signage for Detroit’s Majestic Theater (built in1934), and is available in both regular and oblique versions. The theater was renovated and restored in 1987 and its marquee replicated the original one. What’s interesting is that the signage actually resembles squared pen lettering with rounded corners.

Introducing “Serenity” – a captivating vintage font that elegantly blends the charm of yesteryears with a contemporary flair. With its distinctive squared appearance, “Serenity” pays homage to the classic typography of vintage eras while embracing modern design sensibilities. This font is a visual journey that invites you to explore the fusion of timeless aesthetics and innovative creativity.

Yerk is another modern Y2K inspired font. This retro font comes in 3 styles regular italic and slanted. Its bold weight, squared-off letters with slightly rounded corners make it perfect for adding big impact and a bit of personality to your design. It is perfect for logos, branding, magazines, Instagram, and whatever project you are looking for.

Simple Ornaments is a collection of ornaments composed of squares, circles, and rectangles. They are ideal for use where a simple ornament is desired as an accent to a type element, such as a title, label, contact information, etc.; or to separate type elements; or for use as bullets. There is an assortment of 168 ornaments.

Squared letters with rounded corners – Deco stylized letter forms – some characters with ‘hook’ semi-serifs – such is the mixed styles that comprise the hand lettered title “United We Stand” on a 1940s-era piece of sheet music. This unusual conglomeration of character shapes inspired the aptly named Hybrid Deco JNL, which is available in both regular and oblique versions.

Tall, thin, grid, legible and handmade! What's not to like?! The font was made using a squared paper as a base for the lines. However, I managed to keep the free spirit of the handmade look, despite the guides. Play around with the 4 different versions of each letter and the swashes to make your text stand out!

This font was designed by blocks, square glyphs. Terminals/crossbars of some glyphs can be extended in a way that you can customize the text of your design by using the selection bars in "variable font" button. That button will appear in the text editor of your program, if such option is available, like in recente illustrator and photoshop.

Deco Template JNL is a font made from the inline portion of Stationer JNL, which itself was based on the hand lettered 1938 sheet music title for the official Coast Guard Marching Song "Semper Paratus" "(Always Ready)". Resembling a drafting template with a square, modular look, this type design is available in both regular and oblique versions.

Kali Maya is a modern variable gothic font consisting of 5 weights and 2 types, regular and sharp. Simple and Plain Gothic combined with a square curve stylistic alternates is ideal for use as title, logo text, t-shirt designs, posters, and more. Comes with a variable format as well as multilingual support, numbers, and currency symbols.

Geomee is a modern and square type family which works for headlines as well as for copies. It is influenced by modern pixel typography but the typeface still relies on the basic rules. Very special are three basic cuts which are set up on the same upper case character set but differ in the x-height.