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  1. Malevich by BBDO Studio, $19.00
    Hi! I am Black Square! Probably the most famous square in the world. Thanks to my godfather Kazimir Malevich, who created me in 1915, this year I am celebrating 100th anniversary. Let me tell you what a great gift I just got! It`s a family of almost 300 letters and symbols suprematic as suprematic can be - shapes, form attacks, booms and even hashtags! All under the name of Malevich Font. Isn`t it a great present for my anniversary? Thank You BBDO Ukraine
  2. LT Oksana - Personal use only
  3. Calla Personal Use Only - Personal use only
  4. Aubrey - Unknown license
  5. By Starlight - Unknown license
  6. Hess Old Style by Red Rooster Collection, $45.00
    Originally designed by Sol Hess as just a roman and italic for Lanston Monotype, circa 1920-23.
  7. Plenti by MADType, $19.00
    Plenti is the fat font to add to your visual communication toolbox. Friendly, square, and quirky all at the same time. It is itching to get used on posters and websites.
  8. JH Fadi by JH Fonts, $50.00
    JH Fadi is an Arabic modern square koufi typeface, including two weights; it is typical for headlines, logo design, branding & signage... The diacritic positioning is fine tuned per the publishers requirements.
  9. Art Topic JNL by Jeff Levine, $29.00
    Art Topic JNL is a round-cornered square sans serif in the Art Deco style, and was modeled from a 1930 WPA (Works Progress Administration) poster for the Federal Arts Project.
  10. Masherbrum Slab by Juraj Chrastina, $29.00
    Subtle slab serifs and distinctive hooks of this square ultra light type face will add a bit of elegant feeling to your sweet designs. Masherbrum Slab looks better in larger sizes.
  11. Milady by Larin Type Co, $16.00
    Milady script font was inspired by romance, lightness and modern calligraphy. It will not leave indifferent those who are looking for a font in an elegant and modern handwritten style. This font fits perfectly into your project, with it you can easily give your design a more classic look or make it more elegant and romantic. All this can be done thanks to alternates. In this font I prepared many alternates so that you could make your project unique and choose what suits you! All characters of this font are PUA encoded.
  12. Gasoline Alley NF by Nick's Fonts, $10.00
    A casual and fun-loving font based on the work of showcard artist Albanis Ashmun Kelly, from his 1911 book “Expert Sign Painter,” and named for a long-running comic strip. Both versions of this font contain the complete Unicode Latin A character complement, with support for the Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, Flemish, French, Frisian, German, Greenlandic, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latin, Latvian, Lithuanian, Malay, Maltese, Maori, Moldavan, Norwegian, Polish, Portuguese, Provençal, Rhaeto-Romanic, Romanian, Romany, Sámi, Samoan, Scottish Gaelic, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish and Welsh languages, as well as discretionary ligatures and extended fractions.
  13. Snoopy Snails NF by Nick's Fonts, $10.00
    Duck! There’s a cream pie headed your way! This wild and wacky face is based on the title card lettering for the original Soupy Sales TV show, a lasting testament to my misspent youth. Both versions of this font contain the complete Unicode Latin A character complement, with support for the Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, Flemish, French, Frisian, German, Greenlandic, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latin, Latvian, Lithuanian, Malay, Maltese, Maori, Moldavan, Norwegian, Polish, Portuguese, Provençal, Rhaeto-Romanic, Romanian, Romany, Sámi, Samoan, Scottish Gaelic, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish and Welsh languages, as well as discretionary ligatures and extended fractions.
  14. Volitiva by Intellecta Design, $6.00
    This font family is based on original Roman capitals created by Ludovico Vicentino Arrighi in the 16th century.
  15. Rail Service JNL by Jeff Levine, $29.00
    The extra bold, squared Art Deco sans hand lettering found on a 1940s travel poster for the Pennsylvania Railroad inspired Rail Service JNL, which is available in both regular and oblique versions.
  16. Juvelo - 100% free
  17. Miragem by Vanarchiv, $55.00
    This serif typeface was designed to be simple and neutral on text sizes, there descender proportions are short and the x-height is large. The lowercase italics contain different structure from roman characters, but the most differentiation detail is the fact the ascender and descender strokes don’t contain serifs. Italics characters are slightly more narrow and condensed than roman letterforms.
  18. Miller Display by Carter & Cone Type Inc., $35.00
    Miller, designed by Matthew Carter, is a “Scotch Roman,” a class of sturdy, general purpose types of Scottish origin, widely used in the US in the last century, but neglected since & overdue for revival. Miller is faithful to the Scotch style though not to any one historical example — and authentic in having both roman & italic small caps, a feature of the originals.
  19. Imperia by Wiescher Design, $49.50
    Imperia is derived from my Classic font Imperium – the Roman Original from the Trajan column. I pushed Imperia a lot further, adding two versions of swings. To make the family more usable I threw in my own version of lowercase letters for free; Roman did not have lowercase letters of that kind! The other three cuts – A, B, and C –have classic smallcaps.
  20. Linotype Aperto by Linotype, $40.99
    Linotype Aperto is a typical text font in the style of transitional faces, like its often-used cousin Times. It is available in roman, semibold and bold weights, each with its matching italic. The roman weight is complete with old style figures and small caps. Its balanced, reserved appearance makes Aperto extremely flexible, good for long texts as well as headlines.
  21. Canto by Lipton Letter Design, $29.00
    Inspired by Edward M. Catich’s seminal thesis on the origins of the Roman inscriptional style, such as that found on Trajan’s column, Richard Lipton’s Canto traces the path from an expressive, preparatory Brush (with Brush Open to preserve gestural details at smaller sizes), through informal Pen, to the formal Roman. Classical capitals are accompanied by Lipton’s own calligraphic lowercase, small caps, and swashes.
  22. Romanicum - Personal use only
  23. Hadriatic - Personal use only
  24. Cordelia by PintassilgoPrints, $20.00
    Impacting and vibrant, Cordelia family draws inspiration from covers of 'cordel literature’, small booklets of popular story-poems that played an essential role on the folk-popular cultural life of Brazil.  Printed in coarse paper, usually with an woodcut illustration and lettering in the front, these booklets were sold on the streets, in marketplaces and town squares, hung in a cord - therefore the name ‘cordel’. The work of these humble printers and poet-singers of northeastern Brazil strongly served as source for acclaimed romances and movies and still inspires writers of all genres, movie makers, painters,​ musicians. And type designers too :) Cordelia doesn’t bring a picture font yet, but ​it ​goes pretty well with Chronic and Manicuore illustrations. It goes well with and without them. It definitely goes well. You bet!
  25. Allumi Std by Typofonderie, $59.00
    Technology in mind in 12 fonts Allumi is a different font. Different from anything Jean François Porchez has designed in the past. Allumi is a sleek typeface designed with technology in mind. It’s a perfect font family for any communication concerning design, robotics, or functionality. Pushed to its extreme limits, the Allumi shapes are neither perfectly round or geometrically square. It’s a human design with a high tech touch. Allumi can be described as the Eurostyle (designed by Aldo Novarese in 1964) of the new century, mixed with Frutiger. Allumi is a serious typeface because of the unique design and sturdy form. The pure shapes can create a global presence today with an eye on the world of tomorrow. Two widths The Allumi family has been built around two series of widths, standard and extended. Italics have been carefully designed as slanted roman with all necessary optical and human corrections to create a perfect and neat italic. I Love Typography 2009
  26. Eurocine by Monotype, $31.99
    Eurocine is an expansive display typeface – a square sans serif that’s perfect for titling, headlines, logotype and branding. This 36-font family is packed with features to make it supremely versatile. This typeface attempts to capture the mood of movie credits from European Cinema in the 1970s, with a focus on Giallo films in particular. In terms of style, Eurocine sits somewhere between Walter Baum and Konrad Friedrich Bauer’s Folio, and Aldo Novarese’s Eurostile. With Eurocine you get a more versatile typeface by way of its small caps and additional stylistic sets giving you extended caps, extended small caps, and petite caps, as well as upper and lowercase unicase. Creating typographic masterpieces of your own will be so much easier! Key features: • 6 Weights in Roman and Oblique • 3 Widths – Narrow, Regular, Wide • Extended Caps • Small Caps • Extended Small Caps • Petite Caps • Unicase • Old Style Figures • European Language Support (Latin) • 1,200 glyphs per font.
  27. Ugly Face - Unknown license
  28. Ironside Crosses by MADType, $29.00
    The Cross has a rich history and various meanings in many different cultures around the Globe. This font contains 178 cross symbols. Most of the designs have both a rectangular and square version.)
  29. Xenia by ParaType, $25.00
    Designed for ParaType in 1990 by Lyubov Kuznetsova. A bold square-serif style. For use in advertising and display typography. The decorative style was added in 1993 by Lyubov Kuznetsova and Alexander Tarbeev.
  30. Pitch Pipe by Aboutype, $24.99
    Graphically drawn condensed bold style with abbreviated square serifs. PitchPipe was designed for all media and can be used in a wide range of point sizes. PitchPipe requires subjective display kerning and compensation.
  31. Knappolog by Cercurius, $19.95
    Negative sans-serif capitals in squares with rounded corners, looking like tiles, pushbuttons or computer keys. The font can be used for logos, signs and labels, and for markings on maps and charts.
  32. Apud by DSType, $26.00
    Apud, a typeface with narrow proportions, interchangeable weights that avoid text warping, sharp serifs and square terminals. The clean, contemporary look and rigid structure makes Apud suited for any kind of publication design.
  33. Tenika by Eaver Studio, $12.00
    Minimal & squarish techno style type for your graphic design project. Designed based off a modified square for the small letters and developed to have the capital letters. Available in upright and oblique (italic).
  34. Mrs. Santhi by Abo Daniel, $15.00
    Proudly present Mrs. Santhi, a fancy Signature Font. This font is very unique. I designed it for you who want something different from the others. It is perfect for branding, photography, invitations, quotes, watermarks, advertisements, product designs, labels, and much more! I created 194 ligatures to keep this font look natural: aa ab ah ak al am an at ant all amm ann att bh bt cc ch ct dd eb ee ek em en et enn ent ett ff gh hh ii ib ik in it inn int itt ix ixx kh ll mm mt nt nn oo oh on ob ok ol oll om ot ont ott oot onn ox oxx ph pt and more as you can see on the presentation pictures. Mrs. Santhi also features punctuations and multilingual support. Hope you love it!
  35. Socilo by Jadatype, $15.00
    Socilo is a display font that comes with a rounded square style. suitable for posters, tshirt, branding, social media, and so on. contains standard English letters, numbers, punctuation, and several accents that support multilingualism.
  36. Poynter Old Style by Font Bureau, $40.00
    In the 1670s, Christopher Plantin was the largest publisher of his day. Hendrik van den Keere cut for him an astounding series of romans. As Stanley Morison once observed, such types adopted features of Flemish blackletter to strengthen elegant French romans. Large on the body, strong in color, economical in fit, widely (if anonymously) distributed, they established effective standards for all that followed; FB 1997–2000
  37. Newstyle by Matteson Typographics, $19.95
    Goudy’s Newstyle typeface was desiged in 1921 began as an experiment in creating a phoentic alphabet with different shapes for letters depending on their unique sound. The design is strongly influenced by the Venetian Romans of Aldus which Goudy believed to be the most readable letterforms. Steve Matteson digitized the roman faithfully to Goudy’s original and designed the companion italic in the spirit of Goudy’s style.
  38. Kegina by Attract Studio, $19.00
    Kegina is a sans serif font family with sharp curves that look clean in a minimalist look. Kegina is equipped with a variety of attractive font alternatives and natural ligature bonds, each version of the Roman style equipped with an Italic style version to produce your extraordinary design needs. Include: 18 Weights (Roman & Italic) 1 Variable Font Replacement & Binding OpenType support Multilingual PUA Encoded.
  39. P22 Amelia Jayne by IHOF, $39.95
    Amelia Jayne is Ted Staunton's updated revision and expansion of his own Amelia decorative cap font. Amelia Jayne started as a Roman font to accompany the Amelia initials but has taken on a new life as a Pro Roman font with small caps and several variations of new matching initial companion fonts. (The initials are not included in the pro font but come bundled with the set.)
  40. Hacky Sack NF by Nick's Fonts, $10.00
    Ross George in his numerous Speedball chapbooks called the pattern for this typeface Stunt Roman. A studious observer may discern that many of the wackier letterforms were tamed to produce the popular font University Roman; however, this version remains unapoligetically true to the original. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.
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