DoodleBat Vintage Halloween is a classic collection of Halloween clip art and words. Check it out!

Callista (from the Greek for "most beautiful") is a fat cursive typeface, inspired by the works of Francois Boltana in the early 1970s and those of Milka Peykova in late 1970s. With its Full Latin and Cyrillic support, Callista is a perfect choice for short headlines and logotype design.

A 1929 German travel poster had the caption “Wer schlafwagen reist spart zdeit und geld” (“Whoever travels in a sleeping car saves time and money”) hand lettered in an Art Deco sans serif style. This is now available as Foreign Tourist JNL, in both regular and oblique versions.

Ronttsly script brush font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Ronttsly script brush font. Cheers, Maulana Creative

Fine-built, straight but not official, with soft corners is suitable for short texts, placards and advertising. It was inspired by 1970s when people were mad about robots, space and so on. I decided to create a font as if it was a progressive font of the 1970s.

Nadsat is a unicase display typefaces with a condensed, art deco styling. Best suited for short texts or display settings, the lowercase and capital letters can be combined to offer more layout possibilities. The typeface also includes a series of ligatures and alternate characters for even more layout options.

Begalih brush handmade font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Begalih handmade brush font. Cheers, Maulana Creative

short and bold font, cute and looks professional and a nuanced logo font that you can customize with the elegant look you want there are several alternatives that you can use and combine, and there are italics to make it easier for you to work on your design project

Hailgen is a Serif typeface that explores the flexibility in contrast, with a thicker horizontal and thinner vertical contrast. Designed specially for short texts or quotes. Hailgen comes with 5 weights ranging from Thin to Black and is armed with several opentype features and Latin and Cyrillic language support.

Ramp Age was originally made with a brush, but I wanted a more rough look to it. I manually traced the brush-strokes with short, straight lines, making the font more characteristic in its look. Can be used for grafitti things, but fits in the horror-genre as well!

Hellow Buncit’s is two-layered font solid and holes. Unique and funny style custom font It’s very good for cartoon logos, snack food products, short titles, children’s books, and greeting cards. Created for the cutes celebration and fun. The font includes uppercase, lowercase, numbers, punctuations, and has multilingual support.

Fatty Fatty Boombalatty PW is suitable for display use for titles, as well as short paragraphs of text. This font contains some alternates and ligatures for your creative pleasure. Fatty Fatty Boombalatty PW is available in OpenType and TrueType format which are both included in the same package.

A little funky, a little fun and thoroughly unusual - this is the best way to describe Yargo JNL. This novelty font is best used in short phrases and at large point sizes. No kerning has been added so the letters can retain their hand-made look and feel.

Slecter Cirus monoline script font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Slecter Cirus font. Cheers, Maulana Creative

Rafellia is a handwritten script font, with an elegant and beautiful look. Rafellia will look perfect for elegant logos, wedding stationery, posters, quotes, short text, branding, web, graphic design, and more. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Pascal is a typeface designed in 1953 by José Mendoza y Almeida, inspired by an alphabet created by his father for engraving. It is an elegant and classic typeface. Its use is optimal for use in short texts, headlines and covers. Pascal is a Trademark of BauerTypes SL

Uppsala is a new and original uncial typeface designed by Paul Shaw in collaboration with Garrett Boge in 1998. Its strongly chiseled shapes were inspired by historical northern European manuscript lettering. The face is appropriate for short text or display settings. Uppsala is part of the LetterPerfect Swedish Set

Reso is an experimental geometric typeface built from a pointed arch module. Its minimal and contemporary letter shapes makes it well suited for logo design, headers and short texts. Five weights are available in OpenType format. The fonts include some standard OpenType features and support for most European languages.

Chrinol handmade brush font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Chrinol handmade brush font. Cheers, Maulana Creative

Bingo Player JNL is a thorough reworking of Jeff Levine's old freeware font - cleanly redrawn with fresh glyphs and a set of "alphabet balls" for creating short headlines. To match the fonts in these dingbats for other text applications, use Shopkeeper JNL, Trade Journal Wide JNL and Market JNL.

The font Donau is named after the german name for the river Danube. It is an art nouveau inspired sans and slab serif typeface, sharing proportions and widths across two weights. It is intended for any kind of display use as well as short amounts of text. Enjoy!

Pauline is a sans serif with a strong influence from retro scripts. Pauline is a geometric face formed with slow and deliberate rounded brush strokes. The tall ascenders give it a useful touch of naïveté. It’s a face suitable for some interesting titling and short bits of copy.

Hello Everyone, introduce our new product Font THE PURSUITS This Is All Caps Sporty Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. This font THE PURSUITS is great for your next creative project such as logos, printed quotes, and invitations.

Hogie Rough handmade script font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Hogie Rough font. Cheers, Maulana Creative

The Wendy family is a cursive script provided in three weights -- Light, Medium and Bold. The design is an upright, casual handwriting style, with natural joins and connecting strokes. Wendy, in her various modes, projects a friendly persona, adding an approachable quality to headlines and short runs of text.

Another beautiful script design by German type designer Ralph M. Unger. Atramant is casual and easy, ideal for any setting in larger sizes. Still, due to its excellent legibility, it can also be used for short text blocks in smaller sizes. Atrament was originally designed for the URW++ FontForum.

A vintage brass stencil for an individual or company named ‘Rodrigues’ was spotted in an online auction. The hand punched, condensed Roman lettering inspired the digital typeface Nameplate Stencil JNL, which is available in both regular and oblique versions.

Zapped is a grungy font with a sort of extruded look. I was working on a poster for the punk band MAXILLA (they are hot check'm out). It looks like it came out of a war zone. Abuse it!

Terazza Tiling was brought to mind by old-fashioned tiled fireplace surrounds. It's a system of geometric tiles intended for constructing page borders and rules. Their geometric nature makes them adaptable for any sort of period or modern look.

Gistany Font is an exquisite handwritten signature script font that exudes elegance and sophistication. Whether it's a logo, invitation, or branding materials, Gistany Font brings a sense of refinement and style, making every word appear like a work of art. Elevate your designs with the captivating charm of Gistany Font and let your words speak with elegance.

Look well, Fontlovers, we wouldst have words with thee! By Odin's beard, let the naysayers beware, for 'tis true, Thor doth speak --and shouldst speak -- Mighty Words! Yay there shall be a "Thee" and a "Thou" and a "Thy" and a "Smite!" Verily, 'tis understood that Elizabethan English dost suit the Gods of Asgard, mortals can never get enow.

This font was designed with scholastic visuals in mind. Whether advertising for a school event, or creating handwriting worksheets for young children, this font covers all the basics with Latin alphabet languages. Three fonts with identical spacing to make interchangeable. Spacebar adds a regular space between words/sentences. To connect words with ledger lines, use the underscore (_).

The sheet music for the 1914 Word War I comic novelty song "When the War Breaks Out in Mexico I'm Going to Go to Montreal" had one of those overly-worded song titles popular during this period (13!), along with interesting sans serif hand lettering. It now debuts digitally as Conscription JNL in both regular and oblique versions.

Slab-like sibling Why stop at sans? Rather than leave FS Silas Sans as an only child, the team wanted to extend the family, and create a complete system for brands and editorial. Unsure what the result would be, the team started experimenting with a slab serif version. ‘We didn’t know how it would turn out, but we really liked it and wanted to take it further. A fresh angle ‘We stuck with the angular theme of the sans by drawing angled slab serifs,’ says Phil Garnham, ‘as opposed to the square serifs that slab fonts usually have. That created an inner dynamism in words and sentences on the page, and a very distinctive, crafted character, like a Victorian soul in a contemporary body.’ These crafted touches include details such as the angled ascenders on the ‘i’ and ‘l’, while characters such as the ‘y’, with its abruptly-ending descender, add a mark of distinction. A perfect pair Silas Slab, like its sibling, offers a clear-cut range of five weights, from the elegant Thin to the monumental ExtraBold. Put it together with Silas Sans and you have the full complement, capable of performing the full range of tasks, above the line and below, in headlines, body copy and logotypes, B2B and B2C. Keep them together; they don’t like it when they’re apart.

Gobsmacked is a rather new English word. It has been around since 1959 and was used mostly around Liverpool at that time. The word means: ’astounded’, ‘flabbergasted’ (another nice word!) or ‘speechless’. Gob could be of French or Scottish Gaelic origin and means ‘mouth’. Gobsmacked font was created using a brush and black gouache. The result is a very eroded, very legible and quite unique brush font. I have created alternates for the lower case letters, plus two double letter ligatures (oo and ss). Use it for any design that needs a little brushwork; I am sure the result will leave you gobsmacked!

Oddsorts is delighted to present Bradley Wayside and Bradley Chicopee as its début offerings. Begun in 2000 as a wedding gift for the designer’s wife and used privately for years, they’re finally available to the public. The fonts were inspired by the masterful art nouveau lettering of Will H. Bradley, whose posters for Ault & Wiborg printing inks and Victor Bicycles continue to draw collectors after more than a century. Wayside and Chicopee expand the twenty-odd characters Bradley drew into a comprehensive multiscript system that includes modern Greek and extended Cyrillic alphabets, ordinals, automatic fractions, and ornaments. Bradley Wayside and Chicopee derive much of their charm from an organic mix of shape and spacing intrinsic to hand drawings. Mimicking that spirit in type used to mean painstaking substitution and adjustment of characters. The Bradley fonts make imaginative use of OpenType’s power to achieve the same effect — minus all the work. Wayside and Chicopee contain alternate forms for every letter — up to seven for some characters. Part of what makes these Bradley types delightfully “smart” fonts is that the fonts themselves actually choose the variation best suited to a letter’s place in a word. All you need to do is turn on your software’s “Ligatures” or “Contextual Alternates” option and the Bradleys do the rest. The alternates even work in most word processors. Bradley Wayside and Chicopee are available in “Standard” and “Pro” editions. The Pro editions sport all the bells and whistles, including the alternates. They support over one hundred forty languages and include localized forms especially for setting Bulgarian, Serbian, Polish, Romanian, and Turkish. The Standard editions are geared toward casual use and are ideal for license as webfonts, where streamlined character sets mean faster load times.

In the world of graphic design, the selection of a typeface can often make or break a design. A font can evoke a range of emotions and set the tone for the entire piece. The Octin Stencil typeface is no exception. This font boasts a brawny and robust design, making it the perfect choice for designs that demand strength and resilience. With 7 weights to choose from, including light, book, regular, semi-bold, heavy, and black, the Octin Stencil typeface provides designers with an impressive range of options. Whether your design needs to convey a sense of authority or exude a no-nonsense attitude, Octin Stencil has you covered. This typeface is particularly well-suited for designs that require a tough, no-frills approach. Police, sports, prison, construction, school, or military themes can all benefit from the bold and commanding presence of Octin Stencil. Its stencil style and sturdy construction give the letters a sense of fortitude that is sure to grab attention and command respect. In summary, if you are looking for a typeface that exudes power and strength, Octin Stencil is the clear choice. Its burly and powerful design will make your message stand out and leave a lasting impression on your audience. Check out the rest of the Octin families: Octin Sports, Octin College, Octin Prison, Octin Vintage & Octin Spraypaint. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Frames and borders of various types. Also includes a series of words perfect for accenting Instagram photos.

DoodleBat Circles - Christmas is a collection of Christmas themed words and clipart thrown together in classic circles.

Martian B is a sans-serif based typeface, inspired from industrial signs with semi-modular structure, suitable for using in wide ranged. Available in nine weights from Thin to ExtraBlack. Use well with sign into small print or web which support many languages with extended latin glyphs with standard of Adobe Latin 4 and world ready supported.