Cardillac, named after E.T.A. Hoffmann’s literary figure, refers back to classical Didonesque, yet presents unique details which set it apart from historic models by adding a new flavour. Its clarity, noble appearance and cool elegance predestine it for magazines and newspapers. The Cardillac Family consists of 14 styles, provides many features which allow its application for ambitious typography. It comes in OpenType format with extended language support. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

Worn Gothic, a typeface from the Grit History™ B family, creates rock solid text-- characters that are weathered, defined and strong, like the body of a gargoyle. Worn Gothic is rugged but legible, whose words stay firmly liquid, like dates stamped in concrete. Disjointed K legs create an unnerving look that makes you stare into the structure of the type. Oddities like this complement the integrity of its fluctuating strokes and consistent X-Height. It offers a few stylistic alternates to maintain readability at any size, in many languages. Worn Gothic offers full Greek character support as well as all punctuation.

Contane is a new font with a classical character. It is high-contrasted and nobel in appearance, but still objective and clean. It is predestined for headlines, editorials and small text applications. All Italic weights also contain Swash Capitals for especially fancy occasions. Contane supports up to 80 languages and it’s OpenType format allows a wide range of typographic applications. 20 styles offer fine graduation of the weights. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

Nightmare font is a simple attempt to convey the essence of a handwritten font with strong lines. In a real handwritten font, you would find more variation in line thickness, curves, and other design elements that contribute to the overall style. Creating a visual representation of a handwritten font using lines can be a bit challenging in plain text, but I'll provide a simple ASCII representation that may give you an idea of a strong handwritten style. Keep in mind that this is a very basic representation, and actual fonts would have much more detail and nuances.

Jemgonza is a Sans-serif font started on January 26, 2022. This font with hyper-extended character sets allow for usage for billboard signs, logos, and even professional documents and essays. It contains localized forms for certain languages that write them differently. For example: Л and л shaped like upside-down V's, д shaped like a lowercase g, и shaped like a lowercase u, and more for Bulgarian; б shaped like the Greek lowercase letter delta for Macedonian and Serbian. There are two non-standard variation sequences for the light and dark shades for when they are used vertically. If it bothers you, you can add Variation Selector-14 after each one of those This font also contains 256 braille patterns for the blind people. Note that each pattern is not tied to any specific letter since multiple scripts have a braille system

Say hello to Gothica. It’s a display geometric sans designed with Stencil-like elements and letter cutouts specifically created for visual impact—ideal for logo, branding and advertising purposes. The font includes capitals and capital alternatives in the lower case keystroke positions—it’s like having 2 display fonts in one. In addition, Gothica includes various opentype features that allow graphic designers to tailor the type for custom needs. The development of Gothica started in 1997, inspired by Alex Kaczun’s best selling grotesque font family called Contax Pro. An experimental design, Gothica is specifically introduced as a bold weight, but Alex plans to expand the design to include many weights, styles and alternative design treatments. Stay tuned! If you like Gothica—check out similar gothic alternates like Decrypt 01, Decrypt 02, Decrypt H1 and all of Type Innovations fonts from Alex Kaczun.

Grace and Cheval, the inspiration for the name Gracheval. The word "cheva" comes from Old French cheval (horse) and literally means "horsemanship". Gracheva gives the impression of elegance and powerful like a horse galloping on the shore. Gracheva is a premium display typeface that conveys a charming elegance but powerful like a graceful wild horse that can be applied to many areas of design. Coming with 130+ stunning and super easy to use alternates and ligatures. Very suitable for apps, magazine, headline, website, ads, product package and all type of design project you have. Features: OpenType support Multilingual support (15 languages) PUA Encoded Super Easy to Use alternates - You can easily call alternates using special combination like A.2 S.2 A.E R.A etc. To get results like the preview just type G.3R.AC.HE.2V.2A.4

Symmetry is best suited for display use, inspired by circle shape and lines and curves, also space.

A cool font which is a bit like a comic font. It makes me remind of graffiti.

Sans serif typeface with calligraphic features and outstanding contrast between curve and line designed for small text.

Angulatte is a sans serif font made up of characters that are drawn with only straight lines.

Buttsmuggler is a light-hearted puffy font, good for a cartoon-like or casual hand-drawn look.

Trilium JNL is a tri-line sans serif font that was modeled from some 1970s retail packaging.

The final consonant was small designed to express cuteness. The changing writing line added a casual feeling.

Tobacco came about from the drawing programs and the way they display a line with control points.

Lanvier is an all capital display face, inspired by the thirties streamline era look. The family is offered in four style, Regular, Oblique, Double Oblique and Reverse Oblique, as well as two weights, Regular and bold. Bring the thirties back to life in all their chromium plated, streamlined and fast moving glory with the Lanvier family.

When we fall asleep, we become free in our thoughts, in our judgments, in our choice, we decide on bold actions and words. This font will bring all this to life. UNCONSCIOUS-This font is for brave, free and liberated creators. For people with a good sense of humor and able to derive joy even from bad things.

The Morille is display bold serif typeface. The shape is classic and unique style. You can also get more elegant serif in alternate and ligature. With vintage fill It's great for logotypes, wedding invitations, romantic cards, labels, packaging, spelling of names and others. Add to your most creative ideas and watch how they bring them to life!

Govanka is a beautiful and classic handwritten font. It is the best choice for creating attractive logos, branding projects, weddings, magazines, shops, and quotes. Each letter has a unique and beautiful touch, which will bring your designs to life! This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Description Yo! Welcome to gienlee cartoon, design, and Other artwork Minigame is Modern Font. Commonly used to promote any tech and modern stuff kind of life. It's a futuristic text for the Generation Alpha lifestyle and higher. Item Description Standard Glyphs (Uppercase, Lowercase, Numeral & Punctions) Works on PC & Mac No Special Software is required Do enjoy your download

Proudly present- Mastji, created by Wildan Type, A serif modern and bold typeface, Mastji has decorative alternate & beauty ligature. This typeface is perfect for an elegant & luxury logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more. Add to your most creative ideas and watch how they bring them to life!

Invite all your weird and wonderful friends to your next party! Fontazia Y3K is a unique typeface featuring 72 hand-drawn futuristic creatures! Whether you're looking for humanoids, alienoids, androids or simple robots, these unusual characters are sure to bring all your designs to life (...even your postcards, photos, or whatever - we think special guests should always be welcome!).

We want to introduce the newest product from us. which we named "Morning Meow." Morning Meow comes with 2 weights. Regular Morning Meow and Morning Meow Outline. and accompanied by ligatures that will bring your design to life. This Morning Meow is perfect for craft designs, birthday greeting cards, t-shirts, movie titles, quotes, logos. and Silhouette crafts.

Mogathe was inspired by the west life era. Mogathe is a slab serif font with a vintage western look and feel. Four varieties are available: Regular, Stamp, Spurs, and Spurs Stamp. The use of this font results in carefully-crafted styles. Mogathe font is ideal for branding projects or packaging that need a vintage western feel.

Cute handwritten font with many possible combinations. Add playful and sweet style to your designs and notice how they come to life. Comes with Alternates, Ligatures, Multilingual Support & some Cute Accents. With 03 variant to choose : Regular, Shadow and Outline. Suitable for t-shirt design, quotes, logo packaging, template design, or any other projects that require a playful style.

Silhouette font designed to be used as a decorative element within layouts and illustrations. Featuring boys and toys in everyday life situations. Inspired by my kids and their friends playing, running, fighting and expressing different emotions. To create this set of 81 glyphs I used photographs that I hand-traced. Picture font recommended for a variety of illustrative purposes.

The typeface Hand Writing of Janina is designed from 2021 for the font foundry Typo Graphic Design by Janina Fels & Manuel Viergutz. The cha­rac­ter of the hand­written script type­face is rough, ruggend and raw. With state-of-the-art OpenType-Feature (like Con­text­ual Alter­na­tes (calt) and Sty­listic Alter­na­tes (salt)). Each upper­case and each lower­case let­ter has auto­ma­ti­cally alter­na­ted two varia­ti­ons to bring humanly-random cha­rac­te­ristics of hand­wri­t­ing to life. 4 font-styles (Book, Bold, Dark & Icons) with 786 glyphs (Latin 3) incl. 100+ decorative extras like icons, arrows, catch words, dingbats, emojis, symbols, geometric shapes (type the word #LOVE for ♥︎ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates. For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! Font Spe­ci­fi­ca­ti­ons ■ Font Name: Hand Writing of Janina ■ Font Styles: 4 font-styles (Book, Bold, Dark, Icon) + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play Script for head­line size ■ Font For­mat:.otf (Mac + Win, for Print) + .woff (for Web) ■ Glyph Set: 786 glyphs (Latin 3 incl. decorative extras like icons) ■ Lan­guage Sup­port: 93 languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, Northern Sami, North Ndebele, Norwegian Bokmål, NorwegianNynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu ■ Design Date: 2021 ■ Type Desi­gner: Janina Fels, Manuel Viergutz

Introducing Gendouki, the ultimate futuristic typeface that will transport your designs to the cutting-edge of technology. With its striking filament stencil lines, reminiscent of spacecraft access panels, Gendouki is the perfect choice for projects that demand a bold and hyper-futuristic look. Imagine using Gendouki as a large, low-contrast backdrop element, setting the stage for your content to shine. The sleek and modern lines of the font will add depth and dimension to your design, creating a dynamic visual experience that’s sure to capture your audience’s attention. But that’s not all. Gendouki is also perfect for producing movement in your paragraphs when applied as a techno drop-cap. Watch as your text springs to life, animating your words and drawing your reader in with its captivating energy. So if you’re looking for a font that combines the sleek, hyper-futuristic look of a spacecraft with the sharp, clean lines of modern design, look no further than Gendouki. Try it today and take your designs to a whole new level of cool. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

“The Emperor Has Clothes” Like in music — the Allegro Sonata form consists of three main sections—the Exposition (section), the Development, and the Recapitulation — so in regard to this Allegro Sonata font family — there is an Exposition (font), a Development, and a Recapitulation—in which each theme is restated alongside its development material. While the Recapitulation font is perfect for titling and branding, the Exposition is perfect for branding {as demonstrated in the Inspiration Gallery pertaining this font} as well as being a comfortable read in long runs of text. The Exposition rounded, mono-line, with great x height, contemporary—A Synthesis Between Geometric & Hand-drawn—font, is at times geometric and at times hand drawn; in the end it all came down to finding the balance in a typeface between the robustness needed to function as a text face and enough refinement to look good as a display font. Following the Exposition, comes the Development (section), decorative, botanic-like, exuberant and playful font, signifying ABUNDANCE [of possibilities] & BENEVOLENCE—in regard to each theme/character, and to demonstrate—that 'structures' in music, are solid structures—like architecture {contrary to the words of J. W. von Goethe, who said: “Music is liquid architecture; Architecture is frozen music”}, just in some spiritual domain that is far beyond one's physical senses to grasp. Like in my art and music works in which I consider its 'Texture' element of vital importance, so is the case when it comes to type, as apparent in my previous Phone Pro/Polyphony font, as well as in this current Sonata Allegro/Development font. Each glyph has its own uniqueness, and when meeting with others, will provide dynamic and pleasing proximity. And due to the [individualistic] nature of this Development font, just a minimal amount of kerning/pairing were necessary... The development font is an extravagant design that looks best when used at large sizes—perfect for titling, logo, product packaging, branding project, wedding, or just used to express words against some [light or dark] background. Finally, “The (Exposition Font) Emperor Has (the Development Font) Clothes!” As said, there are three fonts/styles altogether in this Sonata Allegro type family, designed with the intention of harmonizing between Latin and Hebrew, which makes it an ideal font for the side-by-side use of Latin and Hebrew characters. However, they are being sold separately (kindly search for “Sonata Allegro Hebrew” on this MyFonts site), so they are economical for those interested just in either one of them. My aim is to shake up the type-design world with a range of distinctive fonts which break away from the generic letterforms, to make your design projects stand out—as a graphic designer, add this font to your most creative ideas for projects. This typeface has [lots of ligatures /] OpenType features, to enhance your designs even more — happy designing! Sonata Allegro Features: · 3 Weights/Styles · Multilingual Support · Proportional Figures & Ligatures While using this product, if you encounter any problem or spot something we may have missed, please don't hesitate to write to us; we would love to hear your feedback—in order to further fine-tune our products. Copyright Tamar Fonts/Hillel Glueck 2022 ALL RIGHTS RESERVED Any unauthorized distribution of my work is strictly prohibited, and will be prosecuted; do the right thing, and do not participate in the piracy of my typefaces; if you appreciate my work, then please pay for it and help me prosper — thank you!

“The Emperor Has Clothes” Like in music — the Allegro Sonata form consists of three main sections—the Exposition (section), the Development, and the Recapitulation — so in regard to this Allegro Sonata font family — there is an Exposition (font), a Development, and a Recapitulation—in which each theme is restated alongside its development material. While the Recapitulation font is perfect for titling and branding, the Exposition is perfect for branding {as demonstrated in the Inspiration Gallery pertaining this font} as well as being a comfortable read in long runs of text. The Exposition rounded, mono-line, with great x height, contemporary—A Synthesis Between Geometric & Hand-drawn—font, is at times geometric and at times hand drawn; in the end it all came down to finding the balance in a typeface between the robustness needed to function as a text face and enough refinement to look good as a display font. Following the Exposition, comes the Development (section), decorative, botanic-like, exuberant and playful font, signifying ABUNDANCE [of possibilities] & BENEVOLENCE—in regard to each theme/character, and to demonstrate—that 'structures' in music, are solid structures—like architecture {contrary to the words of J. W. von Goethe, who said: “Music is liquid architecture; Architecture is frozen music”}, just in some spiritual domain that is far beyond one's physical senses to grasp. Like in my art and music works in which I consider its 'Texture' element of vital importance, so is the case when it comes to type, as apparent in my previous Phone Pro/Polyphony font, as well as in this current Sonata Allegro/Development font. Each glyph has its own uniqueness, and when meeting with others, will provide dynamic and pleasing proximity. And due to the [individualistic] nature of this Development font, just a minimal amount of kerning/pairing were necessary... The development font is an extravagant design that looks best when used at large sizes—perfect for titling, logo, product packaging, branding project, wedding, or just used to express words against some [light or dark] background. Finally, “The (Exposition Font) Emperor Has (the Development Font) Clothes!” As said, there are three fonts/styles altogether in this Sonata Allegro type family, designed with the intention of harmonizing between Latin and Hebrew, which makes it an ideal font for the side-by-side use of Latin and Hebrew characters. However, they are being sold separately (kindly search for “Sonata Allegro Hebrew” on this MyFonts site), so they are economical for those interested just in either one of them. My aim is to shake up the type-design world with a range of distinctive fonts which break away from the generic letterforms, to make your design projects stand out—as a graphic designer, add this font to your most creative ideas for projects. This typeface has [lots of ligatures /] OpenType features, to enhance your designs even more — happy designing! Sonata Allegro Features: · 3 Weights/Styles · Multilingual Support · Proportional Figures & Ligatures While using this product, if you encounter any problem or spot something we may have missed, please don't hesitate to write to us; we would love to hear your feedback—in order to further fine-tune our products. Copyright Tamar Fonts/Hillel Glueck 2022 ALL RIGHTS RESERVED Any unauthorized distribution of my work is strictly prohibited, and will be prosecuted; do the right thing, and do not participate in the piracy of my typefaces; if you appreciate my work, then please pay for it and help me prosper — thank you!

If you're familiar with the work of Eisner Award winning artist Tim Sale, you'll also be familiar with the soft curves and hard edges of the characters he brings so vividly to life in the pages of GRENDEL, BATMAN and SUPERMAN. Now you can get to know a selection of the characters Tim has been working on his whole life, and Comicraft has been kind enough to arrange them in alphabetical order for you! Based on Tim's own hand lettering work in the lost Dark Horse classic, BILLI 99, the Tim Sale font brings together the class and finesse of Hunter Rose, the elegance and charm of Bruce Wayne and the honesty and trustworthiness of Clark Kent. Don't go into the big city alone at night without it. See the families related to Tim Sale: Tim Sale Lower & Tim Sale Brush.

Charllona is a very beautiful and unique font. This font is perfect for all types of your work. This font is perfect for all wedding needs (wedding invitations, wedding photography, decorations, and other wedding designs), your business promotion (hotels, villas, vacation spots, products, services or promotion of snacks / beverage products. Also suitable for promo updates, logos, branding, posters, or status updates on social media, making romantic words, or quotes. This font is also equipped with swash, ligature and multilingual.

Kanna Aoki had fairy tales in mind when she designed MVB Greymantle. She drew dots with a felt pen to build up the forms, giving them their particular rough character. The “Extras” font contains a set of whimsical illustrations, including a portrait of Greymantle—her 18-pound cat, a set of curly initial caps, and border parts.  MVB Greymantle has been spotted on numerous children's books, in magazines, in salad dressing advertisements, and on food packaging.

Olap Metric is a modern, one-of-a kind font that will make your designs stand out against the competition. With 9styles and Multi-languages support, this stylistic display type has what you need for all sorts of projects! The family has been developed as a modern playing system allowing the mixing of infinite combinations. Perfectly suited for headlines, large-format prints, brand identities, social media, advertising, editorial design, posters, magazines, logos, headings, digital and more.

Quavo is a round sans font family, including regular and oblique font styles. Round corner of letters show the soft and friendly vibe and some letters for instance: letter a, b and d, they all have a tail at the end. It's sort of personal preference, for I want to add some ornamental elements in this font. Quavo can be applied in lots of areas. Including but not limited in titles, posters, book pages and big display canvas.

Larchmont is a piece of pure fun, inspired by inter-war enamel advertising hoardings (often known as 'street jewelry') and by traditional sign writing. It's ideal for poster design, book covers and any sort of signage, or just about anywhere you need more than a hint of flair. Larchmont combines a sense of fun with a traditional ethos. The family is offered in three widths, each in upright and oblique forms. Revive the golden age today!

Tomate started in 2006 as a brush lettering exercise for a poster and was later used for the ReType identity. In 2008 its author decided to turn it into a super fat typeface suitable for packaging and mass consumption products. The possibilities of ultra heavy forms are explored in this alphabet; trying to solve the design problems that these sort of forms present. Tomate shows influences from the beautiful Goudy Heavyface Italic which is a design the author admires.