Robert E. Smith designed this typeface for American Type Founders in 1942. Brush Script is perfect for display work where an informal, handwritten style is desired, for example in signage and on posters. SoftMaker’s Brush Script Pro typeface comes with a huge character set that covers not only Western European languages, but also includes Central European, Baltic, Croatian, Slovene, Romanian, and Turkish characters. Case-sensitive punctuation signs for all-caps titles are included as well as many fractions, an extensive set of ligatures, and separate sets of tabular and proportional digits.

Introducing the Neon Sci-fi Futuristic Font called Neonstat a unique font with a futuristic style that can make your futuristic logotype more interesting. Inspired by real-world neon light signs, this font is perfect for adding your own glowing light effects or can be used to actually design real-world neon signs. Neonstar font is suitable for your design and allows you to create beautiful designs, headlines, posters, logos, badges, and much more. It is also best used for posts, logos, posters, labels, and more. Works on PC & Mac, simple installations, accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even works on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support Image used: All photographs/pictures/vectors used in the preview are not included, they are intended for illustration only. Thank You

Tiffanky is a Classic Cursive monoline font casual and clean stoke font includes alternate lowercase and opentype features Ligatures inspired by the late 80's sign board. It support multilingual more than 100+ language. This font is suitable for logo design and any awesome project you create. Make stunning work with Tiffanky Monoline font. Give your designs an authentic handcrafted feel. "Tiffanky Monoline Cursive Font" is perfectly suited to stationery, logos and much more. Thanks for Download, Maulana Creative

Hustlers™ was inspired by carnival, circus and tattoo signs shop from the late 1800's. It works well with normal size text, but works even better for large displays, short words, or just to incorporate a few or single characters in a design.

Oddsorts’ Ciao Bella family pairs the funky elegance of a hand-drawn copperplate script with a bouquet of ornament fonts. Ciao Bella’s expansive range of alternate opening and closing forms, word-connecting ribbons, and swash characters use the power of OpenType to create a genuinely hand-lettered look. Bursting with over 2,000 characters, the Ciao script mates broad linguistic support with expressive possibilities galore in an easy-to-use software experience. But then there are the ornaments! What’s truly innovative about Ciao Bella’s ornaments is that most of the characters come in pairs that can be set in multiple colors without any stacking, layering, or aligning. They work in any application that supports kerning — even most word processors. See the slideshow and Gallery link above to see how they work. Ciao Bella marries the best of the old world — the warm, classic feel of ink on paper — and the new — the amazing capabilities of “smart” OpenType fonts — in a union that’s sure to delight.

Bielik was created for a comic book that I’m working on. Main goal was to achieve random character of texts, so I made three glyphs for every letter, even for diacritics. Firstly I was drawing using brush pen with ink, so thickness of letters was really various. I decided to implement this style into a font. So that is how Bielik came into the world. This is good choice for comic books, children books, display designs and much more. Bielik is a polish word for Haliaeetus albicilla.

Spring Season JNL is a decorated and stylized Art Deco slab serif design from1935 which is based on the hand lettered title on the sheet music for “Paris in the Spring”. The characters are cut through with both a straight line and a wavy, spoked line which looks something like a thorny vine. Spring Season JNL is available in both regular and oblique versions.

Hi There! Meet our first modern serif typeface Palmire Palmire is a stylish font that is both modern and minimal. A light font that is perfect for feminine logo marks, fashion mastheads & editorial design (works great in layout design for quotes or body copy). The ligatures feature is so amazing, you can convert regular random word to elegant logo just by using the ligature. And there is 75+ ligature to support your amazing design project! Is there anything else? Of course! it has multilingual characters too! We work so hard to keep this elegant font looks elegant, classy, readable, stylish, eye-catching, and easy to use. You can easily pair them with script or sans serif font from all over the world to make your work more interesting!

Barbra is a display font family with unique letterforms and harmonization. It's bold, brutalist, gorgeus and emotional. While I developed Barbra, my mom passed away. It's broken my heart. So I tried to represent my mixed feeling in Barbra with the expressive curve in each letterform. Up and down, right to the left. The uppercase will make your headline stand out, fresh, and organic, even when you use it for your next logo project. While the lowercase is designed to make a harmonization when you put in words or sentences. FEATURES — Total glyph set: 246 — 4 Families (Regular, Italic, SemiCondensed Regular, Semicondensed Italic) — OpenType Features: — Lowercase — Uppercase — Ligatures — Numbers — Symbols — Diacritics — Stylistic Alternates

Homeville – Elegant Typeface is a font amazing this year. a font that will shake things up in the design world. Distinctive fonts and complemented by alternative styles will enhance your project. Homeville is perfect for design, logos, social media, branding, advertising, product design, handwritten quotes, product packaging, headers, posters, merchandise, and other designs. What’s Included : + Homeville + Standard glyphs + Style Alternate + SWSH + Ligature + Multilingual Accent + Works on PC & Mac, Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support + Image used: All photographs/pictures/vectors used in the preview are not included, they are intended for illustration purposes only. Thanks

Skiltmaler is the typeface that refers to the style of decorative arts during the Victorian era 1837 to 1901, the Victorian era was the period in which fly poster typography emerged. The large amount of colour in combination with large font sizes were created from movable metal type. As well as being made from wood, this was used to create the two-coloured typefaces. You would imagine this would be specific to the '3D' styled type seen on the poster to create the drop shadow. Skiltmaler works well with normal size text, but it works even better for large displays, short words, or even just to incorporate a few or single characters in a design.

Gistany Font is an exquisite handwritten signature script font that exudes elegance and sophistication. Whether it's a logo, invitation, or branding materials, Gistany Font brings a sense of refinement and style, making every word appear like a work of art. Elevate your designs with the captivating charm of Gistany Font and let your words speak with elegance.

This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benifit from a "spoonful of sugar" visually.

This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benefit from a "spoonful of sugar" visually.

This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benifit from a "spoonful of sugar" visually.

This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benifit from a "spoonful of sugar" visually.

This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benefit from a “spoonful of sugar” visually.

This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benifit from a "spoonful of sugar" visually.

This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benifit from a "spoonful of sugar" visually.

A distorted, broken & cracked typeface. Doyen-D.ScreenRegular uses the same letter forms as the rest of the Doyen-D family, however the letters have gone through a halftone screen print process, resulting in even further distortion of the typeface.

An original volume decorative typeface that imitates broken stones. It was inspired by graffiti letterforms. Solid and inverted styles are available. Designed by Fedor Saveliev and Olga Ryabihina in 2003 and licensed by ParaType. For use in display typography.

Berliana Monoline is typeface was inspired by handwriting using markers. While the name is a word other than Diamonds, namely jewelry worn by many women in the world. Diamond jewelry is so expensive and full of luxury. As regards with diamonds, this font was created to present the luxury of very beautiful diamonds. This font is suitable for wedding invitations, design, logo or branding, or as the font for the typography. Many features in this font such as ligatures, stylistic alternate, fina, swashes, etc with a total more than 370++ Glyphs.

Words in a blurry world want to be more firmly anchored in the line - this is the task of the Slab-serif, characterized by solid heels. They can be used in extreme sizes – under 6 points – as well as on huge tarpaulins covering trucks, boats and house facades. Carot serves its robust clarity. The eye takes a while to become accustomed to various character simplifications, but then comes a refreshing reading perception, familiar texts get actual sound. The whole Carot system of 64 members offers a modern alternative for all types of design work.

Circus stars is Vladislav Ivanov font with a retro touch, inspired by the look of old circus and movie posters. It works well with normal size text, but it works even better for large displays, short words, or even just to incorporate a few or single characters in a design.

ITC Out of the Fridge is the work of German designer Jochen Schuss. Its forms look as though they were scratched on rough paper with a pen. ITC Out of the Fridge is, in the designer's own words, fresh and cool", and works well where something modern yet "proper" is desired."

A single-stoked gothic font with UltraLight, Light, DemiBold, Bold and Extra Bold weights. Usage recommendations: Captions, packaging, cards, posters, ads, book jackets, manuals, menus, fashions.

Stencilvania JNL is one of the growing number of stencil fonts based on original source material by Jeff Levine. In this case, a "solid letter" stencil from years ago was modified to give it the classic stencil look of broken lines.

Aphrodite Slim Pro is not just a lighter version of its sister Aphrodite Pro. Aphrodite Slim Pro has duplicated the quantity of characters of its partner, and that means more than 500 new glyphs, reaching a total of more than 1000. More delicate and meticulous, Aphrodite Slim Pro is once more a new typography with deep calligraphic ideals: We immersed ourselves into the world of each calligraphy ductus and each calligraphy masters by studying from decoration to lettering books. This was the key for the logic of Aphrodite Slim’s behavior. The new concept of Aphrodite Slim Pro was to join diverse styles of calligraphy in one in order to achieve an autonomous expressiveness, in fact, this is what calligraphy aims to, and we agreed to bring those ideals to the world of typography: It is justifiable to be inspired in hundred-year-old calligraphies, but it is even better if the results you obtain have a plus. A personal plus. During the creation process we were wondering whether it was possible to mix certain strokes of such rigid styles as uncial, (Li·n’s favourite style), with strokes of the copperplate, (Sav’s favourite style), and also to take and mix cualities of cancelleresca cursiva, formata and moderna; finally giving our creation a roman-transition italic look. So Aphrodite Slim takes ideals and aspects from those formal styles, following its own logic though, and emphasizing the fact of being a decorative typography. Calligraphy masters of our past are who we are in debt with. They are the cause we have lovely letters now. They have been spontaneous at the moment of creation, what differs from the type-designers of nowadays, whose spontaneity is more limited. Digital faces that we are used to see these days are a result of long hours of optical adjustments, grids, macros and inspirations of other existing typography, but without personal contributions. Aphrodite Slim wants to refute this. Its mission is to rescue de spontaneity of the artesanal lettering in order to obtain unique words; those which only calligraphy masters of our past or lettering artists of our present could give us. We have worked hard to achieve this, making Aphrodite the most universal font we could: It was necessary to study the most common words, focalizing more in the ones referring to “sensitivity”, of four of the most spoken languages in the world. Aphrodite Slim has an enormous quantity of decorative characters and special ligatures for phrases and words in English, French, Spanish and German. (See English, Français, Español, Deutsch PDF in the gallery section). We promise there is no existing type that decorates/ligates glyphs and words like Aphrodite Slim does: It is the first time a font like this really considers its purpose. -The way glyphs are ligated is insane- : Aphrodite Slim rescues some ideals of persons like Jan van den Velde (Italian cancilleresca writing of XVI Century) who understands ascenders and descenders as possibilities to beautify the lines of writing with curved strokes that seem to be dancing above and below of the words. This master also creates ascenders and descenders even where they are not necessary, on letters that do not actually need them: Aphrodite Slim takes this ideal. The font counts with a wide range of glyphs that seem not to be satisfied with its more primitive form and prefer to extreme their parts to be decorative. It also existed masters of calligraphy like José de Casanova of XVII Century, who, with a magnificant skill and a really personal mark, had the particularity of ligating words that were actually separated with spaces. This is another innovative feature in Aphrodite Slim. An investigation of the most common beginnings and endings words of the English language was done. Having that feature activated (discretionary ligatures), common words will start to ligate or to be decorated even when they are separated by spaces. Impossible to forget Francesco Periccioli of XVII Century and our experience us designers to face with works of him: His letters, that today are included in the group of cancellerescas modernas, have been a direct inspiration to the oldstyle figures and historical forms variables in Aphrodite Slim. Giovanni Antonio Tagliente (XVI Century) and his particular way of making tails and diagonals longer than usual, qualities that our creation reflects too. Finally, our adventures in Biblioteca Nacional and Barrio San Telmo, Buenos Aires, were essential for us to make Aphrodite Slim more complete and interesting: Sav did an excellent work when studying how the decorative miscellanea and swirls of early XX century were. She also investigated what particularities made those roman titling characters look antique so she could rescue some ideals for the oldstyle figures and historical forms variables. This also leaded her to create the ornaments variable in Aphrodite Slim. We are really proud of presenting Aphrodite Slim Pro, a typography that was the result of days and nights of working hard, because we do love what we do; and we are glad we are living in a present that gives us the possibility to spread this kind of art, because that is the way we consider our job: Aphrodite Slim Pro is Art. Hope you can appreciate the enormous work this type has. Features. Aphrodite Slim Pro is the most complete variable. It includes more than 1000 glyphs. Thanks to the Open-Type programming, it counts with a easy way to change/alternate glyphs if the application in which the font is used supports this. The variables contained in Aphrodite Slim Pro are also offered separately. Aphrodite Slim Text: It is the variable for lines and paragraphs. Thus it is the least ornamental and the most accurate to achieve a satisfying legibility. It has the Standard Ligatures feature in order to improve the possible conflicts some glyphs could have by others. Aphrodite Slim Contextual: It is the one that makes emphasis in decorating. It has the particularity of ligating/decorating words of common use in English, French, Spanish and German. It also has the quality of ligating common beginnings and endings of the common words in English. Aphrodite Slim Stylistic: With similar features of Slim Contextual. It includes a set of decorative numbers for a display use. Aphrodite Slim Swash: This one has special beginnings and endings to decorate words. Aphrodite Slim Endings: It makes words look as a signature. Aphrodite Slim Historical: It adds an antique look to the written word. It also has the special historical ligature function. Aphrodite Slim Titling: This one is the most decorative. Its copperplate inspired ornaments give words a special color, in order to handle the quantity of decoration, it comes with the standard ligature feature, which has the most common ligatures plus others that make decorative swirls not to be conflictive. Aphrodite Slim Ornaments: A set of 52 ornaments. Aphrodite Slim Pro includes all this features plus the Stylistic Set 1; Stylistic Set 2 and the possibility of Slashed Zero. We recommend you to check out the gallery in order to see all these features in action.

To obtain maximum pleasure in working with Hangulatin, please use the typeface as follows: 1 Open an OpenType-savvy program 2 Select the "Hangulatin“ typeface. 3 Copy the following test text into your document: HEL LO WORLD ! THE QUICK BROWN FOX JUMPS O VER THE LA ZY DOG . If this fails to bring about the desired result, please make sure that you are using an OpenType-savvy program and that usage of the OpenType features is activated in that program. Standard graphic programs are suited to that purpose. The same applies to Microsoft Word starting from the 2010 version upwards.To have fun and success with your new typeface, please write all words in the format shown in the sample text, i.e. all syllables need to be written in capital letters and separated from one another using spacecharacters (for single letters leave 2 spaces). If, however, a desired syllable is not to be substituted, proceed as follows: Please check + to see whether it is a word from the English language; + whether the word has been spelled correctly; + whether the word has been subdivided into syllables correctly; + whether the syllable has been terminated with a space character (allow 2 spaces for single letters).

Galagar is a font with a strong look. The font is suitable for your branding name, poster title, event, or group name, supported by the font that gives a strong effect to the reader. has its own market and fans. can be used in adobe illustrator, photoshop, or microsoft word. By purchasing this font, you will get: - Uppercase and Lowercase letters - Alternates Characters - Ligatures - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word. Thank you

Fracture is a broken font -- broken into many pieces -- yet it still conveys a powerful and modern message. It is a funky, in-your-face font that has strong overtones of modern rap and hip-hop culture. Its fragmented look brings to mind graffiti, contemporary youth culture, kids-on-the-move. Fracture is a must for movie posters, event posters, CD & DVD covers, clothing ads & swing tags, funky magazines, in fact, any product aimed at the young, trendy market. The font is letterspaced and kerned and has a complete character set (all upper and lower case, numerals and mathematical symbols and a complete set of accented and special characters).

Ares is a crisp all-caps display typeface suitable for sci-fi logos and titles. It owes its peculiar futuristic vibe to angular, top-heavy letters that hang from the cap-height instead of sitting on the baseline. The typeface consists of six subfamilies available in 10 weights, as well as as two variable fonts of three axes: Weight [wght], ranging from 1 to 1000, Mid-height [MHGT], ranginf from 0 to 1000, Tracking [TRAK], ranging from 0 to -40. The mid-height axis affects the typeface's waistline, including crossbars, and divides the fonts into three subfamilies: Ares Lo, Ares, and Ares Hi. These three families are solid-stroked, and the other three families are their stencil-stylized counterparts: Ares Broken Hi, Ares Broken, and Ares Broken Lo. The tracking axis is only available in the variable versions, and proportionally affects the kerning, thus helping set the type more tightly without effort. Ares supports a wide range of Latin-based orthographies, including not only European, but also Vietnamese as well as major African languages like Hausa, Fula or Ewe.

Introducing Calingham is a brush font with a which gives a vintage and retro style but still with elegant and classy touch to your projects. Features: - ligature - 7 Stylistic set - Works on PC & Mac - Simple installations - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works on Microsoft Word. - Multilingual Support

Cayuse is a super-slab, all-caps titling face that tips its hat to the classic French and Italian “fat face” serifs of the nineteenth century. Structurally, Cayuse utilizes a reverse-stress stroke configuration—with thick, meaty slab serifs and sinuous, spiked connecting strokes. This crackling contrast gives Cayuse a very black, dense texture, and the ability to combine and contrast well with other typefaces. Arm yourself with Cayuse to create richly-textured, high-impact typography for packaging, editorial, brand identity, posters, signage, and many other applications. What's more, Cayuse also features an array of “word logos”, providing you even more options for creating dynamic typography.

A piece of sheet music for “Broken Blossoms” circa the 1920s or early 1930s has its cover title hand lettered in a wide thick-and-thin Art Deco design. This is now available as Flower Shop JNL, in both regular and oblique versions.