Looking for a font that’ll make your branding radiate elegance? Something that’s versatile, stylish, and eternal? Introducing Cananga - A Modern Calligraphy Font. This handcrafted calligraphy font can be used for various different promotions or projects. Use it to create standout headings, promote your online sales, Instagram quotes, and even printed materials like business cards, t-shirts, or invitations. Get whisked away to the Victorian era with Cananga. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Berpatu Brush Lettering Font: A Unique and Timeless Design Solution Are you searching for a font that adds a touch of vintage charm to your designs? Look no further than Berpatu Brush Lettering Font! Inspired by classic retro and vintage designs seen in shop windows and street billboards, this font is created with passion using a brush pen. Berpatu features over 300 glyphs and supports OpenType features such as ligatures, contextual alternates, and swash variants, providing endless possibilities for your designs. It is ideal for use in signage, displays, titles, posters, t-shirts, logos, advertisements, billboards, packaging and more. This font is available in Catalan, Danish, German, English, Spanish, Estonian, Finnish, French, Irish, Icelandic, Italian, Norwegian, Portuguese, Slovenian, Albanian, and Swedish. For a unique and timeless design solution, try Berpatu Brush Lettering Font today! We hope you enjoy this font as much as we made it. Cheers and thank you so much!

Wish to make a real impact on your customers and clients? With the right font, you’ll leave a strong impression every time. Introducing Raldrich - A Handcrafted Font. From product labels and printed materials to web design and social media posts, this font simply makes a difference. Regardless of where you use it, Raldrich will turn your design from good to outstanding. Ready for that next step? What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office Keynote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom-created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

If you’re after a font for a birthday party invitation or a children’s book cover, you shouldn’t settle for something bland and generic. Instead, why not aim for a fun and lively option to set the mood? Introducing Clayden - A Playful Font. A lovely font like this can be used for invitations, branding, print, clothing, social media, web pages, and much, much more. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Introducing Sweet Couple - A Calligraphy Font Sweet, lovely and most beautifully crafted Sweet Couple font that can be used on different projects and promotions. Go ahead and use it on your website, for your social media branding, Pinterest banners, printed materials, and more! Inspire and give love to your audience, clients, or guests with this stylish Calligraphy font. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

OmegaPixel Font Description I created this font for the game Hyper Ninja Blast (but made it useful to all kinds of games!). While creating the game, I searched for pixel fonts, but could not find a suitable one. The fonts were generally ugly and lacking the basic variations (italic and bold). So I decided to create my own pixel font. Just as pixel art can be better than a high-resolution painting, so pixel fonts don’t need to be always worse than traditional fonts. In OmegaPixel I tried to achieve elegance, readability and flexibility within the limitations of a 6 pixel x-height. With 4 versions (regular, italic, bold and bold italic), and a neutral feel, OmegaPixel can be used in any genre of games. Considering the general lack of money among indie game devs, I’m giving the regular version for free! For inspiration, I often remebered Minion’s lowercase ‘a’, Galliard italic lowercase ‘g’, and the calligraphy of Chinese emperor Huizong.

Want to give your design a vintage look that still speaks to modern audiences today? Choosing the right font can do the trick. Introducing Groovy - A Vintage Modern Font. Use this unique font for web pages, social media, apps, ads, printed materials, clothing, packaging, and anything else your brand needs to stand out from the crowd. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Sortie Super is a take on one of the kings of display lettering - Caslon's high-contrast, reversed stress 'Italian' style. It looks great at big sizes and in short flurries... and shouldn't be used in confined spaces.  When compared with the original face, the weight and contrast of Sortie Super has been exaggerated. To add gravity to the letters I've increased their width overall and reduced the spacing to a hair-line fracture for added visual impact. Characters like 'S', 'E','O' and 'Z' are relatively close to their historical precedents - however the terminals on the 'C-G-S-З-Є', which have been drawn so to be more consistent. Other aspects, such as the leg of the 'R' and 'Я', the apex of the 'A' and the spur of the 'G' are revised and simplified, to help spacing and optical weight across the alphabet. Also, to reduce visual noise terminals in characters like 'C', 'J' and 'R'' are horizontally aligned. Meanwhile, the central horizontal strokes in the 'B', 'P' and 'R' etc are reduced to a hairline, so as to create a more simplified system of thick-to-thin.  The temptation when drawing this kind of esoteric display alphabet is to start to rely on modular components. Which, while copy-paste-repeat is a sure-fire way to make the face more visually consistent, it's a lazy method that risks allowing the font become soulless and mechanical. An early experiment I made was making a monospaced version, which was useful in headlines, but it lost that loving feeling. So, by maintaining a handful of flourishes – the tail of the '?', the inky drop of the '!', the bulbous gloop of arms of the 'Ж' and 'К', the swirling legs in the 'R', 'Я' and 'Л', the big-bowling weight of the 'J' and 'U' – plus a few in-built inconsistencies and a bit of its own silliness, Sortie Super retains some of the organic warmth of its ancestor. Conversely, the counters, apertures and negative space are largely rigidly geometric, which helps give the revival font a bit of a modern touch. Sortie Super is an uppercase-only display font that comes with Western, Central and East European Latin, extended Cyrillic, Pinyin, as well as a set of hairline graphic features and symbols.

The Planetype Font Family is Modern. It has 6 Font Styles: X-Light, Light, Medium, Inline, Bold, & X-Bold. Each style has a consistent weight with a square serif of equal weight to its vertical and horizontal strokes. Planetype™ for short or Planet-Type font styles all have extremely clean edges and are sharply defined. There is a standard kerning applied, however evenly letter-spacing these family members give a distinct personality and continues to command the negative space just as in tight kerned examples. The compatible relationship of these font family members, weight to weight, and X-Light to X-Bold is seamless and the overall design coloring of words and sentences is well balanced and extremely legible. The Planetype Family fonts are matching members glyph to glyph. This family works in modern, contemporary and vintage settings. The Planetype Medium matches the outer weight of Planetype Inline. Their are several unique Glyphs that set the character of this family, such as: Caps B, M, Q, R, X and Lower Case a, e, k, r, z to begin with. The numerals and dingbats also have several unique glyphs that flow with the family Style in every matching weight. These characteristics lend well in designing logos, brands, and even monograms. Starting with Planetype X-Light the designer has a command of the clean lines yet expressing Modernism and a touch of Architectural structure. Planetype Medium & Planetype Inline are a dynamic duo giving a positive/negative readability.

Say hello to Wonderful Melanesia. A fancy font combination, minimalist signature, and elegant serif. These fonts are carefully designed with attention to every detail of the letterforms, which makes the perfect font combination that you can apply for your design that needs an elegant touch, classy looks, and minimalist. The serif font is designed with a few spacing so that it provides more clarity when reading it, and the signature font designed with dynamic strokes that give it the more natural handwriting. Wonderful Melanesia has equipped with many OpenType features. There are beautiful ligatures, Stylistic alternates, and swashes which you can use it to get your design more softly. Fonts featured : Uppercase Lowercase Numbers Punctuation & symbols Stylistic alternates Ligatures Swashes Accented characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖØÙÚÛÜÝÞßàáâãäåæçèéêëìíîïñòóôõöøùúûüýþÿıŁłŒœŠšŸŽž Thank you for watching and have a wonderful day!

Introducing Ganley Cute Font Ganley cute font is a contemporary display font that radiates fun and playfulness, making it perfect for children’s themes and light-hearted designs. Playful Design Ganley’s design is characterized by whimsical and cheerful letterforms. Its cute and quirky appearance instantly adds a touch of joy to any project. The font embodies a sense of innocence and laughter. Child-Friendly Readability This font maintains readability while embracing a delightful style. The letter spacing and proportions are thoughtfully crafted for easy comprehension, ensuring that children can enjoy reading and interacting with it. Versatility in Design Ganley isn’t limited to just one application. It’s a versatile font that suits various creative endeavors, from children’s books and posters to party invitations and websites. Its adaptability knows no bounds.

Looking for a perfect brush stroke that ties your design together? Introducing Frainky - A Brush Font. Trendy and artsy, Frainky makes your brand memorable. It’s an excellent choice for ads, banners, printed cards, packaging, web pages, apps, and anything else your project needs. Give it a shot and see for yourself! What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office Keynote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom-created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

I searched all over the internet looking for a realistic sand writing font and came away empty handed. Undaunted by this, I grabbed my business partner, Mary and trekked down to our local river, the Arkansas (pronounced ar-KAN-sas around here). Using sticks, we scratched out the entire alphabet in the sand, including upper & lowercase, and punctuation marks! I photographed the characters, converted them to line art on my computer and used font creating software to turn it into a true type font! This font was designed for adding dates, places and messages to your beach photos that looked as if you wrote it in the sand before you took the picture! It is a decorative font best used in large, headline sizes. To make it appear more realistic, select a darker color from the sand in the photo to use for the type instead of black!

Theorem is an interesting change from the usual calligraphic work of Koziupa and Paul. An art deco font with a 1990s twist in its capitals, Theorem’s lowercase characters were designed to automatically achieve the best optical spacing in typesetting. To accomplish that goal, a variety of alternates were drawn for most letters, and plenty of vowel-focused ligatures were designed. The automagic of OpenType ties it all together to make a very versatile typeface that is quite useful for packaging and many different applications of display typography.

Meet Eastlane, the resilient yet robust typeface. A san-serif with a humanist touch, a steady combination of seriousness and merriment, Eastlane is like no other. Eastlane works well as texture in small sizes, while at the same time claim its space on the display. With its distinctive characteristic, Eastlane can catch anyone’s attention whenever and whenever. Eastlane is the right font at the right place and certainly at the right time. Eastlane includes 18 styles and also comes with variable option. Stawix Ruecha

Fable is an elegant, hand-crafted typeface that evokes the magic of fantasy weddings, of castles and wizards, of dragons and dungeons. Among others it combines elements that are suggestive of Greek mythology, of runic scripts, of Scandinavian tales and of the stories of King Arthur. Difficult to categorise, Fable effectively combines features of uncial, calligraphic and script fonts. It will enhance the appearance of advertisements, wedding invitations, headlines and posters. It contains a full character set and is professionally letter-spaced and kerned.

Skillet is a bold vintage style serif font full of hedonism and joie de vivre. Skillet has strong character and extremely smooth features and self-confidence that springs from within. Skillet comes in two weights: Regular and Condensed. Even though the difference is small, Regular takes over the space while Condensed gives a more intimate impression. Skillet comes with a wide range of OpenType -features. Keep Standard Ligatures on in normal use. Try Discretionary Ligatures, Swash, Stylistic or Titling Alternates for custom headlines or logos.

Around 1931, the Los Angeles Times (in partnership with the Richfield Oil Company) installed on its building a moving message board similar to the one at the New York Times in New York City which they dubbed an “electric newspaper”. The style of characters used on this electronic sign were the basis for the namesake font Electric Newspaper JNL, which is available in both regular and oblique versions. A blank space to place between words is available on both the solid bar and broken bar keystrokes.

Fairweather is a fresh air. Clear, transparent, and lucid as if it is the spring and autumn sky. By designed condensed, legible and perspicuous, Fairweather is perfect for titles and captions. But "Title and Captions" are the just examples. Very neutral and plain letter forms make the font versatile. The condensed forms can be very effective for body text in narrow space and the clean and clear letterform doesn't intrude your art works. Consists of nine weights and their matching italics. Supporting almost all latin languages.

The Bitstream version of Bell Gothic designed by Chauncey H. Griffith in 1938 for telephone directories of the Bell Telephone Company. It is a good sans serif choice for listings, catalogues and directories as its design is very space saving. The weight of the line is moderate and uniform. Being a clear and easy-to-read font, Bell Gothic is popular now for display and magazine advertising. Cyrillic version by Isabella Chaeva was released by ParaType in 1999. Italic styles added in 2009 by the same designer.

Boho Rose is a new font, cute, elegant and handwritten. It is easy to read and looks like a hand-made writing. Boho Rose is great for decorating menus, postcards, cards or signs, and has correct kerning and letter spacing. It is prepared for serious work and for ordinary home use. Test it out below to see how it could look for your next project! Includes: Uppercase and lowercase Numbers and punctuation Foreign language support Ligatures Check out my blog: https://www.instagram.com/zloillev pinterest.com/dmitriychirkov7 Enjoy

Meet "Roseka," the font that's here to infuse your designs with a burst of energy and creativity. This playful and funky typeface adds a dash of retro charm, making it the perfect choice for a wide array of projects. Whether you're working on posters, social media graphics, or even reimagining vintage aesthetics, Its whimsical letterforms give your text a unique personality, making it ideal for advertisements, branding, packaging, invitations, and more. Unleash your creativity without limits – Roseka is the creative spark your projects need.

Sivellin is an elegant brush script with a lots of alternates, swashes and small caps. All in all it has over 1,300 glyphs. Sivellin has round and soft letterforms, low x-height and quite a generous spacing to get that elegant and very legible result. Because of all the alternates Sivellin is a very versatile script font. It can look very straightforward or with added Swashes very flamboyant. Or something between. It gives you options to customize your typography and designs the way you like.

Might Makes Right Pro BB is an all-purpose comic book dialogue font inspired by Bronze Age comics. It’s designed to compliment a wide variety of art styles. The opentype version has autoligatures to swap out adjacent, identical letter pairs for a more organic look, and a wide variety of European characters are included. This Blambot classic comic book dialogue family has been updated with even more European characters, improved spacing and kerning, contextual alternate correction of errant serif-I, and a fourth weight, plain Bold.

A funtastic and playful typestyle, Wintermint started as a digitization of a film typeface called Lori by LetterGraphics. This font is filled with bounce and liveliness taken from its original limited character set and fleshed out to a fully functional typeface. Flare serifs along with the occasional weird and wonderful curl gives this typeface a festive holiday vibe, but it could easily blend into a psychedelic design space, or just an all out wacky groove. Give it a spin, and see where Wintermint takes you.

Mentone is a new general purpose typeface, an attempt at extending the line of the great sans-serifs of the previous century, Frutiger - Stone Sans - Myriad. The font has round corners and subtle chamfers, which are all but invisible at text sizes, but add an upbeat, irreverent expression at display sizes. The typeface is named after the beautiful bayside suburb of Melbourne, Australia, where the designer lives. This new version (2.01) was spaced and kerned by Igino Marini of iKern. The semibold cuts are now free!

Giza brings back the colorful power and variety of the original Egyptian letterforms, a glory of the Victorian era. Designer David Berlow based the family on showings in Vincent Figgins’ specimen of 1845, the triumphant introduction of this thunderous style. This version of the family is part of the Reading Edge series of fonts specifically designed for small text onscreen, having been adjusted to provide more generous proportions and roomier spacing, and having been hinted in TrueType for optimal rendering in low resolution environments.

HandXpression was created with a stylus, imitating the experience of writing on a whiteboard with a marker. Its 646 glyphs cover from the Western to a wide part of Eastern European (Latin) alphabets. It also has all Greek letters for Math usage: yes, HandXpression makes formulas, and they look great, especially with LaTeX/XeTeX systems. The font has true italics, as well as some useful OpenType features: fractions, capital spacing, scientific superiors/inferiors, old style numbers, as well as standard ligatures and localized forms. Enjoy!

A successful collaboration between MRF and Psy/Ops Type Foundry. In search for a Sans Serif with a significant and strong character but still ”low-key” enough to be functional for most areas, Sophisto finally grew into an extensive family of 21 parts. Made carefully to fit both text- and display solutions. The buttons, images and patterns makes it even more complete as a family.

Blank Manuscript allows you to produce sophisticated musical scoresheets even on basic Word Processors - anything from simple plain staves to complex full-page orchestral scores of your own design, to write in the notation yourself. The basic stuff is really easy and straightforward, but there's some quite advanced things you can do as well. So Copy and Save these Instructions. • The main stuff is simple and tends to follow the initial letter. Treble, Bass and Alto clefs are on upper case T B A (there are more clefs, below). The 5 Lines for the clefs are on L or l. • A small v will give a small vertical line (like a bar line) and a Big U will give a Big Upright - these can start or end a line or piece. • Time Signatures - type the following letters: Think of W for Waltz and it's easy to remember that 3/4 time is on W. Then from that they go up or down together like this: V=2/4 W=3/4 X=4/4 Y=5/4 Z=6/4 Compound Times are on H I J K like this: H=3/8 I=6/8 J=9/8 K=12/8 Common Time and Cut Common symbols can be found on semi-colon and colon respectively (all begin with Co- ). 2/2 3/2 are on lower case a and b, 7/4 and 7/8 are on lower case c and d, 5/8 is on small k (think POL-k-A) • Flat signs are on the numbers. Flat signs on LINES 1 to 5 are on numbers 1 to 5. Flat signs on SPACES 1 to 5 are on numbers 6 to 0 (space 1 being above line 1, space 5 being above the top line of the stave). Sharp signs are on the letters BELOW the long-row numbers. Which is q w e r t for the sharp signs on Lines 1 to 5, and y u i o p for sharp signs on spaces 1 to 5. Doing it this way means it works the same for all clefs, whether Treble, Bass, Alto, Tenor or any other. Sharp and Flat Signs always go in this order, depending on how many sharps or flats your key signature requires: Treble Clef Sharps t i p r u o e Flats 3 9 7 4 2 8 6 Bass Clef Sharps r u o e t i w Flats 2 8 6 3 1 7 = Alto Clef Sharps o e t i w r u Flats 7 4 2 8 6 3 1 • Guitar Chord Boxes are on G and g (G for Guitar) Upper Case G has a thick line across the top Lower case g has an open top, for chords up the fretboard TAB symbols are available: Six-string Tablature is on s & S for Six. Four-string Tablature is on f & F for Four. (Lower case has the "TAB" symbol on it, Upper Case has just the lines to continue.) Five-string tablature, is on lower case "j" (as in BAN-j-O) and of course L or l will continue the 5 lines. •RARE CLEF SIGNS including Tenor Clef, are on various punctuation marks, i.e. dollar, percent, circumflex, ampersand & asterisk, above the numbers 4 to 8. NOTE: The important symbols were kept on the letter and number keys, which are fairly standard all over, but some of the less important symbols are on various punctuation keys, which in different countries are not the same as on my keyboard. If it comes out wrong on your system, all I can say is it's right on the systems we've tried, and they'll be in here somewhere, probably on a different key. CLOSING THE ENDS OF THE LINES and BAR-LINES is done with the 3 varieties of brackets - brackets, brace and parentheses - Left/Right for the Left/Right end of the line. Parentheses L/R () which are above 9, 0 give a clef with a small vertical upright (the same as a bar line). Brace L/R and Brackets L/R (both on the 2 keys to the right of P on my keyboard) will close off a staff line with tall upright bars. Brace gives a double upright - one thick, one thin. Brackets give a single tall upright. A Big Upright is on Big U, (Big U for Big Upright) and a small vertical line is on small v (small v for small vertical). The Big Upright is the maximum height, and the small vertical is exactly the same height as a stave. And there's a tall upright Bar, on Bar (which is to the left of z on my keyboard, with Shift,) which is the same height as the bar on upper case U but twice as broad. • There's a staff intended for writing melodies, which is a little bit higher up than an ordinary treble clef giving a space underneath to put lyrics in - on m and M for Melody line. Lower case has the Treble Clef on, Upper case M has just the higher-up staff lines with no clef. (Use mMMMMMMM etc.) However this clef will be in the wrong place to put in sharp and flat signs, key signatures and so on, so if you use this clef you'll have to write the sharps, flats and key signature yourself. There's also a clef that's smaller (less tall) than the ordinary clef, but with the same horizontal spacing so it will align with other standard-sized clefs - on slash (a plain clef) and backslash (with a Treble Clef). • There are some large brackets for enclosing groups of staves, such as you'd use on large orchestral scores, on Upper Case N O P Q R, which can aid clarity. N and O on the left, Q and R on the right. P is a Perpendicular line to be used on both sides to increase the height of the enclosure, in this way but with the staff lines in between: N Q P P P P P P O R OTHERS —————————————— • Repeat marks are on comma (left) and period/full stop (right). • Hyphen is left as a sort of hyphen - it's a thin line like a single staff line, with the same horizontal spacing as ordinary staff lines - in case you want to draw a line across for a Percussion Instrument, or a Title or Lyric Line. • Space is a Space, but with HALF the width or horizontal spacing as ordinary staff lines, so 2 space symbols will be the same width as a clef symbol or line. • Grave (to the left of 1 on the long row, or hold down Alt and type 0096 then let go) gives a staff line that is one eighth the width of an ordinary staff line. • If you want manuscript in a clef and key which requires a flat or sharp sign in the space underneath the 5 lines, they’re on = equals and + plus . SYMBOLS • Many of these symbols will only be useful if you have worked out in advance which bars will need them, but they are here in case you've done that and wish to include them. • Symbols for p and f (piano and forte) are on 'less than' and 'greater than' < > (above comma and full stop) and m for mezzo is on Question, next to them. They can be combined to make mp, mf, ff, pp, etc. These signs -- and other signs and symbols like Pedal Sign, Coda Sign and so on -- can be found on various punctuation mark keys, including above 1, 2, 3 in the long row, and others around the keyboard. There's a sort of logic to their layout, but in different countries the keys are likely to give different results to what is stated here, so it's probably best to just try the punctuation and see if there's any you might want to use. (But on my keyboard a Coda sign is on circumflex - because of the visual similarity. Pedal sign is on underscore. A "Sign" symbol is on exclamation mark.) They were only included in case you really need them to be printed rather than handwritten. • However, a Copyright symbol is deemed necessary, and also included are a "Registered" symbol and a TradeMark symbol. They are found in the conventional places, and can be accessed by holding down ALT and typing 0169, 0174 or 0153 respectively in the numberpad section and letting go. • Staff lines with arco and pizz. above are on capital C and D respectively ---C for ar-C-o. • An empty circle above a staff line (to indicate sections by writing letters A, B, C or 1,2,3 inside for rehearsal marks) is on n. The actual signs for an A, B, C and D in a circle above the staff line can be produced by holding down ALT and typing 0188, 0189, 0190 and 0191 respectively and letting go. • The word "Page", for indicating page numbers, is on the numbersign key. • The two quotes keys, (quote single and quote double) have symbols representing "Tempo is", and "play as triplets", respectively. • INSTRUMENT NAMES There's a whole lot of Instrument Names built in (over a hundred) which can be printed out above the clef, and you do it like this. Hold down Alt and type in the given number in the numberpad section, then let go. For Piccolo it's 0130, for Flute it's 0131, Cornet is on 0154, Violin is on 0193, and the numbers go up to over 0250, it's a fairly complete set. There's also a blank which is used to align un-named clefs on 0096. Put them at the very beginning of the line for the best results. Here they are: WOODWIND Piccolo 0130 Flute 0131 Oboe 0132 Clarinet 0133 Eng Horn 0134 Bassoon 0135 Soprano Sax 0137 Alto Sax 0138 Tenor Sax 0139 Baritone Sax 0140 Saxophone 0142 Contrabassoon 0145 Recorder 0146 Alto Flute 0147 Bass Flute 0148 Oboe d'Amore 0149 Cor anglais 0152 Pipes 0241 Whistle 0242 BRASS Cornet 0154 Trumpet 0155 Flugelhorn 0156 Trombone 0158 Euphonium 0159 Tuba 0161 French Horn 0162 Horn 0163 Tenor Trombone 0164 Bass Trombone 0165 Alto Trombone 0166 Piccolo Cornet 0167 Piccolo Trumpet 0168 Bass Trumpet 0170 Bass Tuba 0171 Brass 0172 VOICES Vocal 0175 Melody 0176 Solo 0177 Harmony 0178 Soprano 0179 Alto 0180 Tenor 0181 Baritone 0182 Treble 0183 Bass 0197 (see also PLUCKED STRINGS) Descant 0184 Mezzo Soprano 0185 Contralto 0186 Counter Tenor 0187 Lead 0206 BOWED STRINGS Strings 0192 Violin 0193 Viola 0194 Cello 0195 Contrabass 0196 Bass 0197 Double Bass 0198 Violoncello 0199 Violin 1 0200 Violin 2 0201 Fiddle 0252 PLUCKED STRINGS Harp 0202 Guitar 0203 Ac. Gtr 0204 El. Gtr 0205 Lead 0206 Bass 0197 Ac. Bass 0207 El. Bass 0208 Slide Gtr 0209 Mandolin 0210 Banjo 0211 Ukelele 0212 Zither 0213 Sitar 0214 Lute 0215 Pedal Steel 0216 Nylon Gtr. 0238 Koto 0239 Fretless 0244 KEYBOARDS + ORGAN Piano 0217 El. Piano 0218 Organ 0219 El. Organ 0220 Harpsichord 0221 Celesta 0222 Accordion 0223 Clavinet 0224 Harmonium 0225 Synth 0226 Synth Bass 0227 Keyboards 0228 Sampler 0249 PERCUSSION and TUNED PERCUSSION Percussion 0229 Drums 0230 Vibes 0231 Marimba 0232 Glockenspiel 0233 Xylophone 0234 Bass marimba 0235 Tubular Bells 0236 Steel Drums 0237 Kalimba 0240 OTHERS Harmonica 0246 Mouth Organ 0247 FX 0251 Intro 0243 Verse 0245 Refrain 0248 Chorus 0250 un-named 0096 (this is a small spacer stave for aligning clefs without a name) ALSO copyright 0169 registered 0174 TradeMark 0153 Rehearsal marks 0188-0191 (giving A, B, C, D in a circle, an empty circle is on n ) Clef signs for Treble Bass Alto without any staff lines 0253-0255 An Alphabetic List of all signs: a 2/2 time b 3/2 time c 7/4 time d 7/8 time e sharp sign, centre line f Tab sign for 4-string tab g Guitar Chord Box, no nut h half-width stave I sharp sign, third space up j Tab sign for 5-string tab k 5/8 time l Lines - 5 horizontal lines for a stave m Melody Clef - a standard clef but placed higher up, with Treble sign n Stave with an empty circle above o sharp sign, fourth space up p sharp sign, space above stave q sharp sign, bottom line r sharp sign, fourth line up s Tab sign for 6-string tab t sharp sign, top line (fifth line up) u sharp sign, second space up v vertical line (bar-line) w sharp sign, second line up x Fretboard, four strings y sharp sign, first space up z Fretboard, five strings A Alto Clef B Bass Clef C “arco” above stave D “pizz.” above stave E Double Vertical Lines F Four Horizontal lines (for 4-string tab) G Guitar Chord Box with nut H 3/8 time I 6/8 time J 9/8 time K 12/8 time L Lines - 5 horizontal lines for a stave M Melody Clef - a standard clef but placed higher up, plain N Bounding Line for grouping clefs - top left O Bounding Line for grouping clefs - bottom left P Bounding Line for grouping clefs - Perpendicular Q Bounding Line for grouping clefs - top right R Bounding Line for grouping clefs - bottom right S Six Horizontal lines (for 6-string tab) T Treble Clef U tall, thin Upright line V 2/4 time W 3 / 4 time X 4/4 time Y 5/4 time Z 6/4 time 1 flat sign, first line up (the lowest line) 2 flat sign, second line up 3 flat sign, third line up 4 flat sign, fourth line up 5 flat sign, fifth line up (the top line) 6 flat sign, first space up (the lowest space) 7 flat sign, second space up 8 flat sign, third space up 9 flat sign, fourth space up 0 flat sign, space above stave

Monroe was designed in 2010, but in 2013 the font’s designer stopped selling it. Eight years after its initial release, Monroe returns in a new and upgraded version—with improved drawing and spacing—which includes more weights as well as alternate glyphs. Each font style has 819 glyphs and the whole set contains 394 characters which support 207 Latin-based languages. Monroe also includes 5 stylistic sets that offer a wide range of signs, swashes and discretionary ligatures, all specially made to add aesthetic value to your designs. The family comes in 5 weights: Thin, Ultra Light, Light, Regular and Bold. Monroe was designed by Daniel Hernández with the collaboration of Alfonso García.

A 1929 German travel poster had the caption “Wer schlafwagen reist spart zdeit und geld” (“Whoever travels in a sleeping car saves time and money”) hand lettered in an Art Deco sans serif style. This is now available as Foreign Tourist JNL, in both regular and oblique versions.

HU Flat White is a retro vibe headline typeface. It has a full module, but, the inner space created by large strokes' contrast gives a cool feeling. Overall, the extended typeface with a wide width is attractive, and the shape of every alphabets' tip create a retro feel.

Karin's free reinterpretation of the early Renaissance Lombardic tradition, in two different versions. In the upper case the fill is blacker and has a straight pattern with diamond elements; in the lower case the fill is thinner with more white space and has a wavy pattern with rounded elements.

Ordax is a condensed display sans-serif type family. Simple, clean and modern, it was designed to assert reliability and gravitas to the content. It is particularly suitable for projects that demand simplicity and space economy. Details include four weights with matching italics, 447 characters and the Opentype features.

PT Adonis™ was designed by Natalia Vasilyeva and licensed by ParaType in 2002. An original typeface, its characters have slightly oblong proportions, with rounded serifs and generally soft letterforms. The face is both space-saving and quite legible in small sizes. For use in text and display typography.

Hazel is the work of British designer Phill Grimshaw. It is an all capital typeface with friendly, scratchy strokes ornamented with a whimsical, free-flowing embellishment. Hazel should be set slightly wider than usual letter and word spacing and will lend any headline or display both naturalness and elegance.

Derived from Valibuk, Britva is designed like from broken glass for eye-catching headlines. It's a heavy, condensed face with a high x-height and tight spacing. While Valibuk can write it loud, Britva literally shouts it out even louder. The unbroken glyphs are accessible through OpenType contextual alternates.

Auto license plates in the United Kingdom are made with a typeface originally designed by (and named for) Charles Wright and must meet strict criteria as to type height, weight and spacing. A bold sans serif design; British Vehicle JNL is available in both regular and oblique versions.