A faux script font typical of classic american branding. I have totally reworked all the letterforms: they started with a “notch” and ended flat - I have removed the “notch” and rounded off the ending stroke, so now you can actually start words with the lowercase letters. I have also improved the spacing (especially after the capitals), and of course added all the “foreign” glyphs. A classic is reborn! Nick Curtis says: "Just another “somewhere from the thirties to the fifties” kinda script, named kinda after a sixties rock festival." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Saylist is a serif font that exudes luxury and elegance. It has various features that will make your designs look beautiful and sophisticated. This font is highly recommended for logos and branding purposes. Still, its versatility allows you to use it for a wide range of design themes, such as luxurious, unique, vintage, and elegant. One of the standout features of Saylist is its unique shape, which gives off a creative impression. The font's clean lines and sharp edges make it easy to read, while its elegant curves add a touch of sophistication. Saylist's balanced letterforms and consistent spacing provide a harmonious and cohesive look, making it an excellent choice for any design project. Saylist is a font that can be used for various design projects. Its elegant and luxurious style makes it ideal for fashion, beauty, and lifestyle branding. It can also be used for headings, body text, invitations, and other print materials. Saylist's versatility allows it to be paired with other fonts to create a unique and cohesive design. Overall, Saylist is a beautiful and versatile serif font that can add a touch of luxury and elegance to any design project. It's unique shape, and balanced letterforms make it a standout choice for logos and branding, while its versatility allows it to be used for various design themes. If you're looking for a font that exudes sophistication and creativity, Saylist is an excellent choice.

“Quercus” is characterised by open, yet a little bit condensed drawing with sufficient spacing so that the neighbouring letters never touch. It has eight interpolated weights with respective italics. Their fine gradation allows to find an exact valeur for any kind of design, especially on the web. Quercus serif styles took inspiration from classicistic typefaces with vertical shadows, ball terminals and thin serifs. The italics have the same width proportion as upright styles. This “modern” attitude is applied to both families and calls for use on the same page, e g in dictionaries and cultural programmes. Serif styles marked by “10” are dedicated to textual point sizes and long reading. The sans-serif principle is rather minimalistic, with subtle shadows and thinned joints between curved shapes and stems. Quercus family comprises of the usual functionality such as Small Caps, Cyrillics, diacritics, ligatures, scientific and aesthetic variants, swashes, and other bells & whistles. It excels in informational and magazine design, corporate identity and branding, but it’s very well suited for book covers, catalogues and posters as well. When choosing a name for this typeface I've been staring out from my studio window, thinking helplessly without any idea in sight. Suddenly I realised that all I can see is a spectacular alley of oaks (Quercus in Latin) surrounding my house. These oaks were planted by the builders of local ponds under the leadership of Jakub Krčín in the fifteenth century.

A modern sans serif with open round forms. The ”round“ letters emphasize the condensed open oval; the light counter forms provide the rhythm of the typeface, causing the typeface to appear gentle and pleasing. The ”modern“ design of a and g being especially contributive here. All of the letters are recognizably narrow, almost ”condensed,“ the forms being very functionally shaped. The construction of the ”triangular“ upper case letters A M N V W as well as v and w, especially catches the eye with the shafts joined together as beams are stacked upon each other. With this construction Hedwig displays a down-to-earth touch. Contrary to the classical sans serifs, a few letters were given light echoes of serifs which promote fluency: a d l are displayed below the line in a reading direction and end in a compressed but also very short serif style; on m n p r the upstroke is gently displayed and on u the downstroke. For all the typo-maniacs among you designers there are alternative forms for a number of letters in Hedwig: A B D G I M R W and a d f g j l ß u. Even an antiquated ”long“ s and an upper case ß is available. Plus, Hedwig includes numerous ligatures which can save that little bit of space where required and which allow the typeface to appear more variable: ch, ck, ct, fi, fj, fl, ff, ffi, ffl, ft, mm, ti, tt, tz.

Afeelnooztii is an angular sans serif font that is useful for all sort of projects, including: books, essays, games, posters, signs, videos, and more. The 7-segment characters and Arbitrary fraction characters are both allocated in the Private Use Area starting at U+E000 and U+E100 respectively.

Blusty Font Duo is an handwritten script font based on the expression of real handwriting, lets you transform type into an exciting and beautiful piece of work. The irregular, hand-lettered look adds a real human touch to things and comes along with a lot of loving details.

Hello Bellandia is a new modern script font with an irregular base line. Hello Bellandia looks beautiful on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and more. Perfect for use in ink or watercolors. Includes initial and final letters, alternatives and multi-language support.

Quantico is an angular typeface family that was inspired by old beer packaging and military lettering. It utilizes 30 degree angles and completely straight lines to form unique character shapes. Equally at home in text or display settings, Quantico includes 3 alternate characters as well as several ligatures.

PL Benguiat Frisky is a script face designed by Ed Benguiat in 1960. It has an irregular x-height adding to its informal appeal. The PL Benguiat Frisky font is useful for books and posters and invitations for fun or informal events and also works well for packaging.

Lightnin' is the work of British designer Alan Meeks. Generous initial capitals complement a more reserved lowercase alphabet, both of which were designed to meet the needs of current fashions in headline typography. Lightnin' will light up all kinds of display work with its robust, angular script style.

Joanne Script BH is based on the handwriting of a BluHead friend. This fun design has a sharp, angular feel which lends itself to casual messages, greeting cards, post its, journals, you name it! Plus, a large complement of characters allows you to send your thoughts in multiple languages.

India Echo was simply derived from doodling on a whiteboard with a dry erase marker. The aim of the exercise was to create a string of writing that looked foreign enough to be an alien script, angular enough to appear to be futuristic, and familiar enough to be legible.

Prague was designed by Michael Gills, who was strongly influenced by the work of Czech designer Oldrich Menhart. It is a strong, angular roman typeface with classical overtones. The exciting vibrancy of Prague is suitable for a wide range of advertising work requiring a traditional or classical approach.

Freethinker is an irregular brush script with a hipster look and feel. This brush font benefits from OpenType features such as ligatures (and their alternates), stylistic alternates, design elements. The font can be used in branding, greeting cards design, packaging design, webdesign and publishing. It is fully unicode mapped.

Delicately swirled BabyDoll includes eight assorted dingbats, and like all Burghal Design fonts, includes upper and lower case letters, as well as numbers, symbols, punctuation, and accented foreign characters. BabyDoll is so cute and sweet, you just may get a cavity. Please remember to brush and floss regularly.

Working on The Lab late one night, evil comic book genius Scott Christian Sava realized there was something missing from his graphic experiment! No, not slugs and snails or puppydogs' tails, nor sugar, spice, everything nice and formula 'X'....No, what his nefarious scheme was missing were the actual numbers and letters with which he could complete his equation! BRILLIANT! What he needed was something antiseptically clean and readable, even at small sizes for megalomanical rambling as well as the 5 point type under the Bio-Hazard logo that nobody really reads, and yet also bouncy and energetic enough for the inevitable sound effects that might follow exclamations such as: "IT'S ALIVE!" or "IT JUST-MIGHT-WORK!" Thanks to those awfully nice chaps at Comicraft, MadScientist is now available to evil geniuses everywhere, and guaranteed Laboratory tested.* *On reanimated human beings reconstituted from bones and organic body parts and organs from local charnal houses. No animals or small children were hurt during the creation and use of this font. Well, not yet, anyway. Artwork by Lew Stringer

To describe what inspired Magneta would be to add a little Dwiggins, throw in some Benton with a hint of Austin, wrap it up in a crisp, contemporary package and serve. The skeleton of the family is a Garalde (like my earlier Epic) but with a desire to produce something much more transitional and contemporary, I sought to simplify, simplify, simplify. Cap and ascenders share the same height, the x-height is slightly larger than expected which should make a functional typeface for editorial, headlines or where more visually complex systems are needed. The modulation is much more intentional than historical and creates some interesting interactions between the various weights. There are both Normal and Condensed widths available with 6 different weights and matching italics, small caps, oldstyle figures, swashes, stylistic and discretionary ligatures (that includes some fun majuscule ligatures in the roman styles), there is no lack of typographic goodness for the designer. To add some spice, a set of Decorative Ornaments have been created that include geometric, floral, curvilinear patterns and much more.

"Indulge in the Delectable Delight of 'Dal Baati' Brushy Typeface - A Feast for the Eyes! Discover the artistry of 'Dal Baati,' an exquisite brushy typeface that serves up a delightful blend of elegance and rustic charm. Inspired by the flavors of Rajasthan, this typeface brings a touch of authenticity to your designs, evoking the rich cultural heritage of the region. With every stroke, 'Dal Baati' exudes a handcrafted allure, making it perfect for logos, branding, posters, packaging, and so much more. Its unique character and versatile nature add a pinch of spice to your projects, leaving a lasting impression on your audience. Captivate your viewers' senses with the flavorful aesthetics of 'Dal Baati.' Whether you're designing for a restaurant, food-related business, or any creative endeavor, this typeface elevates your work to new culinary heights. Embrace the distinct personality and mouthwatering appeal of 'Dal Baati' in your designs. Enhance your visual storytelling and give your projects the delectable touch they deserve. Take your creations on a flavourful journey today with 'Dal Baati' brushy typeface!"

To describe what inspired Magneta would be to add a little Dwiggins, throw in some Benton with a hint of Austin, wrap it up in a crisp, contemporary package and serve. The skeleton of the family is a Garalde (like my earlier Epic) but with a desire to produce something much more transitional and contemporary, I sought to simplify, simplify, simplify. Cap and ascenders share the same height, the x-height is slightly larger than expected which should make a functional typeface for editorial, headlines or where more visually complex systems are needed. The modulation is much more intentional than historical and creates some interesting interactions between the various weights. There are both Normal and Condensed widths available with 6 different weights and matching italics, small caps, oldstyle figures, swashes, stylistic and discretionary ligatures (that includes some fun majuscule ligatures in the roman styles), there is no lack of typographic goodness for the designer. To add some spice, a set of Decorative Ornaments have been created that include geometric, floral, curvilinear patterns and much more.

Baldufa is a charming typeface with strong personality, which looks very comfortable in text. There is a search to obtain complicated curves and detailed features, which gives the typeface a touch of beauty and elegance. However, this is also a self-conscious design that claims through the rounded serifs and irregular vertical stems appreciation for quirkiness and human imperfection. The letterforms are inspired by the slight distortions and idiosyncrasies that came with old printing methods. It has distinct, features such as rounded serifs, irregular vertical streams, ink traps and extremely thin junctions. In the Italic, serifs have been removed to enhance movement and expressivity. These experiments in form have not come at the cost of legibility: The typeface remains suitable for both small and display text.

Baldufa is a charming typeface with strong personality, which looks very comfortable in text. There is a search to obtain complicated curves and detailed features, which gives the typeface a touch of beauty and elegance. However, this is also a self-conscious design that claims through the rounded serifs and irregular vertical stems appreciation for quirkiness and human imperfection. The letterforms are inspired by the slight distortions and idiosyncrasies that came with old printing methods. It has distinct, features such as rounded serifs, irregular vertical streams, ink traps and extremely thin junctions. In the Italic, serifs have been removed to enhance movement and expressivity. These experiments in form have not come at the cost of legibility: The typeface remains suitable for both small and display text.

Los Lana Pro is a handmade display typeface. Unlike other font families, this type has not a modular structure, that is, each character has been individually designed. The coherence of structure elements across different characters is given by irregular strokes. This curveless typeface is perceived as being curved because of its straight lines, which form different-size angles. Los Lana Pro is a rustic typeface that captures the stereotypical “Andean hippie” handmade aesthetics. Irregular shapes and broken lines give it a distinct personality. Los Lana Pro looks better in larger sizes. Includes many ligatures, two groups of alternate characters, and titling caps characters. Languages include: Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian and Pan Africa Latin. Photos by Sergio Recabarren.

Alexander Lettering is a handwriting font that captures the wild and choppy essence of a sloppy signature. With its childish and fast-paced strokes, this font gives off a sense of spontaneity, making it perfect for projects that require a less formal and more playful touch. This typeface was created by exploring the unpolished side of handwriting, drawing inspiration from the hurried notes and scribbles that often accompany our everyday lives. Alexander Lettering embraces the imperfections of the human touch, giving your designs an authentic and relatable feel. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures, and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Velo leads layouts with a grand tour champion’s panache but is also a hard-working design domestique for text-heavy applications. Superelliptical shapes and sturdy serifs will keep pace with contemporary culture with an aesthetic agility that will never go out of style. Velo Serif includes sixteen fonts: Twelve display styles ranging from thin to black with complementary italics and four text styles designed for longer settings. Velo Serif Display features an increased x-height for more illustrative headlines while Velo Serif Text maintains a readable cadence in high word count environments. Typeface design by House Industries, Christian Schwartz, Mitja Miklavčič and Ben Kiel. FEATURES Text vs Display: Velo Text maintains the distinctive style of its Display siblings, but is enhanced for optimum legibility in running text settings. Key ligature combinations keep headlines and running text flowing smoothly. Velo Serif Text includes a complete small cap alphabet to add another typographic dimension to your layouts. Select Velo Serif figures include illustrative alternates to display numerical superiority.

Vaudeville JNL started out as the re-drawing of an angular Art Deco font hand-lettered on some old publications for sale online. After completing the basic alphabet, it was realized that it just didn't look good -- so a more traditional letter form was adapted to represent the style and times.

Wild Thing was created by British designer Martin Wait and appeared in the ITC library in 1995. The forms look as though they are normal alphabet figures viewed through swirling water, wavy and irregular. Wild Thing is a font which is always moving and is perfect for fresh new designs.

Punk-looking fonts usually embody the rebellious and edgy spirit of the punk subculture. It is characterized by its bold, jagged, and distorted letterforms, which often feature exaggerated or irregular shapes. This font is perfect for your design needs such as: for posters, magazines, covers, brands, logotypes, band logos, etc

Disgrunged is a distressed grunge font, as you might guess, and industrial sans-serif in feel. The Disgrunged ABCD family resembles bad printing with rubber stamps, with corners showing, along with misprinted letters, and the typeface has four versions (A, B, C, D) giving increasing amounts of chaos, jumbledness and irregularities.

Sportfield Varsity is a Sport Font Family. It’s perfect for all your athletic and sports-related designs. With its strong and angular letters, this font conveys a sense of power and motion, making it the ideal choice for logos, headlines, and other graphic elements that need to make a big impact.

ANGOLI is characterized by line geometric and simple. This font is ideal for titles and text in large sizes. The font has two uppercase versions. To realize this character I was inspired by angular shapes of the buildings. Each character has the characteristic of being formed by a single continuous line.

Pink is the work of British designer Timothy Donaldson, a sans serif in a style typical of the 1990s. Capitals are slightly condensed and feature unusual variations in stroke widths and the lowercase has an even more irregular stroke pattern, yet an even texture is produced when used in word settings.

The 80s era of techno/angular/mechanical fonts is typified in Wrenchworks SRF. The original design is by Ray Larabie with a remix by Jeff Levine. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Korobok mean "little box" in Russian. Korobok is irregular font with asymmectric serifs and slightly geometric appearance. This font is good for children books, comic books, videogames and package design. Korobok comes in two sub-families - Korobok Soft (with smooth edges) & Korobok Edgy (width straight edges), both includes 4 styles.

Pink Lemonade (formerly called Fresh Paint) is just like cool, tart lemonade on a hot summer’s day...refreshing! With varying widths and irregular sizes of the lowercase letters, Pink Lemonade lends a bouncy rhythm to text. Works very well for scrapbooking, invitations, children’s books, recipe books, titling, display purposes, etc.