Modeled on the writings chiseled in stone in the second century B.C., Syntax™ Lapidar is an energetic, spirited typeface designed by Hans Eduard Meier in 2000. Linotype Syntax Lapidar Text and Linotype Syntax Lapidar Serif Text have five weights each, with both cap and lowercase letterforms. Lapidar Display and Lapidar Serif Display also have five weights each, with mostly all cap letterforms and many alternates. It's a terrifically fun and inventive family, and if you look closely, you can see the resemblance to the more modern and restrained Syntax™ relatives. Great for menus, artist books, travelogues, or advertising - and if used very sparingly, it could add just the right element of lapidary significance to corporate documents.

Gulden Display - Introducing our new psychedelic display font, perfect for adding some trippy vibes to your designs. This bold and eye-catching font features swirling, abstract shapes and patterns that seem to move and shift right before your eyes. With its unique, otherworldly aesthetic, this font is perfect for album covers, concert posters, and any project that wants to make a bold, unconventional statement. Whether you're a graphic designer, artist, or just looking to add some visual interest to your personal projects, this font is sure to make an impact. Give it a try and let your creativity take flight! Features: - Uppercase & Lowercase - Narrow and Wide Versions - Number - Multilingual Support - Punctuation Stay pop and inspiring! Regards, Studio Gulden.

The successful Gill Sans® was designed by the English artist and type designer Eric Gill and issued by Monotype in 1928 to 1930. The roots of Gill Sans can be traced to the typeface that Gill's teacher, Edward Johnston, designed for the signage of the London Underground Railway in 1918. Gill´s alphabet is more classical in proportion and contains what have become known as his signature flared capital R and eyeglass lowercase g. Gill Sans is a humanist sans serif with some geometric touches in its structures. It also has a distinctly British feel. Legible and modern though sometimes cheerfully idiosyncratic, the lighter weights work for text, and the bolder weights make for compelling display typography.

Equines Display is a versatile font family designed specifically for display purposes. Its modern, thick and strong appearance is perfect for branding, logos, banners and any lettering that requires bold and clear letters. To add an artistic image rather than just the thickness of the shape, Equines Display adds a rounding feature to the corners of the letters with a cross system, which makes the word display dynamic, strong and elegant. Until this description was published, Equines Display had 14 styles including condesed, expanded, outline and shaded in hopes of meeting the display font needs of designers and everyone at large. Enjoy working with the Equines Display font family. Best regards, Saefulloh - Attractype Foundry.

Modeled on the writings chiseled in stone in the second century B.C., Syntax™ Lapidar is an energetic, spirited typeface designed by Hans Eduard Meier in 2000. Linotype Syntax Lapidar Text and Linotype Syntax Lapidar Serif Text have five weights each, with both cap and lowercase letterforms. Lapidar Display and Lapidar Serif Display also have five weights each, with mostly all cap letterforms and many alternates. It's a terrifically fun and inventive family, and if you look closely, you can see the resemblance to the more modern and restrained Syntax™ relatives. Great for menus, artist books, travelogues, or advertising - and if used very sparingly, it could add just the right element of lapidary significance to corporate documents.

Hi, Everyone! Want font to make your branding bold? Looking for a fabulous, vintage, and adventure font? We've got what you want. Cravery- A Vintage Font Wild Month is a a typeface that is made all in uppercase. An excellent choice to add the right amount of retro vibes. This typeface with artistic style looks very interesting for loads of different projects and promotions. A great all-in-one package for your logo, book cover, poster, t-shirt, branding, and advertisement needs. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Ligatures Alternates Stylistic Set Swashes Bonus Ornament PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

In 1525, Albrecht Dürer, the well known German great artist, was publishing the so-called “Underweysung der Messung mit dem Zirckel und Richtscheyt”, printed in Nuremberg. This handbook explained with numeral figures how to draw with a compass and ruler. A large part is devoted to the drawing of Roman characters, which can be used as decorative initials. We are offering two complete historical initial sets and also have entirely redrawn the missing letters: J, U and W, Eth, Lslash, Thorn and Oslash in the two forms, using the Dürer style. The font may be used with all our Humane and Garalde fonts, like 1543 Humane Jenson or 1592 GLC Garamond and others from the GLC foundry catalog.

FA Komunikat is an experimental and geometrical typeface based on simple elements: a circle, it's parts and straight lines. The typeface communicate the spirit of future, dynamism and modernity. FA Komunikat design was based on the sketch of unique lettering from 1932 made by Władysław Strzemiński, Polish vanguard abstract painter, an artist and a typographer. Strzemiński claimed that modern economic letter forms should be standardized and based on lines and arches. He wrote that readability is a matter of habit and after a practice the new letter forms would be very well readable for everyone. In 2004 Artur Frankowski revived original design creating set of characters, widen up with numerals, punctuation marks and diactrics.

Grand Paradiso is a luxurious and elegant display font that will add a touch of sophistication to any design. With its bold and dramatic curves, this font is perfect for headlines, titles, and branding projects that require a touch of elegance and class. Inspired by the grandeur of nature and the beauty of mountains, Grand Paradiso is designed to capture the essence of nature and the majesty of the great outdoors. Its unique and artistic letterforms make it ideal for creating logos, posters, and other design projects that require a touch of originality and creativity. Whether you're designing for a luxury brand or creating a beautiful piece of typography, Grand Paradiso is the perfect choice for your next project.

The slick and sexy letterforms of Ace ACTION COMICS artist, Pascual Ferry, are the latest to join our MASTERS OF COMIC BOOK ART font line. Pascual's work on the SUPERGIRLS storyline in ACTION made us want to lick each page -- but, y'know, not when anyone was looking... we know they're just comic book characters, they're not REAL and we don't fancy them or anything -- Uhhh... so we were delighted when Pascual invited us to create this stylin' sans souciant family of fonts for him. All we asked for in return was this smokin' alternate cover for the next issue of HIP FLASK... Hey, don't lick your monitor, you might get an electric shock...

Sunshine Bridge is a retro modern font family, featuring a retro brush script with an artistic modern bold sans serif. They complement each other perfectly. You can use the Sans as main and Script as additional, or vice versa. This family gives you a modern look with a vintage mood. So, you can use it both as in vintage-look projects - Beer bar or Brewery logo etc, or as Modern magazine headline or any modern print. It includes a lot of OpenType Features in Script with Swashes and Alternates to give you a little more hand-touch look. The family includes: Clean and Pressed versions Well Kerned Multilingual Support OpenType Features Modern / Vintage look

In the nineteen-twenties and early thirties, all display typography flourished in Europe. This was especially true in Germany, where poster design set a high creative standard, stimulating the design of a fantastic group of dramatic display letterforms. Richard Lipton designed Riquet after being inspired by a handful of freehand capital and lowercase letters on posters designed by lettering and poster artist Ludwig Hohlwein. He expanded this small group of display letterforms into a variable family with a weight axis. Riquet is a low contrast, delightfully casual typeface with 6 weights and the perfect selection of alternates. All of which gives an expressive look of precisely inked letters perfect for any packaging or branding project.

The Bitstream version of Caslon Bold of the American Type Founders, 1905. Based on William Caslon I’s first English Old Style typefaces of 1725. Caslon modeled his designs based on late 17th century Dutch types, but his artistic skills enabled him to improve those models, bringing a variety of forms and subtlety of details. Strokes in Caslon fonts are somewhat heavier than in earlier Old Style fonts, serifs are thicker and a bit stubby. Italic letters have uneven slope. A text set in Caslon looks legible and aesthetically appealing. Caslon is a favorite font of English printers for setting of classical literature. Cyrillic version was developed for ParaType in 2002 by Isay Slutsker and Manvel Shmavonyan.

Labour Brusher is a captivating natural brush font that seamlessly merges the untamed beauty of nature with the charm of handwritten text. Inspired by the organic strokes of a brush, Labour Brusher brings a touch of authenticity and warmth to any design. Each letter exudes a natural flow and a sense of imperfect elegance, capturing the essence of a brushstroke on paper. With its textured appearance and irregular shapes, Labour Brusher adds a rustic and handmade feel to logos, packaging, and creative projects. This font beautifully combines the ruggedness of nature with the versatility of brushwork, making it a versatile choice for designs that seek to evoke a sense of earthiness and artistic flair.

Add a touch of whimsy and charm to your designs with Masche, the ultimate fun handwritten font. With its quirky and playful style, this font is bursting with a personality that will instantly bring your designs to life. Whether you're crafting eye-catching quotes, captivating posters, or eye-popping headlines, Masche has got you covered. Its versatility knows no bounds - perfect for product packaging that needs that extra pop or any design project that calls for a dose of creativity. With Masche, unleashing your inner artist has never been so effortless! Masche features : Standard Latin Numbers, symbols, and punctuations Multilingual Support. Fully accessible without additional design software Simple Installations Works on PC & Mac Thank You.

CA Postal is a cute and clever little stamp-font. It was originally intended for a record-cover only, but when the artist wanted all lyrics printed in the booklet, it was time for a font. The initial inspiration was a moveable-stamp printing-set, which had a nice Futura-like style, being very pleasant to read, especially in small sizes. But of course it’s the loose and irregular outlines that give the font its special charms. CA Postal features two sets of characters and the "Contextual Alternates" feature will make sure that never two identical characters will stand next to each other, so that the stamp-look becomes even more authentic.

A casual and fun-loving font based on the work of showcard artist Albanis Ashmun Kelly, from his 1911 book “Expert Sign Painter,” and named for a long-running comic strip. Both versions of this font contain the complete Unicode Latin A character complement, with support for the Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, Flemish, French, Frisian, German, Greenlandic, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latin, Latvian, Lithuanian, Malay, Maltese, Maori, Moldavan, Norwegian, Polish, Portuguese, Provençal, Rhaeto-Romanic, Romanian, Romany, Sámi, Samoan, Scottish Gaelic, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish and Welsh languages, as well as discretionary ligatures and extended fractions.

Stucco is a construction material that is used as a decorative coating for walls, ceilings, exteriors, and as a sculptural and artistic material in architecture. Stucco can be applied on construction materials such as metal, concrete, cinderblock, or clay brick and adobe for decorative and structural purposes. In similar fashion, the Stucco font is designed to be a decorative piece and is intended to support a wide variety of mediums. The font is intended to be used as a header or headline font, but a creative designer will find other uses for it. The font contains 300+ glyphs which includes uppercase letters, lowercase alternates, numbers, symbols, accented characters for multiple language support.

Linotype Schwennel is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. This prize-winning font was designed by the German artist Svenja Voss. The figures seem to have been somehow eroded, parts of some strokes are completely missing, contours seem washed away. The eye works to put the pieces together to form a meaningful series of figures. The second weight, lila+negro, completes the letter fragments of the lila weight. Missing pieces are filled in and contours completed, making the resulting text stronger and a bit more legible. Linotype Schnwennel is intended exclusively for headlines in larger point sizes.

Galaxo Dot is a sister to Galaxo Line. HGB Galaxo is a tribute to Othmar Motter (1927–2010), the Vorarlberg graphic artist and typeface designer, who designed very individual and perfectly crafted typefaces in the 1970's and later. (Motter Ombra, Motter Tectura ...) From a Motter sketch of 5 letters for a logogram, I derived a simplified letterform and developed all the necessary characters. Working on these glyphs and delving deeper into Motter's letterforms, the respect for the accuracy with which he drew his letters (in ink) grew more and more. The spiral resembles the shape of a galaxy, hence the name Galaxo. The font is suitable for retro, poster and logo design.

Introducing "Kumala Handwritten Script," a font crafted with artistic finesse and a touch of personal charm. Embracing the beauty of imperfection, this script font captures the essence of hand-drawn strokes, bringing a unique character to your projects. Whether used for invitations, quotes, or branding, "Kumala" adds a distinctively human touch. Its fluid lines and versatile nature make it a perfect choice for those seeking a blend of elegance and informality. With a range of characters and a warm, inviting vibe, "Kumala Handwritten Script" is designed to elevate your creative expressions. Unlock the potential of personalized typography with "Kumala Handwritten Script" and infuse your designs with a handwritten authenticity that resonates with every stroke.

Introducing “Rapido Racers” - a Quirky Display Speed Font that encapsulates the essence of speed, agility, and dynamism. Crafted meticulously to resonate with the fast-paced world of racing and e-sports, this font is a harmonious blend of pixel perfection and artistic craftsmanship. With 13 unique variations, each tailored to fit the theme of speed and sportiness, Rapido Racers is versatile yet specific in its application. Whether you’re designing logos that stand testament to the electrifying world of racing or branding materials that echo the swift movements of e-sports athletes, this font is your companion. Its strong display characteristics make it ideal for crafting eye-catching titles on posters or headings on web pages.

This Kaonug display font will make your work stand out. It brings just the right amount of uniqueness and style to whatever project you’re working on, the anatomical shape of the letters makes it unique and artistic. This is a great font to use when creating logos, posters, advertisements, and all your projects or anything else that needs to stand out in a variety of media. What’s Included : Standard glyphs Iso Latin 1 Simple installations We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

The Bitstream version of Caslon 540 of the American Type Founders, 1902. Based on William Caslon I's first English Old Style typefaces of 1725. Caslon modeled his designs based on late 17th century Dutch types, but his artistic skills enabled him to improve those models, bringing a variety of forms and subtlety of details. Strokes in Caslon fonts are somewhat heavier than in earlier Old Style fonts, serifs are thicker and a bit stubby. Italic letters have uneven slope. A text set in Caslon looks legible and aesthetically appealing. Caslon is a favorite font of English printers for setting of classical literature. Cyrillic version was developed for ParaType in 2002 by Isay Slutsker and Manvel Shmavonyan.

Alterglam is one of my all time favorite fonts, although I didn't think so at first. The font appeared as a modification of my other default font. But over time, the font turned into an independent work. Moreover, the font began to live its own life and constantly demanded attention. So at the same time the Alterglam font is the most thoughtful and polished font in my collection. It is my pleasure to present this wonderful font set for exquisite designs. In the set there are 20 font sizes, which provides a rich typography. If you need a strict, but at the same time artistic font, Alterglam is the font of your choice.

Bracy is an elegant display font with a unique artistic touch in every glyph. Bracy is perfectly suitable for display use such as elegant logos, brand, headlines, business cards, titles, visual identities, covers, labels, fashion industry, social media, advertising purposes, or any display use. Bracy includes: Standard Characters Numbers and punctuation Multilingual Ligatures / Discretionary Ligatures Alternates Character PUA Encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so you can see and access all Glyph variations. We hope you enjoy our font - please do let us know by emailing us at info@prestigetype.com or prestigetypestudio@gmail.com if you need something!

Broadways Beautiful is an enchanting handwritten font that captures the essence of elegance and grace. With its meticulously crafted letterforms, each stroke in Broadways flows seamlessly, exuding a timeless and sophisticated beauty. The gentle curves and delicate details of this font give it a handcrafted and personalized touch, making it a perfect choice for projects that demand a sense of refinement and charm. Broadways adds a touch of allure to wedding invitations, luxury branding, and artistic displays. Its versatility is evident in its ability to seamlessly adapt to various design contexts, infusing each project with a captivating and beautiful handwritten aesthetic. With Broadways, every character is a work of art, enhancing the visual appeal of any creative endeavor.

Clearface Gothic first appeared in 1910, designed by Morris Fuller Benton, the world-famously prolific typeface artist. In addition to Clearface Gothic, Benton also designed classics like Franklin Gothic, Century Expanded, and many other types. Clearface Gothic is a sans serif face with light forms displaying the Zeitgeist of the turn of the 20th century. Distinguishing characteristics are the open forms of the a" and "c," the arched "k," and the upward-tilting horizontal stroke of the "e." The relatively narrow typeface, with its open inner white spaces, is extremely legible even in small point sizes. There is no accompanying italic. This digital version of Clearface Gothic was made in 1984 by the Linotype Design Studio."

Waters Titling is the work of lettering artist Julian Waters, a multiple master typeface of classical calligraphic roman capitals. This broad-tipped pen design is related to other historically-based titling alphabets but offers a wider range of weights and widths, making it extremely versatile for movie titles, book jackets, posters, banners, calendars, etc. Waters Titling is based on the timeless Roman monumental inscription forms of almost 2000 years ago, but also has a touch of contemporary vigor and flair. The design displays a strong calligraphic thick/thin stroke weight contrast and flowing, subtly bracketed serifs. In lighter weights, Waters Titling is elegant and delicate, while the bolder weights offer a more substantial sparkle.

Curwen Sans is a monoline sans-serif dating from the early twentieth century. Though contemporary with Johnston’s Underground and Gill Sans, and emerging from the same artistic milieu, Curwen Sans was created solely for in-house use at the Curwen Press in London so never achieved a wide audience or recognition. The original face was cut only in a Medium weight, but the new digital family consists of four weights, each with an optically corrected Oblique, and all containing a full complement of Latin Extended-A characters. K-Type Curwen Sans comprises three packages: • Basic Family (Regular, Oblique, Bold, and Bold Oblique) • Light (Light and Light Oblique) • Medium (Medium and Medium Oblique)

Lunation is a versatile script font that marries the charm of script fonts with a contemporary twist. Crafted with a fairly bold weight to command attention. Its slightly reduced contrast ensures that each character stands out clearly, providing optimal readability in various design applications. The defining characteristic of Lunation is its carefully crafted swinging endings. These artistic flourishes gracefully embellish specific letters, lending an air of sophistication to your text. The subtle yet distinctive curves and sweeps add a playful rhythm. Lunation fits in headlines, logos, posters, flyers, invitations, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview.

Modeled on the writings chiseled in stone in the second century B.C., Syntax™ Lapidar is an energetic, spirited typeface designed by Hans Eduard Meier in 2000. Linotype Syntax Lapidar Text and Linotype Syntax Lapidar Serif Text have five weights each, with both cap and lowercase letterforms. Lapidar Display and Lapidar Serif Display also have five weights each, with mostly all cap letterforms and many alternates. It's a terrifically fun and inventive family, and if you look closely, you can see the resemblance to the more modern and restrained Syntax™ relatives. Great for menus, artist books, travelogues, or advertising - and if used very sparingly, it could add just the right element of lapidary significance to corporate documents.

Fizgiger is a chance to kick back and take break from designing some of insigne's more serious typefaces, like the sans serif Aberlyth. It is an extension of the ideas of Blue Goblet, but includes more frills and a more pronounced vertical stress. The name Fizgiger is derived from the English word Fizgig, which is defined as a flirty girl. Fizgiger is a fun and uplifting script that works for whenever you need a playful and exciting script. As always, Fizgiger comes with a wide range of OpenType features, including small caps, a full complement of artistic alternates (it's like getting another font free!) and old style figures to add a touch of class.

SPIDER-MAN! THE HULK! THE FANTASTIC FOUR! BATMAN! SUPERMAN! Superstar artist Mike Wieringo has worked with the most well-known characters in comic books, and just a few short years ago Comicraft teamed up with Mike and writer Todd DeZago in the pages of their creator-owned comic book fantasy adventure series, TELLOS! At Mike's request, we created a special Wieringo font which incorporated Mike's distinctive, slick-and-easy, backward-sloping letters, as well as a slightly heavier font -- carrying just a little more ink -- for the Shadow Jumper characters featured in the first TELLOS story arc. Now the Mike Wieringo font can be yours as it joins our ever growing library of Masters of Comic Book Art fonts.

Magville Display offers versatile simplicity in its clean and elegance typeface adds a sophisticated twist to your typographic looks. Making it a perfect choice for projects seeking an element of artistic expressiveness. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates/Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Infamy is a display typeface inspired by graffiti and street art, featuring the ‘bubble letter’ style of writing which was very popular among subway and suburban graffiti artists in the early days of American graffiti. This font recovers graffiti horizontal alignment, tight tracking and colourful lettering. The OpenType version includes many different ligatures which provide multiple options when composing a text. Multiple layers make Infamy a bright, shaded and colourful font, allowing you to dress up your writing. This font incorporates a pictorial rendering of character faces (instead of small caps), capturing the essence of the graffiti: the ‘childish’ and the ‘irresponsible’, which is present in the experimental side of the typeface.

WriteHand is a light-hearted, fluid, freeform script font. It is one of Anton Scholtz's contemporary designs. Based on actual handwriting, the font contrasts a strong, artistic nature with a feminine sensitivity. WriteHand successfully combines exuberant capitals with devil-may-care swashes, and toned down lower case characters to make an extremely readable handwritten font. The font is most versatile and has a number of uses, among which are contemporary invitations, greeting cards, magazine pages, adverts, cosmetic packaging and promotions, clothing swing tags and promotions, and book covers. It has been carefully letterspaced and kerned. It contains a full character set: all upper and lower case characters, punctuation, numerals and accented characters are present.

MODAR means Modern and Artistic. A good font must be enduring and of high quality. This typeface is beautiful and noble, like an elegant sculpture, both historical and modern. This font is great for fashion, magazines, premium services, publishing, and also great for premium brands. MODAR is paired with a sans-serif typeface for a simple yet elegant visual effect. The font is very straight and has high-quality details, combining Eastern and Western aesthetics in one typeface. Designers borrowed classic fonts such as Didot and Canela in this font, combined with the elegant style of personal advocacy, to create 350 characters. I hope this font will help your brand be more visible.

“Latino Gothic” is the result of two years of hard work by the Latinotype design team under the artistic direction of Alfonso García. We are really proud to present a superfamily with the magnitude and characteristics of "Latino Gothic". A very complete typographic font made up of no less than 90 styles. "Latino Gothic" offers a new interpretation of the original design totally focused on the needs of visual communication of the 21st century. «Latino Gothic» is designed to respond to the most varied communication needs thanks to its 5 widths and 9 weights, with their respective italics. 90 different styles make it the most versatile and complete gothic family on the market!

The English stone carver, artist, and typographer Eric Gill conceived the Joanna typeface as a personal design for use in books printed at his Joanna Press."" Gill saw his press work there as a continuation of the British Arts and Crafts Movement, pioneered in the 19th Century by William Morris. Joanna is notable for its almost vertical ""upright"" italics, and the unusally small size of its italic characters. Joanna is versatile and extremely legible. The letterforms are a bit narrow, so the face is very economic as well. A lot of text may be packed densely together onto a page with Joanna. Joanna mixes very well with other typefaces designed by Eric Gill; especially Gill Sans.