Pooper Black Pro is based on a brush ethic and has an extreme axis that lends a certain amount of speed to the font while the lack of connectors slows it down. The pro version expands on the original and popular Pooper Black with the addition of full Central and Eastern European character sets and plenty of alternate characters for those who have applications that support Opentype features. Almost all of the lower case characters now include an in stroke and out stroke version for greater design flexibility. A wonderful face for packaging, titling, and short bursts of text.

DRUMBEAT, a brand new face from Edy Type, coming to help resolve the necessities of loose scripts in Packaging and Editorial Design. Its' very particular thicks and thins and ups and down, makes it very suitable whenever informalities is required. Used with tiny little characters, enlarged to mammoth sizes or filling a large page with it, would show it’s perfect balance and color, almost as if where hand writen. In fact, a truly different script, a graphologist would declare that is written by a person very sure of what he wants, and besides and best of all, it’s pretty.

British designer Jeremy Tankard began Blue Island in 1996 with the idea of creating a completely ligature-based roman typeface, an original but complex task that took years to realize. Individually, Blue Island's letters can appear a bit dismembered, but when set together, they are clearly transformed into words which fall in waves down the page. Successfully balancing readability with intriguing decorative forms, Blue Island is especially effective for titling. As for its romantic name, Blue Island is the title of a poem, also by Tankard, which evokes notions of freedom, escape, intrigue, and the undulating beauty of the sea.

Kaikoura is a small town on the east coast of the South Island of New Zealand. It is a very pleasant, laid-back place where the mountains meet the sea. Kaikoura is also the best place in the world to spot sperm whales. Kaikoura font is quite similar in appearance: it is laid-back and beautiful, has sharp peaks and generous curves. I am still trying to find out how to add whale watching to this description… Kaikoura is an all caps font with a lower case alternative for the o and y. It comes with an ocean of diacritics.

Must a letter always have a symmetrical basic form? What happens when the shape of the letters stretch like an arc in the reading direction? When writing with a broad nib, this is easily achieved. The HGB Santo examines the effect of this formal principle on the readability of a text. First attempts have shown a warm and reader-friendly typeface. Six shades from Light to Black, each with an italic should be sufficient for most applications. Small caps and old-style figures are available via OpenType features as well as some ornamental forms in the italics.

Disco lives on in the alphabet stylings of Reardon AOE. From its uber-fat letterforms to its hole punched counters, Reardon AOE started as a digitization of a film typeface called Joyce Black by LetterGraphics. This flashback typestyle was taken from its limited A-Z and numerals set and fleshed out to include an expanded language glyph set. Reardon AOE finds itself thrown into a late 70’s-early 80’s flashback frame of mind, appealing to all of the disco and video game typography of that time, ready to throw down the vibe for your designs.

Pinch Remix is a recreated version of a typeface I made in 2007. The form hasn’t changed at all, but I composed the family by increasing the number of weights and revising the spacing and kerning. At first it was created from randomly drawing an alphabet offhand on paper with a drawing pen. Then I figured that perhaps it had the framework for a typeface. Originally because it was just a memo, I had already thrown in the trash once. Yet something about it caught me, and when I turned to look down at it, I couldn’t throw it away.

It hit me one day that the '60s-vintage labelmaker I had lying around might make an interesting display face. I began playing with it -- clicking out letters at various pressures, scanning the results, going over the scans in a vector-graphics program. Looked pretty good. To my chagrin, however, I soon afterward got a glimpse of someone else's label-tape font. Though modeled after a more modern device, its rocketing popularity prompted me to set Chromosome aside for a year or so. Finally finished it up in late-1995. Full release has light and heavy weights, regular and reversed styles.

Sashay Script is an elegant yet friendly script font. It is a rich smooth voice that gives an immediate human connection to any design. Do you need to display: speech; thought; emotions; desires…Sashay Script says it all in a clear legible script. It struts down the runway with panache, accompanied by: 13 Icons, 42 Ligatures and 21 Alternates. Although it is clearly a font that represents handwriting, it is very versatile and usable in that it is: easy to read; has good flow and looks great in both paragraph form or as a standalone word or line. As a bonus, since each and every letter was crafted from the ground up, Sashay Script can be used at larger sizes without losing any of its elegance as its edging is well groomed, without the raw edges that can be the terror of handwritten fonts at larger sizes. Sashay Arrows & Underlines was designed to match with Sashay Script. Often a font such as Sashay is used descriptively and the flow and line-weight of the 68 arrows and underlines match Sashay Script in look and feel. Please take a look at the gallery posters that show both Sashay Script and Sashay Arrows & Underlines, in use. We just know you'll have a perfect project for this little model of a font 'Sashaying' down the font runway.

David Berlow undertook the revival of Frederic W. Goudy’s Village family in the early ’90s as the first real step in the successful redesign of Esquire magazine. Goudy originally cut Village No. 2 in 1932 to bring early ideas up to date, adding the italic a year or two later for his own satisfaction. Font Bureau expanded Village, the model for Goudy’s mature style, into a ten-part series designed for Esquire’s use in text and display; FB 1994

I am pleased to present you an excellent futuristic font "Futurism" in modern graphic style! The font supports the Latin alphabet and Cyrillic alphabet. It is recommended to use it at long intervals between letters, but you can customize it perfectly for your own design, use it to create logos, emblems, posters and posters. Futurism is very stylish, it ideally suited for a space mood, future tech and innovative products! Uppercase and lowercase english letters Uppercase cyr letters Numbers

Ignazio is a powerfull sans serif font family with modern touches. A balance of hard lines and smooth curve makes them able to stand on their own dynamically Ignazio includes all-caps fonts Features - Support for MAC or PC - Simple installation for Adobe Illustrator, Corel Draw, Photoshop, or Procreate (New Updated) - Support Multi-language Ignazio works great in any branding, logos, magazines, films. The different styles give you a full range to explore a whole host of applications.

Like Refused said in their song ”The Shape of new Punk to come”, Oblik could be “The Shape of new Fonts to come”. We present to you our uprising star - Oblik - that could shine in your monitors. Modern family, stylish and secure, with its own personality (it’s photogenic, too), available for all kinds of use, even if you're a doctor or policeman or butcher or truck driver or maybe rock star, this font will rock your world.

Introducing, Another Passion Script Family, make your own handwritten! Another Passion Script Family contain 4 FONTS including ligatures and underline. Also comes with italic, bold, and bold italic. Another Passion Script is a handwritten font that you can use to make a logo for branding, beautiful fashion design, or handwritten quote. Also already PUA Encoded. Foreign Languages Support: ÀÁÂÃÄÅÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖØÙÚÛÜÝßàáâãäåæçèéêëìíîïðñòóôõöøùúûüýÿ What Will You Get: Another Passion Regular Another Passion Italic Another Passion Bold Another Passion Bold Italic

Whisky fudge is a tasty handmade font! With its smooth edges and fun style Whisky Fudge will make your creative projects look simply delicious! Giving your design ideas a more personal touch, it’s a great choice for gift tags, greeting cards and invitations. The font comes with a set of standard ligatures (including double letters) and 5 final form characters to add extra flavour to your words. Uppercase letters also look great on their own for added creativity. Enjoy!

This font was inspired by a 1950’s Royal Quiet De Luxe Typewriter, and features textured letters & symbols, creating a realistic look & feel without needing to source your own antique machine! Each keystroke on an old typewriter shows variations based on the ink ribbon & how hard or soft the typebars strike the ribbon & paper. This font was designed to provide multiple options for each letter so that you can further customize the look & feel of your text.

Astrone - Classic Retro Font, with very soft curves and lines making this font look beautiful and realistic. With 301 Characters, Astrone is perfect for all your design projects, such as invitation cards, product logos, food brands, logos and more. Astrone is also supported by Ligatures, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Stylistic Set 4, Stylistic Set 6, Stylistic Alternate, and Swash which will help you get a beautiful style with your own creations.

We Love Nature Summer Flowers is a picture font inspired by a late summer visit to an organic flower farm in the south of England. The farm specializes in growing local seasonal flowers for lovely bouquets and arrangements. This picture font features 52 hand-drawn illustrations inspired by these flowers. The contemporary flower illustrations can used on their own or in combination with the other illustrations in the We Love Nature font collection to create striking designs.

Knocker is a cool and stylish serif font, featuring its own unique style and modern look. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level! This typeface is perfect for an elegant & luxury logo, book or movie title, fashion brand, magazine, clothes, lettering, quotes and more. Knocker is PUA encoded which means you can access all of the glyphs and swashes with ease.

Alisant is a cool and stylish serif font, featuring its own unique style and modern look. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level! This typeface is perfect for an elegant & luxury logo, book or movie title, fashion brand, magazine, clothes, lettering, quotes and more. Alisant is PUA encoded which means you can access all of the glyphs and swashes with ease.

Eckhardt Titling JNL is another treatment of a popular typeface that lends itself well to the hand-lettered sign and display work of days past. A clean sans serif with a slight touch of Art Deco, this font renders well from small point sizes to large posters. As with other fonts in this series, it is named in honor of Jeff Levine’s good friend Albert Eckhardt, Jr. who owned Allied Signs in Miami, Florida from 1959 until his passing.

Steve Jackaman and Ashley Muir. It was our initial intention to develop a suitable lowercase for Les Usherwood's 'Elston' typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin). However, the new design quickly took on a life of its own, and we decided to call it ‘Creighton’. Originally released as a four font family, we have now added eight more weights and made the entire family into 'Pro' versions for good measure.

Introducing Mayaglyph, a modern typeface inspired by the hieroglyphics left behind by the Ancient Mayan civilization. Every character in Mayaglyph is manually created with hand-drawn markings for consistency and balanced visuals, including diacritic marks, symbols, and more! Each character in Mayaglyph is distinctly imperfect in its own way, just as if it was taken right off an ancient stone. Also included is a 'solid' background version, which is ideal for creating beautiful multi-layer designs.

A remixed variation, available in three weights, of the popular Talbot Type geometric sans Kaleko 105 Round . The addition of occasional flourishes at the intersections of strokes, in both upper and lower case, adds character charm, making the font a perfect titling font to accompany Kaleko 105 and/or Kaleko 105 Round , or a display font in its own right. Kaleko 105 Round Remix features a comprehensive glyph set including accented characters for central European languages.

Great Bromwich takes the ideas in Greater Albion's Bromwich family that little bit further. It can be used on its own, or as a compliment to Bromwich. Great Bromwich uses specially re-designed large and small capitals, to enable that bold headline statement to be made with impressive Edwardian flair. In the spirit of railway travel posters and illustrated news journals, its a wonderful font for poster design, or for book covers and other work with a period theme.

Konrad Kachelhofen was a printer in the city of Leipzig beginning around 1483. He printed many works by contemporary authors and also many of the classics. He acquired an unusually large amount of typefaces for his shop, a place that included a wine bar and book store. This particular face is based on the Typ.8:170G GfT101 Gesamtkatalog der Wiegendrucke. He probably died in 1529 after passing his business on to his son-in-law Melchior Lotter.

Abiah Sans Serif Typeface is a minimal sans serif font, which contains 5 weights and It features unique and modern sans serif look and feel. Perfect for gorgeous logos, titles, web layouts and branding. It looks gorgeous in all caps with a wide-set spacing if you want to try a classy look, or beautiful on its own in capital and lowercase letters for something completely timeless. Included Features: Font Weight: Regular, Thin, Light, Bold and Distorted

Fifty Fifty is an editorial serif font (regular and italic) with smooth curves and more than 100 ligatures. It’s gorgeous in all caps, but the lowercase letters can really hold their own. Fifty Fifty is perfect for headlines, editorial design, monograms, branding, logos, poster design, and more. Fifty Fifty includes approximately 700 glyphs and a whopping 115 standard and discretionary ligatures. Additional OpenType features include character variants, stylistic sets, and multilingual support (including multiple currency symbols).

ITC Woodland is the work of Japanese designer Akira Kobayashi. It is based on Kobayashi's hand lettering with a flat brush or square-edged pen. I wanted to design each weight to act its own part," says the designer. "The light version tends to look almost fading in small sizes, but the heavy weight is as black as Cooper Black." The cheerful ITC Woodland is ideal for graphics, greeting cards, correspondence, and other applications requiring a light touch.

Back when shop window decoration was done with a brush, every window designer had his own style. In this vein the sans serif Altrincham was created. But even as a text font, it has stood the test of time, since it is very easy to read even in smaller point sizes, thanks to its relatively large x-height. With the Altrincham Condensed and Altrincham Wide Bold two other fonts have been created to perfectly complement the font family.

Romello is a pretty typeface that was made to make your designs look more funny and pretty. Romello is also accompanied by Alternative characters that embellish every form of writing, Romello is the perfect choice to use for poster designs, signatures, logos, quotes, album covers, business cards, product designs, and many other design projects. Romello has its own charm when used. We make this font look elegant, classy, easy to read, stylish, easy to remember, and easy to use.

This font consists of 26 design elements derived and adapated from various architectural works of Charles and Henry Greene who created hundreds of designs for houses, furniture and decorative arts in their own unique interpretation of the "Arts & Crafts" style in the early years of the 20th Century, mostly in Pasadena, California. Many of the picture elements are designed to form distinctive borders, and the variety of designs contained in this font encourages their use in many creative ways.

What's that creaking sound from the cellar? Is that just a cat, or a slimy creature crawling in the dark? No need to worry, there's nothing there! It's just a font, mimicking the typical letters found on retro horror posters. And now you can create your own scary headlines, using my Monster Scheme font. You can even do it in different languages, because Monster Scheme has multilingual support - and even 4 different versions of each letter! Now that's scary! :)

Minagi Bristone is a cool and stylish serif font, featuring its own unique style and modern look. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level! This typeface is perfect for an elegant & luxury logo, book or movie title, fashion brand, magazine, clothes, lettering, quotes and more. Minagi Bristone is PUA encoded which means you can access all of the glyphs and swashes with ease.

The Wright-Regan Instrument Company (Wrico) was one of the leading manufacturers of lettering templates for many years. Aside from their own line of products, they also did custom manufacturing. A series of lettering guides called “Mimeostyle” for the A. B. Dick Company of Chicago (produced for use in making mimeograph machine printing stencils) featured an art Deco squared letter design with rounded corners. This is now available digitally as Template Sans JNL, in both regular and oblique versions.

Generisch - a german equivalent of generic - sans serif typeface has gain its own place among designers and earn such popularity due to its "simple" design. Generisch is influenced by early grotesk typefaces from early 1900's when sans was starting to get popular and used as a body type. Some old ligatures such as ch ck and ng are present in generisch (not the ct and st tho), old style numeral for better typesetting experience and more.

Kraken Ink & Kraken Script fonts were inspired by mystery of ocean and sea, their secrets and creatures. As unique, rustic, frivolous and fun as a wind! With Kraken Ink font you can give your project it's own trendy and stylish feel. Kraken Ink typeface is perfect for your label and packaging design, social media quotes, logo and branding design, t-shirt design, heading, scrapbooking, calendars, book covers. Enjoy using the illustrations and elements in your design projects.

Presenting Sikat Rusak! A Dry Brush Font with a stylish alternate and extra 9 swashes. This font made with the perfect combining of each character. You can type by Mix & Match with alternate version to get a unique combining. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and any project.

Handsome in its own way, More versatile than one could say. Four alternates to each letter, Because in this family Spontaneity do matter. (And just in case someone wonders, Yes, there are alternates for numbers!) Seven cuts the family holds. Six of them Are for saying with words. And the very last, (Before someone asks) Holds some very cool dingbats. ​Books, app​s​, ​mags, To just name a few, ​Now go with Somehand And try something new​ :)​