Rolling Beat is a bold script font, carefully handcrafted to become a true favorite. Its casual charm makes it appear wonderfully down-to-earth, readable, and, ultimately, incredibly versatile. This font will look outstanding in any context, whether it’s being used on busy backgrounds or as a standalone headline! This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Okay-A lets you make 3D letters that look to be fastened down with screws. Inspired by the angular futuristic shapes of Japanese Katakana letters, this angular font is bold and square. Okay-A lets you easily make multicolour logos or signs as the styles can be overlaid. It features extended characters, containing West European diacritics & ligatures, making it suitable for international environments & publications.

Woodtype wizard Rob Roy Kelly identified the inspiration for this typeface in his 100 Wood Type Alphabets simply as "No. 154". Funky, chunky, round and robust, it’s clearly a barrel of fun. Named after a small town in Central Texas, which just happens to be the home of Dell Computer. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Stannum is a modulated display sans font family. It enriched by letterforms that shown a simple, classic and elegant impression. Its a compact font family that consist of 9 style of weight, from thin to black. It consists of 380s of glyphs which support broad latin languages. This font is fit for display, large usage, brand, titles, short text, web headlines and ample of other possibilities.

It's here! Lumbering down the grassy slope towards us, the lovable round sans serif of KNICKNACK. It's warm, it's smooth, it's round and it's fuzzy. It's perfect for display use, print, posters, branding, packaging or kids friendly apps and web! KNICKNACK is a typeface that will put a smile on your face. It features 2 styles, regular and fuzzy and comes in at least 5 weights.

Breuckelen was inspired by the regular patterns of the New York City plan. The grid of any large modern city is immediately recognizable by the distinctive pattern of major roads curving or slanting through it. This face is intended to be recognizable in the same way. It is named after the Dutch town after which Brooklyn is named, a word which also roughly translates as "broken land".

You've seen them all around -- on alarm clocks, tote boards, scoreboards and in many other venues we take for granted in our daily lives -- displays with letters and numbers that flip down to reveal other letters or numbers. Flipboard JNL is a digital recreation of these mechanical sign displays. There is a limited character set, and a blank panel is located on the equal sign keystroke.

Another addition to the Whiz-Bang Woodtype series, this offering is patterned after a typeface issued by the old Boston firm of Baker & Greele in 1826. Named after a small town in Texas just a hop, skip and a jump from the Red River and Arkansas. Both versions of this font include the complete Latin 1252 and CE 1250 character sets, with localization for Romanian and Moldovan.

Mission Accomplished is a fast and furious kind of font. I started jotting down letters with a marker pen as fast as I could to see what would come out. Well, this font came out. Mission Accomplished can be used virtually anywhere, but single origin coffee bean packaging and artisan marmalade labels come to mind. Comes with a bunch of cute discretionary ligatures as well!

One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Dime Box is bold and boxy, and creates an interesting visual flow with its notched serifs. Named after a small town in Texas. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

Girly Love is modern handwritten script with dancing up and down the baseline, and comes with lovely alternates. It works perfectly for logos, fashion, stationery, letterpress, magazines, menus, books, invitations, wedding and greeting cards, packaging, labels, apparel, marketing and more. Girly Love also includes alternates, ligatures and multiple language support. If you need help or advice, please contact me by e-mail letterfreshstudio@gmail.com.

Chronically strong, yet pacific. Chronically bold, yet friendly. This font was at first inspired by a HAP Grieshaber work and soon incorporated elements from pieces by Willem Sandberg, two astonishing artists who lived through two world wars. They had to struggle for freedom and consistently manifested, with words, works and actions, their absolute love of liberty. Both were chronically free. As this font intends to be.

Motto is a beautiful Art Deco font in the tradition of the Italian Futurismo of the early 20th Century. Please Note: Combining Bicolor A and B you will create astounding multicolored pieces of typography. To achieve the two-tone effect shown in the samples, you need to use an application that supports layers such as Adobe Illustrator, Adobe InDesign, Adobe PhotoShop, CorelDRAW or Quark.

Goudy Type was designed by Frederic Goudy for ATF in 1916. He endeavored to create a lively design with some brush-lettering qualities. In his words, he believed he was still attempting to ‘find himself’ as a designer. Thirty years later he was shown the design and could hardly recollect its creation. Steve Matteson has digitized Goudy Type to preserve its place in typographic history.

HGB Info is a display typeface for my Linotype Nautilus Monoline. This came about while working on the corporate design for the municipality of Weissach im Tal. Shorter ascenders and descenders and a broader letter shape result in more compact word images. The ups and downs are cut vertically. This works particularly well in large degrees. This is the area of ​​application on signage and information systems.

Ovallique shares roots with its looser cousin Beachbuoy. But don't mistake Ovallique's casual parentage for hand me down genes. Ovallique is the well-tailored relation, with limousine and driver at the ready. Dom Casual meets Dom Perignon for supper at the revolving restaurant. OK, so the wallpaper is slightly faded. Ovallique's x-height makes it legible even after apéritifs. It's kitschy slumming for the streamlined set!

Birdland is a sweet and romantic handwritten font featuring a unique up and down flow. Use it for wall displays, product packaging, wedding invitations, social media post logos, and any project that requires impressive typography. It will add a splash of luxury to any design project you want to make! This font is PUA encoded which means you can access all the amazing glyphs and binders easily!

TurvyTopsy offers all the fun of delightful hand-drawn irregularity, captured in a typeface. Designing this was a wonderful exercise in ignoring all the rules of precise geometric construction to which we normally work. These irregular forms somehow achieve a delightful character & legibility all of their own.

Reality Check is a family of two display fonts (plus their Italics). These fonts can be used together in a design, but work just as fine on their own. Reality Check comes with an alternative s - just in case you get bored with the ‘normal’ one.

A font of 31 wedding icons... bow tie, shoe, bouquet, cakes, invitation, cupcakes, bon bons, wedding dress, tux, ring bearer, flower girl, suitcases, congratulations banner, balloons, garter, gift, cuff links, wedding bands, diamond ring. Use for a wedding shower flyer or make your own gift card.

Inspired by Barcelona’s Diagonal street, Antoni Morillas designed Diagonal ND in 1970. A sans that alternates straight and inclined lines, with a strong rhythm and its own personality. Its range of possible usages are very varied: signage, headlines, packaging, etc. Diagonal is a Trademark of BauerTypes SL

Hebrew Latino was started out of frustration. I could not find a font that looked like Hebrew - actually I found one, but it had only capitals. So I decided to make my own. Strangely enough it looks a little bit Jugendstylish! Here it is. Shalom! Gert Wiescher

Ela is the typeface I originally designed for the business of my second wife and mother of my two sons, her name is ­ of course ­ Michaela. Ela the typeface is suitable for magazines, newspapers, posters, advertiments, books, text, documentation/business reports, business correspondence, multimedia, and corporate design.

BorderGlyphs features an array of border elements inpired by our very own Egyptian Hieroglyphs font collections. These historic yet modern symbols have stood the test of time - they can blend into ancient as well as the most vanguard of themes and will add elegance to your projects.

I am a huge Moleskine notebook fan - This font is named Diario to celebrate everyone that uses a journal and everyone that appreciates a cool handwriting style. Diario reflects this tactile paper- ink plus designer convergence. In the meantime, be inspired and write your own journal!

Relyagih is a thin lettered and delicate created by Storytype, A serif modern and classic typeface that has own unique style & modern look. This typeface is perfect for an elegant & luxury logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more.

This is a playful collection of 135 diagrams based on letterforms from different styles. You can use this symbols as bullets, ornaments, but also to make your own mandala-like exercises and release some stress out! Nimbo, by the way, is the word for "halo" in spanish.

BlancoNeg was inspired by the lettering of Saul Bass with some thoughts of Op-Art. Each character relies on the positive and negative spaces of its neighboring letters to help define its own shape. This font is casual with the look of cut out paper forms.

John Handy is the work of British designer Timothy Donaldson and based on his own handwriting. Part of the ongoing trend for casual letterforms in display typography, John Handy is an excellent choice for letters, greeting cards, menus, wherever an elegant yet personal look is desired.

Recreation JNL is Jeff Levine's own take on a popular vintage typeface from the late 50s or early 60s that's seen a resurgence in recent years. While the basic alphabet is somewhat modeled from the classic design, all the other characters in the font are original.

Beardstown is solid, hardworking & no-nonsense. It may be a little gritty & rough around the edges, but it can also be open, warm and welcoming. Beardstown is a little Midwestern town on a river with a town square where you can buy comic books from a spinner rack at the front of the drugstore and read 'em with a root beer float from the soda counter in the back. The Beardstown font is perfect for t-shirts, sports graphics, beer cans, trading cards, carnival posters and record albums. But that’s it. I mean, you could use it on foofy hipster stuff like organic produce, vegan meat substitutes, electric car accessories or mountain bike parts, but you risk Beardstown coming over there to kick your butt. Features: three versions of each letter and two versions of each number automatically rotate for authentic print texture thirteen catchwords (like "and" "of" "for" & "the") accessible in Discretionary Ligatures support for 223 languages including Western & Central Europe, Vietnamese & Cyrillic

I am a coffee person, but two years ago, just before the whole Covid-thing happened, I came down with what I assumed to be the flu. It was a really nasty flu as well: I was down for 10 days or so and when I sort of recovered, nothing tasted the same. Coffee tasted like cardboard and I couldn't stand the taste of it, so I decided to drink tea instead. The 'supermarket tea' we have in Holland is quite bad and tasteless, so I ordered some proper strong English tea online and I have been drinking it ever since. Of course I was thinking of this when I created Imperial Tea font. Imperial Tea font was made with... yes, you've guessed it: Chinese ink and a brush. Imperial Tea is a nice, 'oriental-ish' looking font that comes with a set of alternate glyphs and an impressive language support, including Vietnamese and Greek.

Stabile is a rather stylish casual font with ​​loads of good vibes and alternates: there are four glyphs for each letter, two for each numeral plus swashes to this side and the other. Two for each side, in fact. It's a flexible font that looks unique and quite distinctive, with its charming uneven look that gets even more uneven when Contextual Alternates are turned on. Stabile family brings a delish accompanying font, Stabile Toys, packed with organic shapes inspired by the breathtaking work of the american artist Alexander Calder. These play together deliciously well, you can bet. Are you prepared to balance them? Enough reading, then, just go ahead! A couple quick notes on usage: . Go with Contextual Alternates to instantly cycle glyphs. Eye-catching results guaranteed! . Swash feature turns on (guess what...) swashes. But there's always alternative swashes, like to this side going up or to this side going down, that side up or down, so it's cool to pick your choices through a glyphs palette​.​

Step right up, folks! Introducing Budmo, the font that’s always ready to party! This jubilant display typeface is inspired by classic light bulb marquee sign lettering and is perfect for all your festive needs. Whether you’re sending out dance invitations, announcing a gala, planning a parade, or just looking to add some pizzazz to your party, Budmo has got you covered. But that’s not all, folks! With Budmo Jiggler and Jigglish, you can really ramp up the carnival atmosphere. Layer the Bulbs, Honk, and Solid styles to create a truly carnivalesque effect. And don’t forget to try adding a glow effect to the Bulbs style for even more razzle-dazzle. But here’s the thing, friends. Even on its own, the Bulbs style is nothing short of snappy. Add your own special effects and watch it light up the night! So come on down and see Budmo for yourself. You won’t be disappointed! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Before Bodoni, there was Didot. With the publication by Francois Ambroise Didot of Paris in 1784 of his prospectus for Tasso’s La Gerusalemme Liberata, the rococo typographical style of Fournier de Jeune was replaced with a spartan, neo-classical style that John Baskerville pioneered. The typeface Didot used for this work was of Didot’s own creation and is considered by both G. Dowding and P. Meggs to be the first modern face. Three years later, Bodoni of Parma is using a very similar face. Just as Bodoni’s typeface evolved over time, so did that of the Didot family. The eldest son of Francois Ambroise Didot, Pierre, ran the printing office; and Firmin ran the typefoundry. Pierre used the flattened, wove paper, again pioneered by Baskerville, to permit a more accurate impression and allow the use of more delicate letterforms. Firmin took full advantage of the improved paper by further refining the typeface introduced by his father. The printing of Racine’s Oeuvres in 1801 (seen in our gallery image #2) shows the symbiotic results of their efforts, especially in the marked increase in the sharpness of the serifs when compared to their owns works of only six years earlier. It has been suggested that one reason Bodoni achieved greater popularity than Didot is the thinner hairlines of Didot were more fragile when cast in metal type and thus more expensive for printers to use than Bodoni. This ceased to be a problem with the advent of phototypesetting, opening the door for a renewed interest in the work of the Didot family and especially that of Firmin Didot. Although further refinements in the Didot typeface were to come (notably the lower case ‘g’ shown in 1819), we have chosen 1801 as the nominal basis for our presentation of HiH Firmin Didot. We like the thick-thin circumflex that replaced the evenly-stroked version of 1795, possible only with the flatter wove paper. We like the unusual coat-hanger cedilla. We like the organic, leaf-like tail of the ‘Q.’ We like the strange, little number ‘2’ and the wonderfully assertive ‘4.’ And we like the distinctive and delightful awkwardness of the double-v (w). Please note that we have provided alternative versions of the upper and lower case w that are slightly more conventional than the original designs. Personally, I find the moderns (often called Didones) hard on the eyes in extended blocks of text. That does not stop me from enjoying their cold, crisp clarity. They represent the Age of Reason and the power of man’s intellect, while reflecting also its limitations. In the title pages set by Bodoni, Bulmer and Didot, I see the spare beauty of a winter landscape. That appeals to a New Englander like myself. Another aspect that appeals to me is setting a page in HiH Firmin Didot and watching people try to figure out what typeface it is. It looks a lot like Bodoni, but it isn't!

Johann is an elegant, geometric, san serif typeface who's clean, simple structure and form create a versatile typeface that works effortlessly across print & digital applications. Created in 2012 by NiceType, the Johann family consists of 5 weights, plus corresponding italic sets that all have their own individual strengths.

Nuuk is the capital of Greenland. It is the Kalaallisut word for "cape". I really like the sound of it, so I just had to name this font Nuuk. Nuuk is a whimsical, handmade serif font. It comes in four weights, each weight with its own Italic style.

Eirlys a Gothic serif typeface with a touch of Celtic feeling. A combination of sharp serif and smooth joint gives a sweet & smart characteristic. Font comes with 4 weights: Light, Regular, SemiBold, Bold and suitable Italic, Especially Small Caps, Swash styles and dozen of alternates for your own experiment.