Uplift is a modern serif typeface with its own character and charisma. Works cool both when used in headlines, magazines, pull quotes and also in branding, unique logos, etc. Uplift comes with multilingual support also and also feature stylistic alternates.

Blue Ocean is a creative slab serif font that has its own unique style and modern look. This typeface is perfect for an elegant & luxury logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more.

Santino is a rounded monoline, post-bauhaus geometric font with smooth extremes and a touch of modern sensuality. It is named after Ariel "Negro" Di Lisio's son. The fonts were designed by Ariel Di Lisio and digitized by Alejandro Paul.

Spring is a lively contemporary script that designer Garrett Boge modeled after his own brush lettering. It was released in 1988 at the launch of LetterPerfect's font collection, and has seen increasing use in advertising, packaging, and point-of-display promotions.

Blast is a font with a futuristic edge, geometric corners, perfect for technology theme. As with its Blast, Blast makes a strong impression in print, headlines, video, and social media – whether paired with a contrasting typeface or on its own.

Issued from the Haddon Foundry in England. Most of their original faces had names beginning with H, like their own name. Some of their types were designed by Phil May, but we cannot guarantee that this is one of them.

PORTAGE is a slab serif that carries its own weight. Adventurous and rugged, this typeface that evokes the wild country and makes headlines stand out. The typeface was built from a land and forest journal from the mid-50's.

Garges is a modern and classy serif font with its own unique style and modern look. This typeface is perfect for an elegant & luxury logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more.

Stencil Modernistic JNL was modeled directly from an early 1960s lettering stencil that favored the Art Deco style. There is minimum kerning due to the nature of this typeface, so designers should use their own judgment when working with it.

From an old wood type owned by a San Francisco printer. Wood types were customarily given somewhat generic names (Antique Tuscan) or, more frequently, numbers to identify them. Our clients liked colorful, easily-remembered names better, and so did we.

Magisho is a distinct and classic serif font that has its own unique style & modern look. This typeface is perfect for an elegant & luxury logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more.

Ames’ text is designed for use in its own right and also as a complement to our Ames’ Roman family. Ames’ text is a ‘New-Style’ Didone family offered in three weights and three widths. It is designed to embody clarity combined with contrast between horizontal and vertical strokes, but with sufficient stroke width in both directions to display well at small point sizes. All typefaces include small capital forms, new and old style numerals (and ‘small capital’ numerals for consistency). Ames’ text is distinctive enough for use in headings and titles, but comes into it own as a text face. Keep a lookout for our forthcoming Ames Display faces…

Giacinta is developed as a fresh alternate take on the traditional black-letter style. Rather than simply reproducing the standard uncial or Old English style, Luke William Turvey followed the tradition of Bastarda, making up his own scripted style with the Latin standards in mind. This style was conjured purely from imagination, so while it bares a resemblance to the standards, keeps its own original flavor. Giacinta is extended, containing the full West European diacritics & a full set of ligatures, making it suitable for multilingual environments & publications. Use Giacinta for medieval themed projects, certificates, awards, diplomas, anything that you want to look old fashioned and stately.

Like many cities in the Midlands and North of England, Stoke-on-Trent has a rich history linked to making and industry. In Stoke’s case it was pottery. In the early 1900s bottle kilns could be seen covering the landscape of the six towns making up Stoke-on-Trent with hundreds of factories producing some of the best ceramics in the world. But by the 1990s most of these had gone. Torn down for development of housing or just left to rot. During the next few decades Stoke continued to change. The industry was in a decline and Stoke itself was seen as another poor midlands city with a dwindling industry. Then in 2008, Spode, one of the largest and most famousceramics factories in Stoke entered into administration. Pens cast aside, drawings left half finished, designs left in the turned-off kilns; Spode factory was abandoned. This was a real shock and the way everything was getting thrown into skips to be put on the tip was heartbreaking. Thankfully people salvaged some of the technical drawings, sketch design, old sample pieces and ceramics that people hard worked so hard on. Potbank has been in development over a number of years taking inspiration from the heritage and designs from the ceramics industry. It has a mixed Clarendon and Antiqua style structure with its main purpose to be used as a printed type.

Hiragino Sans Rounded (Maru Gothic) is derived from the basic design of the Hiragino Sans (Kaku Gothic) with its wide counters and comfortable appearance. It features gentle typeface that provides graceful roundedness to the tips of all the strokes of a character. On the flip side of this gentle impression is the fact that every single element in the Hiragino Sans upon which this typeface is based has been carefully polished down in every respect in pursuit of an elegant roundness that makes it possible to handle carefully executed typesetting. That approach is clearly different from the general rounded typeface that makes full use of the body, and makes it possible to respond the requirement of professional typesetting. It is never-uninteresting design whose letterform is rooted in the traditions of traditional printing type. It is a font that of course can be used on its own and easily formatted just like Hiragino Sans while adding splendid coloring to the page. Furthermore, when used with other Hiragino fonts such as Hiragino Sans or Hiragino Serif (Mincho), the fact that all their designs are oriented on the same vector creates a multiplier effect. The user may be surprised at the sense of unity that cannot be experienced when combining it with other typefaces.

A fun font that is truly extraordinary, handwritten as it is, a combination of lowercase and uppercase letters, really cool, has a playful impression but is very amazing, very suitable for all jobs because this font has its own free style and courage.

TheSerif is part of the Thesis superfamily. Although it was conceived to be the perfect secondary font within the Thesis system – for use in headlines, subheads, pull quotes, etc. – TheSerif has also been used successfully as a text font in its own right.

Here's another collection of ornate border elements gleaned from the 1888 specimen books of James Conner's Sons United States Type Foundry in New York City. Refer to the PDF guide for detailed, yet simple, instructions for constructing nine delightfully different border patterns.

AdvertiserÆs Gothic Light, from a volume of headline fonts, was designed by Robert Wiebking in 1917. Wiebking was a skilled type engraver from Chicago who created his own pantographic machine, used to cut punches drawn by other successful type designers, including Frederic Goudy.

Arrus was designed at Bitstream by Richard Lipton and first released in 1991. Arrus is based on Lipton’s own hand-lettered calligraphic alphabets that draw their influence from classic inscriptional forms. Arrus has small cap and extension typographer sets available as well.

Headlock is a handmade serif. My 6 year old son just had his first real Judo exam and the one thing he excels at is the headlock. Headlock comes with double letter ligatures and all the diacritics you need, plus basic Cyrillic!

Suifak is a modern and classic serif typeface that has its own unique style and fashionable look. This typeface is perfect for an elegant and luxurious logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more.

Brock Restar is a modern and classic display typeface that has its own unique style and fashionable look. This typeface is perfect for an elegant and luxurious logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more.

Inspired by mid-century greeting card hand-lettering, Sheree is a unique serif font with some really fun qualities. While some characters are distinctly calligraphic and conformist in nature, Sheree bounces all over the baseline, displaying an unconventional attitude all her own.

JT Energy is a new in 2020 interpreted geometric type with optically consistent line thickness and an interesting look and feel. This type is inspired by designs from Paul Renner and Arno Drescher and was long developed until it was something own.

Billenia is handwritten font that contains stylistic alternates and swashes to help you create your own customized signature. This font is also includes multi-language support and is PUA encoded. For another questions, please send a mail to saridezra@gmail.com. Thank You!

Ali SRF is named for Stella's son, and was designed for Stella Roberts by Ray Larabie of Typodermic Fonts. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Rummy is powerful, precise, and packed with personality. Simple and initially unassuming, Rummy may seem a reluctant hero. But, when called upon, Rummy will lend you all of its considerable strength and versatility in order to win the day. Influenced by sports branding and 1940s film, Rummy is an underdog that won't let you down. Need more height? Try Rummy Tall!

Kastibu is our newest font which has Arabic style. Do you want to add an elegant Arabic touch to your designs? There’s no need to spend a fortune on an actual antique Arabic font. You can get the same look with a sample set of values, guaranteed to work in your design software, and give the results exactly as shown.

Cordel Interior family draws inspiration from covers of 'cordel literature’, - small booklets of popular story-poems that played an essential role on the folk-popular cultural life of Brazil. Printed in coarse paper, usually with an woodcut illustration and lettering in the front, these booklets were sold on the streets, in marketplaces and town squares, hung in a cord - therefore the name ‘cordel’.

Evening Wear JNL, drawn from the elegant monoline lettering used as titling on the sheet music for "Smoke Gets In Your Eyes", conjures up images of 1930s New York at its apex. Fine restaurants, elegant night clubs and couples decked out in their best evening apparel were of a time long past when "doing the town" meant really dressing up for the occasion.

Turn on the mirrored ball, and haul out the gold chains and white suits! This Disco dazzler is a new take on Bass Rainbow, designed by Saul Bass in the 1970s. Hip, hot and heavy, this typeface is ready to get down. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Graphite/4b pen illustrations from the past resurrected as vector/tattoo-art! The detailed illustrations can be displayed at large sizes/full magazine layout page down to thumbnail size! a-l: The full Zodiac of Chaos m-u: Parts from the Tarot of Chaos v-z: Faces of Chaos A total of 26 unique illustrations. Upper case A-Z hold mirrored versions. Enjoy!

Kittle Rough is a robust display font with a time-worn texture. It has a strong, pared down look based on bold geometric forms. Loaded with personality, Kittle Rough features a full upper and lower case character set and an extended set of accented characters for Central European languages. It is also available as Kittle Round, with a smooth, clean look.

Welcome to the spooky world of Hypestone, the creepy and fun display font that's perfect for horror and Halloween styles. With its strong and captivating characters, Hypestone exudes an air of mystery, horror, and fear that will send shivers down your spine. But don't worry, we've added a playful twist with alternates and ligatures, making the glyphs organically spooky and delightfully creepy.

The inspiration for this elegant, willowy typeface was found in the 1903 type specimen catalog of Barnhard Brothers & Spindler. The original version was named "Racine"; this version takes its name from another town in Wisconsin. The Postscript and Truetype versions contain a complete Latin language character set (Unicode 1252); in addition, the Opentype version supports Unicode 1250 (Central European) languages as well.

Introducing Horror Fables Typeface – A display typeface that oozes dread and unease with every letterform. Designed to send shivers down your spine, it's the ultimate choice for all things horror, creepy, and spine-tingling. Horror Fable" will infuse your work with an eerie aura that keeps your audience spellbound. Features : Uppercase & lowercase, Numbers and punctuation, Alternates & Ligatures,Multilingual, & PUA encoded

A refreshing stars-and-stripes treatment, suggested by lettering artist Francisco Gonzales, combined with the letterforms of an old ATF typeface named "Rodeo", produced this delightfully novel font, suitable for patriotic occasions. Named for a small Texas town, which pronounces its name "Eerie-Ann." Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Bill Rigney, an old job printer in my home town, established his shop in 1896, closed it in 1900 to take a steady job, stored the equipment in a large shed, and reopened for business upon his retirement in 1950. What a find! A bonanza of old type! We became good friends and upon his death I bought the type. Bless you Bill.

Lichtspiele Reklame is the ultra condensed version of Lichtspiele inspired by the 1920s — the golden age of cinema — where neon lights and marquee letters decorated cinema facades. Lichtspiele Reklame is crafted for large narrow formats and contains the display font and two italics (italic & contra-italic), like in these 20s, a time where movie announcements were shown on huge so called Litfaßsäulen.