Quickat is a handwritten font, thick, condensed calligraphic style has several sets of terminal ornaments for decoration of phrases and titles. This font is drawn by hand with a pen following proportions based on the numbers of Perrin applied completely to the capital letter H and from this letter all the proportions of the rest of the alphabet are calculated according to mathematical formulas that I have been perfecting and putting into practice in my last fonts, is ideal for designing greeting cards or weddings, posters, flashy headlines or small texts.

Taler is a serif typeface is represented by seven weights. It was conceived as a continuation of the sans-serif Nekst. In the process of design it became clear that it is a completely different typeface. The rectangular, slightly elongated serifs, the plastic stiffness, and the combination of different styles make Taler a true representative of contemporary. It's old-fashioned and modern, it's for a display titles and for plain text, it's rough and elegant — it's all present in design at the same time. The duality of it nature is it peculiarity.

Hugh is the development of a wide type font, we create a work of art that combines a very strong spirit of wide type, for those of you artistic art lovers, this good news for you, because Hugh has a high artistic soul. This is the start of a happy year for you, get this font right away and develop your wild ideas, Hugh is the answer for you now. Its weight is superior in posters, social media, headlines, titles, large format print - and wherever you want to be noticed

Enza is a display font designed by José José Villamizar. Its design stems from the typographic exploration for the realization of the identity of a company aimed at entrepreneurs in the millennium generation. It’s a family of five weights composed of 455 glyphs. includes Thin, Light, Medium, Bold and Black styles. It also includes stylistic alternates, fractions, and ligatures. Its use is recommended for titles, semicondensed texts or short, and elements of visual communication large phrases. It is also ideal for creating logos, in packaging, signboards and poster design.

Mixcase font family is suitable for creating logos, wordmarks, titles, taglines. The properties of uppercase letters, numbers, punctuation and extra characters in Mixcase Mixed font are the same as those of lowercase letters, which allows to combine letters of both cases in different ways. All characters in Mixcase Unmixed font have normal ratios, so it can be used as typesetting font. The combination of both fonts provides additional use cases in the form of small caps and mixed small caps. For any questions about the font please contact: arbuzzu@gmail.com

Garamond Nova Pro is one of the fonts of the SoftMaker font library. It is a modern interpretation of the classic Garamond style. SoftMaker’s Garamond Nova Pro typeface family contains OpenType layout tables for sophisticated typography. It also comes with a huge character set that covers not only Western European languages, but also includes Central European, Baltic, Croatian, Slovene, Romanian, and Turkish characters. Case-sensitive punctuation signs for all-caps titles are included as well as many fractions, an extensive set of ligatures, and separate sets of tabular and proportional digits.

Introducing Caligreto Display new generation Typeface with 5 Weights. Caligreto Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Caligreto is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes Five Weights. Light, Regular, Medium, SemiBold and Bold.

Eleusis is a sans serif monospace display font. The typeface has a distinct style inspired by a combination of Naval, Industrial, Mid-Century Modern and ancient sacred geometry, designed to be bold and easy to read. The Eleusis name is derived from the legendary town (Ancient Greek: Ἐλευσίς), home of the Eleusinian Mysteries and birthplace of the great tragedian Aeschylus for its past and present. Contemporary Eleusis is one of the main industrial centers of Greece with refineries and shipbuilding. Eleusis is great for display work, quotes, invitations, posters, titles and headings.

Ramesty is a handwriting bunch of fonts that are charming and elegant in each of their writings. very suitable for all designs that require a touch of handwriting, of course, using this font will make your design charming This font is designed with a natural touch of handwriting which is refined to create a portion and composition that suits your needs. So this font is suitable for craft, children's writing, adventure posters, food banner titles, wedding invitations, product packaging logos, quotes, social media page covers, furniture banner headlines, book covers, and much more.

Introducing Krick Display new generation Typeface with 4 Weights. Krick Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Krick is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes four Weights. Regular, Medium, SemiBold, and Bold.

Yekuana Pro is a typeface whose design is based primarily on the study of certain geometric ethnic ancestral Venezuelan signs, visually rich and originally used in the enrichment of various utilitarian objects with high symbolic and cultural content. It’s a family that is composed of 330 glyphs y of two weights, including Inline and Outline versions, Stylistic Alternates, Fractions, Ordinals and Ligatures. The combination of their styles through the use of layers by contrasting colors application of allows to obtain new interesting results. Its use is recommended for titles or short phrases and elements of oversized visual communication.

Introducing Bosan, our newest san serif that offers beautiful typography for your project needs. type of font that is relaxed and elegant when used both for title words, sentences and other writing. will seem comfortable to look at when reading the contents of the message you want to convey. This font is very suitable as text with displays for various kinds of branding, advertisements, posters, banners, packaging, news headlines, magazines, websites, logo design, banners, social media design and of course you can use a lot more.

Based on the elegant and somewhat delicate Shàngó "Classic", Shàngó Chiseled goes to the other extreme with a bold and emphatic design that continues the legacy of the beautiful classic proportions of Dr. Schneidler's original titling typeface. Warm, cheerful, open, and sensitively masculine, Shàngó Chiseled can give you the impact you need. Perfect for an embossed look, or of classic lettering in stone. A complete character set that supports most European languages. Shàngó Chiseled is a member of the extended Shàngó family (Classic, Chiseled, Sans, Gothic).

Introducing South Route Font Duo and Extras - a handsome new font duo with tons of versatility.South Route consists of two fonts , A textured casual script and a bold & hearty sans-script titling font.To make your designs more authentic, South Route Script font has a set of lowercase alternate letters and ligatures included.South Route also has a handy set of 26 extra dry marker swashes and grit dingbats . Fantastically versatile, South Route lends itself to both retro hipster style designs and fresh bold modern designs.

Croog is a rounded geometric monoline typeface, built in three weights with true italics. Inspiration for this typeface was derived from FF Roice, with desire to create typeface less spicy or unconventional in appearance and more neutral, calm and friendly to use. Squarish in proportions, monoline letterfoms gain more readability by having short rounded serifs and terminals. The typeface is ideal for use in display sizes, though is quite legible in text. Croog is released as OpenType single master with a Western CP1252 character set.

Behance Fixiga is a Modern rounded geometric sans with experiment forms to make powerful visual, a combining with the rounded and some sharp cutting edges. Fixga family comes with 8 weights, from ExtraLight to Black upright Italic, In addition Fixga also support OpenType alternate characters, Alternate SS.01 is offer with typewriter look and SS.02 is offer with neutral look with single storey "a" and "g" Fixga also support several OpenType features include: ligatures, tabular figures, fractions, and language support for extended Latin Icons and symbols.

Kermel serif is a hand made font ideal for your graphic project. Usage recommendations: Title, short text, children's book, poster, book cover, brochure, label, magazine

Handmade Roman JNL is a simple and clean serif design. Perfect for headlines or titles, this condensed serif font gets attention without being overly formal.

Zafra is a geometric display font and works best in display applications, such as headline, posters, signage, magazine, product branding, corporate branding, logos and titles.

Thought to have developed from a display face first listed in 1890, the Derek Italic font is a heavy face ideal for short titling purposes.

The ALDOGIZIO family is a new slab-serifs typefaces family inspired by Aldo Novarese' Egizio. It can be use for text as for titling applications.

The hand lettered title credits for the 1950 French film “Lady Paname” inspired French Cinema JNL, which is available in both regular and oblique versions.

Condensed serif font. Great for tight-fitting headlines and other condensed titling situations such as headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.

Kimaus is reverse contrast display font. It's letterforms are inspired by the classic cartoon style. Fit for titling and unique looking designs and creative projects.

Agenor is an all caps display typeface family. It comes in five weights and is suitable for headlines, headings, branding, posters, packaging, titles and logos.

Shopping Spree JNL was inspired by the hand lettering on the title card for the 1938 film "Fast Company" starring Melvyn Douglas and Florence Rice.

hand drawn brush who make the typeface looks very instant and messy. Uses for film title, cover album, logo, clothing, invitation, event, labels, poster, etc.

The techno sound of the 1990s, a personal computer, font creation software, and some inspiration all came together to inspire the F2F (Face2Face) font series. Alessio Leonardi and his friends had the demand to create new unusual typefaces, which would be used in the leading German techno magazine of the day, Frontpage. Even typeset as small as 6-points, in nearly undecipherable layouts, it was a pleasure for the kids to read and try to decrypt the messages. F2F Mekkaso Tomanik is a font whose letters have had diamond holes punched into them. In fact, so many holes have been punched into the letters that one could ask whether this font is more letterforms, or more holes!

Acústica is a display font family designed by Carlos Fabian Camargo G. Its styles were designed to form words and phrases related to delicate and feminine contexts. Acústica Caps, Italic, Swashes and Ornaments are drawn investigations with flexible tip pen inspired by Didot capitals. All ideal for mixing with Acústica Script whose idea represents the volatile sound of a fine tip brush against rapid tracing paper. Its script path in width condensed lowercase and uppercase letters in loose horizontal proportions are generous between letters laced with long, agile and thin connecting strokes. Its script sensitivity is in Italian calligraphy with uninterrupted lines of cursive English. Acústica was selected at the Bienal Tipos Latinos 2014. Photos by http://www.desdeesteladodemimundo.blogspot.com

Introducing “Backover Typeface” – Unleash the Power of Words with a Heroic Twist! 🔥 Immerse yourself in the epic realm of typography with our latest creation, the “Backover Typeface.” Inspired by the valor of superheroes and the chivalry of knights, this font is a visual journey into the heart of heroic tales. 🗡️ Strike with Power: Channel the strength of legendary warriors as each letter in “Backover Typeface” is meticulously crafted to embody the essence of a hero’s decisive strike. The sharp angles and bold lines evoke the precision of a superhero’s punch or a knight’s swordplay. 🛡️ Defend with Style: The font doesn’t just pack a punch; it defends with flair! Each curve and contour replicate the resilience of a shield, offering a typographic fortress that stands strong against the ordinary. Let your words be the armor that shields your message with distinction. 👤 Unleash Your Inner Hero: “Backover Typeface” isn’t just a font; it’s a transformation. Feel the power surge as you type words that resonate with the bravery of classic heroes. This font empowers your message to become a beacon of courage, ready to take on any adventure. ⚔️ Warrior’s Arsenal: Immerse your audience in the visual feast of classic warrior illustrations included with “Backover Typeface.” Swords clash, shields protect, and helmets gleam with the promise of valor. These meticulously designed elements seamlessly integrate into your typography, allowing you to create a visual narrative that echoes the grandeur of heroism. 🎮** Level Up Your Designs:** Whether you’re working on a superhero movie poster, a knight-themed game interface, or any project that demands a touch of legendary charm, “Backover Typeface” is your ultimate companion. Elevate your designs, captivate your audience, and let the font be the hero of your creative journey. 🌟 Key Features: Heroic Typography Superhero and Knight Theme Sword, Shield, and Helmet Illustrations Perfect for Movie Posters, Game Graphics, and more 🚀 Elevate your design game with “Backover Typeface” – where every word becomes a heroic adventure! Download now and embark on a typographic journey like never before. Unleash the hero within your words! ⚡️

Breaking the cycle of homelessness We are partnered with The House of St. Barnabas, a private members club in Soho Square, whose work as a not for profit charity aims to break the cycle of homelessness in London. Each purchase (of the family pack) comes with a one month membership to The House and 100% of the proceeds from sales of fonts go directly to the charity to help their essential work. This unique collection of 7 typefaces is based on the disappearing signs of Soho, at risk of being lost forever due to the ever changing landscape of the area. By re-imaging the signage as complete fonts, we have rescued this rich visual history from the streets and present the typefaces into a contemporary context for a bright optimistic future. FS Berwick Thanks to its humble tiled origins, this Egyptian serif type maintains a uniform character width, creating the irregular letter proportions found in the final alphabet. Broad-shouldered, the bracketed serifs firmly ground the font, whilst its extreme hairlines become a necessity due to the uniform width. Of note is the upside down ‘S’, to be found on the original sign on Berwick Street. Perhaps due to its ceramic origins, there is a surprising ‘slippiness’ to its final appearance. FS Cattle Cattle & Son is best described as a wide, but not overly extended, grotesque-style sans serif, showing a uniform width and carrying a robust strength to its form. Whilst lightly functional overall, the purposeful diagonal legs of the ‘K’, ‘R’ and the tail of the ‘Q’ add an urgency to its appearance. The reduced size of the ampersand gives away Cattle & Son’s hand-painted origins, and the oblique compacted ‘LTD’ found on the original sign is also included in the final set. This beautiful sign is tucked away under an arch in Portland Mews, sheltering from the weather. Perhaps this is why it has lasted so long. FS Century This somewhat elongated set of Roman capitals was originally rendered in paint circa 1940, but its roots trace back to the Trajan Column in Rome. Witness the slightly unbalanced ‘W’ and the painter’s hand is revealed. Century’s flared serif style is extremely short, sharp and bracketed. The ‘M’ is splayed and has no top serifs. Century has a uniform appearance of width, probably due to its sign-written origins. Yet is elegant, classic and exudes sophistication. FS Charity A true Tuscan letterform, the original is located on The House of St. Barnabas in ceramic tiles and was revealed in all its broken glory in 2014. FS Charity retains the option of using these incorrect characters (try typing lowercase in the test drive above and compare with the more uniform uppercase characters). FS Charity features fishtailed terminals on its strokes, a curious branched ‘T’ and the ‘S’ displays tear-drop ends to its serifs. Almost uniform in width, the ‘A’, ‘M’ and ‘W’ are the widest characters in this set. FS Marlborough The elongated Marlborough features diagonal terminals to some characters and numerals. Also retained is the space-saving contracted ‘T’ glyph from the original sign, while the ‘R’ features a distinctive wedge-shaped leg. Highly individual in this form, similar signage appears around Soho, but featuring a variety of widths in their design. FS Portland The sister type to Cattle & Son, Portland is oblique rather than italic. The serifs are not overly long, yet still enhance its rather rigid cap height and baseline appearance. Its ‘A’ has a top serif, the ‘M’ is square and the ‘G’ foregoes any spur. Particularly delightful is the open ampersand. Numerals align to encourage the horizontal flavour of the oblique style. Overall, Portland is both confident and graceful. FS St James A lineal Continental style, St James also displays a true sense of ‘Londoness’ in its titling form, perhaps influenced by early Underground signage. Irregular letterforms display a continental flavour, particularly evident in its Deco style ‘W’, ampersand and numerals. The rather high cross bar in the ‘A’ is also reflected in the raised middle strokes of the ‘M’. Noteworthy are the distinctive unions found on all of the characters and the additional small caps. The original lettering is still located on Greek St.

Arabesque is a romantic, ornamental font, in which intertwining, flowing lines and generous loops enhance the beauty of the basic shapes. Arabesque successfully combines legibility with a decorative, sumptuous style. In its European interpretation it was also called "Moresque". The font "Ability" was the origin of Arabesque, however, numerous, subtle changes set it apart. Arabesque, is characterised by a small x-height and relatively large ascenders and descenders (loops). The loops are created out of two or three delicate, intertwined lines that contrast with the much less expansive bowls and shapes of the lowercase letters. The capitals, more complex and composed of intertwined lines, echo the elegance of the loops on the lowercase letters. As a result of these changes "Arabesque" is both more readable, controlled and extravagant than "Ability". Suggestions for use: - wedding stationery - greeting cards - valentines day media - beauty products media - lingerie tags - women's magazine pages - classical music media - award certificates - magazine pages The font is fully professional: carefully letterspaced and kerned. It contains over 235 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in the major European languages. Arabesque works well in Application packages such as Microsoft Word that do not support professional kerning.