Balega is stencil-like display font, created by German designer Jürgen Weltin in 2002. Balega's letters are very bold, and have a slight italic slant. While some of the uppercase forms appear somewhat sharp, the lowercase is definitively round and friendly. Text set in Balega has a very forward moving motion, as the slant makes all of the letters seem to be lunging toward the right. This gives the typeface a very dynamic feel. Because the counterforms in and between the letters are very narrow, we recommend using Balega in posters and other larger displays, where its design may be truly appreciated. Balega is part of the Take Type 5 collection, from Linotype GmbH."

Margon is a serif font family with a temperate design -- small serifs, moderate contrast, tiny roundings on the corners make it calm and serene. The Margon font family consists of 18 members divided into 4 groups of different proportions marked by indexes 360, 380, 400, 430. These values correspond to densities of sets -- 360 is the widest style, 430 is the most narrow one. The peculiarity of Margon family is a rather small difference in proportions of characters between neighbor groups, it’s less than 10%. Such tiny step gives possibility to select the font that gives the best result in combination of capacity and readability. Margon can be used in book, magazine and newspaper design.

SK Nowatorus is a modern experimental display grotesque. This typeface challenges the usual ideas about the structure of symbols and harmony in the typesetting line. The typeface symbols are based on the average contrast of thicknesses and on the contrast of the shapes of the symbols themselves. The font combines both narrow characters of the main set and wide additional ones. This, coupled with a wide range of alternatives and ligatures, gives huge opportunities for creative experiments. SK Nowatorus supports a multilingual set of Latin Pro and Cyrillic Pro. This typeface is perfect for poster design and for a set of small text blocks due to the presence of a capital and lowercase set.

Every element in this typeface shouts tall and narrow, slender and provocative. With wispy delicate serifs attached to elevator-style vertical stems, Stratosphere’s only goal seems to be getting to the top in style. And no matter how you describe it - ultra thin or ultra condensed - this typeface is best for short headlines and titles. Use only in large display sizes and use sparingly. Stratosphere Light is also available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Gulden Display - Introducing our new psychedelic display font, perfect for adding some trippy vibes to your designs. This bold and eye-catching font features swirling, abstract shapes and patterns that seem to move and shift right before your eyes. With its unique, otherworldly aesthetic, this font is perfect for album covers, concert posters, and any project that wants to make a bold, unconventional statement. Whether you're a graphic designer, artist, or just looking to add some visual interest to your personal projects, this font is sure to make an impact. Give it a try and let your creativity take flight! Features: - Uppercase & Lowercase - Narrow and Wide Versions - Number - Multilingual Support - Punctuation Stay pop and inspiring! Regards, Studio Gulden.

I admit: I had a bit of a crazy week when I thought up an drew this font. I broke my arm during kickboxing training on monday, leaving me in a cast - unable to do most everyday things, like getting a good night's sleep (try sleeping with a humongous cast on your arm). Thank goodness, it is my left arm, so I can still draw letters and use my laptop. So… this font has been made entirely using one arm! It is a bit of a horror font - it sort of sums up my mood right now. Glyphs have very little spacing, adding to the evil look of Plague Master. Comes with a lethal amount of diacritics.

What do you get when you cross Industrial Revolution with Art Déco? The raw force of steam-powered vessels with the panache of dashing streamliners? A sturdy industrial grotesque with a swanky stylized sans? We don't know, but our Layfort is a strong contender. It's a contrasted sans-serif typeface with old-style proportions: varying letter widths create a more vivid texture than your usual contemporary sans, and the true italics are narrower than the uprights. Layfort is elegant enough for fashion, art, and luxury; yet sufficiently sincere for serious business. And at 16 styles & 750 glyphs, it's ready for complex typographic demands (try the round dots at SS09). Let your designs fly!

Payload began as an early concept for Loaded magazine, and here is developed into a clean outline and rough splattery spraycan version. In this font, the upper and lower case characters are subtly different enabling a more realistic appearance to be achieved by ßipping between cases whenever characters occur together in pairs. Wide and Narrow styles of this popular font have been subsequently been added. This font is reminicent of military stencilling, urban graffiti and freight packaging. The "Outline" version, as before, is a carefully weighted addition where the thickness of the stroke is identical to the stencil gap. It has also been respaced and rekerned to allow for the additional character spread.

Dexter is an original new typeface creation by Alex Kaczun. It is a warmer, more sophisticated grotesque that is both fun and interesting. Its tight letter spacing and narrow proportions make the typeface particularly well suited for display sizes and headlines. This intriguing sans with distinctive letter shapes is typical for display fonts of the late 19th and early 20th centuries. Dexter is ideal for titles and headlines looking for impact and style. Dexter is also an excellent choice for magazines, books, posters, brochures, flyers, etc. The large Pro font character set, which supports most Central European and many Eastern European languages, also includes a corresponding small caps font along with old style figures.

Burdigala is a clean-cut, modern yet classic typeface inspired by Didones and Aicher’s Rotis family. Burdigala Sans is especially well suited for on-screen usage such as in apps and pdf documents. It is also ideal for larger amounts of (printed) texts in brochures, magazines and books. It is slighty narrow in order to conserve space, but spacious enough to faciliate reading and overall clarity. Check out its sibling, the Burdigala Semi Serif version. The expanded versions, being wider and more open, works equally well in media intended both for print and on-screen reading, e.g. in Pdf-documents etc. Burdigala is the ancient Roman name of the city of Bordeaux France.

Karmaline is a six-weight sans serif font family with a unique and expressive design. This font has some intriguing special features such as subtly tapered topheavy vertical strokes and selected wedge-shaped horizontal strokes. It is evocative of designs from Switzerland, Germany, and the Netherlands in the period spanning 1900 – 1930, but with thoroughly modern features like high legibility at small sizes, even inter-character weight and flow, and a high x-height. You'll find Karmaline's semi-condensed width to be useful for both strong headlines and for comfortable copyfitting in narrow column widths. This font also works very well when adding layered shadow and highlight effects, and is a great choice for logos.

I live in a small hamlet near the Rhine river. It is a sleepy little town and it doesn’t have any facilities. For groceries I need to go to the next town. The only road leading to that town has been closed for half a year, because of ‘maintenance’, so doing groceries got a lot trickier. The fastest way to travel is through yet another hamlet in the forest, on a very narrow road with extremely bumpy shoulders. Yes, you’ve guessed it: it is a Bumpy Ride. Bumpy Ride was made using a so called Brush Pen. It comes with all the accents and a sweet set of alternates for the lower case letters.

Jochen Schuss, the Biedenkopf, Germany, designer who was most recently responsible for ITC Vino Bianco, has created in ITC Whiskey a condensed display face that's both angular and soft at the same time. While the letterforms of Whiskey are clearly roman, there's a slight reminiscence of blackletter in the face's narrow proportions, its dark weight, and its persistent internal angle - not quite the 45 degrees common in a classic German textura, but a gentler angle of 25 or 30 degrees. And the counters are all rounded, as are the ends of all the strokes, giving Whiskey a comfortable friendliness despite its severe structure. The character set includes an alternate z" and an "ft" ligature."

Boldest Enough, modern and mystical bold display typeface. Inspired by the mystical vibe from animation horror movie for kids. It gives you fear, curiosity, and amazement at the same time. Coming with 160+ stunning and super easy to use alternates. Very suitable for magazine, headline, website, ads, product package and all type of design project you have. Features: OpenType support Multilingual support (15 languages) PUA Encoded Super Easy to Use alternates - It's OpenType support but you can easily call alternates character using special combination like A.2 R.3 h.5 etc so you don't need special software. To get results like the preview just type B.4ol.9d.2es.2t.2 E.4n.5ough.7

Neumatic compressed has a super compressed character set, increased cap height and tight kerning that combine to give you the ability to create large, beautiful and effective headlines and copy for your artwork. Neumatic Compressed packs punch when it comes to large copy lines and is perfect for posters, display copy, headlines in printed materials like magazines and books . The family comes in 8 weights from extra light to Black so it's versatile. Its extra light weight can give you some great height due to how narrow it is. Play around with the opentype Superscript with an underline or the Opentype stylistic sets which turns the default squared dots on i's, j's and punctuation to round dots.

A calligraphic roman sans-serif, with large x-height, the Vershen font is available in four weights, plus a series with small capitals and old-style figures, also in four weights, and finally, a four-weight set of universal fraction generators. The fonts are thoroughly pair-kerned, including all accented characters and letter pairs not commonly found in English, but frequent in other western European languages. Each font package includes both TrueType and PostScript versions, and is avialable in either PC/Win or Macintosh format. Numerals and currency symbols in the standard font set are monospaced for orderly columns; but a narrower numeral '1' is also provided, along with an alternate lowercase 'g' and ampersand.

Say hello to Blooms - an edgy, brush script with lots of attitude! All handmade and then vectorized, Blooms is the perfect mix between sexy and serious. The script is made in two variations - one rough and one smooth for a more sleek look. The Blooms family comes with some great additions to support the script - a thick headline font for the ultimate impact and a narrow tagline font for more hand-style expression. Urban, modern and full of personality, Blooms is perfect for various occasions. Wedding invitations, T-shirts or cards, Instagram photos or interactive designs, it covers it all. Throw some ligatures and stylistic alternates on top of that and you have yourself a multipurpose family.

Sagarana is an elegant display typeface rooted in the style of romantic or didones letterforms; however, it is a sans serif with a cleaner appearance. The contrast and the vertical stress maintain the modern style, while the terminals, the finials, the proportions and the narrow look enhance its stylish personality. It could be suitable for editorial projects such as magazines, books or even for sophisticated environments, let’s say, fashion, department store, perfumes, cosmetics and so on. Sagarana was initially inspired by a Brazilian book cover from 50’s. The name itself combines the words “saga” (as in the English sense of “story”) and “rana,” a Tupi word (Indigenous language) that roughly means “showing similarities”.

Silver Lovely is a script that is both narrow and modern. It is slender, feminine and classy, while still maintaining a friendly feel. Silver Lovely is versatile and will work perfectly for fashion, e-commerce brands, trend blogs, wedding boutiques or any business that wants to appear upscale and chic. With its many different stylistic characters, Silver Lovely is perfect for creating original and functional designs. It has extensive language support and tons of ligatures, alternates, stylistic sets that add visual interest to every letter. The overall feel of the font is elegant, sophisticated with a touch of informal and it is ideal if you want to convey a sense of class and style. Thanks so much for looking.

Take a midnight stroll if you dare through the shadowy terrace of terror, in Nightmare Street! A bloodcurdling design supplied in two styles with additional underlines and paint spills, Nightmare Street is an 80s inspired horror font straight from the video store. It’s the perfect choice when you want a hand-made look for your movie posters and trailers, album covers, books and Halloween promos. This font includes complete uppercase and lowercase characters plus punctuation, numerals and language support. It also comes with a full set of alternatives ensuring that you’ll never have to repeat your e’s or t’s for a more convincing and authentic hand-drawn look. Check out the visuals for more details and usage examples.

Freewill - Handmade Rough Brush Font with ligature and Multilanguage support.inspired by the famous minimalist logo, perfect for the purposes of designing templates, brochures, videos, advertising branding, logos and more. Perfect for adding a unique twist to word-mark logos, as well as numbers and punctuation making it super fantastic. Like all of my fonts it is inspired by lettering from the good old past, but it still has a strong modern appearance. Its wide range of stylistic alternates allows versatile design options and works perfectly for headlines, logos, posters, packaging,,coffee shops, restaurants, magazine's headers, signs or gift/post cards,cafe's and weddings.Best for halloween poster, horror poster, childrenbook, cartoon, comic etc

TT Moons update 1.1 What’s new. • Case Sensitive Forms • Tabular Figures • Fractions • Numerators • Denominators • Superiors • Scientific Inferiors TT Moons is a slim, high-contrast serif. This font family works especially smart in classic design themes. TT Moons is a typeface of the glyptal modern font family. The ideal application range for this typeface is magazines, books and newspapers layout. Thanks to its narrow proportions and 5 weights (Thin, Light, Regular, Bold, Black), TT Moons perfectly fits into any contemporary digital design, such as interactive and product design, editorial and corporate web design. This font family is the real work helper and your joker when you need to combine contemporary and classic styles.

Sometimes the ugliest pets can be the cutest ones. And the dirtiest fonts can be the most charming ones. Like CA Smut which comes in two styles that can be stacked on top of each other. “Regular” is the shadow, while “Fill” is the filling. Create little masterpieces by playing with different colors, offset or deviating tracking. You can even try to use the “Fill” style on its own, but do so at you own risk. The spacing and kerning is optimized for the use with “Regular”, so be open minded for surprising results. If you ever had the intention to design a horror movie poster, there’s no way around CA Smut.

Deca Serif New is a significantly revised version of Deca Serif. It is a pure low contrast serif face with squarish oval shapes and quite narrow proportions. The typeface is nicely readable in small sizes and can be recommended for scientific, legal, official and business documents. Deca Serif New's distinctions from the original Deca Serif are: slight corrections of the letterforms, extended character set (now including Greek and Extended Cyrillic) and a number of styles. Now there are 8 faces: four upright styles of different weight and corresponding italics. Deca Serif New as well as Deca Serif is an ideal companion face for Deca Sans. The typeface was designed by Natalia Vasilyeva and released by Paratype in 2017.

Moucha is a geometric superfamily that received the German Design Award 2024 for its multitude of variants. Find a vintage and a modern variant and play with all the proportions in between. The variable font is your typographic toolbox with the perfect sans-serif match for your favorite serif. It supports 619 Latin, Cyrillic and Greek languages. How it works: All variants share the same round characters while rectangle-based characters vary in width. Do you want a dynamic classic look with a narrow ‘n’ and uppercase proportions like you know from prototypes like Futura®? Or do you prefer a homogenous contemporary look? Use Moucha X for the exact middle or bubble up your own variant!

Dusan "Dustin" Jelesijevic wanted to make a font that would be "scary" and "serious" at the same time. Wanna-be-horror and punk-rock-out-of-beers typeface's style invites all interest minors and adults to use this fonts for miscellaneous rebel-yeah situations. For example, if you like to protest in a public against Tour De Force font foundry, please write transparencies using this font, it will hurt us bad. Just don't hack our site with message written in Rough the Type. If you write with West European characters, love being nerdy and to kick some schmucks in the brain, Rough the Type is at your service. And remember - I know what font you used last summer!!!

Silvan Kaesar designed Seedbad after observing the unique sign lettering along the shores of Lake Geneva's bathing area. Seebad's four different settings represent the cutting edge new style of Swiss design, which spans the bridge between modern and contemporary. Containing geometrically forms, Seebad has a narrow base. Some characters (the lowercase t", for example) display unicase, even uncial-like tendencies. If you are looking for a face to spice up your layouts with an ultra-modern, cutting-edge flair, while not sacrificing copy length, Seebad is the face for you! The four fonts making up the Seebad family are all included in the Take Type 5 collection, released by Linotype GmbH in 2003."

The Orbi type system is a low contrast antiqua of elegant design with a well developed set of members. It consists of 10 roman and italic faces of different proportions and weights and 3 decorative calligraphic fonts. It also contains 3 additional fonts with various decorated initials. The roman includes small capitals. Thanks to its variety of styles the font is suitable for a wide range of applications - the basic styles are good for books and periodicals; the narrow styles work well in the columns and tables of business papers; the decorative styles are ideal for ceremonial typography where swashes, calligraphy and initials are usual. The fonts were designed by Natalia Vasilyeva. Released by ParaType in 2010.

The English typographer Robert Harling created Tea Chest in 1939 with the Stephenson Blake foundry. Today, this classic design is available in digital format from Linotype GmbH. Tea Chest is a bold stencil face. The font's narrow letters are all caps, and they sport small, slab serifs. Harling's design was most likely reminiscent of the old industrial lettering painted onto boxes and wooden crates that used to be shipped all over the world on the high seas. These letters had to be simple to reproduce, easy to read, and not take up too much space! Try out Tea Chest for large signage displays, on exotic product packaging, or in magazine or newsletter headlines.

Alternate Gothic was designed by Morris Fuller Benton for American Typefounders Company in 1903. All three weights of Alternate Gothic are bold and narrow. In fact, this face is essentially a condensed version of Benton’s other well-known sans serif types, Franklin Gothic and News Gothic. In the early twentieth century, the modern concept of type “families” had not yet been formed — and though Benton designed these sans serifs to harmonize with each other, the foundry gave them different names. Robust, dark, and coolly competent, Alternate Gothic is a good choice when strong typographic statements must fit into tight spaces. As a modern usage, it is currently the font of YouTube’s homepage logo.

Meet Think, a varied-width sans serif font with fun options. At first glance, Think appears to be your standard all-caps mono weight sans. But if you look more closely, you’ll see that Think pairs wide and narrow characters to create a bold, eye-catching look that’s perfect for headlines, editorial design, monograms, branding, logos, poster design, and more. Think includes over 800 glyphs and uses 4 stylistic sets to give you lots of options in terms of the width of each letter. OpenType features include character variants, stylistic sets, and multilingual support (including multiple currency symbols). These features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign.

Headlines are transformed into clear-cut messages with the handwriting type family Slandic. Its robust appeal combines the elegance of script typefaces with the lightness of handwritten notes. What makes the Slandic so playful is the synergy between the quite narrow lowercase letters and the wide uppercase letters. Therefore it might rather be an upright chancery italic of a humanist sans. You can see it very clearly in its sharp upward angles and its long-limbed ascenders. Its visual appeal sets a reliable tone. It is precisely balanced with a solid stroke contrast and confidently angular-shaped curves. Slandic perfectly enhances exciting contrasting typography adding a personal note without giving it a comic spin.

Saprona is a powerful sans-serif with a curved terminals, a tall x-height, narrow letterforms and seven weights. 400 Glyphs. Extensive Language Support. 84 Languages. Advanced OT Features. 7 Weights. Fully Variable. Updates. Advanced OpenType Features include Old Style Figures, Fractions, Denominators, Numerators, Standard Ligatures, Case Sensitive Forms, Alternates to satisfy the most demanding professionals. Curved terminals and unique letterforms make for a sans serif with a unique appearance that can make your brand or design stand out. Saprona is designed to be very versatile therefore it works great in all areas whether it is Editorial Design, Graphic Design, Web Design, UI Design and Print. And is well suited for both Headings and Body Text.

Avantgarde fonts Batory and Batoswash are monoline sansserifs designed by Bo Berndal. The futuristic Batory (think Bladerunner and Total Recall) and the spicier relative Batoswash come in three versions: Narrow, Middle and Wide. The font family is available in Truetype and Postscript for Mac and PC. Bo Berndal, born 1924, has been designing typefaces over 56 years, for Monotype, Linotype and other foundries. “Batory is a monoline reaction to my many calligraphic fonts”, says Bo Berndal. "That is also the reason I did several widths instead of weights. Batory has short stems and high x-height. Batoswash is a Batory gone wild!" The successful Batory has already been used for logotypes, vignettes in magazines and as headline type.

Clearface Gothic first appeared in 1910, designed by Morris Fuller Benton, the world-famously prolific typeface artist. In addition to Clearface Gothic, Benton also designed classics like Franklin Gothic, Century Expanded, and many other types. Clearface Gothic is a sans serif face with light forms displaying the Zeitgeist of the turn of the 20th century. Distinguishing characteristics are the open forms of the a" and "c," the arched "k," and the upward-tilting horizontal stroke of the "e." The relatively narrow typeface, with its open inner white spaces, is extremely legible even in small point sizes. There is no accompanying italic. This digital version of Clearface Gothic was made in 1984 by the Linotype Design Studio."

Pexico Micro is a pixel typeface that uses 5 by 7 grid (capital letter) in 8 styles: 4 basic styles for text setting — Regular, Bold, Narrow, and Mono and 4 stylistic variations of the Regular style for display setting — Outline, Dots, Round, and Inverse. It fits the display's pixel grid when used at 10pt size or its multiples. Pexico Micro supports Latin, Cyrillic, and Greek Monotonic scripts, all with thoroughly designed diacritics. Moreover, Pexico Micro makes use of advanced OpenType features, just as any other modern text typeface. Each style also has 9 sets of numbers, small capitals and is properly kerned. For more information go to For more information go to Urtd.

The name of the font Titla emphasizes it heading and display functionality. At the same time low contrast, narrow proportions, wide variety of weights and clear glyph constructions make it possible to use it for long texts as well. Combination of modern serifs with flexing stems (see n, p,…) brings to the font fresh, informal and noticeable appearance. The character set includes alternative variations and specific 'vertical ligatures' for paired letters that are built with the help of diacritical forms of letters placed above basic ones. This feature also was reflected in the name of the font as Greek 'titlos' means diacritical mark. The font was designed by Oleg Karpinsky and released by ParaType in 2009.

In comparison to most of my typefaces that tend to be fairly expressive, I wanted Voice to be simple, effective and easy to use. Voice was designed to work well in a wide range of sizes, and also in narrow tight columns with a wide range of weights. Those are some criteria for a good corporate typeface that I could clearly see in all my corporate branding projects. It is not that a brand needs all the weights but some appropriate weights can be chosen from that wide range. In copy you should not use heavier than Heavy. ExtraBold and UltraBold work best in display. Recommended uses: corporate branding, magazines and other publications.

Introducing Ghostly Guffaws, a Halloween Funny Theme Font that encapsulates the spooky yet playful spirit of Halloween. This unique display font, crafted with precision. Ghostly Guffaws is characterized by its all caps lettering, making it a perfect choice for bold and eye-catching headlines. With seven distinct variations tailored to fit the eerie theme, this font is versatile and adaptable. Whether you’re designing logos or branding materials, Ghostly Guffaws adds a touch of whimsy and horror that’s bound to captivate your audience. It’s not just limited to Halloween; use it for children’s themes, crafting projects, invitations cards, packaging designs, posters titles, business signage, greeting cards stickers books magazines or any design needing a dash of creepy charm.

DANGER NIGH is the horror display typeface with high contrast all caps style looks and feel nice balanced. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please click fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please click fi symbol If you have questions, just send me a message and I’m glad to help. Have a great day, Absonstype