Hey there! I'm happy to introduce to you my new ethnic-based font. Hurray! It was long and hard work because every glyph is unique. I sketched each letter of the font. Each letter is uniquely designed and has nordic folk art in the background. What you will get: Filled and Regular styles Icons and patterns font Uppercase (lowercase glyphs are same) Numbers and symbols Multilingual support Please feel free to request to add characters you need: kaer.pro@gmail.com

Euroque is the 23rd font family from Cozyfonts Foundry, a California Foundry established in 2012 by designer and typographic illustrator Tom Nikosey Euroque began with pencil sketches, as all my fonts trace their beginnings. Influenced by European poster art of the 1920s and 1930s Euroque takes its name almost literally, European Style. These fonts are designed as a Small Caps Family, where the lower case mirrors the Upper case in design but its weights are compatible and consistent.

Virtuosa Classicis the 21st century OpenType re-release of a classic Hermann Zapf design, his very first script typeface, Virtuosa. Based on the same sketches that would inspire Zapfino 50 years later, Hermann Zapf developed Virtuosa in 1948-49. It was originally released in metal in 1952. Virtuosa nova is an English copperplate script with character. The font includes two form variants for each capital letter, and there are a number of lowercase alternates and ligatures, too.

Father's Day, or June 17 of this year, is in the middle of Argentinian winter. And like people do on wintery Sunday mornings, I was bundled up in bed with too many covers, pillows and comforters. Feeling good and not thinking about anything in particular, Father's Day was nowhere in the vicinity of my mind. My eleven year old son, Matías, came into the room with a handmade present for me. Up to this point, my Father's Day gift history was nothing unusual. Books, socks, hand-painted wooden spoons, the kind of thing any father would expect from his pre-teen son. So you can understand when I say I was bracing myself to fake excitement at my son's present. But this Father's Day was special. I didn't have to fake excitement. I was in fact excited beyond my own belief. Matí's handmade present was a complete alphabet drawn on an A4 paper. Grungy, childish, and sweeter than a ton of honey. He'd spent days making it, three-dimensioning the letters, wiggle-shadowing them. Incredible. A common annoyance for graphic designers is explaining to people, even those close to them, what they do for a living. You have to somehow make it understandable that you are a visual communicator, not an artist. Part of the problem is the fact that "graphic designer" and "visual communicator" are just not in the dictionary of standard professions out there. If you're a plumber, you can wrap all the duties of your job with 3.5 words: I'm a plumber. If you're a graphic designer, no wrapper, 3.5 or 300 words, will ever cover it. I've spent many hours throughout the years explaining to my own family and friends what I do for a living, but most of them still come back and ask what it is exactly that I do for dough. When you're a type designer, that problem magnifies itself considerably. When someone asks you what you do for a living, you start looking for the nearest exit, but none of the ones you can find is any good. All the one-line descriptions are vague, and every single one of them queues a long, one-sided conversation that usually ends with someone getting too drunk listening, or too tired of talking. Now imagine being a type designer, with a curious eleven year old son. The kid is curious as to why daddy keeps writing huge letters on the computer screen. Let's go play some ball, dad. As soon as I finish working, son. He looks over my shoulder and sees a big twirly H on the screen. To him it looks like a game, like I'm not working. And I have to explain it to him again. This Father's Day, my son gave me the one present that tells me he finally understands what I do for a living. Perhaps he is even comfortable with it, or curious enough about that he wants to try it out himself. Either way, it was the happiest Father's Day I've ever had, and I'm prouder of my son than of everything else I've done in my life. This is Matí's font. I hope you find it useful.

A handful of these spiky, sprightly letters made up the twittering title page of 'Message Of The Birds', a song by one Flora Warner, found in stacks of crumbling scores on an old upright piano in the basement of a favorite London bookstore.

The 1933 sheet music compilation entitled "Kate Smith Memories Song Book" had the singer's name hand lettered in a bold, spurred serif typeface. This lettering design became the basis for Radio Show JNL, which is available in both regular and oblique versions.

Little people that appear to be made with putty stretching themselves in fun configurations to spell out words.

Miller, designed by Matthew Carter, is a “Scotch Roman,” a class of sturdy, general purpose types of Scottish origin, widely used in the US in the last century, but neglected since & overdue for revival. Miller is faithful to the Scotch style though not to any one historical example — and authentic in having both roman & italic small caps, a feature of the originals.

Found on the back of some sheet music to promote another song was the hand-lettered title "The Snake Charmer". While not everyone likes snakes, many designers do like the lettering of the Art Deco era, so Charmer JNL is designed from that lettering.

The hand lettered title on the 1945 sheet music for the song "Louisiana Hayride" is an Art Deco design with a nod to the preceding Art Nouveau era. It is now available as Barn Dance JNL, which is available in both regular and oblique versions.

The 1938 sheet music for the official Coast Guard Marching Song "Semper Paratus" "(Always Ready)" offered up a hand lettered title in a bold block style with rounded corners and an inline. This is now available as Stationer JNL, in both regular and oblique versions.

The 1954 sheet music for the song "Arrevederci Roma (Goodbye to Rome)" [from the MGM film "The Seven Hills of Rome"] was hand lettered in a medium-wide sans serif. This design is now available digitally as Arrevederci JNL in both regular and oblique versions.

Perfume Counter JNL was based on the hand lettered song title found on the 1938 sheet music for "At A Perfume Counter (On the Rue de la Paix)" from Billy Rose's New York revue "Casa Mañana", and is available in both regular and oblique versions.

The 1907 sheet music for "Take Me Back to Dear Old Dixie" had the song title hand lettered in a decorative serif typeface with strong Art Nouveau influences. This design is now available digitally as Fancy Nouveau JNL, in both regular and oblique versions.

Artane, Tony Fahy's first typeface for Bitstream Inc., has a specific philosophy at the core of it's creation. He decided he would try to create a Roman sans that would have the elegance of a serifed italic, such as Stempel Garamond, Bembo, or Baskerville.

Songs of the early 1900s were anything but the status quo in topic or style. Excessively long titles, novelty tunes and "foreign themes" permeated the piles of sheet music in the local music shops. 1916's "Oh How She Could Yacki Hacki Wicki Wacki Woo (That's Love in Honolu)" covered a number of these quirks within one publication. This Hawaiian-tinged song evoked the mysterious ways of the South Seas islands, despite the abridging of Honolulu to "Honolu". Nonetheless, the hand lettered title of this particular piece of sheet music featured an Art Nouveau-influenced bold block letter with rounded corners. It's now available digitally as Smooth Sailing JNL, in both regular and oblique versions.

Answer Songs have been around for [probably] just as long as there have been songs. 1917's "If I Catch the Guy Who Wrote Poor Butterfly" was the answer to the 1916 hit "Poor Butterfly" [by Raymond Hubbell and John Golden], which in turn was inspired by the Puccini opera "Madame Butterfly". "Poor Butterfly" was so popular that this "answer" tune had as part of its lyrics "That melody haunts me in my sleep; it seems to creep." Nonetheless, the sheet music for William Jerome and Arthur Green's comic lament had the title hand lettered with an oval nib lettering pen and is now availably as a digital type face called Dip Pen JNL.

Bogesta Typeface - Stylish OpenType rich serifs with letters that seem to dance and swirl harmoniously together - to form unique & elegant typographic designs. The wide selection of interwoven binders and Opentype alternatives means lots of choice and variety in your final look. To access these OpenType features, you need Opentype-enabled software such as: Word, Textedit, Photoshop, Sketch, Pages, Keynote, Numbers, iBooks Author, QuarkXPress, Indesign and Illustrator. A wide variety of useful glyphs are included - see preview images of all glyphs.

Marvaloha is based on the handwriting of an Advertising creative director. The casual but powerful strokes he uses for sketching are also visible in his writing. The Marvaloha font family consists of the original Marvaloha Regular and a Bold version. Both have matching Italics. All four styles have double letter ligatures and a set of symbols and catchwords to give your design some extra power. You will need an Open Type Savvy Application to get the most out of Marvaloha.

Chamelton, a vast layered font family, provides a creative spectrum through layers, colors, and weights, including 109 Sans Serifs, 3 script weights, + 198 extras. You can use the family as a complete design kit or a component of your work. Most styles are stand-alone fonts, but some layers work only in combination. Creating a multi-colored layered font is simple and compatible with any layer-supporting graphic software, including Adobe Suite, Sketch, Figma, etc. See Specimen PDF for more details.

Flight is the work of British calligraphic artist Timothy Donaldson, whose specialty is the experimentation with different design tools. Flight is named for the free-flowing lines of its forms which bring to mind a freedom of movement. It was first rendered in pencil using a quick sketching technique. The stem junctions were then carefully thickened to produce a futuristic style without losing its calligraphic origins. The capitals are intended for initialling purposes only. Flight is a lighthearted font with elegant letterforms.

Pattycake family is artsy and friendly. Pattycake is a 3D sketched block letter font with lots of hand-drawn energy and bounce. Pattycake Solid is a smooth and cheerful stand alone font that complements Pattycake, and works nicely as a loose fill under Pattycake so you can easily have fun with color! Both fonts have double-letter ligatures in upper and lower for plenty of movement, and are ready to brighten any fun project, especially those designed for young people.

ITC Vintage is a collaborative effort by California designer Holly Goldsmith and Ilene Strizver. It was inspired by several character shapes found in an all caps headline from a 1915 magazine advertisement. Working under Strizver's art direction, Goldsmith sketched the remaining caps in pencil on vellum, revised them, and after scanning them, added the final adjustments in Fontographer. It includes a caps and small caps alphabet. ITC Vintage is a classic and dignified headline design that suggests elegance and simplicity.

Quick Notes playful script font Cyrillic is a pretty monoline font that will look gorgeous on all your designs, wedding stationery, love stories, branding materials, monoline logos, pretty teenage stickers, business and wedding cards, calligraphy Insta quotes, elegant fashion sketches, calligraphy love monograms and much more. Quick Notes playful script font contains the Cyrillic glyphs too. Quick Notes playful script font is a graceful cursive calligraphic script font, plus a Symbols font with 26 lovely hand-drawn swashes and illustrations!

STRANO Like the name indicates it’s a strange typeface. Just capitals (including punctuation marks and numbers), composed from early sketches for a corporate identity in 2005 by André Toet. The complete font was restyled and translated to a Monospaced version. It’s a quite versatile font: it can be used in a lot of different cases, not only in print but also in architecture and street furniture. Think about lettering on benches, bridges, buildings. Concept/Art Direction/Design: André Toet © 2017

Gandhewa is a font that I made in handwriting style. This font is inspired by my grandfather's writings. I made Gandhewa in a few steps that were long enough to finally become a beautiful font. Starting from rough sketches on paper using a ballpoint pen, I then redrawn and arranged the characters in the font creator. If you are looking for a natural, clean signature font, Gandhewa is perfect for you. Gandhewa is also equipped with 17 ligature and has multi-lingual support.

Skratchbook is a new handwritten font from the sketch pad of designer Tom Nikosey of CozyFonts. The family exists in 3 versions, Regular, Italic, & Back Italic. This font is a casual, coarse style meant to be used for personality and spontaneity. It's style conjurs anything from quick grocery lists to Halloween Party invites. It maintains amazing legibility in small sizes and it's true personality is revealed the larger it is set! Hoping this font finds your voice! Skratchbook, New from CozyFonts Foundry.

The font is named after my son Javier. He studies architecture. Font Javier follows architectural principles. Javier 1, Javier 2 and Javier 3 can be combined with each other.

There is something straight-forward and no-nonsense about slab serifed typefaces. Calligraphic designs, on the other hand, evoke a sense of humanity and immediacy - even intimacy. ITC Napoleone Slab combines both slab serif and calligraphic design traits into a single typeface design. Heady stuff. The result is unlike almost any other slab serif typeface. According to designer Silvio Napoleone, “The concept developed from my explorations as a student in an independent lettering class. I sketched many historical letterforms by brush. I continued experimenting for several years after, sketching by hand and on the computer. Eventually, I chose the slab serif for production because of its distinctive design quality.” ITC Napoleone Slab is exceptionally versatile. The family is economical in width and contains true italic designs, oldstyle numbers and a suite of special ligatures. According to Silvio, “Napoleone Slab was designed to work well at all sizes, and in on-screen applications.” Silvio currently lives in Toronto, where he works for a “young, enthusiastic interactive firm.” His designs have been exhibited nationally and internationally, and his work was also part of a traveling exhibit for the American Institute of Graphic Arts.

Since the release of his first typeface, Zulia Pro, Joluvian has spent his time dedicatedly experimenting with an array of calligraphic styles and typography, before starting on his second typeface, Salamat. The journey began on a trip to Asia, where Joluvian was inspired by his time in the Philippines. After a series of discarded type sketches, the first stroke of what is now Salamat was then born.   What at first was a quick sketch, over time, evolved into a stylized typography; that lends to humanistic-expressive calligraphy, optimized with wide variety of swash capitals, contextuals ligatures, ascending and descending, starting and ending letters and a wide range of characters for each glyph. Salamat provides the user absolute freedom to play, create words, sentences and even very stylized paragraphs. Giving one the freedom with type, the way the Philippines gave Joluvian the freedom to explore calligraphy and typography.   Joluvian considers Salamat a new benchmark in his career. He now possesses more typography maturity, and a refined focus to put into practice all the knowledge acquired in his recent years of study, for this and much more salamat ('thank you' in Tagalog) to the Philippines.

A thin, very elegant caps-only cross-stitch font, based on an embroidery pattern from the end of the 19th century.

This font is inspired by Van Morrison’s song named “Days like this”. Contains all Latin glyphs and more than 400 characters with ornaments. It is decorative, very modern and useful for logos, T-shirt designs, packaging design, posters, billboards, magazines, covers, etc. Contains regular and italic.

Techno Retro JNL looks like a design straight out of the 1980s, but it actually appeared as hand lettering on a sheet music cover for the circa-1940s edition of the song "To You Sweetheart, Aloha", proving the old saying that "everything old is new again".

A 1940s sheet music edition of an early 1900s song entitled "You Taught Me How to Love You, Now Teach Me to Forget" was set in a popular metal type slab serif face. It is presented digitally as Elite Resort JNL, in both regular and oblique versions.

Sheet music for 1907's "Just A Little Fond Affection" had the song title hand lettered in a simple sans serif design with influences from the then-current Art Nouveau movement. This is now available as Nouveau Titling JNL; available in both regular and oblique versions.

Chocolate Bar JNL emulates hand-lettering on the sheet music for a song selection called "Shoe Shine Boy" from Connie's Hot Chocolates of 1936 (an all-black musical revue). The lettering was not found in the song's title, but rather in the name of the show itself.

My son Konstantin needs a bold face for his bold recipes. So I made Konstantin Forte for him — and the rest of the world. Your bold family designer, Gert Wiescher.

Trafalgar Stencil JNL gets its inspiration from a set of lettering stencils manufactured by Reese and Sons in Great Britain during the 1950s as does its counterpart, British Stencil JNL.