Yzerfontein is an angular variation on the classic German blackletter that started with a sketch of a lowercase 'g'.

This elegant typeface came out of a quick, back-of-the-napkin, sketch I did for a different typeface. After toiling on that typeface I looked back at the sketch and realized that I had lost some of the elegance and playful character of my original sketch. So, it was back to the drawing board and Lilette was born. Lilette is fun but also serious. Playful but elegant. Personal yet also industrial. That’s the power of a slab serif. Perfect for magazine headlines, wedding invitations, signs, posters, slides, promotions, product design, branding, logos, and so much more. Make this versatile typeface with 10 styles yours.

Bristol and Bristol Adornado (also known as Greco) was first released by Fundición Richard Gans of Madrid, Spain, in 1925. The Richard Gans Foundry is a defunct Spanish foundry which existed from 1888-1975. Throughout its existence, types were designed by a number of people including José Ausejo Matute (d. 1998), Antonio Bilbao (who created Escorial in 1960), the son Ricardo Gans, and Carl Winkow. GroupType's versions of this font pair have been with FontHaus since the mid 1990s. Bristol is a charming and strong period design. Its structure is masculine and vertical. A great poster font and the Adornado style is an excellent choice for an eye-catching large drop cap.

A handful of these spiky, sprightly letters made up the twittering title page of 'Message Of The Birds', a song by one Flora Warner, found in stacks of crumbling scores on an old upright piano in the basement of a favorite London bookstore.

The 1933 sheet music compilation entitled "Kate Smith Memories Song Book" had the singer's name hand lettered in a bold, spurred serif typeface. This lettering design became the basis for Radio Show JNL, which is available in both regular and oblique versions.

Father's Day, or June 17 of this year, is in the middle of Argentinian winter. And like people do on wintery Sunday mornings, I was bundled up in bed with too many covers, pillows and comforters. Feeling good and not thinking about anything in particular, Father's Day was nowhere in the vicinity of my mind. My eleven year old son, Matías, came into the room with a handmade present for me. Up to this point, my Father's Day gift history was nothing unusual. Books, socks, hand-painted wooden spoons, the kind of thing any father would expect from his pre-teen son. So you can understand when I say I was bracing myself to fake excitement at my son's present. But this Father's Day was special. I didn't have to fake excitement. I was in fact excited beyond my own belief. Matí's handmade present was a complete alphabet drawn on an A4 paper. Grungy, childish, and sweeter than a ton of honey. He'd spent days making it, three-dimensioning the letters, wiggle-shadowing them. Incredible. A common annoyance for graphic designers is explaining to people, even those close to them, what they do for a living. You have to somehow make it understandable that you are a visual communicator, not an artist. Part of the problem is the fact that "graphic designer" and "visual communicator" are just not in the dictionary of standard professions out there. If you're a plumber, you can wrap all the duties of your job with 3.5 words: I'm a plumber. If you're a graphic designer, no wrapper, 3.5 or 300 words, will ever cover it. I've spent many hours throughout the years explaining to my own family and friends what I do for a living, but most of them still come back and ask what it is exactly that I do for dough. When you're a type designer, that problem magnifies itself considerably. When someone asks you what you do for a living, you start looking for the nearest exit, but none of the ones you can find is any good. All the one-line descriptions are vague, and every single one of them queues a long, one-sided conversation that usually ends with someone getting too drunk listening, or too tired of talking. Now imagine being a type designer, with a curious eleven year old son. The kid is curious as to why daddy keeps writing huge letters on the computer screen. Let's go play some ball, dad. As soon as I finish working, son. He looks over my shoulder and sees a big twirly H on the screen. To him it looks like a game, like I'm not working. And I have to explain it to him again. This Father's Day, my son gave me the one present that tells me he finally understands what I do for a living. Perhaps he is even comfortable with it, or curious enough about that he wants to try it out himself. Either way, it was the happiest Father's Day I've ever had, and I'm prouder of my son than of everything else I've done in my life. This is Matí's font. I hope you find it useful.

Beware of the Phantasm! Just in time for Halloween, Phantasm is perfect for your creepiest projects. It has great legibility and boasts a much larger character set than most display fonts. It can look wispy and vaporous, or you can make it look like it has been scratched into a surface by hand. All letterforms use a minimum of strokes and the gentle curves reinforce the hand-etched look.

Introducing our latest Sketch Display Slab called Sketchup Display Slab with Sketch taste can make your logotype become more interesting. inspired by the decorative arts and architecture movement Sketchup fonts is perfect for your project and allows you to create designs, headlines, posters, logos, badges, t-shirts and many more that are beautiful. It is also best used for posts, logos, posters, certificates, labels and more.

AZ Kiss font is inspired from sketches. This font is designed for use as a worn and antiqued headline or subheadline.

Tiny little snowflakes highlight this sketched-style font. Give your lettering a slightly funky hand drawn look with this cool font.

The typeface Boom Pang Pow is designed from 2020 for the font foundry Typo Graphic Design by Manuel Viergutz. A collection of comic and pop art elements like Speech Bubbles Catch Words, Punctuation Symbols, Boom, Pow, Bang … with various layers for colouring. 1 font-style (Comic) with 248 glyphs (Adobe Latin 1). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE!

Found on the back of some sheet music to promote another song was the hand-lettered title "The Snake Charmer". While not everyone likes snakes, many designers do like the lettering of the Art Deco era, so Charmer JNL is designed from that lettering.

The hand lettered title on the 1945 sheet music for the song "Louisiana Hayride" is an Art Deco design with a nod to the preceding Art Nouveau era. It is now available as Barn Dance JNL, which is available in both regular and oblique versions.

The 1938 sheet music for the official Coast Guard Marching Song "Semper Paratus" "(Always Ready)" offered up a hand lettered title in a bold block style with rounded corners and an inline. This is now available as Stationer JNL, in both regular and oblique versions.

The 1954 sheet music for the song "Arrevederci Roma (Goodbye to Rome)" [from the MGM film "The Seven Hills of Rome"] was hand lettered in a medium-wide sans serif. This design is now available digitally as Arrevederci JNL in both regular and oblique versions.

Perfume Counter JNL was based on the hand lettered song title found on the 1938 sheet music for "At A Perfume Counter (On the Rue de la Paix)" from Billy Rose's New York revue "Casa Mañana", and is available in both regular and oblique versions.

The 1907 sheet music for "Take Me Back to Dear Old Dixie" had the song title hand lettered in a decorative serif typeface with strong Art Nouveau influences. This design is now available digitally as Fancy Nouveau JNL, in both regular and oblique versions.

Artane, Tony Fahy's first typeface for Bitstream Inc., has a specific philosophy at the core of it's creation. He decided he would try to create a Roman sans that would have the elegance of a serifed italic, such as Stempel Garamond, Bembo, or Baskerville.

DB Easter Bunny is great for Easter or spring time cards or digital scrapbooking projects. Check out these enjoyable sketches and doodles.

Songs of the early 1900s were anything but the status quo in topic or style. Excessively long titles, novelty tunes and "foreign themes" permeated the piles of sheet music in the local music shops. 1916's "Oh How She Could Yacki Hacki Wicki Wacki Woo (That's Love in Honolu)" covered a number of these quirks within one publication. This Hawaiian-tinged song evoked the mysterious ways of the South Seas islands, despite the abridging of Honolulu to "Honolu". Nonetheless, the hand lettered title of this particular piece of sheet music featured an Art Nouveau-influenced bold block letter with rounded corners. It's now available digitally as Smooth Sailing JNL, in both regular and oblique versions.

In 1935, Rudolph Ruzicka approached W.A. Dwiggins at Linotype in the USA and handed him six typeface design sketches. These later led to the typeface family now known as Fairfield. The sketch called Script’ was forgotten until 1993, when sketches and designs were found in Ruzicka’s archives. Ruzicka Freehand was originally a more flowing calligraphy typeface which Ruzicka later developed into this strong and unusual form. The typeface is designed in two weights and their matching italics. The figures are clear, only just indicating the handwritten style in the italic forms, and combine into light and harmonic lines of text. Ruzicka Freehand gives texts a private and personal character and is suitable for middle length texts and headlines.

The Machines Typeface is a retro and classic typeface inspired by the 70s - 90s designs with more unique explored styles like swosh and alternate characters. This font is made from a manual sketch with many many scratches then finished with the font. there are 493 glyphs, so many options that you can use for your projects, Make your designs project with this font and extras illustration to give more superb. This font is also suitable to design like logos, stickers, tees design, banners, posters, sign, display design, packaging, and more superb designs! Enjoy our product and feel free to contact us for support! Features : Full set of Upper & Lowercase Character Number & Punctuation Swosh Alternate Extras Illustration Multilingual Language PUA encoded Opentype Features Thank You for your purchase!

The font is named after my son Javier. He studies architecture. Font Javier follows architectural principles. Javier 1, Javier 2 and Javier 3 can be combined with each other.

Muscle came from the original sketches for Sneakers. At the time my concentration with Sneakers was to create a curvier, chunkier display. I left Muscle behind, thinking it was too masculine. Rather than discard those original sketches, I decided to make it even heavier, reduced the total number of weights, create a function small cap system that when integrated with the lowercase makes a great biform component for short display settings.

A sketched freestyle handwriting with curls, chunks, and skinny bits. The end result is as organic, natural, and inviting as grandma's apple cobbler.

Fans of Comicraft have made a lot of noise (HELP!) about the availability of ready-to-wear, factory surplus sound effects, not unlike those made available over a decade ago in our extremely popular and raucous ZAP PACK. It may sound impossible (WHA--?!), but Comicraft's Sonic Specialist, John JG Roshell, locked himself away (CLIK) in our top-secret SFX lab forming Onomatopoeia at high speeds (FWOOSH) and extreme temperatures (BBRRR), and sounded out over One Hundred (GASP) of the loudest (BTOOM), most intense (UNNGHH), squawkiest (KRAKK), discordant (SPLANGG), dissonant (SQUTCH) -- as well as dulcet and restrained (THWIPP) -- sound effects ever conceived (WOO HOO!) Helpfully arranged in alphabetical order (YIPPEE!), this Library of Onomatopeia -- the ONOMATOPEDIA, if you will (DING) -- is now available for use by the general public. WARNING: Comicraft Sound Effects may explode on contact with skin (AAAH!); please use protective clothing and eyewear when handling the Onomatopedia.

This font is inspired by Van Morrison’s song named “Days like this”. Contains all Latin glyphs and more than 400 characters with ornaments. It is decorative, very modern and useful for logos, T-shirt designs, packaging design, posters, billboards, magazines, covers, etc. Contains regular and italic.

Techno Retro JNL looks like a design straight out of the 1980s, but it actually appeared as hand lettering on a sheet music cover for the circa-1940s edition of the song "To You Sweetheart, Aloha", proving the old saying that "everything old is new again".

A 1940s sheet music edition of an early 1900s song entitled "You Taught Me How to Love You, Now Teach Me to Forget" was set in a popular metal type slab serif face. It is presented digitally as Elite Resort JNL, in both regular and oblique versions.

Sheet music for 1907's "Just A Little Fond Affection" had the song title hand lettered in a simple sans serif design with influences from the then-current Art Nouveau movement. This is now available as Nouveau Titling JNL; available in both regular and oblique versions.

Chocolate Bar JNL emulates hand-lettering on the sheet music for a song selection called "Shoe Shine Boy" from Connie's Hot Chocolates of 1936 (an all-black musical revue). The lettering was not found in the song's title, but rather in the name of the show itself.

My son Konstantin needs a bold face for his bold recipes. So I made Konstantin Forte for him — and the rest of the world. Your bold family designer, Gert Wiescher.

Trafalgar Stencil JNL gets its inspiration from a set of lettering stencils manufactured by Reese and Sons in Great Britain during the 1950s as does its counterpart, British Stencil JNL.

There really is no nonsense in this font - but the name comes from my original sketches, where I drew a lot of nonsense! Actually, I couldn't figure out what letters to use from the sketches, so I picked them all!!! That's why each letter has 10 different versions! And what is cool is that they automatically cycles as you type. All you have to do is turn on Contextual Alternates, and the rest is magic!

Modulair is a dot matrix based font with nice typographic features. Various figures, complete punctuation and small caps in three weights makes the Modulair a very usable font for subtile typographic solutions or headlines. Since autumn 2023, the Modular has been expanded with italics in three weights. The first sketches were made in 1979 on my father's Olivetti typewriter. Forty years later I used these sketches as the basis for the Modular.

Lettering on the sheet music cover for the title song from the 1957 Marlon Brando movie "Sayonara" was the model for Pacific Island JNL. The design has an Asiatic influence, but also reflects a bit of show card lettering as well. Available in both regular and oblique versions.

Say hello to Just Calling , designed with modern style. It will make your design more beautiful. It's suitable for branding, web design, personal signature (logo) and many other modern designs. It has support for multiple languages and many ligatures. Thanks for visiting and purchasing my font! Best regards Donis

The sheet music for the 1917 song "Wake Up Virginia (and Prepare for Your Wedding Day)" features a hand lettered title in a sans serif Art Nouveau design with stencil influences. This was the inspiration for Nouveau Stencil JNL, which is available in both regular and oblique versions.