STF Eclectic Medley is the budget-concious answer to your dingbat blues! This "best of" collection from the Eclectic One, Two and Three fonts is the ultimate grab-bag dingbat resource. Every slot in the font is filled (over 200 characters!), and includes the form-making glyphs from Eclectic Three. The Eclectic family is legendary, with a cult-like following among the inititated. You'll find yourself using Eclectic Medley almost daily to add spice to your otherwise san-serif typographic existence. This font is essentially a soap opera of typographic image elements, created for projects when I couldn't find the "thingbat" I needed. Almost more of a collection of illustrations, there are many characters which connect to form patterns, and of course it's like a "small neutral European country" army knife for the creative community. Available in Mac and PC formats. License it today!

Proud to introduce: The all hand-drawn Mila Script Pro Family Mila Script is a handmade brush script with round and soft letterforms, a low x-height and jumping baseline. Smart OpenType features care about all letterforms and choose between connected and non-connected styles. AutomaticSwashControl adjusts the swashy letters to the available white space. It’s installed within Mila’s main features OpenType Contextual-Alternates, Swashes and Titling-Alternates. Switch one on and let Mila do the rest. · Please read over the manual. It describes the family in detail. · Of course there’s a little more know about Mila Script Pro: 2600+ characters offer four different initial styles, capital swash and titling alternates, connected words, 17 different initial and terminal swashes and much more. All of course with full ISO latin 1 & 2 language support. · Mila Script Basic (900+ characters) offers all single features contained in OpenType Contextual-Alternates: subtle contextual swash alternates, positional forms, ligatures, connecting and non-connecting characters … · Mila Script Sans: Mila Script Sans is a hand-drawn/handwritten “all caps” in three different weights. Mila Script and Mila Script Sans go well together: combine them and equal the line weights by choosing Light, Regular or Bold. Always keep it way smaller than Mila Script. Mila Script Sans also works well as a standalone. It offers negative typesetting, bicolor typesetting by layering two styles and even alternates without counters. Please see the manual for instructions. · Mila Script Ornaments: Change the size and keep the line weight: activate Contextual Alternates, type a letter and add + to enlarge all swashes according to your likings. Mila Script Ornaments contains 69 different swashes and symbols, all of them available in seven different sizes, which makes a total of 483 characters. All ornaments are within easy reach and there’s no need to access certain symbols manually via your glyph palette. · Have fun! · View other fonts from Georg Herold-Wildfellner: Sofa Serif | Sofa Sans | Mila Script Pro | Pinto | Supernett | Mr Moustache | Aeronaut | Ivory | Weingut · Language Report for Mila Script / 195 languages supported: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic, Asturian, Aymara, Bashkir, Basque, Bikol, Bislama, Bosnian, Breton, Cape Verdean, Catalan, Cebuano, Chamorro, Chavacano, Chickasaw, Cimbrian, Cofan, Corsican, Creek, Crimean Tatar, Croatian, Czech, Danish, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz, Galician, Genoese, German, Gooniyandi, Greenlandic, Guadeloupean, Gwichin, Haitian Creole, Han, Hawaiian, Hiligaynon, Hopi, Hotcak, Hungarian, Icelandic, Ido, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istroromanian, Italian, Jamaican, Javanese, Jerriais, Kala Lagaw Ya, Kapampangan, Kaqchikel, Karakalpak, Karelian, Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino Sine, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Makhuwa, Malay, Maltese, Manx, Maori, Marquesan, Meglenoromanian, Meriam Mir, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinhpatha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Oshiwambo, Ossetian, Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Qeqchi, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami Lule, Sami Southern, Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Seri, Seychellois, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio, Somali, Sorbian Lower, Sorbian Upper, Sotho Northern, Sotho Southern, Spanish, Sranan, Sundanese, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen, Tuvaluan, Tzotzil, Uzbek, Venetian, Vepsian, Volapuk, Voro, Wallisian, Walloon, Waraywaray, Warlpiri, Wayuu, Welsh, Wikmungkan, Wiradjuri, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni

A revival of one of the popular wooden type fonts of the 19th century. Suitable for text, a narrow, thin Antique, with flat unbracketed serifs.

A revival of one of the popular wooden type fonts of the 19th century, condensed, bold, flat thick serifs, a very useful design for display.

A revival of one of the popular wooden type fonts of the 19th century, suitable for display, geometric slab serifs unbracketed, short descenders, very condensed.

A revival of one of the popular wooden type fonts of the 19th century, suitable for text or display, short ascenders and descenders, serifs triangular.

A revival of one of the popular wooden type fonts of the 19th century, suitable for display, geometric slab serifs unbracketed, short descenders, very condensed.

There are thousands of pieces of vintage sheet music available for collectors and curiosity seekers. Prior to the 1930s, a large percentage of them had wonderfully hand-lettered titles on the covers, but gradually there was a shift by music publishers to utilizing metal type for the bulk of their output. Normally set in an all-caps format, certain type faces reappeared in growing frequency and familiarity. Composer JNL is one such example of a “workhorse” font, and has been re-drawn and reinterpreted by Jeff Levine Fonts in both regular and oblique versions. It is based on the design "Glamour", released by Lanston Monotype in 1948; which in turn was based on "Corvinus", designed by Imre Reiner.

By day, Ken Gitschier is one of Monotype Imaging's in-house type designers, busy creating fonts for on-screen typography - a demanding undertaking that requires meticulously editing fonts on a pixel-by-pixel basis. His tools are Fontographer software, a Wacom digital tablet, a high-resolution monitor and a keen understanding of typographic forms. But by night, Gitschier uses the same tools to indulge his passion for experimental typeface designs. GitchHand is one of Gitschier's nocturnal projects. The design has an almost painterly quality. Depth, texture and even a sense of color are found in the lettershapes. Edgy, iconoclastic, and not for the typographically faint of heart, GitchHand makes a strong visual statement.

Zarrow is a novelty or letterbat font made up of arrows and other items from archery. It is caps only, but some of the characters on the lower-case keys alternatives to those on the upper-case keys.

An original calligraphic typeface designed for ParaType in 2001 by Zakhar Yaschin. Based on informal handwriting, One of its distinctions is an increased size of ascenders while x-height is moderate. For use in advertising and display typography.

Need for speed? Satisfy it with insigne’s Celari. Take it for a drive and watch how its simple curves, easy lines, and sturdy shapes handle the edges and corners of your projects with smooth and rapid execution. The negative space cuts through the rounded sans serif letterforms of Celari, giving this all-caps typeface a strong impression of dimension and speed. Celari’s organic stroke direction allows you to ease through its gentle turns, too, causing the font to hum around the lines of your project like a V8 engine on an open Nevada highway. The speed and agility of Celari is built for nothing less than a headline. Use the larger-than-life power of this face for any number of oversized applications--mastheads, posters, web headlines, flyers. It provides excellent performance for service-oriented ads where efficiency and quick buyer service are priorities. Customize your ride, too. The OpenType version of Celari includes some serious add-ons to make it your design. The font incorporates discretionary ligatures for some funky combinations and adds in stylistic and contextual alternates for virtually endless possibilities with the characters, ligatures, and composites. Make sure your setup allows for OpenType fonts (Adobe CS suite or Quark) before unleashing the fun of Celari, though. Be confident with your design. Be quick with your message. Again, take Celari for a drive and unleash the strength and velocity of its character in your design. You've been holding back long enough.

A postcard for a 1952 DeSoto automobile, combined with the (non)sensibilities of legendary British lettering artist Cecil Wade, yielded this slightly tacky and thoroughly wacky gaggle of letters. Use liberally whenever levity, brevity (the soul of wit), or a bit of mischief is called for. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

Stannum is a modulated display sans font family. It enriched by letterforms that shown a simple, classic and elegant impression. Its a compact font family that consist of 9 style of weight, from thin to black. It consists of 380s of glyphs which support broad latin languages. This font is fit for display, large usage, brand, titles, short text, web headlines and ample of other possibilities.

Selma is a family of Sans Serif fonts with 492 Glyphs, 04 weight (Light, regular, medium and bold), with long stems, inspired by bar codes. Extremely condensed vertical emphasis, its bars positioned at the ends of the rods give a strong dose of personality and elegance to the design, has a height of x accented, giving strength and power of attraction for short texts and large sizes.

Looking to add a little Arts & Crafts flavor to your next project? Perhaps you just need a distinctive, new sans serif design? And one with a large international character set. In either case, ITC New Rennie Mackintosh™ may be the typeface for you. Its narrow proportions saves space, and the design shines at large sizes. While it can be an excellent typeface for Art Nouveau flavored labels, name tags and chapter call-outs, this is a suite of fonts that you can also turn to for a bevy of print and on screen uses. Games and apps, as well as print headlines and menus all benefit from ITC New Rennie Mackintosh’s vintage vibe. Based on Phill Grimshaw’s original 1996 design, Monotype Studio designers reimagined the iconic family, added lowercase characters, a new weight structure of light, regular and a more robust bold design; each with an italic counterpart. In addition, a large international character set that include support for many Western and Eastern European languages – including Cyrillic and Greek – give the family a deep typographic bench. An added benefit: the new designs can also be combined with Grimshaw’s original ornament and initial character fonts.

The altered cut glyphs feature as the capitals of the font; to sample the cuts and ligatures type in ALL CAPS in the Typetester. Ardela Edge is opentype in overdrive. Its a stylised geometric sans serif family with extreme cuts, sharp angles and multi-sensory interactive ligatures. Affected characters are spread into three upper-case only subfamilies, with distinct styles, and different personalities. The bold character breaks and considered ligatures create edgy, modern type that feels like bespoke typography. Ardella Edges three subfamilies appear as - X01, X02, X03 These three styles create thousands of combinations with options from super minimal to the more experimental. This is a hands on designer package, available in 9 weights, with italic and outline faces and as a variable font - each one containing over 550 glyphs. Full European latin based language support. Ardela Edge's three family concept means all character alternates are accessible to all, on any software. The cut glyphs feature as the CAPS of the font, whilst the unaffected letters appear as the lowercase. Many subtle ligatures are accessed by typing in all caps, however to access all ligatures requires software with opentype capabilities, such as Adobe Illustrator, Photoshop, InDesign or Inkscape.

Warning: This font is a large file size for a font. I highly recommend (on a Windows computer) installing it via the alternative method of dragging the TTF file into your C:/windows/fonts folder instead of clicking on the TTF file and clicking "install" on the preview window. Thanks for understanding!

Misshapen Muck Monster Mutations are on the loose... Their creepy hyper-irradiated bodies have emerged from the blasted desolate wastes of The Forbidden Zone! Could this be Doomsday... or did we just leave one of our typefaces on the radiator? Either way, Meltdown is the perfect font for monstrous inhuman atrocities everywhere.

Colin Brignall designed the Tango typeface in 1974. A groovy swirl of a font, Tango looks like disco party ready to lift off. Tango is one of many fonts that have come to symbolize the party music of the 1970s, familiar forms can be found on countless album covers from that era. Tango is a child of it's times - flashy, lively, and fun!

Used Cars JNL is based on one of the many unique alphabets created by the late Alf R. Becker for Signs of the Times magazine from the 1930s through the 1950s. Special thanks to Tod Swormstedt of ST Media (who is also the curator of the American Sign Museum in Cincinnati, Ohio) for providing the reference material for this design

Amateur Printer JNL is comprised of letters and numbers from one of the rubber stamp sign printing sets that were popular with children up until about the 1960s. The letters were printed out on paper, then scanned and converted into a font... leaving all of the rough edges and defects intact to give the look of authentic rubber stamp impressions.

Pobeda is a bright jobbing typeface inspired by the Moscow Victory Day Parade commemorating the 70th anniversary of the end of the Second World War. At the heart of the typeface is the recognizable rapid silhouette of the famous MiG-29. This cool typeface looks great on souvenir objects, in print and on the web, adding some technical flair to any material.

Linem Up JNL is based on one of Alf R. Becker's alphabets for Signs of the Times magazine. With A-Z only and basic punctuation, it is best used in very limited text at larger point sizes. Thanks to Tod Swormstedt of ST Publications (and the curator of the American Sign Museum in Cincinnati, Ohio) for providing the reference material.

Hand lettering on the packaging for an Arrow "Commander" Staple Remover seen in an online auction is the inspiration for the unusual and angular typeface comprising Staple Remover JNL. The Art Deco era of the 1930s and 1940s offers many wonderful examples of stylized and experimental lettering, and this, by far is one of the more eclectic styles of the time.

Ballard Ave is inspired by old vintage signage found in Ballard, Washington, an old neighborhood of Seattle. Ballard Avenue is a protected historical district filled with turn of the century brick buildings that have been converted into quaint shops and independent businesses. This alphabet is based on the antique signage that still exists on the sides of many of these buildings.

Commodore JNL and Commodore Oblique JNL are based somewhat on the Clarendon family of typefaces that were popular in the 1800s and used on many of the broadsides and notices printed with wood type. The extra-wide design of this font limits the amount of text that a headline can handle effectively, but when applied sparingly it commands attention and sells the message.

ITC Kokoa is the work of German graphic designer Jochen Schuss. Schuss found the seeds of inspiration on a trip to Ghana and expanded and experimented with the idea on the computer. It includes an array of symbols and borders to complement its stylized letters. ITC Kokoa retains a touch of its African roots but is overall a modern, funky font.

Kolker is a brushy script style based on the use of a camel hair brush. It's easy on the eye!

Holmes is a font based on Hispanic gang graffiti that is primarily seen on the west coast of the USA.

Steelworks is a headline font based on lettering on a plaque of the Henry Avenue Forge in Winnipeg, Manitoba, Canada.

Based on a 1940s lettering stencil, Teacher JNL continues Jeff Levine's extensive collection of stencil fonts based on original sources.

This typeface came out as a side idea while I was working on one logotype. Suddenly I came up with an idea of creating “tuned” version of the typeface, based on that logo. The “tuning” turned me in a completely different direction and in a few hours of haste I was looking at a completely different typeface. A few days later I made this font available for free, since it wasn't meant to be at all :-). A few months later, I saw my typeface used in the menu in one pizzeria. I was amazed and glad and happy and proud, all at the same time. Oh, by the way: the logo I was working on was of different style and even of another stem’s widths. So, this is truly a font of it’s own design. Naftalin has both Latin and Cyrillic sets, since it was used with both.

GiraffeSkin is an exciting, contemporary font. The popularity of the "animal skin" look in contmporary clothing and soft furnishing design make GiraffeSkin a must for designers on the cutting edge. It is best used for headings and where you intend to make a strong impact, with an African wildlife look. The font comes in two versions, one based on the popular Kassena font, the other based on Zim, one of Scholtz Fonts new designs.

Futura is one of the best known and most widely used of modern typefaces. Designed by Paul Renner between 1924-1927 for the Bauersche Giesserei, it remains today one of the most successful typefaces due to its simplicity of features, perfect legibility, and meticulous finish of each of its letters. Its great variety of styles and weights makes Futura particularly fit for distinguished user interfaces, information displays, smart watches, e-readers, television apps, technical appliances, and internet-related uses. Futura is a Trademark of BauerTypes SL

MVB Fantabular proves that monospaced faces needn’t be formal or bland. Inspired by the letterforms of older typewriters, Akemi Aoki designed a playful family of three weights with italics. With every character the same width MVB Fantabular works wherever a monospaced font is needed, but the face is so loose and carefree it hides its fixed pitch construction well, allowing it to be used in other settings too. A sans serif version—MVB Fantabular Sans—is also available.

Introducing of our new product the name is Devina Rodent Sans Serif Font Family comes with 9 different weights. Modern Sans Serif font that feels beautiful classy, elegant, and modern .This font is perfect suited for a wide variety of projects, as to signature, stationery, logo, wedding, typography quotes, magazine or book cover, website header, clothing, branding, packaging design and more. Also for fashion related branding or editorial design and displays both masculine and feminine qualities.

Darling Duo include two font styles with full set of handwritten style draw for script and cute style letters for sans. Numerals, a large range of punctuation and ligatures giving realistic hand-lettered style. In order to use the beautiful ligatures for script also all uppercase for sans serif, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. Thanks and have a great day :) Haksen

Precursors to Torrone, the fonts are found among the type experiments of Art Deco artists in 1930’s Europe. Fonts of this type with chunky, geometry-driven lower case letters combined with somewhat flamboyant, brush-influenced upper case can be found in the logotypes for Mignon Chocolate Factory in Germany and Baci bon-bons still in use today by Italy’s Perugina Candies. Torrone includes alternate lower case characters and full Central European glyph sets with over 550 characters included!

Not serif, nor sans, partly soft, partly crude, but highly individual. Sardo comes with a vivid slanted look resulting from the contrast of its common classic stroke difference and straight thin serifs, adding a rigid component to its appearance. Thus Sardo shows a strong character projecting a huge amount of individuality. A new display font made to draw attention where classic serifs and sans serifs appear just dull. So please meet Sardo, a cosy wild cat showing Sharpe claws.