Although inspired by the engraved lettering on eighteenth-century English trade-cards, ITC Vineyard has unusual characteristics of its own. The type retains some quality of copperplate scripts, but the differentiation between thicks and hairlines is not very sharp. There are a few cursive forms, but most of the letters are romanized: they are almost upright and not joining. Occasional flourishes are casually interpreted from various sources such as the lettering on trade-cards and writing masters' copybooks. “I think it is a new kind of 'copperplate script' which is not too formal and easier to read,” claims designer Akira Kobayshi. Irregularities are apparent in the angle of caps and numerals, but the face's quirkiness gives a type page some friendliness rather than cold brilliancy. ITC Vineyard is designed in two weights: regular and bold. Each variation includes several extra characters such as an alternative lowercase 'd' with a long arm, a T-h ligature, swelled rules, and a pair of flourishes. Swash caps are available for both weights. The swash caps variation also includes oldstyle figures. Kobayashi notes: “There are a few swash-cap lowercase combinations that collide or look awkward. In that case, I recommend using the plain caps. Setting all swash cap copy should also be discouraged.” Featured in: Best Fonts for Tattoos

YOU WILL OBEY ALL OUR COMMANDS! YOU WILL OBEY INSTANTLY! YOU WILL OBEY WITHOUT QUESTION! OBEY! OBEY! OBEY! OBEY! OBEY! OBEY! YOU WILL BUY THIS FONT OR YOU WILL BE EXTERMINATED! Features Four fonts (Regular, Italic, Bold & Bold Italic) with alternate uppercase characters.

Meet the new Strong and Bold typeface from TBS. TBS GARTEK is a Display typeface It has a single weight ultra bold It come with multilingual glyphs. Good amount at Large Point sizes with combine with any suit typefaces, Headline, Logo font.

Introducing "Queen Sansson" - a Serif font families with modern and nostalgic. This font is both modern and nostalgic and works great for logos, mastheads and pull quotes. Inclouded : - Queen Sansson regular - Queen Sansson italic - Queen Sansson Bold - Queen Sansson Bold Italic - Multilanguage

Eagle Bold was designed by M.F. Benton in 1933. It is a heavy geometric Sans Serif font with unusual spurs on Capital G and Q. An all-Capitals design, the Eagle Bold font is perfect for magazine and book covers, posters and packaging.

Yenda is a bold angular font with just a bit of swoosh. Great for short text and headlines! Don't leave this one out of your next sci-fi or bold designs! This typeface includes all the special diacritics required for European languages.

The Dava typeface is the result of almost two years of self-study. Dava is a screen sans serif font that is small but fun. His family is small and has fine, regular, bold, fine slant, regular slant, and slanted bold weights.

Floz is a simple and clean condensed all-caps sans serif font. It comes in two weights: regular (which is already pretty bold) and bold (which is even bolder). It works well for logos, headlines and other short texts. It's also quite cheap.

FlyHigh is a decorative text face with slab serifs. It comes in eight styles: plain, semibold, bold, extrabold, italic, semibold italic, bold italic, and extrabold italic. Its low x-height makes it more appropriate for uses such as invitations than for book text.

Introducing Modern Abstract by Cultivated Mind. Modern Abstract is a bold serif font with a retro vibe. Modern Abstract comes in a regular and a bold weight. Try using Modern Abstract for branding, headline use, film, magazines, websites, packaging, invitations and weddings.

Tavern is a super font family based on our Algerian Mesa design, with Tavern we've greatly expanded the usability by creating light and bold weights plus all new for 2020 with the introduction of extra bold and black weights Tavern is now a five weight family. The addition of the bold weight made it possible to go further with the design by adding open faced shadowed, outline and fill versions. Please note, the fill fonts are aligned to go with the open faced versions, they may work with the outline versions, however you will have to apply them one letter at a time. The Tavern Fill fonts may also be used a stand alone font, however, the spacing is much wider than the regular solid black weights of Tavern. In the old days of printing, fill fonts rarely lined up perfect with the open or outline font, this created a misprinted look that's much in style today. To create that misprinted look using two different colors, try layering the outline fonts offset over the top of the solid black versions. Next we come to the small caps and X versions, for a font that's mostly seen used in all caps we felt a small caps would come in handy. The X in Tavern X stands for higher X-height, we've taken our standard lowercase and raised it for greater visibility in small text and for signage where you want the look of a lowercase but it needs to be readable from the street. In August of 2016 I started the project of expanding this font into more weights after seeing the font in use where someone tried creating a bold version by adding a stroke fill around the letters. The result didn't look very good, the stroke fill also caused the shadow line to merge with the serifs on some letters. This lead me to experiment to see if a new bold weight was possible for this font and I'm pleased to say that it was. After the bold weight was finished I decided to type the regular and bold weights together in a first word thin second word bold combination, however the weight difference between the two wasn't enough contrast. This lead me to wonder if a lighter weight was possible for this font, as you can see yes it was, so now for the first time in the history of this old 1908 type design you can type a first word thin second word bold combination. So why the name change from Algerian to Tavern? Since the original font was designed in England by the Stephenson Blake type foundry I decided to give this font a name that reminded you of the country it came from, however, there were other more technical reasons. During the creation of the bold weight the engraved shadow line was sticking out too far horizontally on the bottom right of the serifs dramatically throwing the whole font off balance. The original font encountered this problem on the uppercase E, L and Z, their solution was a diagonal cut corner which was now needed across any glyph in the new bold weight with a serif on the bottom right side. In order to make the light and regular weights blend well with the bold weight diagonal cut offs were needed and added as well. This changed the look of the font from the original and why I decided to change the name, additional concerns were, if you're designing a period piece where the font needs to be authentic then this font would be too new. Regular vs. Alt version? The alternate version came about after seeing the regular version used as a logo and secondary text on a major product label. I felt that some of the features of the regular version didn't look good as smaller secondary text, this gave me the idea to create an alternate version that would work well for secondary text in an advertising layout. But don't stop there, the alternate version can be used as a logo too and feel free to exchange letters between both regular and alternate versions. Where are the original alternates from Algerian? Original alternates from Algerian are built into the regular versions of Tavern plus new alternates have been created. We're excited to introduce, for the first time, all new swash capitals for this classic font, you're going to love the way they look in your ad layout, sign or logo. The best way to access alternate letters in Tavern is with the glyph map in Adobe Illustrator and Adobe InDesign products, from Adobe Illustrator you can copy and paste into Photoshop as a smart object and take advantage of all the text layer style features Photoshop has to offer. There may be third party character maps available for accessing alternate glyphs but we can't advise you in that area. I know what you're thinking, will there be a Tavern Condensed? It takes a lot of hours to produce a large font family such as this, a future condensed version will depend on how popular this standard version is. If you love Tavern we're happy to introduce the first weathered edge version of this font called Bay Tavern available in February 2020.

The typeface Hand Stamp Wood is designed from 2020 for the font foundry Typo Graphic Design by Manuel Viergutz. The display font based on original old wood letter, stamps, DIY and is inspired in the past and present. 4 font-styles (Rough, Mix, Circle, CircleMix) with 370 glyphs (Adobe Latin 1) incl. decorative extras like arrows, dingbats, emojis, symbols, geometric shapes, decorative ligatures (type the word #LOVE for ❤ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (2 stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! Font Spe­ci­fi­ca­ti­ons ■ Font Name: Hand Stamp Wood ■ Font Weights: 4 (Rough, Mix, Circle, CircleMix) + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Font For­mat:.otf (Mac + Win, for Print) + .woff (for Web) ■ Glyph Set: 370 glyphs (Adobe Latin 1) incl. decorative extras like arrows, dingbats, emojis, symbols ■ Design Date: 2020 ■ Type Desi­gner: Manuel Viergutz

The typeface Klein Rough & Gemein(e) is designed from 2020 for the font foundry Typo Graphic Design by Inga Luft and Manuel Viergutz. The display font based on original old german rubber stamps and is inspired in the past and present. 4 font-styles (Rough, Rougher, Roughest, Rough Mix) + 1 icon-style with 432 glyphs (Adobe Latin 2) incl. 100+ decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ❤ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (7 stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! ■ Font Name: Klein Rough & Gemein(e) ■ Font Weights: 4 + 1 (Icons) + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Font For­mat:.otf (Mac + Win, for Print) + .woff (for Web) ■ Glyph Set: 432 glyphs (Adobe Latin 2) incl. 100+ decorative extras like dingbats ■ Design Date: 2020 ■ Type Desi­gner: Manuel Viergutz und Inga Luft

Say hello to Odds - a versatile, chunky casual sans with lots of personality! It’s fresh, friendly and easy to read. It is also a great mix of boldness and cuteness, so it definitely captures attention. The Odds family comes in five distinct fonts styles : - Odds - an artistic handwritten-style sans - Odds Sans - a typical neat and clean sans (caps and small caps which you can mix & match) - Odds Narrow - a cute handwritten narrow sans (uppercase and lowercase), and two awesome sets of goodies: - Odds Extras - borders, arrows, speech bubbles, etc. - Odds Symbols - palm leaves, plants, fruits and other useful objects. Odds works great on a variety of mediums from web to print, but you can find it particularly useful if you're designing food packaging (actually any packaging) and clothes. Other awesome usages include posters, signage, ads, printed and personalized cards, t-shirts, sale banners, everything kids related - merchandise, toys, you name it. Its quirky character and fat letters make up for bold and friendly presentation while the slender letters of the Odds Sans and Odds Narrow are perfect for plain text. And yes, all fonts have Cyrillic! They also have some neat ligatures and alternates to spice up your designs and create more interest!

Oktah is a geometric grotesk that comes both as a variable font and 22 static fonts: 11 uprights and 11 matching italics, which make it a great tool for those seeking a versatile font with a strong character and high legibility. Throw in a very pleasing look, elegant curves and a wide range of weights, and you'd get what Oktah aspires to be: a perfect typographic tool for every need.In Oktah, elegant geometric curves meet bold strokes and wide apertures. Round letters are nearly circular, but, to boost readability, slight changes were introduced for optical compensation. Oktah is also equipped with amazing OpenType features: case sensitive punctuation, ligatures, fractions, superscript and subscript figures, two kinds of circular figures, stylistic & contextual alternatives and much more! Oktah supports all major European languages, as well as Vietnamese and some dozens of foreign languages that you may encounter in your designs. We've got all that covered. The glyph count for each of the styles is 800+ characters. Two styles (Extra Light and Bold Italic) are free to try and experiment with. If you need wide language support and more extensive OpenType features, consider taking a look at Oktah Neue, a bigger version of the classic Oktah.

Name: Quarpa Styles: 6 styles Glyphs: 394 Year: 2021 This lofty font features a compact structure as well as a unique combination of rounded corners and square contours. The collection includes six styles: Extra Light, Light, and Semi Light that will ensure elegance; Regular, Medium, Semi Bold and Bold suitable for a solid design. Each of them also has Italic variation. It’s an ideal option for outstanding corporate images, logos, promos, or video presentations. Quarpa has proper kerning, multi-lingual support, and ligatures. Languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Cebuano, Chiga, Colognian, Cornish, Corsican, Croatian, Czech, Danish, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Ido, Indonesian, Interlingua, Irish, Italian, Javanese, Jju, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Kurdish, Latvian, Lithuanian, Lojban, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Maori, Meru, Morisyen, North Ndebele, Northern Sotho, Norwegian Bokmål, Norwegian Nynorsk, Nyanja, Nyankole, Occitan, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sardinian, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, South Ndebele, Southern Sotho, Spanish, Swahili, Swati, Swedish, Swiss German, Taita, Taroko, Teso, Tsonga, Tswana, Turkmen, Upper Sorbian, Vunjo, Walloon, Walser, Xhosa, Zulu

Copperplate was the classic nineteenth century engravers typeface, consisting of capitals and small caps only. Among others (for example Deberny & Peignot) F. W. Goudy's cut for ATF around 1901 is probably the most widely known. Copperplate typefaces are traditionally used for business cards and all that "serious" stuff. My Copperplate Classic is a completely new design, based on some old samples. To make it look more up-to-date and elegant, I gave it some extra swings here and there. The old fonts were all designed with clogging corners or points that can break off in the minds of its designers. Today we do not have those problems any longer, so I could give my Copperplate Classic real sharp pointed serifs. To give you more choice I now added this medium cut in three variations, medium, sans and rounded! Enjoy! Gert Wiescher

Copperplate was the classic nineteenth century engraver's typeface, consisting of capitals and small caps only. Among others (for example Deberny & Peignot) F. W. Goudy's cut for ATF around 1901 is probably the most widely known. Copperplate typefaces are traditionally used for business cards and all that "serious" stuff. My Copperplate Classic is a completely new design, based on some old samples. To make it look more up-to-date and elegant, I gave it some extra swings here and there. The old fonts were all designed with clogging corners or points that can break off in the minds of its designers. Today we do not have those problems any longer, so I could give my Copperplate Classic real sharp pointed serifs. To give you more choice I now added this light cut in three variations, light, sans and rounded! Enjoy! Gert Wiescher

The old Norse legend of Thorben Odinson is a cautionary tale. And this typeface, like the nebulous kingdom he ruled, is something of a cloudy concoction. Thorben the typeface is something of an inspiration-hybrid, pulling aspects from multiple sources and combining them into a typeface that strangely seems to work (or not – depending on your point of view). What started as a redrawing of some old carvings (on a castle wall in deepest, darkest Suffolk), is now something entirely different. Part Nouveau curves and Celtic script, topped with a few sprinkles of modernism, darkness and some quirky ideas – Thorben absorbs it all, creating a display face that feels antiquated and current at the same time. Each style also comes pre-loaded with a handful of pictograms and icons perfect for adorning your designs with extra Thorben-ness.

A bold engraver type style with a Wall Street look.

Savage Adventure, a bold, modern and informal font with personality.

A bold-face font with interesting lower case letter forms.

Bullterrier is a bold type of font that has a unique character than other bold fonts, Bullterrier has a strong but soft character, with an elegant and fresh theme, Bullterrier is provide your something different unique bold font . Its weight excels in logos, posters, social media, magazine titles, clothing, large print formats – and anywhere you want to see it. Inspired by the design styles that are currently popular, let’s make your imagination come true with Bullterrier.

Introducing Bryson, A bold sans serif ligature typeface. The Bryson typeface is characterized by simple but distinctive shapes. The typeface is very eye catching, its tight kerning and bold shapes makes it great for retro designs. You can use it for a wide range of projects, including print and web. If you are looking for something bold and retro for you next project, Bryson is the typeface for you. I hope you enjoy using the Bryson typeface.

Central Vintage - Display Font is a striking font that seamlessly blends the boldness of a display style with the groovy charm of vintage aesthetics. This font exudes a perfect balance of retro nostalgia and modern appeal, making it a versatile choice for a variety of design projects. With its bold and groovy serif style, Central Vintage is ideal for logos, quotes, posters, titles, product branding, invitation cards, printing materials, and any design that requires a bold and impactful font.

Avilock is powerful bold display font Perfect for typography purposes that require a strong but subtle identity. Avaialble in all caps character, works great in any branding, logos, magazines and films. Features : - 6 Variant of Avilock Display (Included : Regular, Italic, Bold, Bold Italic, Rounded, Outline) - Multilingual Support and Punctuations Character. Feel free to message me if you have any questions or any requests. I will be happy to help you as much as possible, Thank You.

Sheko is a creative headline pixel font that looks great on any retro design. Sheko is designed to be very eye catching, it’s tight kerning and bold letters makes it great for bold headline vintage designs. You can use Sheko for a wide range of projects, including print and web. If you are looking for something bold and retro for you next project, Sheko is the font for you. I hope you enjoy using the Sheko font.

Sybilla is a robust, but friendly, humanist slab serif well suitable for broad range of design projects. A true workhorse and superb text type family, Sybilla was especially designed with legibility in mind. Its soft almost cursive shapes and generous internal spaces define a slab serif that is easier on the reader’s eye and help establish a feeling of warmth and friendliness. The type family consists of eight weights with complimentary italics. While the Light, Book, Regular and Medium weights are great performers for body text, the Thin, Bold and Heavy weights make an excellent choice for headlines. Also there is the specially designed Ultra weight if extra punch is needed. Sybilla has extensive multilingual support and specially designed Cyrillic that works harmoniously with its Latin counterparts - a perfect choice for design projects that need both writing systems running side by side.

It's bold, chunky, and ready to make a big impression - Primed is an authentic, hand-drawn brush font made with real marker pens. Perfect for unmissable display text, logos, handwritten quotes, product packaging and more! As well as a full alternate set of upper & lowercase characters, Primed also includes a set of 18 swashes, ideal for underlining your lettering and adding that extra 'custom' style. The alternates and swashes are included as their own separate fonts. Primed also includes 47 ligatures, these double and triple letter combinations will help letters connect and flow more naturally. The ligatures will automatically generate when using the Primed fonts with most software. The Primed fonts contain language support for; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian.

Mandoul Script is a sharp, active calligraphy typeface. With extra attention to quick letterforms and sharp details, this modern typeface turns any graphic project into a strong and confident work. It is provided in six styles, and three thicknesses: Thin, Regular and Bold, and each weight as Italic. Use underscore _ anywhere in a word to create a swash. Example: Hand_script Use multiple underscores for different swashes. Example: Bea__utiful (Download required.) Mandoul is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Introducing Arkais, a glyphic serif typeface inspired by the rhythmic construction of Gothic architecture. This unique typeface is characterized by slightly broken shoulder and bowl shapes, offering a fresh and classic feel. With contrasting brackets, consistent barb, and beak shapes, Arkais brings a touch of elegance to any project. Arkais features five weight variants—light, regular, medium, bold, and extra—as well as three width options: condensed, normal, and expanded. Each font family also includes italic styles, providing even greater versatility. Equipped with OpenType features, Arkais offers multiple character alternatives, ligatures, small caps, and more, ensuring a tailored look for your designs. Designed as an alternative to current trends, Arkais is perfect for creating strong headers or captivating display text. The typeface supports over 500 basic Latin glyphs, making it suitable for a wide range of projects.

Kairos Sans, designed by Terrance Weinzierl, is an octagonal sans serif influenced by 19th Century Grecians, with the weights and widths of a contemporary palette. The bold simplicity radiates in headlines and sub-heads, with suitable performance in text. Of course, it pairs perfectly with the slab serif companion, Kairos . Kairos Sans is available in 48 styles; 8 weights in 3 widths, all with matching italics. Condensed, Regular and Extended widths range from Thin to Black. There are 4 Rough styles as well, bringing the whole family to a total of 52 styles. It comes in Latin, Greek and Cyrillic scripts. It also comes with some extras and OpenType features: Small capitals, proportional and tabular figures, superscript and subscript figures, support for fractions, ornaments, arrows and Stylistic Alternates. It often looks athletic, industrial, and stern. Kairos Sans is stout, but has energy.

Helixa is a neo-grotesque typeface with a clean & modern design and an enduring appearance. This is a perfect choice for creating logotypes, branding, headlines, corporate identities, and marketing materials for web, digital & print alike. The typeface will be a great option for branding, logo/logotype design projects, marketing graphics, banners, posters, signage, corporate identities and editorial design. Adding extra letter spacing will make this font the perfect choice for minimal headlines and logotypes, as shown in the promo designs attached. Handcrafted and designed with powerful OpenType features in mind, each weight includes extended language support with Western European, Central European and South Eastern European sets. A total of 300 glyphs are available. Helixa typeface includes 12 fonts in total, with seven upright weights (Thin / Light / Book / Regular / Bold / Heavy) and Italic equivalents of all six weights.

CA Cula is standing in the tradition of cool tempered sans serif typefaces like DIN. But at a closer look it reveals a tendency towards rounder reading-friendly forms. The denaturalized ink traps give CA Cula a very special and individual look in display sizes, whereas in smaller sizes the positive aspects of huge ink traps show effect. The text looks clean and bright without black dots in the typographic image. This makes CA Cula suitable even for longer text, while the bold weight makes pretty cool headlines. The choice of weights aims at an easy straight forward use. A set of five well balanced weights ought to be enough to cover most needs without throwing the typographer into questions like: demibold or semibold? If you are looking for the extra kick, look out for CA Cula Superfat.

Introducing the newest addition to your font collection — Sparkling Sunday! This font is the perfect combination of vintage and modern, with bold and chunky letters that are sure to make a statement. The font is inspired by the 80s and 90s era, with a touch of modern typography. Each letter is carefully crafted with attention to detail, giving it a unique and eye-catching look. The font is perfect for posters, flyers, logos, and any design that needs a retro touch. It comes in a regular style and an extra including 26 retro graphics to allow versatility in your designs. Simply install the file as a separate and you will get to type them using the alphabets A-to-Z to access them. Get ready to take your designs to the next level with this cute Sparkling Sunday Duo.

Toronto Subway is based on the lettering originally used for station identification and signs by the Toronto Transit Commission (TTC) in the Toronto, Canada, subway system. The first subway line opened in 1954. However, the original lettering remains unique. The lettering on the original signage consists only of uppercase characters and a few bits of punctuation in two weights: Regular and Bold, introduced in 2004. The Toronto Subway fonts were developed from rubbings of the lettering etched into station walls and photographs of painted signs. The overall style of the lettering is very mechanical, almost naive, yet still having a certain amount of elegance. This style was followed as much as possible in creating the extra lowercase, punctuation and other special characters. The Toronto Subway family was expanded in 2014 with the addition of the Light and Black weights.

Introducing Borex, the ultimate font for all your sport racing needs. With its bold and dynamic letterforms, it captures the excitement and energy of the race track. And with four unique variations, including regular, slant, and taper styles, you can customize your designs to fit the tone and theme of your project. Not to mention, the font also comes equipped with alternate characters and unique ligatures to add an extra touch of creativity. So rev up your designs with Borex and get ready for the finish line! What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Inspired by the most common grotesque heights and boxed sans serif typefaces, Luzern Typefaces was built with low-mid contrast sans serif and was designed in quite tall caps height and lower x-height which represents the flavor of the dynamic typefaces and is subtle for the display typefaces. The typefaces comes with five weights, from light to extra bold, plus matching italics in each weights. And Luzern Typefaces is loaded with OpenType features such as some stylistic alternates in uppercase, case-sensitive forms, fractions, and another numerals features such as super and subscript characters, tabular figures, numerator-denominator, etc. It’s highly usable for display text titles such as editorial magazine headline, websites heading, poster, advertising, logo, also it works well for medium body text. It comes with more 400+ glyph support including more latin european diacritics language.

Ragwort - Display Sans Serif Font. Ragwort font makes for more fun, trendy and more lively. This font is inspired by the extra bold font style and well balanced curves.This font has a surprise from alternate that will make your work even more beautiful. This font is perfect for a professional touch which makes it even more unique and classic. But this font is also suitable for logos, branding, greeting cards, invitation cards, advertisements, titles, healines, book titles, stickers, packaging, quotes, posters, t-shirts/apparel, billboards and others. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.