Studio Grotesk is a modern sans typeface with a futuristic touch. This multi-purpose typeface will grab reader's attention with its stylish and neat design. With over 500+ Glyphs, five styles and a wide range of weights its a timeless workhorse for many possible application from branding to editorial.

A geometric sans serif with a precise fabricated appearance. Smooth corners are mixed with subtle angles to form a strong, legible typeface ideally suited for a wide range of applications. Details include 6 weights with italics, an extended European character set, manually edited kerning, stylistic alternatives and Opentype features.

Every designer has a favorite geometric sans serif. For a century, they've been a staple for text that needs to be clear, strong, architectural, and objective. Mimolette offers a sans serif family that's great for text and display alike—the panache of Neutraface, the readability of Avenir, the sleekness of Avant Garde, the strength of Mark, the architecture of Gotham, and the classic lines of Futura—but she's entirely her own creature, and she's designed to offer maximum versatility and beauty at an affordable price. And she's got some nifty features, too! Her italic is a true italic, not just an oblique. Are the uberpointy diagonals (AMVW) not working in a particular context? Activate Stylistic Set 01, and they become flat-topped! Want more playful cursive alternatives in the italic? Activate Stylistic Set 02, and you've got them in the A, E, K, Q, R, and k. She's got true small caps in all styles! She's got true fractions in all styles, as well as oldstyle (small cap) and lining numerals, in both tabular and proportional widths. Best of all, perhaps, Mimolette was made with love, as always, by yer pals in the Ampersand Forest.

Yotta was created for situations where a thin sans with a little extra style is required in branding, advertising promotional projects — it is especially suited for the FASHION retail industry. The extended stroke feature (in u/c B,DP,R and l/c a,b,dg,h,m,npq,u,y) is discreetly applied so it does not dominate. I guess “quasi-serif” might be a way to describe Yotta. “Yotta Thin” and “Yotta Thin Italic” is a friendly Opentype and ready for you to unleash your creativity! btw. Yotta is big, very big: the name comes from YottaByte, as in Megabyte (one million bytes), Gigabyte (one billion (109)Terabyte (one million million (1012), Petabyte (a million gigabytes), Exabyte one quintillion (1018), Zettabyte one sextillion (1021), & Yottabyte (one septillion (1024)

Alecko is a distinctive didone-style typeface, which is strongly influenced by calligraphy, but is at the same time drawn with mathematical precision. Its advantages are summarized in its slogan: “One typeface, many possibilities”. Once you decide to use it, you can alter its look in a variety of ways: Should the contrast between the horizontal and vertical strokes of the glyphs be high or low? Is it appropriate to apply engraving to the letters (and what color?). Should the glyphs be connected to one another? Alecko is equipped with a lot of alternative characters, which are automatically inserted as you type, in order to achieve a “handwritten” look, however, it can also work without them. Each of these options is appropriate depending on the design context and we want to encourage you to explore every one of them, which is why we sell the whole family for a considerably smaller price, than the combined price of all weights. And If you don't feel like spending money at all, just download the free weight. Have fun.

Lichtspielhaus Handmade is an ultra condensed handwritten typeface based on Lichtspielhaus. Influenced by the hand-painted signs on cinema facades of the early cinema days, Lichtspielhaus Handmade comes with 4 weights. "Lichtspielhaus Handmade“ is the second part of a Type Noir Quadrilogy.

This family of fonts was created to resemble a hand written style. It is loosely based on several sources, including that of the designer. There are unique ligatures, readily found in Keystrokes on the Macintosh platform: fr, ff, ffl, ss, tr, Th.

CONCEPT/ CHARACTERISTICS »Kon­strukta Humana Sten­cil« aka »Hot Cold« is a modern desi­gned sans serif type­face with huma­nist influ­en­ces and Sten­cil cha­rac­ter. The par­ti­ally strong line thick­ness dif­fe­rence (line con­trast) gives the font a touch of ele­gance and crea­tes ten­sion as fats. The font comes in 3 font styles. From ele­gant warm ten­der­ness »Thin« to the solid, bold, and robust­ness cold »Regular«. APPLICATION AREA The »Thin« font weight would pro­bably dig on fes­tive invi­ta­ti­ons and »Regu­lar« as con­cise pos­ter font. From head­lines in maga­zi­nes or web­sites about pos­ter design and fly­ers to t-shirt design. Just type it. TECHNICAL SPECIFICATIONS Head­line Font | Dis­play Font | Sans Serif Sten­cil Font »Kon­structa Humana Sten­cil« Open­Type Font (Mac + Win) with 375 gly­phs & 3 styles (regu­lar, light, thin). With alter­na­tive let­ters, liga­tures, accents & €.

LiebeKlara is LiebeFonts’ most delicious gourmet creation yet. The mouth-watering look of savory swashes and the fine aroma of masterfully sprinkled contextual alternates will make everyone happy—your spouse, family, and friends. LiebeKlara is festive enough to sit on wedding menus, but still warm enough to give everyday dinner invitations the personal flavor they deserve. LiebeKlara likes company—for example when her girlfriend LiebeErika comes over and they have some LiebeOrnaments with their LiebeMenu. LiebeKlara also likes travelling! She speaks most Western languages fluently and with a cute accent. Try it for yourself—LiebeKlara is calorie-free but (or because) she is very delicate. We hope you like her as much as we do! Bon appétit! LiebeKlara comes with a tasty variety of ligatures and alternative forms available through OpenType features. (Please make sure your software supports OpenType if you wish to use the advanced features.) The font contains over 580 carefully hand-crafted glyphs—so it’s more like two or three fonts in one.

Solar is a font family designed by Carlos Fabian Carmargo G. Its members, together or separate, can be used in packaging, posters, cards, invitations and logos that need expressive letters with craft features. First, a set of arbitrary ideas were designed on rough paper, and through changes five styles resulted to mix and compose bright words and phrases. Solar Script comes from crossbreeding and the collusion of primitive visceral strokes and calligraphy on textured paper. This way its letters were planned for empty and full areas deteriorated sometimes simulating irregular ink clots. Therefore, the simulate trajectories with bold brushstrokes made that it works especially well in sizes larger than 12 points. Its rhythmic vitality and energy give personality, reflected in uninterrupted rapid and logical talics with strokes. Solar Words has more than 115 words unstable and inclined. Solar Dingbats has more than 100 brightness generating drawings, Solar Sans and Serif are capitals combined with other members of the family.

Scissors cuts paper, paper covers rock, rock crushes lizard, lizard poisons Spock, Spock smashes scissors, scissors decapitates lizard, lizard eats paper, paper disproves Spock, Spock vaporizes rock, and as it always has, rock crushes scissors. If you're familiar with this theory, you already Speak Geek, and now you can download a font that has 250 friends in the Comicraft Font Library but has never met one of them. Take it to Comic-con this weekend and take photos of Wonder Woman cosplayers together then post them to your tumblr account... Or head down to the basement for D&D and debate the merits of George Lucas fiddling with his trilogies. Yep, GEEKSPEAK shoots first -- put that on a t-shirt! And gimme some Spock. GeekSpeak features Western & Central European, Vietnamese & Cyrillic support, worldwide currency symbols and Crossbar I Technology™ * Comicraft fonts are created by actual comic book letterers for actual comic book lettering

Tolyer font is an extra large super family of 50 fonts! In many cases quantity doesn’t mean quality but here we have such a big abundance of contrast, styles, weights and special effects in one place that it actually doesn’t pay attention to the fact this is an all caps family. When it comes to strong headlines, titles, posters, masculine brand names Tolyer type family is probably one of the best choices in sans serif typography. You could easily pick from low to high contrast outlines, uprights and obliques, 3D effects or different artistic textured styles to make your work diverse, expressive and attractive. Tolyer font offers you maximum readability even in poor display conditions like low quality printing or low resolution monitors. In some cases poor print quality could even add more value to the final result, because Tolyer has a lot of potential to be used in difficult conditions. Letterpress and high embossing are one of those print effects that really suit Tolyer best. Use it in high contrast with background environment, higher ink flow, don’t think about the dot gain and you should definitely use a textured paper – this is what Tolyer really likes and deserves. It will thank you for this with authentic look, classic vintage style and strong but attractive presence.

Madison Street is a font family with 8 fabulously fun typefaces! Eliza Gwendalyn & Jim Lyles of Studioways have teamed up with Spencerian calligrapher Elaina DeBoard to create a classic pointed pen calligraphy font. From its ornamental monograms, to its variety of complimentary text styles, and to its Madison Street Pro, with its elegant stylistic swashes and OpenType goodies, there is a font for every designer. Enjoy the sleek Madison Street Sans, Serif or Script, paired with the Ornaments font, complete with ornate monograms, or use each typeface on its own! Madison Street Pro has all the OpenType bells and whistles. The Ligature feature automatically substitutes beginning and ending letterforms, as well as 100 ligatures. Turn on the Swash feature for elegantly sweeping swash lowercase forms. Enable Stylistic Alternates for even more variations. There are also 10 Style Sets to chose from. And many more OT features! Madison Street is a basic version of the Pro font, intended for users who do not have OpenType savvy applications. Madison Street Stylistic is also a basic version of the Pro font, intended for users who do not have OpenType savvy applications. It has stylistically different ascenders and descenders. Madison Street Swash is intended to be used with the basic fonts, Madison Street and Madison Street Stylistic. It has lowercase beginning and ending swash glyphs and cannot be used to set text by itself. Madison Street Sans, Serif, and Script are text fonts modeled after the handwriting of Elaina. They are intended to be complimentary to any of the script fonts. However, you'll need to set them at a smaller point size (about 1/3 the size) in order to get the preferred scale and weight. Finally, the hairline weight of the Madison Street script fonts is very thin, and at small sizes up to 40 pt, you may notice some breaking up when printing to desktop printers. To remedy this, we recommend outline stroking the text a small amount (.1 -.3 value). this should improve the output without adding to much weight overall.

Mixing the vertical to horizontal stroke weight ratio of a sans-serif font while adding serifs is the idea that inspired this face. The result is a typeface with unique display features that is also quite readable at text sizes.

Introducing Lacerika font family, a versatile and sleek sans serif font designed to elevate your projects, whether you're creating a stunning website, captivating app, eye-catching brochure, or unforgettable branding materials. Unlock the potential of your creativity with Lacerika today!

Vintage sheet music for a song from the Broadway Musical “Kiss Me Kate” is the inspiration for Katydid JNL. The play’s name was written in a ball-and-line type of lettering which somewhat resembles either 'Tinker Toys' or celestial mapping.

Wonderella is a cute and casual sans serif font with an incredibly friendly feel. Whether you’re looking for fonts for Instagram or calligraphy scripts for DIY projects, this font will turn any creative idea into a true piece of art!

Space habitat is a modern minimalist sans serif display font. Wide and wavy with a lot of rounded corner and sharp edge, emphasize the futuristic scifi theme. Perfect usage includes logo, poster, display, headline, t-shirt design and many more.

The cover of the vintage sheet music for "This Little Piggie Went to Market" (from the 1934 film "Eight Girls in a Boat") features a hand-lettered sans serif with intermittent chamfered angles. This became the model for Shopping Basket JNL.

Originally designed by Morris Fuller Benton for ATF in 1927, Sol Hess added a lower case in 1929. Hess also drew Broadway Engraved in 1928 for Lanston Monotype. Broadway has become somewhat of a classic icon as an "Art Deco" typeface.

Autobahn is a robust masculine sans of near monoline thickness and angular characteristics. Autobahn Std has a full Latin 1 character set but no CE, Cyrillic or Opentype features. For the extended character set and Opentype features, see Autobahn Pro.

Nautikka was designed from the waves of the sea is a sans serif, elegant and functional for editorial design, visual identities or digital applications. With 685 glyphs, 5 weights and variations in italics is a versatile font with great legibility.

Tellumo, a new humanist geometric sans serif typeface, has all the attributes you need for a workhorse sans with a few surprising details. It has moderate proportions, a low stroke contrast, open apertures, and an x-height that makes it drive with ease in running text. A modest range of six weights, from Thin to ExtraBold, make it versatile without being overwhelming. The lightest and heaviest weights are best saved for headlines and subheads. It features a set of swash caps that can add magnitude and sparkle to short headlines, making it excel in packaging designs. Tellumo feels at home with Mid-century Modern and Art Deco aesthetics. It looks precise, tidy, and welcoming for architecture and home goods. It looks clean, fresh and modern for beauty and wellness, or elegant and approachable for fashion. It has a balance of clarity and personality, suitable for branding and advertising of all kinds, print & digital design alike. Tellumo radiates warmth, charm, and joyfulness from its geometric foundation.

Tellumo, a new humanist geometric sans serif typeface, has all the attributes you need for a workhorse sans with a few surprising details. It has moderate proportions, a low stroke contrast, open apertures, and an x-height that makes it drive with ease in running text. A modest range of six weights, from Thin to ExtraBold, make it versatile without being overwhelming. The lightest and heaviest weights are best saved for headlines and subheads. It features a set of swash caps that can add magnitude and sparkle to short headlines, making it excel in packaging designs. Tellumo feels at home with Mid-century Modern and Art Deco aesthetics. It looks precise, tidy, and welcoming for architecture and home goods. It looks clean, fresh and modern for beauty and wellness, or elegant and approachable for fashion. It has a balance of clarity and personality, suitable for branding and advertising of all kinds, print & digital design alike. Tellumo radiates warmth, charm, and joyfulness from its geometric foundation.

The pages of a vintage sign painter's manual yields many interesting typefaces that reflect on the design styles of years gone by. Eckhardt Display Serif JNL is a distinctive, hand-lettered serif face that has a hint of Art Noveau. Part of a series of sign painter's fonts named in honor of the late Albert Eckhardt, Jr. who owned Allied Signs in Miami, Florida, Jeff Levine continues this series of fonts in tribute to his friend and the art of sign lettering.

Stepside is a slick retro display face with plenty of horsepower. Stepside’s heavy-duty type chassis of sturdy uprights and bold strokes was modified with sweet retro details like graceful curves and tapered fins. Inspired by street rods, custom vans and power wagons, Stepside modestly hides its muscle like a true sleeper. Take Stepside for a spin on logos, posters and t-shirts for a more classic look. Need more speed? Step on the gas with Stepside Italic — perfect for type in need of emphasis.

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Karogs is geometric, art-deco font that had been used for a match box. The bowls of this font is based on a positive circle. The contrast of a circle and straight line effective in producing brisk structural rhythms. This is great for branding, packaging and posters or any other kind of display use.

Grafek is a unique reverse-contrast font with tapered vertical strokes and heavier horizontals on the top and bottom. This typeface is loaded with individual character, bolstering its excellent legibility with a moderately extended width. It’s a strong choice for large headlines, web banner graphics, and branding/logo usages. It’s got a high-end and elegant flair on shorter words, especially when choosing an all lowercase lettering design, for example on a logo treatment. It has a whiff of a nautical, antique map vibe, and even conjures up a hint of Oceania and Tiki-style graphics. Grafek will prove to be a great choice on book and magazine titles, and its width lends itself easily to wide mega-scaled outdoor marquee graphics and billboards.

The Guminert font is Modern Sans Serif inspired by masculine men, that's why we made this font with all our heart to give a masculine impression in sans serif form. And this font also has Alternate font styles, Ligatures, Multilingual Support and other additional symbols/ characters to use in any of your creative needs in any project. Font Details: Sans Serif Style: 12 Weight (Light - Extra Bold) Release : 03/ March/ 2022 Version: Vol 2.0 Thank you for your support of our products and using them in your creative projects.

Capitolium was designed in 1998 at the request of the Agenzia romana per la preparatione del Giubileo for the Jubilee of the Roman Catholic Church in 2000. This type design was the central part of the project for a wayfinding and information system to guide pilgrims and tourists through Rome. Capitolium also continues Rome’s almost uninterrupted two-thousand-year-old tradition of public lettering . It is a modern typeface for the twenty-first century and strongly related to the traditions of Rome. Soon after the completion of this project Unger began contemplating the possibility of bringing the atmosphere of this design to newspapers. Though Capitolium works well in most modern production processes and also on screens, it is too fragile for newsprint. For newspapers sturdier shapes were required as well as more characters to a line of text, and Capitolium News has a bigger x-height than Capitolium. Capitolium News is a thoroughly modern newsface, with classic letterforms linked to a strong tradition. Capitolium News for running text comes in the variations regular, italic, semibold, semibold italic, bold and bold italic. As is possible with most of Unger’s type designs, Capitolium News can be condensed and expanded without any harm to the letterforms. The update to this beautiful font family, Capitolium News, includes the addition of over 250 glyphs featuring full Latin A language support, new ligatures, 4 sets of numerals, arbitrary fractions and superiors/inferiors. Furthermore, kerning was added and fine tuned for better performance.

London Oatmeal - a new stylish font duo, an elegant modern art-deco inspired sans with a lot of ligatures with retro look stylish brush script. It's nice font pair for use it in blogs, posters, magazines, logo’s or greeting/wedding cards. The sans has caps lowercase, so you can combine them in many ways. More than 100 OpenType features as Alternates, Swashes and Ligatures.

Nektar is a soft & smooth sans serif typeface with spirit, personality and distinction. This bold, semi-condensed and human sans serif is inspired by the "perfect imperfection" of old prints. The typeface is lively and eye-catching, ideal for where and when you want to make a positive and human impression. The font has over 650 glyphs. It has Multilingual support (including Cyrillic script).

Please welcome Hanasta, our modern minimalist sans-serif display font. A stunning typeface that combines the sleek, simple but exotic characteristics of a sans-serif font with beautiful ligatures, making it an ideal choice for creating elegant and sophisticated designs. This font is perfect for your design needs such as fashion websites, logo design, branding, social media design, book, magazine, wedding invitations, etc. Enjoy this beautiful font!

Graela is a Display Sans Serif A new Display Sans serif that we created special for branding needs, with extra ligature in unique shape add value of your brand. It so nice to leverage designer or product owner that need solutions to make their design look more stylish and modern.We prepared any ligatures, characters to help you create unlimited variations for your creative needs.

Beckman is a modern and minimalist sans-serif font family. The combination of minimal and geometric elements renders a modern design. Beckman includes 6 fonts, clean and modern caps, thereby creating more variability. This is irreproachable sans serif to diversify your headlines, branding visual identity, poster, logo, magazines and etc. Six weights Alternate glyphs Latin alphabets Thanks for looking, and I hope you enjoy it.

Techarí comes from a commission in which the brief consisted of the creation of a typeface family to be used for the design of the third disc of the band called Ojos de Brujo based in Barcelona. This disc was called Techarí, which means “free” in Caló, the language of the Spanish gypsies. The starting point of the design was the music of this band, the meaning of the disc 's name, and three words given by the band as key concepts: ethnic, baroque and graffiti. Techarí is a mixture of lots of influences, which give it its unique personality. From its technical viewpoint designing Techarí was a challenge, on the one hand it had to have lots of personality, and on the other it had to work in text at 9 or 10 pt size. Its goal is precisely that, while keeping a strong personality it works in text size. The typeface also contains a Stencil version for use in display sizes which keeps Techarí's innovative spirit. The way it has been “cut" is unconventional, it has been carefully done to keep the freshness of the typeface by taking advantage of the letterforms' flow. Techarí extra complements the typeface by taking a classical typographic form, the ornament, and making it a contemporary graphic tool, vindicating this wonderful typographic element.

Künstler Grotesk ML is one of a number of typeface designs that attempts to reconcile Germany’s blackletter tradition with the international familiarity of roman letterforms in a simple, robust design suitable for meeting the demands of a modern industrial economy, while rejecting the extraneous ornamentation of the departing Victorian era. It is an all-cap design with a number of playful ligatures. It has an appealing boldness that reverses well. Künstler means ‘artist’ in German. I had always assumed it was a person’s name until I came across the translation. Lesson: conjecture is not fact. Grotesk refers to a sans serif letterform tradition. Kunstler Grotesk was originally released by Bauer'sche Giesserei of Frankfurt am Main circa 1900. Künstler Grotesk ML represents a major extension of the original release, with the following changes: 1. Added glyphs for the 1250 Central Europe, the 1252 Turkish and the 1257 Baltic Code Pages. Added glyphs to complete standard 1252 Western Europe Code Page. Special glyphs relocated and assigned Unicode codepoints, some in Private Use area. Total of 350 glyphs, 260 kerning pairs. 2. Added OpenType GSUB layout features: pnum, salt, dlig (19) and hist. 3. Revised vertical metrics for improved cross-platform line spacing. 4. Redesigned mathematical operators. 5. Included tabular (std) & proportional (opt) numbers. 6. Refined various glyph outlines. 7. Made CcNnOoSsZz-kreska available (salt). 8. Incorporated alternate glyphs in lower case.

Accia Piano is a quiet, friendly serif typeface. Its relatively short serifs, low contrast and large x-height will make a perfect appearance in newspapers as well as branding projects. The font family contains 8 weights from Thin to Extra Bold, with matching true italics. It supports extensive language support including Cyrillic, as well as numerous OpenType features such as small caps, ligatures, several sets of figures, case-sensitive punctuation, ordinals. Accia Piano is a member of Accia Type System. It encompasses five typefaces ranging from sans-serif to expressive serif, giving you the possibility to create sophisticated cohesive designs. Accia Type system consists of Accia Sans, Accia Flare, Accia Piano, Accia Moderato, and Accia Forte.

Minimal Nahidha is a minimalist sans serif typeface with a casual and trendy outlook. Minimal Nahidha was built to balance the geometric qualities of a san-serif typeface with all the benefits of traditional serif fonts, like readability and personality. Minimal Nahidha comes in Regular and Slant version, each with its own unique set of characters & it has ligatures and stylistic alternates that make it easy to customize your designs. The fonts works best as display typefaces or as beautiful headline fonts, but can also be used in other ways to create stunning designs. Features : - Minimal Nahidha Family Font - Ligatures - Stylistic Alternates - Multilingual, US Roman, Latin 1 Support Hope you enjoy with our font! Attype Studio

Rapsed – Display Serif Font is a captivating work of typographic art that seamlessly merges the timeless grace of serifs with the contemporary edge of stencil-inspired elements and bold reversed contrast. It’s not just a font; it’s a visual narrative that demands attention and ignites curiosity. Imagine Rapsed as a rebellious poet among typefaces, infusing its letters with intrigue and a touch of avant-garde flair. Its unique stencil-inspired accents carve out an element of surprise, while the reversed contrast adds a modern twist. Choosing Rapsed is not merely a design decision; it’s a creative manifesto—an invitation to explore the uncharted territories of expressive typography. Visualize Rapsed on your posters, headlines, or branding materials. It’s the font that guarantees your message becomes a visual masterpiece, one that captures the essence of tradition and innovation in a harmonious dance. Rapsed is your creative accomplice, beckoning you to join the avant-garde and make a lasting impression that leaves audiences both intrigued and inspired.