"Birthday Party" is a playful handwriting font special for childish display,that puts a smile on your project and will inspire you to create something fun and memorable.It is perfect for greeting card, headings, flyer, product packaging, book cover, printed quotes, logos, etc. "Birthday Party" will help you to create special and touching typographical design for childish projects, for every day or the happiest day in life, summer vacations, baby shower, happy birthday cards and many more. It is really universal and modern font. The owner of endless possibilities!

Attempting to marry the warm friendliness of the Cubano typeface with the versatility, functionality, and geometry of Eurostile has resulted in Cubenzis. After finishing the regular weight, I realized that it reminded me of old Soviet military hardware, something you might see on the outside of a tank or rocket, so i made the decision to include a full Cyrillic alphabet as well. It feels very sci-fi to me and i can imagine it being used as signage on a ship or as a warning label on machinery.

'Horthen' is a Bold Signature Font script with a natural & stylish flow. This font is perfect for personal branding. It was made with the intention to be used for your personal branding. But it works well for many applications. Everything from personal branding, photography signature, advertising could benefit from this collection of this bold signature fonts. These typefaces work well for many different aesthetics. They work well with something like 'cosmetics' for example but would also work well with Liquor Labels, Signage, & any type of signature-styled logo.

Is it calligraphic? Is it handwritten? Something like a fusion - casual, handwritten and calligraphic! My aim was to bring calligraphy into the 21st century, creating a present day version of a calligraphic script. Archivo is clear, legible and extremely versatile. It can be funky and modern, pretty and feminine, serious and old-style. Use it for posters, marketing material, invitations, greeting cards, cosmetic and clothing media. Archivo has standard OpenType features, and language support includes all European character sets. We recommend that you do not use Archivo as an "all-caps" font.

Golden Blast is a Bold Signature Font script with a natural & stylish flow. This collection of scripts is perfect for personal branding. It was made with the intention to be used for your personal branding. But, this works well for many applications. Everything from personal branding, photography signature, product packaging, advertising could benefit from this collection of this bold signature fonts. These typefaces work well for many different aesthetics. They work well with something like ‘cosmetics’ for example but would also work well with Liquor Labels, Signage, & any type of signature-styled logo.

"Birthday Party" is a playful handwriting font special for childish display,that puts a smile on your project and will inspire you to create something fun and memorable.It is perfect for greeting card, headings, flyer, product packaging, book cover, printed quotes, logos, etc. "Birthday Party" will help you to create special and touching typographical design for childish projects, for every day or the happiest day in life, summer vacations, baby shower, happy birthday cards and many more. It is really universal and modern font. The owner of endless possibilities!

Playing around with a previous design, Jeff Levine came up with Cut Paper Stencil JNL, a typeface with both an Art Deco flair and the look of letters made from cut paper.

Pleasant Evening JNL was modeled after an Art Nouveau serif typeface named ‘Racine’ [found in the 1881 Barnhart Bros. & Spindler type specimen book] and is available in both regular and oblique versions.

The gently spurred serif hand lettering found on an advertisement for Berkshire Stockings (circa the 1920s) was the inspiration for Nouveau Elegance JNL, which is available in both regular and oblique versions.

Personal Note JNL gets its inspiration from a semi-calligraphic pen alphabet found in the 1960 edition of the Speedball® lettering textbook and is offered in both regular and oblique versions.

Edessa JNL is a Greek-styled alphabet found in an old book used by sign painters. Its simple, angular lines and clean approach add a taste of the past to your work.

Sales Slip JNL is derived from the core lettering of Sales Book JNL, an outline font with a cast shadow; modeled from wood type examples found in an old printer's supply catalog.

Decorative elements with a decidedly Art Deco flair make up the twenty-six images found in Design District JNL by Jeff Levine. Use these images as embellishments to your next design project.

Tylbor was inspired by vernacular German typography but mostly by handwritten signs found on the archive photographs from the late 40s of the 20th century. Tylbor contains 14 styles in 7 weights.

The extra bold, squared Art Deco sans hand lettering found on a 1940s travel poster for the Pennsylvania Railroad inspired Rail Service JNL, which is available in both regular and oblique versions.

The Genau family is a geometric sans serif designed under the influence of the constructivist schools of Vkhutemas and Bauhaus. Despite the traditional shapes, the family has characteristic features in the modern outline. The sharp junction of round and straight strokes repeats the sharp tails in “a” “d” “n” “u” and other. The family has an even, smooth texture. The family has been developed to advert materials for architecture, design, education, modern art. The family has high readability in a small size, and doesn't lose aesthetic qualities when enlarged. The font family contains 8 styles The font is equipped with a Variable file with two axes (weight and slope) Supports languages ​​of central Europe and some languages ​​of eastern Europe Contains small uppercase letters Contains tabular figures There are several alternates in the font The font has more than 1700 kerning pairs

Mimeograph Lettering JNL is based on one of the numerous plastic lettering templates once manufactured by the A.B. Dick Company of Chicago and is available in both regular and oblique versions. The mimeograph utilized a porous drum which inked the backside of a waxed stencil sheet. Unlike traditional stencils which have cut out areas that are directly inked or painted, a mimeo stencil has the area to be printed scratched away by removing the wax coating with a stylus. The resulting image allows the ink from the drum to seep through the sheet and transfer to the blank paper. As with a companion font (Mimeograph Template JNL), the character shapes follow the routed letters of the template, complete with rounded terminals. A previous font release [designed with flat terminals and some alternate characters] is available as Interoffice Memo JNL.

After several months discovering and developing the traits and personalities well balanced typefaces such like Frutiger and the other identical typefaces, Catesque was born as the new typefaces. The vocal flourish yet harmonious shapes not purely geometrically, it has imperfect rounded characters such as “O” “C” and “G”. Catesque can make some distinctness for large scale design as well as small text. The traits versatilities usable for many design applications, it’s comes with five weights from light to black plus mathcing italics. All characters included the Tabular figures, case-sensitive forms, fractions, and another most common numerals features such as super & subscript to accomplish the numeric design works such like menu, annual reports, etc. The alternate characters are included as well, all features can accessed with OpenType-savvy programs on Adobe Creative Suite via OpenType Panel.

Slinky Chic, svelte and slinky, FS Sophie was inspired by and designed in partnership with ATTIK UK. With clean lines, simple, elegant curves and dynamic forms, it brings a feminine sophistication to text and headlines in publishing and advertising. Kinky FS Sophie’s engaging simplicity arises from its construction, using a modular set of core, rounded shapes and straight strokes, drawn and then repeated to create letterforms. An extra technical detail of occasional, short 45-degree diagonals adds a distinctive little kink to Sophie’s cool exterior. Alchemy By some kind of typographic alchemy, the combination of simple curves and lines with unexpected twists to the shapes of characters creates an unusually spirited and lively design in all three weights and their italic sets. Born for the spotlight, FS Sophie is a natural for big headlines, pull quotes and other high-profile text elements.

An ebay purchase of a vintage Speedball lettering pen set yielded an extra bonus… numerous alphabets on paper rendered in both pen and ink and via pencil sketches. One such design in rough pencil layout is a classic serif typeface often found on many passenger and freight trains, trolley cars and busses. This “Railroad Roman” was scanned from the original sketches and then re-drawn digitally, all along retaining the charm and attractiveness often found in hand lettering. The end result is Streetcar JNL, which is available in both regular and oblique versions.

This is a font that will fit in the "hard to read section" because it may not be super legible at first sight - that is because of the negative space. But when you combine the two layers (Layer and Box) the letter suddenly appears very legible! Play around with your favourite colour palette while adjusting the transparency in order for the colours to blend, giving a really nice handcrafted look! You have 4 different versions of each letter to play around with and of course there is multilingual support!

The Uncial alphabet is a majuscule script with unjoined letters which is found in European manuscripts of the 4th to 8th centuries and from which modern capital letters are derived. Potus Uncial is designed with lowercase letters reflecting the Uncial style while keeping them as close to the original majuscule script Uncials and making it a useful modern day font. I have found it to be appropriate for historic, medical and spatial topics and may be used in packaging designs, medical journals, declarations, greeting cards and prehistoric articles.

Not your average monospaced typeface, Base Mono flourishes with several handsome OT features mostly found exclusively in text fonts. Despite the geometric and techno feel of the initial roman version, the cursive version is heavily influenced by traditional Finnish weaving and folk art! The contradiction is taken further by inclusion of such classical features as small capitals and lower case figures, usually found in slightly more traditional fonts. Base Mono family suits many editorial, corporate identity and logotype tasks. It can even be used for setting text such as captions and headlines.

Working on a Star Wars project? This font is in the main Star Wars written language of Aurebesh, and contains all the additional letters found in the language as glyphs. Designed to be a blocky workmanlike font that has the roughness commonly found in Star Wars related visuals. All numbers are also included as well as central punctuation symbols. The name is a very obscure reference to the old Star Wars expanded universe, when a force-sensitive droid self destructed in order for Uncle Owen to purchase R2-D2.

Pontiac is a sans serif OpenType font designed by Fanny Coulez and Julien Saurin in Paris. Pontiac is a functional font with something more, something warm, geometric but human, something distinctive, something French finally. We also designed an inline Art Deco version of this font, Pontiac Inline. Merci beaucoup!

Comforter promises to be a favorite among professional designers and people who love quality hand lettered forms. It’s a bouncy, upright brush style script. It’s look is appealing for many various usages. It’s contemporary, and non- traditional. It’s sophisticated, yet fun and funky. The Brush style of Comforter adds another touch to its “brushy” look. Comforter Pro versions come complete with multiple language options including Rob’s interpretation of a script style of Cyrillic. Unlike a “cursive” style, the script Cyrillic uses both traditional and cursive forms. In addition, the PRO versions are programmed with numerous OpenType features plus a few ornamental and word art glyphs not found in the Regular flavors. The regular versions are properly kerned, but contain none of the OpenType features found in the PRO versions. The Alternate flavors contain a few of the alternate forms found in the PRO versions of the typeface, including Cyrillic.

The letters in Xenophone were created from hand-drawn figures in which coins were traced around to create curves and circles. Some capital letters resembles symbols from the greek and International Phonetic Alphabet. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Hey guys! Meet our new font "Luxe Atelier" which is inspired by a bit quirky but still lovely handwriting. When we launched our font "Lolita" in 2019 many liked the way we replaced some uppercase letters with lowercase ones. The response was overwhelmingly positive. The feedback we received inspired us to refine the idea of the lowercase signature style and we created "Luxe Atelier" with a lot more lowercase letters that give an uppercase look. However, some uppercase letters simply cannot be written as lowercase due to their nature: they would just lose their primary sound. For example, when we tried writing lowercase 'e' in the uppercase style it more resembled lowercase 'l' and affected the legibility of the font. Therefore some letters in this font remained as is. When it comes to other letters, we tried maximally to keep the lowercase style. This playful, non-standard signature font with slightly rough edges includes 37 ligatures which will definitely add realistic handwritten character to your designs. It is perfect for branding, signatures, weddings and so much more.

Diaria started as a project in Typeface Architecture for Master in Advanced Typograghy at EINA, Centre Universitari de Disseny i Art de Barcelona, a course tutored by Laura Meseguer and Íñigo Jerez Quintana. Later it has developed into Diaria Pro, an extensive typeface including Cyrillic script, small caps, and various OpenType features. Diaria Pro is a low-contrast serif typeface designed as a primary text face for the newspapers. Its large x-height and static exteriors allow comfortable reading in narrow columns, and calligrafic counters as well as dynamic serifs add humanist detail to overall perception and incline contrast axis without affecting interletter counterforms. Besides extensive language support, Diaria Pro includes various OpenType features: ligatures, discretionary ligatures, small caps, 6 sets of digits, superiors, inferiors, fractions, ordinals, upper-case punctuation, and some language-specific features. Diaria Pro also has a sans-serif companion - Diaria Sans Pro. Some of the styles of Diaria Pro can be found in Mint Type Editorial Bundle together with other fonts which make some great pairs. Check it out!

Oita might be a carefully crafted typeface family, created by a meat-bag human. Or, it might have been made by a supremely clever sentient robot. Found in the dark recesses of a top secret spy agency’s quantum computer, this font came with this somewhat unusual description, which is presented without comment. "To conquer, we cannot simply overcome. Success is found in supremacy--in the dominance of Oita. While looking for the right tool for this success, our research has led us to the finely executed forms found of military domination throughout history. In our labs, we've used our specialized machines to harness these forms' power and refined their impact through elements of contemporary and computer design. The structure proves to be robotic and squared on its edges. However, the chutzpah of this technical face still allows it to pass as if created by human hands. Our resulting payload, Oita, is modern and sturdy. While based on a practical, octagonal structure, make no mistake; this new instrument will drive forward the energy you want to push through your projects. Oita has 42 cuts certain to encompass your designs on world domination. Each font contains the glyphs to support over 52 languages. The font also includes tabular and lining figures, numerous ligatures, and selected advanced Opentype options, including stencil and experimental options to bring out the dynamic characteristics that have already been crafted into Oita. Early tests have found that the new instrument is easily scalable to smaller dimensions without reducing its impact. The font remains highly readable across a variety of applications. We speculate from our findings that it will be successful for sporting and technical applications. So for you who venture to use Oita, use it boldly. Don't just overcome. Dominate. Go and conquer mightily with Oita. We'll be watching." We may never know whether Oita hails from mind or mechanism. What we do know is that, should you choose to take on Oita, you'll be acquiring a dynamic poster and packaging face, a minigun-toting bad robot of a font that exudes pace and power.