A mechanically drawn felt tip pen styled font with matching common cap styles suitable for greeting cards, posters, and announcements. Ravenna requires subjective display kerning and compensation.

Amazon Lily font is a cute and playful font. Can be placed on many concepts. It would be more appropriate if used for something fun and funny.

This simulated font is based on the characteristic Hindi calligraphy and includes upper and lower case alphabets, numerals, and a collection of Indian symbols and border components.

Liberalism is a sans-serif, grotesque and hybrid typeface that I created during the lockdown. Born as a pure design exercise, it has turned into something more.

Space 51 is a font with modern, clean and minimalist looks. If you want to write something related to technology or digital things, Space 51 is perfectly suitable.

Convert Light is something unique and interesting to display and can be used for various media needs, such as social media, brochures, posters, movies, cartoons, horrors, and more.

Don’t go for the fonts with all that fancy flare. You want something classy and timeless. A font that tips the hat to the old school hand letterers.

Attractive chess and checkerpieces, as well as board components, in a font. Generate boards with light, bold or no border, or a border with rank and file identifiers.

Frogurt is a soft, plump, rounded slab serif font full of fun! Its fat curves make me think of frozen yogurt, and I've always preferred the shorthand "frogurt" to "fro-yo." I was inspired by a 30-year-old hand-carved wooden sign; when I went to try to find a font with a similar look, I couldn't really find anything soft and funky enough! It was a real Goldilocks situation: that one was too thin, that one's corners were too sharp, that one's baseline was too strict. So since I couldn't find something I liked, I made something I liked! I gave Frogurt big pillowy slab serifs, a slightly irregular baseline, and just enough tilt and variation to be fun while still keeping things really clean and readable. The outlines are cleaned up and sharp, so Frogurt will work well for both printing and cutting. Frogurt clocks in with just over 570 glyphs total, including all of the basics (A-Z, a-z, 0-9, and a ton of punctuation), plus over 310 extended Latin characters for language support, and over 50 alternates and ligatures to add some variety and flair. Frogurt is PUA-encoded for easy access to all characters.

I really like the UK and I quite enjoy the British slang. Off Yer Trolley is one such expression. It means ‘behaving in an unusual way or doing something silly’. It just popped in my head when I was looking for a name for this rather silly font. Off Yer Trolley is a handmade cartoon or kids font. As the name implies, this font certainly behaves in an unusual way and you can use it for something silly as well!

Create something elegant and classy with a modern touch. Nesans Duo Font gives a sleek, elegant look to logos, business cards, wedding invitations, quotes, advertisements, and more. Nesans is a versatile typeface that's full of character and one you'll come back to time and again. Create something beautiful today with Nesans. This typeface comes in uppercase and lowercase, with punctuation, symbols, numerals, stylistic alternates and also has multilingual support. Tutorial how to Install & use Alternate / Special Character : https://hanscostudio.com/tutorial/ Enjoy!

Bolívar is a contemporary display typeface inspired in the handwriting of one of the most prominent personalities of the Latin American 19th century: Simón Bolívar, “the liberator". The typeface intends to capture the passion of handwritten letterforms and to translate it into type. Among the characteristics that best contribute to its strong personality, are the impressive length of ascenders and descenders as well as the more than 45 degrees of slant. Bolívar mimics certain aspects of handwriting such as the slightly different baseline for each letter and ink clogs in the counters of some letters. Use Bolívar whenever you need to add passion to a piece of text, from logos or single words to sentences and captions.

Rufina was as tall and thin as a reed. Elegant but with that distance that well-defined forms seem to impose. Her voice, however, was sweeter, closer, and when she spoke her name, like a slow whisper, one felt like what she had come to say could be read in her image. Rufina’s story can only be told through a detour because her origin does not coincide with her birth. Rufina was born on a Sunday afternoon while her father was drawing black letters on a white background, and her mother was trying to join those same letters to form words that could tell a story. But her origin goes much further back, and that is why she is pierced by a story that precedes her, even though it is not her own. Maybe her origin can be traced back to that autumn night in which that tall man with that distant demeanor ran into that woman with that sweet smile and elegant aspect. He looked at her in such a way that he was trapped by that gaze, even though they found no words to say to each other, and they stayed in silence. Somehow, some words leaked into that gaze because since that moment they were never apart again. Later, after they started talking, projects started coming up and then coexistence and arguments, routines and mismatches. But in that chaos of crossed words in their life together, something was stable through the silence of the gazes. In those gazes, the silent words sustained that indescribable love that they didn’t even try to understand. And in one of those silences, Rufina appeared, when that man told that woman that he needed a text to try out his new font, and she saw him look at her with that same fascination of the first time, and she started to write something with those forms that he was giving her as a gift. Rufina was as tall and thin as a reed, wrote her mother when Rufina was born. Photo (Fragilité): Karin Topolanski / Post: Raw (www.raw.com.uy) - María Pérez Gutiérrez

Blackletter typefaces follow certain fixed rules, both in respect to their forms and to the orthography. Possibly, they were a reaction to the half-developed Carolingian minuscule which was soon to end in the Latin script. Narrow, ordered script was to replace the round, hesitant and shattered shapes of letters in order to simplify writing, to unify the meaning of individual letters, and to save some parchment, too. Opposed to the practice common in monasterial scriptoriums where Uncial, Irish and Carolingian inspiration flew freely and as a result, the styles of writing differed in each monastery, the blackletter type was to define one, common standard. It was to express spiritual verticality, in perfect tune with the architecture of the Gothic era. Typography became an integral part of the overall style of the period. The pointed arch and the blackletter type were the vanguard of the spectacular transformation from the Middle Ages towards the modern era, they were a celebration of a time when works of art were not signed by their makers yet. Some unfortunate souls keep linking blackletter solely with Germany and the Third Reich, while the truth is that its direct predecessor, the Gothic minuscule, evolved mostly in France. Even Hitler himself indicated blackletter type obsolete in the age of steel, iron and concrete – thus making a significant contribution to the spreading of the Latin script in Germany. Once we leave our prejudice aside, we find that the shapes of blackletter type have exceptional potential, unheard of in sans-serif letterforms. The lower case letters fit into an imaginary rectangle which is easily extended both upwards and sideways. In its scope and in the name itself, the Moyenage type family project is to celebrate the diversity of the Middle Ages. I begun realizing the urge to design my own blackletter when visiting the beer gardens of Munich and while walking through the villages of rural Austria. The letters from the notice boards of inns are scented with spring air, with the flowers of cudweed, with white sausage and weissbier. The crooked calligraphic hooks and beaks seem to imitate the hearty yodeling of local drinkers and the rustle of the giant skirts of girls who distribute the giant wreaths of beer jugs. Moyenage is, however, a modern replica of blackletter, so it contains some otherwise unacceptable Latin script elements in upper case. I chose these keeping the modern reader in mind, striving for better legibility. The font is drawn as if written with a flat pen or brush, and with the ambition to, perhaps, serve as a calligraphic model. In medium width, the face is surprisingly well legible; it is perfect for menus as well as posters and CD covers for some of the heavier kinds of music. It has five types of numerals and also a set of Cyrillic script, symbolising the lovelorn union of Germans and Russians in the 20th century. Thus, it is well suited for the setting of bilingual texts of the German classic literature, which, according to the ancient rules, must not be set in Latin script.

Halfway between graffiti & typeography you find styles like Graffick™. These fonts are derived directly from hand written letters made mechanically perfect to behave more like common digital fonts.

For many centuries, Chinese cut paper designs have been in common use. Floral Ornaments was inspired by these floral cut paper designs and contains a selection of 114 ornaments.

Bright with many interlocking and connecting ligatures and warm with hand-drawn irregularity, Solstice is something to celebrate. Based on the inspiring hand writing of creative friend, Kimberly Mahan.

Plumbsky comes to the rescue when something that looks handmade and goofy is needed. In all it's funkiness it stays somewhat true to the classic moves of a typeface.

Play it cool with your designs - especially if you do something handcrafted! This font has 4 different versions of each letter - enough to make it look random and handcrafted!

Halfway between graffiti & typeography you find styles like Graffick™. These fonts are derived directly from hand written letters made mechanically perfect to behave more like common digital fonts.

Need something VERY silly for your headlines and still keep the legibility?! Then Sillyheads could be your no. 1 choice! Sillyheads has got that funny, weird, cute, crazy look!

Some typefaces are more deserving of the reference "original typeface design" than are others. Such a typeface is Steve's Safefont GD. It is indeed safe to say that this design has caused some controversy. However, the management of Galapagos Design Group believes that the message of the typeface, even before its characters are used to form words in print, is important enough-and the design itself compelling enough-to warrant the risk of any unintended offense it might cause. Safefont GD is made up of condoms, in various shapes and sizes. The design originated as a lampoon of contemporary-punk- and -garagefont- designs of the nineties. It soon evolved into the quintessence of socially conscious design. Steve suggests this typeface could be "useful as a public service font aimed at important health and social issues." In addition, Safefont GD lends itself to a wide range of fun uses.

Here is something to talk about! Spread the word - spread the gossip! An elegant combination of thin and fragile lines, made with a fine pen. Fine lines, crunchy, sweet curls.

Miserichordia evolved from photographs taken on a trip to Venice and instigated a sharp turn left into more idiosyncratic and decorative serif fonts. Something of a new direction for Device.

Heruina oozes of feminine handwriting...comes with ligatures for both double letters and the most common letter combinations! You will need to use OpenType supporting applications to use the autoligatures

Sugar Flash is my grungy comic handmade font: I suggest that you use it for something that has to do with a partyinvitation or maybe products for kids...and sweets!

Beamont is a Serif Typeface with Elegant vibes in each character with some alternate. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Nirpa is a Serif Typeface with Elegant vibes in each character with some alternate. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Thorin is a Serif Typeface with Elegant vibes in each character with some alternate. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Calestic is a Serif Italic Typeface with Elegant vibes in each character with some alternate. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

SubComp is a carefully constructed font made with over 160+ individual glyphs for English and some Latin based languages. This font is inspired by old fashioned computer and programming fonts with a unique twist to the lettering. Features characters or glyphs for Basic Latin, Some Extended Latin Characters, Some Greek, Some Coptic. Created for web, poster, graphic design, social media and branding.