Hello my name is Brasika Display, a fun, funk and swirly font. I was designed with versatility, easy to adapt to your needs. I'm playful enough to make you happy. Just look my styistic and anatomy, it's cool, isn't it ? You can put me in your logo project. Or your magazine title. In your Christmas greetings card, wedding invitation, perhaps use me in your Instagram feeds, Youtube title, and many more, you name it. All my friends called me Polyglat, because I'm speaking and understand many languages. I'm Brasika, buy me now, and I will help you to ignite your next project.

Cliffhanger's top-selling DANGER GIRL creator and artist, Jeff Campbell, also topped our first MASTERS OF COMIC BOOK ART poll. Originally Jeff wanted his font to be wholly exclusive to the DANGER GIRL book, but we begged him, we pleaded with him and, eventually, we took photographs of him (in compromising positions with his "models") and he relented. Now, at long last we are making this slick and stylish font available as a part of our catalog, and you no longer need be a stranger to danger. See these families related to J Scott Campbell: J Scott Campbell Lower & J Scott Campbell Sketchbook .

The movie poster promoting the 1962 James Cagney comedy "One, Two Three" had it's text done in free-style hand lettering. Starting with an auto-trace in order to have an isolated version of the black letters separated from the red poster background, the tracing kept the basic forms intact, but with limited accuracy. Cleaning up and digitally reshaping the letters manually to form a more correct version [closer to the original movie poster], additional figures, foreign characters, accents and punctuation were drawn from scratch. This is now available as Handwritten Note JNL in both regular and oblique versions.

Who says design has to be boring? The Quwen King font is the secret key to bringing power, glitz, and gaming style to any of your projects. Quwen King is the perfect solution for projects that require a unique touch. From powerful movie displays to exciting games and stunning streaming events, this font captivates and dominates in a variety of languages. With Quwen King, you don't just get a font, you get the tools to bring creativity, charm, and fun to your designs. Enhance your projects with Quwen King Font now, and enjoy amazing results that will make your designs stand out!

Hey guys! Once I got a book "Letters From Father Christmas" by J.R.R. Tolkien. He wrote them for the children every December from 1920 to 1943. I totally fell in love with the calligraphy in those letters. Now I created a font and you can use it to write your own letter from the North Pole. I've also redrawn stamps and patterns from that book, so you can decorate your blank. It's Icons font style. You'll get: Regular and Icons styles Numbers and symbols Multilingual support and alternative symbols Thanks! Feel free to request to add characters you need: kaer.pro@gmail.com

For decades, the Persian-born Naghi Naghashian has been working as a graphic designer and illustrator in Germany. Arian™ is his first commercial Arabic typeface. Named after his mother, Naghi created the Arian typeface family after years of systematically analyzing the Arabic script. The Arian design is sought to fulfill the many needs and was developed for multiple languages and writing conventions. It's extremely legibilitable not only in small sizes, but also when the type is filtered or skewed. This typeface offers a fine balance between calligraphic tradition and the contemporary sans serif aesthetic now common in Latin typography.

Delliger, a stunning, energetic display typeface with eye-catching forms, is now available. This font is ideal for graffiti-themed projects, outdoor projects, special events, penning lovely quotes, and much more. With this font, you can make your project gorgeous and memorable for everyone. This graffiti font is great for product logos, poster titles, headlines, packaging, film titles, logotypes, gorgeous writing, and trendy graffiti designs, among other things. Of course, if you utilize this font in your numerous creative projects, they will be perfect and outstanding. Use this typeface right away for your one-of-a-kind and remarkable projects.

Darion is a modern bold script font with natural handwriting touch. This font ready to make all your designs looks awesome. Its clean and strong looks are suitable for projects such as crafts, quotation, decoration text, prints, advertising, packaging, logos, business cards, invitations, labels, products, T-shirt designs, social media posts and much more. Get this font now, have fun! To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, and CorelDraw. More information about how to access alternate glyphs, check out this link: http://goo.gl/ZT7PqK

Roscha is a fully reconsidered high contrast transitional serif, which is perfectly adapted to modern realities and requirements. When starting this project, we wanted to try to draw a modern serif with the precisely verified shapes, high contrast and detailed elaboration of each character. Roscha is perfect for use in magazines, in the fashion industry, in the branding of premium goods and services. Roscha is quite versatile and suitable for use both in headings and in text arrays. In addition, we have done manual hinting in the typeface, and now it can be used with a clear conscience in the web and applications.

Monospaced but no mono space. Created from 2002 to 2007 this font family is influenced by fonts like OCR-B, DIN and the work of Erik Spiekermann. Newsletter is not a real monospaced font but has the ease of recognition these fonts have - even though these fonts are often criticized for their aesthetic qualities. Newsletter has a computer-related impression but is more legible and aesthetic than real monospaced fonts are. Since 2006 Newsletter is the corporate font of the design agency "die Typonauten". It is eminently suitable for correspondence use. After a testing period and fine tuning it is now published.

Fluffenhaus is a vintage bold retro-font, the glyphs are soft serve ice cream, sorta Cooper Black after to much party. A fun playful look that suggests the 1960's and 1970s rock posters and cereal box art as well. Fluffenhaus is a fat bold font, apply to projects that need an attention grabbing headline that expresses the fun of the information being convened. Tightly spaced in the metric, suggested uses would be for it to be used BIG and then bigger. Fluffenhaus is a groovy beautiful and tuned into the psycho-fab of the now!

Sangsie is a beautiful handwritten font. this font is so simple that i write very carefully. Even though it looks simple, this font still looks cool and stylish. Handwritten script font. This Fonts are perfect for: logos, branding, wedding invitations, business cards, greeting cards, posters, magazines, social media, proliferate fonts, planner prints and websites. Get creative with their unique fun, and use them to brighten up any craft project! Get this font now and boost your creativity with it! If you have any questions, before or after your purchase, don't hesitate to contact us. Thank You

Zapatista is derived from a typeface that I designed in 1998 but never released. It is a playful slab serif with a texture that is sometimes subtle and reminiscent of the irregularities of letterpress printing. Like a fine wine, this face has been aged to perfection and is now ready for public consumption. It includes a full character set with accented characters as well as a second full set of alternate uppercase, lowercase, and numbers. OpenType makes it easy to mix and match the two sets of letters to create custom designs. It's like having 2 fonts in one!

Sensual Initials JNL is a revamped and cleaned-up version of an old freeware font by Jeff Levine. Redrawn, and now utilizing the typeface French Art Initials JNL

A 1930s advertising poster for the Inman Brothers Flying Circus offered up an interesting hand lettered Art Deco design that’s a cross between both squared and rounded character shapes. Because of it's 'futuristic look', the resulting type style can also lend itself to 1970s and 1980s retro projects as well as those from the 1930s and 1940s. Now a digital font, Air Circus JNL is available in both regular and oblique versions. A “Flying Circus” is a troupe of ‘barnstormers’ (stunt pilots) who performed aerial tricks either individually or as a team along with selling airplane rides to the general public.

Fhayu, our newest san serif font, is now available. Fhayu is a gorgeous sans-serif font with powerful curves. This typeface offers a stunning and clean appearance that’s ideal for branding, digital products, and any of your creative projects, regardless of theme. This flexible typeface has a unique and balanced personality, making it ideal for headers and paragraphs alike. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Peter Schmidt, well-known designer from Hamburg, browsed in a fashion magazine on a return flight from the United States. At that time he was thinking about a logo for a philharmonic orchestra. In the magazine, he noticed some interesting typography. He removed the page from the magazine and sent it later to Peter Langpeter. That was the inspiration for the creation of the logo. Since Peter Langpeter really liked the classic aesthetics of the resulting letters, he developed a whole new alphabet of it. Initially, only capital letters. Now he has completed this exceptionally beautiful font.

Originally drawn in 1999 as a college project with the ambition to make the ‘most beautiful’ alphabet in the world. After these heroic beginnings Spaghetti lay dormant in the VLNL vaults for many years, appearing to silently peter away. Now look at it! Ten years hence, it is finally being served up in glorious OpenType, precisely al dente. As automated special sauce, each lowercase character before or after a space receives a nice little ball ending to round things off. And finally, the parmesan cheese sprinkled on top is like a tasty bunch of ligatures – enough to make your mouth water.

The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned as a source to development some of the uppercase letterforms. However the most unusual and tricky element from this sample is the leg from the uppercase (R) which is different from the original Herold design, until now I didn’t found where this version originally came from. This expanded version only contain the bold weight, however there are also stencil (Nouveau LX Stencil) and condensed version (Nouveau LX) available.

If you thought you heard someone callin' your name just now, you might have caught the firm but soft spoken tones of Comicraft's classy balloon lettering font, HushHush. Created in the style of the newspaper strips of the 30s and 40s, HushHush captures the slick movements of the skilled hand letterers of that era. Gracing the pages of Jeph Loeb and Jim Lee's chart-topping BATMAN storyline -- which by a staggering coincidence was also called "Hush" -- these characters have brought to life the words of Two Face, The Joker, Scarecrow, Catwoman, Batman and Robin -- from every whisper to every scream.

For decades, the handletterer’s craft has been indispensable to the advertising and design trades. As prevailing tastes changed and new technologies emerged, commercial art saw the fateful demise of this lost skill. Now, House Industries is proud to offer the Sign Painter font kit, a collection of six timeless display typefaces along with an assortment of eye-catching advertising type treatments in font format. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned as a source to development some of the uppercase letterforms. However the most unusual and tricky element from this sample is the leg from the uppercase (R) which is different from the original Herold design, until now I didn’t found where this version originally came from. This font family only contain the bold weight, but there are also a stencil and expanded versions available.

NEWSFLASH! Revla Sans is now available specially tailored for smaller settings. Take a look at Revla Sans Text ! Meet Revla Serif 's dorky younger brother, or should that be brothers? Revla Sans is a grotesque companion to Revla Serif, in four weights. The weights can be used pretty easily as grades, so that text set at different sizes has similar thickness. The contextual alternates engine from its serifed sibling is used to pseudo randomise the text and avoid the monotony of repeating glyphs. Other features include case sensitive forms, standard and discretionary ligatures, stylistic sets and automagic fractions.

The Dinkle fonts are the creation of a sketchbook artist who spent years refining her craft, Diana Hollingsworth Gessler. She created the Dinkle handwriting fonts for use in her book "Very New Orleans," and now you can use it in four convenient styles: Regular, Bold, Italic and Bold Italic. Each font in this family was drawn individually, capturing nuanced differences of natural penmanship when the weights are paired together. A hand-lettered journal style, the highly legible Dinkle fonts offer tidy text and clear captions. Use it for signage, quotations, or anywhere you need a personal touch in your designs.

Siller is a playful display typeface that is appropriate for a range of game applications. It is created in a relaxed, fun, and beautiful manner. This typeface is appropriate for both official and informal projects, and it is appropriate for all designs for children and adults. This typeface is appropriate for a broad range of creative applications, including game covers, titles, book covers, outdoor events, posters, banners, promotional materials, movie titles, YouTube covers and thumbnails, children’s games, cartoon projects, title, and text. . What are you waiting for? Go ahead and use this font in your amazing creations right now!

Cambridge seeks to build on the popularity of Fiendstar amongst educational publishers and advertisers who need easy-to-read text in a classic sans serif format. Cambridge is an elegant typestyle that is equally at home in a schoolbook or an annual report. Feedback from users has resulted in a handful of changed letterforms which remove any ambiguities between similar letter forms. The family contains four weights in three widths and now benefits from matching italic form for all variants. Cambridge Round provides a rounded version of all styles, useful for headings and more informal texts.

A roughened and worn version of Daily Tabloid JNL was originally created as a non-exclusive custom font for a client. The design emulates the look of old letterpress wood type and has now been released commercially as Regional News JNL; available in both regular and oblique versions. A special acknowledgement goes to Michael Hagemann of Font Mesa Fonts who partnered with Jeff Levine Fonts for the original project. His creativity and skill resulted in the textured look needed for the typeface. For some beautiful antique typefaces or fine text face collections, please visit Font Mesa Fonts.

Peter started as a sketch in the static sans-serif tradition of Helvetica®. Then slight references to the calligraphic origin of type were added, giving it a more distinct character. This neo-grotesque sans has rational and clear basic letterforms, while in its details it unfolds attributes of humanist type. As a neo-grotesque sans it claims a very modest design, yet being a bit wider than its relatives and offering the warmth of humanist drafts. The early sketch grew to a type family of 18 fonts and now supports 700+ glyphs with pro opentype features.

Fast Food is a font based on the former (and now revived) logo of a hamburger chain. It has that look of the 1970s & 1980s, yet also has a futuristic, alienesque, sci-fi look about it. It can be used for projects aimed at consumers waxing nostalgic for their good old days, or for movie posters or books about the great final frontier, and much more. There’s an alternate uppercase E & F, both of which are really stylin'! You may even develop such an appetite that you'll want to supersize your order! Digitized by John Bomparte.

Chalk lettering without the mess! Chalky Fingers was designed by a genuine chalkboard artist as his go-to hand-lettering style for custom illustrating menu boards for bars and cafés – now available for all to enjoy as a font. A rough textured font, hand-drawn with real artists’ chalks and perfect for use on restaurant & cafe menu boards, signage, posters, displays, t-shirts, social media quotes, children’s books and food packaging. Chalky Fingers includes loads of swashes and arrows to give extra emphasis to your messages. Numbers, punctuation and multi-language characters are all included. Enjoy getting Chalky Fingers!

Petras Script, the first digital script font created by the calligrapher Petra Beiße, has, for many years, met with worldwide success. Now the font is complemented with an alternate character set, which gives designers more flexibility and adds a personal touch to the font. Petra Beiße has resided for a long time in Wiesbaden, Germany, where she is working as a renowned calligrapher. It is rare that any of her scripts are transferred into digital format and sold worldwide as fonts. Because Petras Script became such a huge success, she decided to release Casanova Script Pro.

Initially inspired by an untitled typeface from an old hand-lettering book, Berber has been extensively developed over two incarnations to function as a very strong and confident sans. The 2011 Berber revisions have enabled Berber to be used across longer settings as well as its more conventional use on larger applications such as signage. Berber was used as the text face for issue 46 of Eye, the graphic design journal. The typeface now features both king caps and small caps. Extensive additions to the numerals sets and complete opentype sets of international diacritics also extend its usage.

Here’s an edge-tattered, slightly distorted typeface that was developed from hand stamping using ink. You’ll find it ideal for both display and text situations where legibility is a big concern. This version holds up in very small sizes. Replica Rough SG Regular and Bold are now available in the OpenType format. This OpenType version includes stylistic alternates, discretionary ligatures, small caps, petite caps, ornaments and oldstye figures. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Edda Glaser’s digitized handwriting is a beautiful script containing many ligatures and alternates. The first lines were drawn in 2012 – however, there are now over 850 glyphs! The elegant and light typeface combines both connected and separate characters, in this way gaining a dynamic flow. The Open Type Features allow you to choose glyph alternates for the beginning and end of words. The script also contains lots of numbers as old-style and titling figures as well as sub- and superscript figures.  The many alternates and swash uppercase letters let you create a versatile look which suits designing magazine and other print media.

Croog Pro is an upgraded version of Croog fonts (2009). As its predecessor, the new release is a rounded geometric monoline typeface, but built now in four weights with true italics. One more style has been added - "Black", for display use. Squarish in proportions, monoline letterforms gain more readability by having short rounded serifs and terminals. The typeface is ideal for use in display sizes, though is quite legible in text. Croog Pro is released as OpenType fonts with extended glyph amounts, which enabled support of more Latin languages as well as Cyrillic languages, and includes some OpenType features.

The Mramor family first appeared in the Stormtype catalogue in 1994. The first sketch arose in 1988 through the narrowing of Roman capitals. It has uniform width proportions and, above all, original lower-case letters, unprecedented with Roman Capitals. The text designs are discontinued since they were replaced by the related Amor Serif family (along with its -sans version). Now, Mramor has “only” 10 designs that each include true small caps, Cyrillics and a rich variety of figures, ligatures and alternates. Mramor excels in corporate identity or bottle-label design, also whenever there is a need for a “classic” looking face.

Sheet music for another one of those songs from the early part of the 20th Century with a wonderfully wordy hand lettered title was the model for the Art Nouveau flavored Go Home JNL, which is available in both regular and oblique versions. 1908's "I Used to be Afraid to Go Home in the Dark (Now I'm Afraid to Go at All)" is comprised of eighteen words. It may have been a mouthful to request from the local sheet music shop, but the lettering on its cover made it a great candidate for preserving as a digital typeface.

The Mailart Rubberstamp font was inspired by rubberstamped envelopes and artworks by Mailartists Jonathan Stangroom, H. R. Fricker and Flea Art, and the typeface Clarendon Condensed. Mailart Rubberstamp now has an additional Bold weight and complimentary Obliques. The typeface has also been updated with subtle outline improvements, a bigger repertoire of European accented characters, and more consistent, slightly tighter spacing; increase the tracking to recreate the more relaxed, rustic appearance of the earlier version. The fonts are derived from the individually rubber-stamped letters on printed and collaged envelopes received from mailartists, and the typeface Clarendon Condensed.

Greene and Hollins of Wolverhampton were a rather smart gentleman’s outfitter, much frequented by my late grandfather and altogether redolent (in memory and actuality) of a bygone age of retail service and respect. I believe they’re out of business now, but we’re rather pleased to offer them this very small if rather random memorial. Greene and Hollins is a set of seven display typefaces, with uniform metrics, which can be overlaid to create multi-coloured ‘engraved’ effects. Also ideal to recreate traditional sign-writing, garment labels, signage and anything else where a period flare is required.

Lucida Calligraphy is a chancery cursive script typeface family designed by Kris Holmes and Charles Bigelow. It is a very legible and readable typeface, designed for use on screen and in print environments. Lucida Calligraphy was originally released in one weight. It is now available in five weights, from Thin to Black. Lucida Calligraphy is part of the Lucida superfamily of fonts from Bigelow & Holmes. Lucida is highly regarded for legibility and its extensive range of type styles. The Lucida Calligraphy typeface family has a Standard character set with 255 glyphs supporting the basic range of Latin languages.