Linotype Boberia is part of the Take Type Library, which features winners of Linotype’s International Digital Type Design Contest. Designed by Bo Berndal, its historical roots lie in the neoclassicism of the turn of the 20th century. The slender letters with a large x-height and marked stroke contrast give the font an elegant character. The nostalgic, flowing forms are typical of Art Deco fonts and allow designers a number of possibilities for the font’s use. Boberia includes regular, italic and bold type styles.

This is a geometric uncial font with a retro/art-deco feel. It comes in four weights, each in upright and oblique styles. It has Unicode coverage for Latin, Greek (modern diacritics only), and Cyrillic, plus the Euro and peace signs. This font began as part of a project to design a local currency. Sadly, the municipality canceled the endeavor before the design competition had started. I'm including one of the prototypes in the gallery section as an example of this font’s many uses.

Bellanda is a modern, whimsical and relaxed paint brushed script font. Its authentic handwritten look and feel will add a personal and realistic feel to your designs. Fall in love with this font’s incredibly versatile style and use it to create spectacular designs! What's Included : - Uppercase, Lowercase, Numerals & Punctuations - Ligature & Alternate - Works on PC & Mac - Simple installations - Multilingual support - (PUA Encoded) Compatible with Silhouette Studio, Cricut Design Space, Scan N Cut, Adobe Illustrator and other cutting and design programs. Hope our fonts can help your project.

Marseilazi – 9 Strong Bold Style Font is an imposing and robust typeface with nine additional versions, all sharing the same bold and powerful character. This font's thickness and strength make it incredibly versatile, as it can be seamlessly integrated into a wide range of designs, alongside various other fonts and themes. The nine available versions include serif, sans-serif, sport, grunge, slab, stencil, display, and more, providing ample choices for your creative needs. Whether you're working on logos, titles, headlines, posters, films, magazines, business materials, personal names, and more, Marseilazi delivers an impactful visual presence. With its versatility and commanding presence, this font is an excellent choice for making a statement in your designs and leaving a lasting impression.

Goth icon and Saturday Night Live voice-over talent, Nicole Blackman grew up surrounded by design; her dad and her sister are architects, her mom is a retired fashion designer and her grandfather invented clip art. “No lie, Volk Clip Art in NJ,” she says. “Herb Lubalin designed his logo!” Sharing her grandfather’s fondness for fonts, Ms. Blackman created this alphabet. Her creativity sparked this lanky lettering’s theatrical nature in all caps and its supple beauty in upper and lower cases. Final fontification and adjustments were done by Chank Diesel. Blackman drew the original art for the alphabet in 1997; the newest version of the font was completed in 2006. Enjoy this seductive and stylish hand-drawn font.

Last Bastion is a strong, resolute serif typeface. The original inspiration came from the idea of an impenetrable medieval fortress that has stood the test of time and defended generations of hardened soldiers. Large stone towers and fortifications are reflected in the font's bold stems. The sans serif font offers a more modern and clean look, while the Gothic font shows the typeface's darker side. All three fonts include alternates for all letters and numbers in both caps and small caps. Last Bastion lends itself to branding, billboards, signage and industry to name a few. The glyph set includes all languages covered in Basic Latin, Latin-1 Supplement and Latin Extended-A scripts.

"The Giant Monster" is a bold 3D display font featuring solid, inner, and shadow characters. Fonts like this offer various styles within the same typeface, providing depth and dimension to the text. The solid characters provide a bold and straightforward appearance, while the inner characters offer depth and a three-dimensional effect within the letterforms. The shadow characters contribute to the font's depth by adding shadowing or highlighting behind each character. With its multi-layered design, "The Giant Monster" allows you to create text that appears voluminous and impactful. This font is suitable for projects such as posters, titles, or any design endeavor that requires a bold and dynamic typographic style with a three-dimensional effect.

Saxy is a dynamic font blending geometric clarity with a retro flair. Ideal for making headlines and graphics stand out, its modular design offers versatility in branding and advertising applications. Featuring a complete character set with outline and fill variations, Saxy brings an energetic style to any visual message. Express yourself with the bold, unique voice of Saxy. Modern Geometric Font, Bold Typography, Stylish Font, Versatile Typeface, Graphic Design Font, Red and Blue Font, Outlined Typeface, Filled Font, Eye-catching Typeface, Vibrant Font, Creative Typography, Statement Font, Characterful Typeface, Designer Font, Editorial Typeface, Impactful Font, Funky Typeface, Artistic Font, Visual Communication Font, Retro Chic Typeface, Urban Font, Colorful Typography, Expressive Typeface, Branding Font, Multilingual Typeface, Decorative Font, Webfont, Print Font, Professional Typeface, Bold and Beautiful Font, Funky Retro Typeface, Pop Culture Font, Digital Typography, Typeface for Logos, Musical Inspired Font, Modernist Typeface, Cool Font, Typeface for Posters.

Spirit Burner is a gothic-themed display font combining the gothic characteristics with uneven edge lines and unique details to show firm, lovely, dramatic impressions. The letter shapes follow the gothic characteristics with uneven soft lines and unique details such as ornaments and decorations to add uniqueness to the design. Dark and contrast colors add the dramatic, mysterious impressions to the font, and the uneven edge lines show your designs organic, experimental impressions, while the unique details show personal impressions. Therefore, designs with this font, which is suitable to apply for big text sizes for more legible letters, will be able to express strong, lovely impressions and will look distinct and impressive. In addition, you can enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Spirit Burner fits best for various design projects, such as brandings, quotes, printed products, merchandise, social media, etc. The font’s unique, strong characteristics are perfect for designs requiring firm, dramatic impressions, for example, music bands and products with gothic-themed markets. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Silent Brush is a very lovely, elegant script font in capital letters bigger than ordinary ones to express such dramatic, attractive visual effects. To be consistently legible and harmonious in the whole context, every letter has its own proportions. One of the font’s main features is the brush scratch on every letter to show that the writing is made up of a paint brush producing a lot of rough textures. You can see the brush scratches along the letters’ edges and the letters’ sides to express dynamic moving flows. Despite being inspired by handwritings, this script font has gone through various adjustments making it more consistent and legible. Furthermore, it is much better to use this font for big text sizes to be more legible. In addition, you may enjoy the available features here as well. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Silent Brush fits best for any design projects requiring artistic touches such as brands’ logos, posters, merchandise designs, and other promoting media. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Sunday Popice is a delightful display font that brings a dose of cuteness and whimsy to your designs. With its rounded shapes and high contrast, this typeface exudes a unique charm that is perfect for adding a touch of playfulness to any project. Designed with love and attention to detail, Sunday Popice captures the essence of childlike joy and innocence. Each character is carefully crafted with rounded edges, creating a friendly and approachable appearance. The high contrast between thick and thin strokes adds a dynamic and lively quality to the font, making it truly stand out. This font's rounded and soft shapes evoke a sense of warmth and coziness, reminiscent of a Sunday afternoon spent in the company of loved ones. Because of the unique style, for the best readability use this font at large text sizes. Enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Sunday Popice fits in children's books, product packaging, greeting cards, headlines, logos, and any design project that requires a touch of whimsical elegance. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Before the mid-to-late 1970s, when retailers started to embrace UPC (universal price code) technology on a grand scale, pricing merchandise took on many forms. One method especially popular with variety stores (such as Woolworth's, McCrory's, Kress, etc.) were pre-printed price tags that came in small pads and were inserted into metal holders. Shelf Tags JNL recreates a vintage price tag based on examples seen online, and allows the user different ways to create their own vintage-style price tags. You can either utilize the round pen nib style numbers and price marks to place on any size or type tag, or type out prices using the reversed characters (white on black) along with the two end caps provided to form a complete tag unit. For the more adventurous, a complete blank tag is also provided in case the desire is to print a solid color tag background and [using the regular numbers] crate prices in custom colors. Two sets of smaller number (for "floating" cents prices) are also provided in regular numbers and reverse panels. As an extra bonus, there is a set of 1 through zero, dollar sign, cents sign and decimal point individual black-on-white outlined panels for making individual pricing numbers. The keyboard layout for the various characters is as follows: asterisk key - regular cents sign (no panel) dollar sign key - regular dollar sign (no panel) period key - regular decimal point (no panel) left and right parenthesis keys - panel end caps (to form price tags) colon key - reverse decimal point on black panel 1 thru 0 keys - regular numbers (no panels) A through J keys - small regular numbers (no panels) K and L keys - truncated [shorter width] end caps M through Y keys - individual price numbers (black on white with black border a through j keys - reverse numbers on black panels k key - reverse dollar sign on black panel l key - reverse cents sign on black panel m through v keys - reverse small numbers on black panels w through z keys - blank rectangular panels of varying widths equal sign key - full black panel price tag hyphen key - blank rectangular black panel based on the width of most number panels

Morris Fuller Benton, the principal designer of the American Type Founders, designed Mariage in 1901. Mariage, which has been sold under a plethora of different names during the last century, is a blackletter typeface belonging to the Old English category. The term blackletter refers to typefaces that stem out of the historical printing traditions of northern Europe. These letters, called gebrochene Schriften, or "broken type" in German, are normally elaborately bent and distorted. Their forms often print large amounts of ink upon the page, creating text that leaves a heavy, black impression. The Old English style is a subset of blackletter type that dates back to 1498, when Wynken de Worde introduced textura style printing to England. Continental printers had been printing with textura style letters since Gutenberg's invention of the printing press fifty years earlier. Italian printers stopped using them around 1470. For northern Europeans, texturas remained the most popular form of typeface design until the invention of the fraktur style in Nuremberg. Mariage is heavily classicized sort of Old English type. During the Victorian era, designers admired the Middle Ages for its chivalric, community-based values and its pre-industrial lifestyle. Yet they also found the basic medieval textura letterform too difficult to read by present standards. They desired to modernize this old style. Today, this sort of update is often referred to not as "modernization" but as classicism. Benton's design for ATF builds upon earlier Victorian classicist interpretations of Old English/textura letters. For an example of what these Victorian designs looked like, check out the popular 1990 revival of the genre, Old English . Old English style types often appear drastically different from other blackletters. For contrast, compare Mariage to a classical German fraktur design, Fette Fraktur , a schwabacher style face, or the popular early 20th Century calligraphic gothic from Linotype, Wilhelm Klingspor Gotisch . Especially in the United States, classicist Old English typefaces are thought to espouse tradition and journalistic integrity. These features, together with the inherent, complex beauty of Mariage's forms, make this typeface a perfect choice for certificates, awards, and newsletter mastheads.

The Scriptuale family, which contains eight styles, is a contemporary upright calligraphic face. Designed by German designer Renate Weise in 2003, this family of typefaces speaks to the present, while at the same time reflecting on a lyrical past. The letterforms of the Scriptuale family are romanticized, they reference German calligraphic styles from the 19th and early 20th Centuries. For instance the design of Scriptuale's uppercase strays from the canon of classical proportion into romantic idealism. While the C and O are drawn according to the ancient quadratic proportions - almost twice as wide, optically, as the E or the L - the letter A is wider than would be expected, and the D narrower. These subtle differences introduce a different rhythm into text set in Scriptuale than Italic styles of calligraphy may offer. Scriptuale's Gs merit special notice: both the upper and lower case G lunge slightly forward, further enhancing the dynamic quality of the text. Also unique in Scriptuale's design is the lowercase width: the letterforms appear slightly condensed; they have large x-heights to compensate for this. In a delightful twist, the number 2's beak has been closed by drawing it full-circle, back into the stem: this references a style of letter design that was practiced, among other places, by artists from the old Klingspor foundry in Offenbach Germany. Typefaces constructed there easily captured the zeitgeist of the romantic period, but are less calligraphic than Scriptuale (e.g., Rudolf Koch's Koch Antiqua). A semi-serif face (like Prof. Hermann Zapf's Optima or Otl Aicher's Rotis Semi), some of Scriptuale's letters have serifs (D), and some do not (A). And although both the B and the E normally have the same "structure" on their left side, Weise has drawn them differently in Scriptuale. These strengthen the calligraphic-like quality of the family. Traces of the pen are easy to see in Scriptuale's design; it is a thoroughly calligraphic face. The eight typefaces in the Scriptuale family include Light, Regular, Semi Bold, and Bold weights. Each weight has a companion italic. Scriptuale is similar to one other contemporary calligraphic family in the Linotype portfolio, Anasdair , from British designer

Pressato Font is a dynamic and innovative typeface meticulously crafted in collaboration with Pressato Coffee Bookshop in Torino. This unique font boasts three axes—weight, width, and slant—providing designers with unparalleled flexibility and control over their typographic compositions. With a total of 12 distinct fonts and a variable option, Pressato Font allows for a rich variety of styles, making it a versatile choice for a myriad of design applications. The font's flexibility in weight enables users to seamlessly transition from bold and impactful headlines to subtle and elegant body text, ensuring a cohesive and visually appealing design. The inclusion of width and slant axes further enhances the adaptability of Pressato Font. Designers can effortlessly customize the width of characters for a condensed or expanded look, while the slant axis adds a dynamic tilt, injecting personality and movement into the typography. Rooted in the aesthetics of Pressato Coffee Bookshop, this font exudes a contemporary and artistic vibe. Its variable nature opens up endless possibilities for creative expression, making it an ideal choice for branding, editorial design, and various other graphic projects. Pressato Font stands as a testament to the seamless integration of form and function, providing a sophisticated and engaging typographic solution for diverse design needs.

Vintage Glader is a beautifully crafted script font that exudes a timeless elegance and sophistication. Designed with a fairly thick weight, this font makes a bold statement while maintaining a classic script style. Its well-balanced proportions ensure a consistent and harmonious look across all letters, making it both visually appealing and highly readable. One of the defining characteristics of Vintage Glader is its contrasting strokes, which add a dynamic rhythm to the text. This contrast not only enhances the overall aesthetic but also contributes to the font's excellent legibility, making it suitable for a wide range of design applications. Adding to its charm, Vintage Glader swinging ends on some letters, lending a playful yet refined touch to the script. In addition, enjoy the features here. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Vintage Glader fits in headlines, invitations, logos, posters, flyers, branding materials, greeting cards, print media, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

An online display of pages from a book on wood type fonts provided an example of a bold, eccentric slab serif design with unusual curves and letter shapes. This font’s eccentricities became the basis for its name, Eccentric Wood Type JNL – which is available in both regular and oblique versions.

Brightag, a serif display font with two modes, medium and italic. The Brightag font's shape adapts the cursive style, thus showing a combination of the two styles to be more unique and decorative, very suitable for use in vintage or floral style designs. Alternate features are available and supports multiligual.

A photo from Gene Gable (a regular contributor of ideas to Jeff Levine Fonts) shows the vintage signage for the Lasher Hatchery in a slightly different take on the classic Art Deco solid letter style. Since good ideas, like eggs can be hatched, thus the font's name of Hatchery JNL.

It shouldn't be a surprise to anyone that these letter shapes are familiar. They have the unmistakable color and weight of Cooper Black, Oswald Cooper's most famous typeface from 1921. What should be a surprise is that these letters are actually from George Auriol's Robur Noir (or Robur Black), published in France circa 1909 by the Peignot foundry as a bolder, solid counterpart to its popular Auriol typeface (1901). This face precedes Cooper Black by a dozen of years and a whole Great War. Cooper Black has always been a bit of a strange typographical apparition to anyone who tried to explain its original purpose, instant popularity in the 1920s, and major revival in the late 1960s. BB&S and Oswald Cooper PR aside, it is quite evident that the majority of Cooper Black's forms did not evolve from Cooper Old Style, as its originators claimed. And the claim that it collected various Art Nouveau elements is of course too ambiguous to be questioned. But when compared with Robur Noir, the "elements" in question can hardly be debated. The chronology of this "machine age" ad face in metal is amusing and stands as somewhat of a general index of post-Great War global industrial competition: - 1901: Peignot releases Auriol, based on the handwriting of George Auriol (the "quintessential Art Nouveau designer," according to Steven Heller and Louise Fili), and it becomes very popular. - 1909-1912: Peignot releases the Robur family of faces. The eight styles released are Robur Noir and its italic, a condensed version called Robur Noir Allongée (Elongated) and its italic, an outline version called Clair De Lune and its condensed/elongated, a lined/striped version called Robur Tigre, and its condensed/elongated counterpart. - 1914 to 1918: World War One uses up economies on both sides of the Atlantic, claims Georges Peignot with a bullet to the forehead, and non-war industry stalls for 4 years. - 1921: BB&S releases Cooper Black with a lot of hype to hungry publishing, manufacturing and advertising industries. - 1924: Robert Middleton releases Ludlow Black. - 1924: The Stevens Shanks foundry, the British successor to the Figgins legacy, releases its own exact copies of Robur Noir and Robur Noir Allongée, alongside a lined version called Royal Lining. - 1925: Oswald Cooper releases his Cooper Black Condensed, with similar math to Robur Noir Allongée (20% reduction in width and vectical stroke). - 1925: Monotype releases Frederick Goudy's Goudy Heavy, an "answer to Cooper Black". Type historians gravely note it as the "teacher steals from his student" scandal. Goudy Heavy Condensed follows a few years later. - 1928: Linotype releases Chauncey Griffith's Pabst Extra Bold. The condensed counterpart is released in 1931. When type production technologies changed and it was time to retool the old faces for the Typositor age, Cooper Black was a frontrunning candidate, while Robur Noir was all but erased from history. This was mostly due to its commercial revival by flourishing and media-driven music and advertising industries. By the late 1960s variations and spinoffs of Cooper Black were in every typesetting catalog. In the early- to mid-1970s, VGC, wanting to capitalize on the Art Nouveau onslaught, published an uncredited exact copy of Robur Black under the name Skylark. But that also went with the dust of history and PR when digital tech came around, and Cooper Black was once again a prime retooling candidate. The "old fellows stole all of our best ideas" indeed. So almost a hundred years after its initial fizz, Robur is here in digital form, to reclaim its rightful position as the inspiration for, and the best alternative to, Cooper Black. Given that its forms date back to the turn of the century, a time when foundry output had a closer relationship to calligraphic and humanist craft, its shapes are truer to brush strokes and much more idiosyncratic than Cooper Black in their totality's construct. Robur and Robur Italic come in all popular font formats. Language support includes Western, Central and Eastern European character sets, as well as Baltic, Esperanto, Maltese, Turkish, and Celtic/Welsh languages. A range of complementary f-ligatures and a few alternates letters are included within the fonts.

Roses Queen is an exquisite serif font made in uppercases that reigns with elegance and beauty. What sets Roses Queen apart is the meticulous addition of ornate details, transforming each letter into a regal work of art and bestowing a sense of opulence to the overall appearance. The characters in Roses Queen boast a commanding size, evoking a sense of authority and grace. The stability of the letter size ensures a harmonious visual flow, contributing to the font's overall sense of refinement. The real magic, however, lies in the intricately designed ornaments that adorn each letter, adding a touch of sophistication and enchantment. In addition, enjoy the features here. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Roses Queen fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Introducing a new Slab Serif fonts "Knocked" Knocked fonts is an inspiration to College fonts, Varsity fonts, Athletic fonts and Retro fonts. this Knocked fonts is pretty good and good for experimenting with your design. comes with 3 styles; Regular, Rough and Stripes.

Checker is an all-cap ‘three-D’ font which automatically alternates white letters on black tiles with black letters on white tiles, by means of the Contextual Alternates feature. Checker is an attention grabber suitable for logos, titles and short headings. With its tiled construction, it's a natural for colorful interpretation. The letters are properly italicized and back-slanted, and adjusted for maximum readability within the constraints of the font’s concept. The letter style is bold grotesque, so Checker will mix smoothly with any other fonts in a layout.

Bocahe, a delightful and whimsical doodle kids font, captures the essence of youthful imagination and playful charm. Each letter in Bocahe is carefully crafted with endearing doodles, resembling the spontaneous drawings of children at play. The font exudes a carefree spirit, making it perfect for projects geared toward a younger audience. Bocahe’s adorable characters bring a sense of innocence to any design, from playful invitations to colorful educational materials. The font’s hand-drawn aesthetic and vibrant personality make it an enchanting choice for conveying joy, creativity, and the boundless wonder of childhood in typographic form.

Have you ever struggled while creating a quote with all ascenders/descenders getting on the way? When you can't find a perfect placement for a word because the letters on the upper line crossing the ones on the lower one? Well, I have :) If you want to reduce this struggle to a minimum, the Celestial brush font is for you. Full of open type features and alternates it won't stand on your way to get the job done ;) Most of the font's letters have "longer" or "shorter" alternates. Celestial brush font is fully unicode mapped.

A blackletter font tending towards the gothic which was released by Klingspor, Offenbach am Main, in 1937. Claudius can be used for clerical as well as for secular purposes and shows a strong character of its own. The original esthetic atrocities of placing the dieresis within the letters A and O - due to former German industry standards - were abolished. Allow the font's beauty spread by giving it enough leading between the lines. This font contains various useful ligatures, and by activating the Ordinals feature and typing 'N', 'o' and period you get an oldstyle numbersign.

Fonts with handwritten characteristics are always an attractive option when creating projects that call for a personal touch. Merilee helps deliver a natural pattern to computer generated text, helping readers feel a more personal attachment to the words in front of them. Merilee includes a full character set (UPPER and lower case), all punctuation, all special characters, Euro symbol, and all Latin Extended-A characters, making this font a perfect match for a variety of creative projects including holiday and kids projects, signs, logo designs, banners and advertisements.

Cursed Stone is a spine-chilling display font that will transport your designs to a realm of dark enchantment. Designed in large letters and with a bold weight, this typeface demands attention and exudes an aura of haunting mystery. Each letter is meticulously crafted with eerie stone texture details, adding an ominous and cursed touch to the font. The large size of the letters enhances the font's imposing presence, making it impossible to ignore. The stone texture details in each letter of this font bring an authentic and sinister feel, as if the font was chiseled from the depths of an ancient cursed monument. These haunting details add an element of mystique and darkness, immersing the viewer into a world of malevolent enchantment. The combination of bold weight and stone texture gives Cursed Stone a rugged and formidable look, evoking images of cursed relics and forbidden ruins. The letters appear to hold secrets from the past, carrying a haunting energy that captures the imagination. For the best legibility you can use this font in the bigger text sizes. Enjoy the available features here. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Cursed Stone fits in headlines, logos, movie posters, flyers, invitations, branding materials, print media, editorial layouts, headers, and any horror-themed project. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Reo is a novel two layered, display font with a decidedly retro look and feel, inspired by the toothy grins of 1930�s and 40�s era truck grilles and the gleaming, streamlined efficiency of the automat. Reo Front (Foreground) is where all the detail resides, and Reo Back provides a background layer.

Beardman is a condensed sans-serif font designed specifically for bold and powerful headlines and titles. With four variants available: regular, italic, regular outline, and italic outline, this font allows you to express yourself with a style that suits your design project. The name "Beardman" is inspired by the meaning of a man who is masculine but has a soft heart, and it is reflected in the font's design. With strong and sturdy letterforms, the font also has a gentle and smooth touch that gives an elegant and modern impression. With its strong and expressive appearance, "Beardman" is suitable for use in graphic design projects such as posters, brochures, magazines, websites, and much more. Add a touch of masculine yet gentle to your design with the "Beardman" font. What did you get? Regular, Italic, Regular Outline & Italic Outline Alternates & Ligatures Numbers & Punctuation Multilingual Support Works on PC & Mac Simple Installations

Introducing Desmo Reversed Contrast Slab Serif Font Unique Design Meet Desmo Reversed Contrast Slab Serif Font. Its reversed contrast sets it apart. Thick horizontal lines and thin verticals create a striking look. This design choice grabs attention, perfect for impactful displays Versatile Display Font Desmo shines in display settings. Whether for headlines, posters, or advertising, it stands out. Its bold features ensure readability from a distance. Moreover, its unique style makes every design engaging. Engaging Typography Desmo’s typography is designed to captivate. Its slab serifs add a touch of elegance. The font’s balanced spacing ensures clarity in every word. Therefore, it’s ideal for brands aiming to make a statement. Accessibility and Ease of Use This font is accessible to a wide range of users. Its simplicity avoids complex vocabulary. Easy to install and use, Desmo suits various design projects. Additionally, its compatibility with multiple software enhances its versatility.

Beardman is a condensed sans-serif font designed specifically for bold and powerful headlines and titles. With four variants available: regular, italic, regular outline, and italic outline, this font allows you to express yourself with a style that suits your design project. The name "Beardman" is inspired by the meaning of a man who is masculine but has a soft heart, and it is reflected in the font's design. With strong and sturdy letterforms, the font also has a gentle and smooth touch that gives an elegant and modern impression. With its strong and expressive appearance, "Beardman" is suitable for use in graphic design projects such as posters, brochures, magazines, websites, and much more. Add a touch of masculine yet gentle to your design with the "Beardman" font. What did you get? Regular, Italic, Regular Outline & Italic Outline Alternates & Ligatures Numbers & Punctuation Multilingual Support Works on PC & Mac Simple Installations

Kungfu Brush is a captivating game-themed display font designed in uppercase, infusing the essence of martial arts and the artistry of brush strokes. It features a distinct brush-style accent that brings a sense of handcrafted artistry to each letter. Inspired by the fluid movements of martial arts, the font captures the energy and elegance of brush strokes. This unique feature adds a touch of creativity and authenticity, making this font stand out from conventional display fonts. Designed with fairly low contrast, Kungfu Brush prioritizes a balanced and harmonious visual experience. The subtle differences in stroke width across the letters create a smooth and comfortable reading experience. With its uppercase design, Kungfu Brush exudes power and strength. Each letter commands attention and showcases the boldness of martial arts. The font's uppercase style adds a sense of authority and captures the spirit of determination found in the martial arts realm. You can also enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Kungfu Brush fits in headlines, logos, posters, titles, branding materials, print media, editorial layouts, website headers, and any projects that aim to capture the essence of combat, adventure, and discipline. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Midnight, Pacific Coast Highway. You're driving home alone at night and your battery's dying. Your headlights have dimmed and you can barely see the road or the signpost up ahead. But there's an eerie green light glimmering in your rear view mirror and that strange warning uttered by the pump attendant at the Devil's Elbow gas station has put the frighteners on you. Is that Satan's face glowering at you through the mist, or something far worse? ⁠The only way to handle this font is with one foot on the gas pedal and one foot on the brake. Originally designed by John Roshell for GAMBIT titles, this sharp font has appeared on vampire & rock magazine covers, Star Wars & Star Trek merch, and the logo for the INHUMANS comic & TV show!

Stengkol Font Family of 20 fonts and 1 font cowboy illustration. Slab serif with various font styles with layered fonts. It's easy to use various fonts in one design and combined with cowboy illustrations. Stengkol Font Family comes with: - Uppercase. - Lowercase. - Numerals. - Punctuation. - Multilingual. Stengkol Font Family is perfect for t-shirt designs, merchandise, posters, qoute, tickets, logotype and other designs. Thanks.

Coestral is a captivating capital serif font designed with elegance and a touch of interconnected charm. Each letter is meticulously crafted to exude sophistication without being overly heavy, creating a harmonious and visually pleasing appearance. The capitalized letterforms of this font showcase clean lines and refined serifs, striking the perfect balance between elegance and readability. The font's moderate weight ensures a versatile and adaptable design, making it suitable for a wide range of creative projects. What sets Coestral apart is its subtle yet delightful feature of connected letters. Some letters are gracefully linked, creating a seamless and flowing look that adds a touch of uniqueness and artistic flair. This interconnected style adds a sense of continuity and grace to the font, enhancing its overall elegance. On the other hand, its legibility and graceful appearance ensure that it makes a bold statement without overwhelming the viewer. Enjoy the available features here. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Coestral fits in headlines, logos, posters, flyers, invitations, greeting cards, branding materials, print media, editorial layouts, website headers, and many more. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Hostrange is a captivating handwritten font that brings a touch of authenticity and personality to your designs. With its brush-style letterforms and varying brush stroke thicknesses, this typeface captures the essence of handcrafted charm. The special feature of this handwriting lies in its dynamic brush stroke variations, where each letter showcases a range of thicknesses. This adds a sense of organic movement and visual interest to the font, mimicking the natural variations found in hand-drawn brush calligraphy. The result is a font that feels alive and full of character. The brush strokes create a natural and flowing appearance, as if they were crafted by hand with a brush. The varying thicknesses add depth and dimension, enhancing the font's authenticity and handcrafted feel. The letterforms of Hostrange strike a balance between legibility and artistic expression. While each letter maintains its distinctive shape, the varying brush stroke thicknesses bring a sense of uniqueness to each character. Features: Alternates Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Hostrange fits in headlines, logos, posters, invitations, packaging, branding materials, or any project that calls for a handwritten aesthetic. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.