Yotta was created for situations where a thin sans with a little extra style is required in branding, advertising promotional projects — it is especially suited for the FASHION retail industry. The extended stroke feature (in u/c B,DP,R and l/c a,b,dg,h,m,npq,u,y) is discreetly applied so it does not dominate. I guess “quasi-serif” might be a way to describe Yotta. “Yotta Thin” and “Yotta Thin Italic” is a friendly Opentype and ready for you to unleash your creativity! btw. Yotta is big, very big: the name comes from YottaByte, as in Megabyte (one million bytes), Gigabyte (one billion (109)Terabyte (one million million (1012), Petabyte (a million gigabytes), Exabyte one quintillion (1018), Zettabyte one sextillion (1021), & Yottabyte (one septillion (1024)

High Class – Handwritten Font High Class is a handwritten font, with high-end style and embodies the most desirable elements of fashion, setting an impression of classiness. This font truly brings on the vibe of high society. While this font comes with over 122 hand-drawn ligatures, it has been carefully kerned to give results as if they were all handwritten. It comes with a clean base look and all over the place forms with imperfect letters, messy style ligatures, and ampersands that make it complete. Easy to use, you can create a great impact on your work. High Class font is perfect for branding projects, logos, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, and any projects that need handwriting taste. High Class features: A full set of upper & lowercase characters Numbers & punctuation 122 Gorgeous ligatures A full set of alternate upper & lowercase characters Multilingual symbols PUA Encoded Characters – Fully accessible without additional design software. Feel free to give me a message if you have a problem or question. Thank you so much for taking the time to look at one of our products.

At first glance, »Angulosa M.8« is one of those fonts that a technician or engineer would probably draw. And yet it differs fundamentally from typefaces constructed in this way. The right angle forms the basic element of the »Angulosa M.8«, but that's about it with the pure mathematics. Serif-like upstrokes and downstrokes on some letters improve readability, and carefully used slants makes the appearance a little friendlier. The proportions are not based on any mathematical principle, but are derived from freehand writing of the letterforms with a broad quill. In terms of style, »Angulosa M.8« belongs most closely to the modernist, constructivist typeface attempts, such as those undertaken at the Bauhaus in the 1930s. The styles of »Angulosa M.8« range from "Condensed" to "Expanded", from "Light" to "Black", plus the respective oblique form, which in this font is slanted to the left. All variants can be adjusted continuously in the variable font: the font width ranges from 50 to 150, font weight from 300 to 900, upright [0] and italic [1]. The »Angulosa M.8« supports all European languages including Eastern and Central European, Turkish, Greek and Cyrillic.

Crater is one of the largest projects in the Sultan Calligraphy Studio. The font includes a set of 24 different styles that allow working on various typographical and creative fields. The Crater fonts family is built on a dynamic, contemporary, dynamic font, complete with a flexible range of responsive layouts, designed by Sultan Maqtari. The font is clear and legible at small sizes and is suitable for print as well as for large text, web pages, and other visual uses. Font Crater supports languages: Arabic, Kurdish, Persian, Urdu, Default Latin, Azerbaijani Latin, Catalan Latin, Crimean Tatar Latin, Kazakh Latin, Marshall Latin, Dutch Latin, Tatar Latin, and Turkish Latin. الخط كريتر، من احد اكبر المشاريع في ستوديو خطوط سلطان، يضم الخط مجموعة من ٢٤ نمطا متنوعا تسمح بالعمل على مختلف المجالات الطباعية والابداعية. بنيت مجموعة الخط كريتر على خط متغير، معاصر نشط ، مكتمل بنطاق مرن للتخطيطات سريعة الاستجابة، من تصميم سلطان المقطري. الخط واضح ومقروء بأحجام صغيرة ومناسب للطباعة و للنصوص الكبيرة وصفحات الويب والاستخدامات المرئية الأخرى. يدعم الخط كريتر اللغات : العربية ، الكردية ، الفارسية ، الاوردو ، اللاتينية الافتراضية ، لاتينية أذربيجانية ، لاتينية كتالونية ، لاتينية تتارالقرم ، لاتينية كازاخية ، لاتينية مارشال ، لاتينية هولندية ، لاتينية تتارية ، لاتينية تركية.

Linotype Punkt, from US designer Mischa Leiner, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. This font, from US designer Mischa Leiner is available in three weights, light, regular and bold. The basic forms are those of a robust sans serif, however the figures are composed of evenly placed dots, hence the name Punkt, the German word for dot. This distinguishing characteristic lets this font look as though it appears on a background of light. One other unique trait of this font is the nature of the three weights. The figures of each weight have exactly the same measurements, the same width, breadth, etc. The only variable measurements are those of the individual dots making up the forms, making the bold weight much darker than the light while retaining the same outer contours. Linotype Punkt should be used in larger point sizes, as when it is too small the dots blur together and rob the font of its 'light'. The font is therefore best for headlines in large and very large point sizes.

PTx Flowers Font Family 2 fonts: regular and silhouette each font - 6 glyphs TTF format Bear in mind that each glyph of the font PTx Flowers Regular is close to the maximum limit of points possible in ttf, which means that despite being tested in several programs, illustrator, photoshop, among others including word, some bugs may occur, depending on the rendering capability of the program you are working on. I found however that most of the time, that by the way the bugs, when tested, were only verified in word, that changing the size of the letter/glyph or even the zoom of the document, the letter/glyph was rendered correctly. These fonts have a very limited number of glyphs because, due to the glyphs having too many points, it can take some time to render. This will depend on the capacity of the machine's graphics card (computer, tablet, mobile phone). Hence a low number to take as little time as possible. See at work in word: https://youtu.be/PIMBlja2I5k See ar work in illustrator: https://youtu.be/RJp9X9TQ4so See at work in photoshop: https://youtu.be/yvrBmCJ80pc

This script font was inspired by the type used in Leyden by Jan Seversz to print Breviores elegantioresque epistolae [...], author Francesco Filfelo, circa 1509. The original font contains all lower case characters, except w, eth, thorn, lslash, oslash and so... and almost upper case. In addition, one set of small lombardic initials were also nearly complete. It take place instead of the Bold style (in only one package)offering a real and rare complete historical printing set... The original small "a" hight was 2,8 mm !, the upper case hight no more than nearly 5 mm, the initials hight almost 15 mm, covering nearly two lines. This font includes "long s", naturally, as typically medieval and also a few ligatures, but not any variants. We have entirely recreated some characters, upper, lower and initials, to fill gaps. It is used as variously as web-site titles, posters and fliers design, publishing texts looking like ancient ones, or greeting cards, all various sorts of presentations, menus, certificates, as a very decorative, elegant and unusual font, besides its historical scrupulous reality... This font supports enlargement as well as small size.

Broadgauge Ornate originated from MacKellar, Smiths & Jordan in 1869 and was only available as an all caps font with numbers. Today this old beautiful wood type rises again from the archives complete with original numbers and an all new lowercase. An all caps Greek character set has also been added plus accented characters for western, central and Eastern European countries. Included in each font file are two sets of left and right pointing hands located on the Less Than and Greater Than keys and also on the Bracket keys. Because this font works well with a Las Vegas theme I've decided to make the pointing hands gambling related with one set of hands rolling dice and the other holding cards. The condensed versions were created because in today's computer graphics applications people stretch and condense fonts to fit their project but don't notice the change in vertical stroke widths or line thickness. After compressing the letter shapes of each Broadgauge Ornate condensed font the vertical lines were corrected making sure they were the proper width or thickness. The results are balanced condensed versions that weren't simply compressed with out consideration for their appearance.

Chameleon consists of 16 fonts based on 3 completely different designs. Different but specially designed to complement each other. Together they form a well-balanced design kit suitable for many different projects, e.g. invites, menus, magazines, brochures, packaging, etc. Chameleon comes in three styles: 2 outline versions and a basic (solid) version. To combine Chameleon with Chameleon Fill, you will need an application that allows you to stack text frames. Once you start layering different fills, like a true chameleon, you can change colors and patterns. Simply place several layers on top of each other, choose from 7 fills to determine your pattern and assign a color to the fill. Always place one of the outline versions of Chameleon on the top layer. Chameleon Pen was added to give you the possibility to spice up your design with a personal touch. It is a charming handwritten font, which was first written out with a dip pen and ink, then scanned in and digitalized. It comes in regular and italic. And then there is Chameleon Sketch for a bit of nonchalance to add to your designs. The Outline, Hatch and Solid version can be used separately, or stacked to create a shadowy or multi-colored effect. On top of that, you'll find 102 glyphs of extra fun to play with in Chameleon Sketch Extra.

Los Angeles’ distinctive “shotgun” style street signs were last produced over sixty years ago, but these durable porcelain and steel signs are still in use all over the city, by both humans and birds, who like to build their nests between the panels. The street names were drawn at wildly different widths to fit on panels which were manufactured in only one size. Beachwood faithfully re-creates the extreme range of widths & weights on these vintage signs, and adds a new matching lowercase. Use the Beachwood Variable font file to access any width, weight or italic angle between the presets — a technology 20th Century sign painters could only dream of! Each weight of Beachwood includes numbers based on the street signs, plus four alternate number sets based on the jerseys of Los Angeles' pro football teams. Beachwood is named for Beachwood Drive, the street which leads to the famous HOLLYWOOD sign, so we just had to include a bouncy HOLLYWOOD mode! FAMILY FEATURES: Five widths (from XTall to XWide), with eight Weights (from ExtraLight to UltraBold), each with matching italics Variable font to access any width, weight or italic slant EACH WEIGHT INCLUDES: 584 glyphs to support 223 languages in Western Europe, Central Europe, Vietnam and Oceania, plus Cyrillics Five styles of numbers, plus Tabular Lining for screen display Ordinals, Fractions and Arrows Hollywood mode!

Specimen VI is a refined hand by artist Aileen Fretz of Plume Calligraphy: thoroughly modern yet absolutely timeless. We have our sights set on this one becoming an instant classic. OBSERVATIONS Specimen VI takes its inspiration from the old world, while remaining thoroughly contemporary. It is unique while maintaining legibility. DEFINING CHARACTERISTICS At 2,580 characters, we dare say it is one of the most robust script fonts on the market today. The font includes extensive Opentype programming that authentically replicates Aileen’s unique handwriting pattern. As you type, watch the letters automatically adjust between connected and disconnected forms. Specimen VI also features formal titles, prepositions, social media wordart, and web navigation wordart, serif and sans serif Roman numerals, in and out-stroked letterforms at beginning and end of words, multiple alternate lowercase t cross-strokes, realistic double-letter ligatures, seamlessly connecting calligraphic letters, multiple styles of alternate capital letters, including swashes, and basic Latin encoding. Specimen VI is a typesetters’ dream. POTENTIAL SIGHTINGS In the pages of your favorite wedding tome; the signage, robe embroidery, and dinner menus of that coveted boutique hotel on the Italian Riviera, the labels of an artisanal hand-poured candle line, your new favorite Rosé, hand-crafted Belgium chocolate truffles, the indie cosmetic line fit for royalty, in any instance that you may be in need of a refined modern script.

Trajan The original template for this one-weight, all-caps font was the inscription on Trajan’s Column, carved in AD 113 to celebrate the emperor Trajan’s victory in the Dacian Wars. College student Jason Smith copied the stone lettering from the cast on display in London’s Victoria & Albert Museum. In Roman times, the signmaker would paint letters onto stone with a wide brush for the stone mason to chisel out later. The signwriter would end each stroke with a flick of his brush, which the mason would also carve into the stone. Ecce (as they would have said in Rome): the serif was born. Hand-crafted “I first drew this typeface when I was 17,” says Jason. “I drew it with a very sharp 9H pencil on polydraw film. “Then, using a Rotring pen, I inked the letters in and scraped back the serifs so they were perfectly sharp. These letters were then reduced on a PMT camera. I’d designed my first typeface, although it wasn’t digitised till much later.” Digitised Years after Jason had drawn the original typeface, its transfer into digital form made further refinements necessary. The serifs and weights needed thickening slightly, creating a crisp, new version whose delicate elegance is best appreciated in larger sizes. A classically-inspired font, timeless and perfectly-proportioned, to reflect the refinement of premium brands.

I want to introduce this cool font, namely (Retro Morely) which is a Bold script font with a charming touch of Retro style, this font also looks interesting because I added some alternative features that you can use, don't forget to add extrude style in it to make it look more Attractive for your designs, this font is suitable for those of you who want a design that displays an old-fashioned side but is still relevant for a charming modern look. there's nothing wrong if you feel all the experience of using this font in your designs, make this font as one of the font collections on your computer what will you get : Retro Morely Retro Morely Extrude Alternates Features PUA encoded We hope you enjoy this font! please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and happy creating! :)

Amelia Jayne is Ted Staunton's updated revision and expansion of his own Amelia decorative cap font. Amelia Jayne started as a Roman font to accompany the Amelia initials but has taken on a new life as a Pro Roman font with small caps and several variations of new matching initial companion fonts. (The initials are not included in the pro font but come bundled with the set.)

A two-font chromatic (or layered) set. The Primary font, which is the old Sutro Inlined Initials. Salvaged from the wreckage of my Type1 font library, the inlined initials have been in the shop for some repairs and detailing. I just added the fill font to support the inlined version. Each font works on it’s own but they work very well together. Caps only. Open Type.

Boughy – Font Family is a versatile display serif font family with 9 weights from ultra condensed to extra expanded. perfect for headings, titles, branding and much more. Boughy – Font Family contains everything you need to create stunning typography – from headline fonts to body text fonts – all in one place. Whether you’re starting out or you’ve been designing for years, Boughy has everything you need.

Wedding dress is a beautiful light handwritten font with a unique feel and looks stunning. This gentle font will look gorgeous on a variety of design ideas. This font is PUA encoded which means you can access all of the amazing glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Mark Jamra based the design for Jamille on the forms of the 18th century Modern Face fonts of Didot and Bodoni, but was also influenced by the work of artists like Adrian Frutiger, who reworked such fonts to adapt to the demands of modern technology. A very legible font, Jamille will give text a classic, elegant feel.

Mohria is a font family with a modern boho style. This beautiful collection will instantly add flair & style to all of your design projects. This handwritten font family is timeless and can not be missed in your font collection. It will help you to easily create logos, branding, invites, and any other client projects you are working on.

Majer is a sans serif font with modern, luxury, elegant, unique and classy-look. This font crafted specials for logo design projects, ready to use on Logo, Branding, Magazine, Social Media, and Many more that needs modern touches. Majer is also included full set of: uppercase and lowercase letters multilingual characters numerals punctuation Wish you enjoy our font. :)

Trendy, bold, unique, artistic & modern style sans font for your fancy projects. Futuristic, fashion and sharp style on Meriase font will be great for any branding project. Some alternates and ligatures will help you to create unique and original logo design or website header! Enjoy :) Multilingual support Alternate characters Ligatures Web font Great for modern branding projects!

ITC Humana font is the work of British designer Timothy Donaldson, an extended and versatile font family with a large array of variations. Donaldson first created ITC Humana Script with a broad-tipped pen and then went on to design the corresponding roman. ITC Humana is the perfect font for anything requiring both clarity and a touch of personality.

«KRAYS» is an ultra-thin font display. Simple structure and fine uniform strokes contrast with bold squares in the structural units. The combination of gravity and lightness. Krays supports Basic Latin and Extended Latin, Cyrillic — in total about 90 languages are supported. The font has one Regular weight. All uppercase. Krays font was designed by Viktor Pesotsky.

Shadow Love is a handwritten brush script font that looks and feels like it was written on a marker board. Perfect for greeting cards, invitations, and motivational quotes, this font should help you express all of your best messages! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Best Regardz is a casual, quirky handprinted font. A headline font that is kerned to be used at 24 pt or larger. This is the latest font in the Love Letters Series. Others in that series include Dearest John , Yourz Truly and Sincerely Yourz . Best Regardz was in the 2011 Typodarium Page-A-Day Calendar on 10-4-2011.

Fabrice is a font based on my handwriting, which has been reworked to be turned into a font. I write differently with each pen I use, and this font corresponds to my handwriting while using a pen I refill myself with special inks. It contains a wide range of characters, and will be readable anywhere, yet different!

One of Jeff Levine's friends kept requesting that he name a font after her, and he finally obliged with Rachelle JNL. The font gets its inspiration from the antique wood type version of the popular font most often known as a Latin typeface - complete with spur serifs and all of the usual quirks of wooden type.

One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Gullywasher is distinguished by its unusual letterforms and “pineapple” serifs. The font takes its name from a Texas term for a heavy rain. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Dirty Money SRF is a novelty font with a limited character set emulating the lettering found on U.S. currency. The typeface was designed by Brad O. Nelson of the Brain Eaters Font Company. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Here comes a New font,Introducing BRUSHA It's All Caps Display Font is a Textured Natural Style and classy style, this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste.

England Reality is a script font with awesome and classy taste, a natural touch, and many ligatures. We feel this font looks classy, readable, elegant, stylish, catchy and absolutely easy to use. This font is a great choice for a watermark on branding, design, wedding, photography, signature, logo design, album cover, business card, quotes, and many other design projects.

Radioz Font is engineered with simple precision to ensure every letter is crystal clear, making your message effortlessly readable. It's a font that doesn't shout but leaves a lasting impression. Radioz Font adapts to your creative needs seamlessly. Whether you're crafting a logo, designing a poster, or working on a digital project, it effortlessly blends into your vision.

Thigles, is a font inspired by Signs Painting, these pretty hand painted letters that you can see on buildings, billboards and signboards. Thigles font comes with some alternates and ligature as well to create your design more unique. With additional shadow font you will be able to create the beautiful combination and bring retro touch to your artworks!

Morning Routine is a handwritten display font perfect for creating quotes, logos, or just adding a handwritten touch to any project! Font is an open type with clean shapes and precise kerning. It includes ligatures encoded by the PUA. Language support: All European languages Don't forget to subscribe so you don't miss out on the new awesome fonts Dima

Kufwan Arabic style display font can be used to give your designs a genuine Arabic touch. The display font displays a beautiful style similar to the handwriting on a typical Arabic book. Use this font in your super projects to grab everyone’s attention. Don’t put off adding an elegant Arabic touch to your designs any longer.

Satreva Neue is a stylish, elegant and distinct sans serif font. Suitable for a wide variety of designs because of its neat and simple style, this font has the potential to become your favorite font, whatever the occasion! What's Included : Uppercase, Lowercase, Numerals & Punctuations Alternate & Ligature Works on PC & Mac Simple installations Multilingual support PUA Encoded

Shelling Script is a beautiful and cool handwritten signature font. Looks amazing on branding, wedding invitations, quotes, t-shirts, letterhead, signage, business cards and other designs. This font is PUA encoded which means you can access all glyphs and swashes with ease! The font includes OpenType features with alternative styles, ligatures, and multiple language support. Happy Designing!

Helovatica is a sans serif font with modern, corporate, elegant, unique and classy-look. This font crafted specials for logo design projects, ready to use on Logo, Branding, Magazine, Social Media, and Many more that needs modern touches. Helovatica is also included full set of: uppercase and lowercase letters multilingual characters numerals punctuation Wish you enjoy our font. :)

Romantis Natalies Script and Sans are beautiful and romantic writing fonts. Looks amazing on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and any other design. This font is PUA encoded which means you can access all glyphs and swashes with ease! The font includes OpenType features with alternative styles, ligatures, and multiple language support.

Monalissa is a very beautiful, high-quality font that is made with great love. This font can make your work more beautiful and elegant. This font is perfect for marketing your products, promoting your business, making quotes, weddings, invitation cards, logos, branding and status updates on social media, can also be used to beautify your beautiful moments, and others.