Chronica Pro is a new contemporary font family focusing on balance and quality for high professional use. Designed with a lot of attention to details and versatility, Chronica Pro could satisfy all kinds of demands such as editorial design, brand creation, graphic design, signage as well as on screen, apps, web sites, ebooks, etc. With its 18 fonts, Chronica Pro can be defined as a humanist spirit in a geometric body and supports international communication extending to Central, Western and Eastern European languages. This typeface contains professional OpenType : alternate letters, case sensitive forms, proportional figures, tabular figures, numerators, superscripts, denominators, scientific inferiors, subscript, ordinals, fractions, arrows, ligatures. Chronica Pro has been also designed with a high level of Pro kerning to meet the needs of complex editorial design.

Noemí is a broad typeface based on a formally classic skeleton, but with a strong Meccano character, where its quadrangular serifs are the protagonists of the slab style. It is a typeface designed to solve the basic problems of newspaper printing, adapted to a novel and strong communication, in the case of a wide typeface and with generous ink traps making the impression. Noemí was born from the need to create a broad, functional typeface family with a strong compact character intended for use in the press. Intended for editing and layout in a newspaper / magazine with a wide range of subfamilies thought and designed to achieve a diverse graphic functionality; designed from the same common skeleton, with a style based on the mix between the Mecan characters of traditional typewriter fonts and Roman fonts.

Introducing Paduka Script, Modern Smooth Calligraphy. 471+ glyphs included, with swashes alternative characters, suitable for any design needs, modern design, branding, stationery design, blog design, modern advertising design, invitation, wedding, special events, any lettering needs and more, for commercial use or personal use. Paduka Script is available for any printing needs, desktop, print on demand, video design, blog header image, or designing a commercial product for reselling. For Adobe Photoshop / Illustrator CC user, Swashes / Stylistic Alternates can be used directly. If you are a non-glyph panel software user, You can use the alternative letters by Install OTF font files. To activate the alternates click on Swash, and Stylistic Alternates in any OpenType savvy program or manually select the characters from Glyph Palette. Then Change the font to Paduka Script.

The basis for Series A Signage JNL is Highway Gothic; a type style design formally known as the FHWA Series. The font was developed by the United States Federal Highway Administration, and originally consisted of only capital letters and figures. Each Letter designation represented a character width from "A" (condensed) to "F" (wide). Due to poor visibility at high speeds, Series "A" was discontinued. At one point lower case characters were added to the various widths of the design, but this typeface revival is based on the original guidelines specified in the 1948 (reprinted 1952) book "Standard Alphabets for Highway Signs" [this was the original name for the FHWA series fonts preceding the eventual name change to Highway Gothic]. Unlike the original, Series A Signage JNL is available in both regular and oblique versions.

Pilgrim is a re-cut of a Linotype face that Eric Gill originally designed for a book published by the Limited Edition Club of New York. Admired for its tranquil dignity, the Pilgrim type is both firm and elegant. Its general appearance resembles that of Gill’s Joanna font family. The contrast of the font is not very strong. The serifs are bracketed. Eric Gill, who designed the type on which Pilgrim is closely based, observed one sort of model for his lettering - the incised monumental letter of Roman origin. This is clearly seen in his capitals, but is also true of his lowercase letters, which have little of the calligraphic or engraved qualities of most other type designs. Gill’s types are Roman in the classic sense, yet also particular to Gill himself.

Some words just scream without any explanation needed. Clever Medicine is one of those types of fonts. It’s a hand-drawn brush typeface that feels like it was made with care and precision, just for you and your personal style. Inspired by the idea of natural medicine as something to help you feel better, this typeface has a mysteriously sweet and engaging quality to it. This typeface also has a pronounced vintage appeal that gives it an unmistakable charm no matter what you use this font for; social media posts, signage, posters, headings for your blog—the possibilities are limitless! So what’s included : Basic Latin Uppercase and Lowercase Numbers, symbols, and punctuations Multilingual Support. PUA Encoded and fully accessible without additional design software Simple Installations works on PC & Mac Thank You and Happy Designing!

Proudly present Nutshell Crew - Street Brush Type, created by ikiiko. Nutshell Crew is a rough handwriting type inspired by hand-drawn street brushes. A type of decorative font that features bold, brush-like strokes, often resembling calligraphy, graffiti, or hand-painted lettering. This font features a rough and edgy style, making it ideal for any urban-inspired design project with a blend of grungy and hand-drawn lines will give your words a distinctive and rebellious character, setting you apart from the crowd. The perfect one for the modern-day hipster! This type is very suitable for making a streetwear brand, poster or magazine layout, posters, album covers, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Alternates Multilingual Support Works on PC & Mac

Fimfarum is a word that the Czech actor and writer Jan Werich created for one of his magical fairy tales for children and adults. Fimfarum is also the name of this playful typeface equipped with various styles simulating the randomness of handwriting. You can choose to select and combine different styles either using an all-in-one pro font in an OpenType-savvy application, or with a 10 fonts family pack. Fimfarum Pro also offers an automatic random effect. The OpenType contextual alternates feature can randomly mix narrow, wide and bold characters. You can specify how through various stylistic sets. For more details, check the Fimfarum Typeface Manual. With this versatile tool your designing possibilities are immense. Well, this is Fimfarum. You can download the instruction PDF here.

Clip is a display typeface inspired by the shape of a paperclip, but it’s not designed with the usual minimalistic modular approach. Instead, Clip mimics the construction, proportions and contrast of classic bold text typefaces and has one unique characteristic: each of its characters is drawn with only one single line. Clip family consists of 3 fonts, Hair, Light and Regular, each with 745 glyphs (supporting more than 70 latin based languages), 4 stylistic sets and advanced OpenType features. When Stylistic set 1 is activated, the overlapping loops contract, giving the text a whole new character. Moreover, every uppercase character is also available in an ornamental swash variant, which means most of the capitals have four different versions. Learn more about the OpenType features in Clip fonts at http://www.urtd.net/clip.

Terrance Weinzierl's Terry Junior typeface is a perfectly imperfect design – one that retains the marks of the brush used to create it and harks back to the craft required to hand make letterforms. Originally drawn during a Monotype Font Marathon, Weinzierl later refined the typeface digitally – adding an Inline version and designing alternates that replicate the irregularity of real-life brush scripts. “It has a natural, cheery and bold appearance,” says designer Terrance Weinzierl. “It's young, but not wild. Painted, but not sloppy. A sign painter's apprentice, perhaps.” Terry Junior is an obvious choice for designers and brands communicating with younger audiences, but would also work well on book covers, packaging, and in digital environments that need a little bit of extra playfulness. The family includes five fonts, including an Inline version.

Based on the popular Girltalk font, cute, cheeky Girlscript, was specially designed for the young-teen market. I felt that it was time for Girltalk to have a "big sister" script font to complete the group. Pretty & feminine, with a large dose of cheek, Girlscript is great for: -- “girl style” stationery -- diary covers -- clothing hang-tags -- party invitations -- greeting cards -- book covers -- movie posters -- CD covers -- game advertising media Girlscript is perfect for hen parties, baby showers, pamper parties and other occasions that bring out the “girl in” women. Think sugar 'n spice, think cute 'n cheeky, add a dash of Girlscript and you're on a winning streak! Girlscript is fully professional, carefully letterspaced and kerned. All upper and lower case characters, punctuation, numerals and accented characters are present.

The original typeface was designed by Albert Kapr between 1971 and 1973 for Typoart in Dresden. Kapr was the font designer and teacher as well as book author on type design of former East Germany. He also was an expert on this kind of type design, and thus, it is no surprise that he created Leipziger Antiqua, a design combining features of both Latin and broken scripts. The result is a stunning and unique gem from earlier times although it does not come along too distinguished or artsy. The digital version of Leipziger Antiqua was developed by Ralph M. Unger exclusively for profonts in 2005. During the work, Unger fell so deeply in love with this typeface that he couldn't help but add an expert font with small caps etc.

Bubble Guts is a whimsical typeface with four fonts. It is one of the few of its kind that has both uppercase and lowercase options, allowing the user versatility and legibility at the same time. Its four styles, Normal, Italic, Shadow, and Extrude, allow for the user to create a bevy of visual effects. It has a retro feel that makes it great for animations, invites, branding, and social media! What you get Bubble Guts Regular Bubble Guts Italic Bubble Guts Shadow Bubble Guts Extrude This typeface supports 438 characters, and it supports most western languages! Layer these fonts to get all types of cool effects! Extrude is perfect for this; it allows for the user to fit the "Bubble Guts Regular" characters on top and create layers.

Le Havre Width is the loveable putty of fonts. Stretch it. Squish it. Squeeze it. Whichever way you play with it, you’re bound to find hours of fun ahead. This avant-garde typeface family has six distinct weights--each one including a set of four different widths. It’s randomized rhythm also includes selectable glyphs for customization, enabling you to bounce plenty of ideas around for diverse logotypes as well as for specific looks focused on a single width. Looking for even more fun with this geometric sans? Try adding in some of the alternate ligatures, or use the two different art deco styles included with the font. The all-around whimsical nature of Le Havre Width is perfect for toys, posters, T-shirts, cards, and anywhere else where fun is the name of the game.

The rasterized square (clear, therefore 4 as part of the font name) was the constructive basis. The intention was to put all characters within this grid and produce a highly structured, yet lively, resting in itself, display font. Relaxed but exciting, just. An absolutely noteworthy detail are the classical construction principles (based on a typography book from the 50's for poster designers), the so-called optical weighting, derived and slightly exaggerated character elements: The characters are not purely symmetrical and the curve shapes do not close justified with the surrounding square. Loops and tongues slightly hang over; the upper bows are slightly less protruding than lower ones, etc. The kerning is tuned to fit these design details: the white space between the characters match the same filling space.

The Navigator family is inspired by the early explorers, the early sailors with their old-style tattoos and the cowboys in the old west. I mashed up these to styles to create the Navigator display family. It has a vintage feel with a more modern day approach. Use the regular styles to give your artwork a more clean look and feel or the rough styles to take on the more vintage old-style. This family is great for display use on posters, packaging, editorial and logos. It is created with the designer in mind to have some fun and mix up some great looking Upper / Lower case combinations. The Navigator hand font is an informal, rounded sans-serif that works perfectly with the Navigator display fonts to create beautiful logo and type lockups.

SALO – is a hybrid of two Italian typographic worlds. The serif version refers to the beautiful and sophisticated typefaces found on the signs of cafes, restaurants, and fashionable boutiques. Its complemented by the sans variant, inspired by Italian modernism and road signage. All styles are based on the same core but with a totally different expressions. The biggest challenge during the project was designing all of the glyphs compatible to work as a 100% variable font. In the OTF version, SALO has 4 varieties: Serif, Semi Serif, Semi Sans and Sans. The family of these typefaces is suitable both for posters, magazine headlines, and branding purposes where the character will count. It is worth experimenting and combining different varieties with each other. (This font cannot be used to create a logo with the phrase "FRANCO").

Glaciar is a script typeface based on brush handwriting and inspired by old-style bas-reliefs. All contours were carefully cleaned of brush roughness, but at the same time, minor imperfections were left to create the unique character of this font Glaciar has a built-in auto replacement for lowercase letters without connecting strokes (in the case of word ends) and for ligatures (in the case of letter pairs that do not fit well together). In addition, there are alternates glyphs with starting and ending swashes - the last ones can be used with any OpenType software. And finally, the font has wide multilingual support and can be used in texts in 195 languages Glaciar is a good choice for branding and design projects as well as a cute text overlay to any background image

Introducing Angelic Robe - Modern Blackletter Font Angelic Robe is a modern blackletter font that combines timeless elegance with a contemporary twist. Angelic Robe is perfectly suited for branding, logotype, social media posts, advertisement, product packaging, label, photography, watermark, t-shirt, website design, invitation, stationery and any projects seeking a touch of modern blackletter elegance. FEATURES - Stylistic Alternates - Ligatures - Uppercase and Lowercase letters - Numbering and Punctuations - Works on PC or Mac - Simple Installation - PUA Encoded Characters - Easily accessible without additional design software. - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word - Multilingual Support for 68 languages including Afrikaans, Albanian, Basque, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Icelandic, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Spanish, Swahili, Swedish, and Zulu Hope you Like it. Thanks.

The concept for Vista began when I sketched a few characters in a notebook while staying in Sumatra on a one month holiday. I wanted to design a typeface for text and display that would retain some of the characteristics of the idiosyncratic shop signs that surrounded me in Sumatra. - Xavier Dupré The result is a comprehensive family spanning six weights, complete with small caps and lively alternate forms, striking a healthy balance between functionality and expressiveness. Each of the six weights includes alternate, small cap and italic variants for a total of 36 fonts in the family. They are available in a full volume of 36 fonts, or in four packages. The packages are grouped into two sets of contrasting weights, with the alternates and small caps divided into separate packages.

Introducing Loving Ambros - Luxury Typeface Loving Ambros typeface is a Luxury beautiful typeface and inspiring mix of classic calligraphy with 50 unique alternates and 69 unique ligatures. come with 2 versions regular & italic. Loving Ambros is made mainly for headlines, titles, and other short texts and is well-suited for advertising, vintage mood board, branding, logotypes, packaging, titles, editorial design, modern logos, websites, social media quotes, wedding branding, modern and vintage design. These a fonts are perfect for designs with the concept of elegant, luxury, romance, fashion and so on. What you get: Accessible in the Adobe Illustrator, Adobe Photoshop, Coreldraw, even work on Microsoft Word. PUA Encoded Characters – Fully accessible Fonts include multilingual support. If you need a custom license or have questions, please email to: romandpio3793@gmail.com

Architype Crouwel is a collection of typefaces created in collaboration with Wim Crouwel, following his agreement with The Foundry, to recreate his experimental alphabets as digital fonts. Crouwel's most recognized work was for the Van Abbe and Stedelijk museums (1954 –72) where he established his reputation for radical, grid-based design. The Fodor letterforms were created for the magazine published by Museum Fodor, Amsterdam. To save cost it was designed to be ‘typeset’ on their own electric typewriter. The resulting monospaced effect was combined with a background of orange overlaid with pink dots that provided a page grid to align the text to. The title set on the dot matrix formed the 'system' for construction of the ‘digital effect’ letterforms. Now Architype Fodor recreates these letterforms as a truly digital font.

When Baka and Baka Too did very well commercially (Baka was named the Best Cursive Rough Script in 2005), I shied away from doing rough, handwritten scripts in fear as being seen as a one-trick-pony. A few years have passed and some early sumi-e brush ‘doodles’ kept appealing to me. I initially thought this new font would just fall under the Baka mantle and just become a new sibling, but as brush hit paper over and over again, the letters took on a different personality from Baka. This new font was turning out to be far more expressive, smooth and rough, tasty but sticky. This dichotomy demanded a new name. The rough and smooth texture suggested the name Fugu—oddly delicate while rough and functional.

This typeface is extrapolated from the ‘We the People’ calligraphy of the handwritten US Constitution Preamble which employed a style based on German Text and Square Text exemplars from George Bickham’s penmanship copy-books, the most celebrated being The Universal Penman published in 1743. The original Constitution document was transcribed onto parchment by Jacob Shallus, a Pennsylvania Assistant Clerk, over a weekend in 1787. Shallus’s biographer, Arthur Plotnik (The Man Behind the Quill, 1987), notes that he was paid $30, a modest monthly wage at the time. He also suggests that the calligraphic headings, ‘We the People’ and ‘Article’, may have been inserted by Shallus’s 14 year old trainee son, Francis, “The manner in which the ‘Article’ headings are squeezed into the space Shallus allowed for them suggests a second hand—and perhaps not a very experienced one.” The unconventional backslant of the headings would seem to support this contention, and at the end of the document there is perhaps a novice’s inconsistency in the structure of the letter n between that used for ‘done’ and those used for ‘In Witness’. However, one has to admire the elegant swagger of the wavy t, h and l which the K-Type font extends to the b, f and k. Also, the simpler, Schwabacher-style W, an enlarged version of the lowercase w, is a little less flamboyant than the capital W from the German and Square texts in Bickham’s manuals. For designers using OpenType-aware applications, the typeface includes some Alternates, including a Bickham-style W, the letters t, h and n with added flourishes, two simpler forms of the A, and a few roman numerals for numbering articles. Also some ornamental flourishes and a round middle dot/decimal point. Punctuation marks are drawn in square, calligraphic style, but an alternative round period/full stop, for use with currency and numerals, is available at the period centered position (though placed on the baseline), accessed by Shift Option 9 on a Mac, or Alt 0183 on Windows. The full phrase, ‘We the People’, has been placed at the trademark keystroke and can be accessed by Option 2 (or Shift Option 2) on a Mac, or Alt 0153 on Windows. For designers who find the backslant awkward or unpleasant, the licensed typeface also includes two additional fonts which have a vertical aspect that may be more conducive to graphic design layouts. ‘We The People Upright’ and ‘We The People Upright Bold’ both retain the distinctive style, and the heavier weight is only slightly emboldened, just enough to add some punch.

Rantika is a cute brush font, created with additional bold on the strokes and mostly curved edges of the letterforms. This font comes from the manual brush stroke which has an informal stroke thickness that makes the font looks more natural. Bring the happiness with Rantika, make your design more cheerful because you can use this font for cards, apparel, merchandise, invitation, food or menu design, poster, cute quote, holiday design, and many more! Fonts featured : Uppercase Lowercase Numbers Punctuation Accented characters Stylistic set Ligatures Thank you for watching

This time, I would like to introduce a bold typeface called "Madame Karoline", which has an attractive retro atmosphere. This font looks interesting too, as I've added some alternatives that you can use. Don't forget to add an extruded style to make your design look more appealing. This font is suitable for those who want a design that shows an old-school side but still relates to a modern look that is attractive . No problem if you have experience using this font in your designs. Make this font one of your computer's font collection.

Phoenica Std Mono expands the already large family of my very successful Phoenica. The motivation to develop a new mono-Phoenica family was that I was not satisfied with monospaced fonts in programming code, or simply in e-mail correspondence. The Mono Phoenica solves the problem of a typical monospaced font, a rigid, fixed width. The design gradations from Condensed monospaced to monospaced from 390em to 600em-square incurred a total of 21 fonts. Packages contain the fonts in CFF-OpenType and TrueType format, so you can use these beautiful fonts on all operating systems.

"Devil Scream" is a very unique horror font, as it is equipped with ghost decorations and a witch's hat on each letter. This font is very easy to use because the letters and decorations will automatically appear when typing letters. "Devil Scream" is a display font with a horror theme that will add a horror atmosphere to your Halloween party celebration. In addition, this font can also help your work. This font can be used as logos, branding, banners, posters, prints, stickers, horror movie titles, book titles, comics, or others.

Engrave is a vintage-style scrips font. This font is an elegant font, and has a luxurious impression with sweet curves on the alternate letters. "Engrave" is perfect for branding luxury fashion products, jewelry, and is also great for use as a lettering in logos and mockups. The use of this font is also not limited to that, but can also be used for writing book covers, movies, posters, taglines, etc. "Engrave" also has ligatures and alternatives that give each lowercase style a choice of styles and add a luxurious feel to this font.

The Naquia Multilingual Brush font is a 100% handcrafted font with which you can achieve a handwritten-type lettering feeling. This typeface is a multilingual lettering font with Greek (of course), Latin characters and diacritics. The style of the font is perfect for your modern graphic design needs. This font has a really nice flow so you use it in a large text if you want to give them a touch of personality. In addition, this typeface can be used on social media content, for branding or packaging.

Rough Riders Redux along with our Rough Riders font, got its start from a small sample of letters used in the logo for the Beach Creek Railroad Co. dating back to the early 1860’s. I studied the design for one year before drawing the letters. Rough Riders and the Redux version are simply the most Wildest Western looking fonts you'll find. The Rough Riders fill font is not meant to be used as a stand alone black typeface, the fill font is designed to be layered behind the regular Rough Riders font.

Hello Everyone,introduce our new product Random Notes is a Rough Display Font Handmade Font is a Strong Style and classy style, This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, cartoon, and comic etc. This font is great for your creative projects such as watermark on photography, and perfect for logos & branding, photography, invitation. Random Notes a natural handwritten feel. This handmade font will make your design has a beautiful natural touch for each details.

Here comes our new font Flossy is a Handwritten Brush font with a Rough style and dramatic movement. This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, and etc. This font are handmade with brushes on Procreate. Then crafted carefully drawn into vector format. Flossy a natural handwritten feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes.

Here comes a New font, Introducing Rafferty It's Weird Display Font is a Natural Style and Authentic classy style, this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. Rafferty a natural Hand Drawn feel. This handmade font will make your design has a beautiful natural touch for each details. This font is PUA encoded which means you can access all of Alternates glyphs.

It is known as the Hafs Quraan2 Font for its extensive use in the copying and transmission of books because it helps the writer to write more quickly than any other font since the Islamic times and then Alnaskh Quraan font wrote the "Quran"And the advantages of Alnaskh Quraan font are clarifying the letters and show their beauty and splendor. Naskh Font for writing the Holy Qur’an by Raweya Hafs, for the first time, the possibility of coloring all its letters to learn Tajweed - The possibility of coloring letters, various forms of one letter

Emencut sans serif, and everything in between. San Serif is a hot trend, and we have the hottest ones. Our newest font family is waiting for you to get it: The San Serif family offers 18 different styles, each with a unique look. Use this typeface in your design or business projects, of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Revolucion has a boyish mood compared to other fonts of Prop-a-ganda series. It has short legs and large head, but because of its simplicity, it is legible font. Perfect for all of display. In 2012, Extended and optimized for multipurpose font family named Revolution Gothic which has lowercase, multi-language accents, five weights and italics can be available from Dharma Type.

Lakony Regular, italic and display serif lacony are combined into one into a modern serif, lacony pays attention to high readability and a soft font model so that readers feel comfortable. lakony font also has unique alternates, making it easier for you to design as unique a text as possible. However, this does not leave behind the function of the font itself, namely readability, so this font is suitable for titles, posters, branding, invitation cards and much more. Lakony Regular Lakony Italic Lakony Display Uppercase Lowercase 75+ Language Alternates Font

Andeeta! A sweet handwritten font that will add fun to your creativity. the font consist of a charming all-caps font and a sweet handwritten script font for the perfect and fun blend of your content. Andeeta has also added 26 doodles to add interest to your content in separate files. Each font file includes uppercase, lowercase, numbers, punctuation, and multilingual support. That's it! I hope you enjoy it. Feel free to comment if there are issues or queries. You can also say hi to me on Instagram: https://www.instagram.com/tlatoustype/ Thank You!

Be a the ultimate you with gorgeous style font. The awesome Milk Water. It is a beautiful font duo that reflects youth, power, yet cuteness. The weight of the display font brings strength to any title or header you apply to it. On the other hand, the curve of the script font also convey a sense of cuteness. Features: Stylistic Sets Ligatures Multilingual Supports Numerals and Punctuations Thank you for purchasing premium fonts from our studio. If you have any further questions, don't hesitate to contact us. Happy Designing.