Woodlawn JNL is based on an open face wood type. A bold outline sans, this design is excellent for headline and titling applications.

The block style lettering with rounded corners found on a package for model railroad kit parts was the inspiration for Model Railroad JNL.

FG Ellinor is inspired by a handwriting I saw on a receipt once. I liked it so much I named it after me :)

AntsyPantsy, BuggyFont, and MousyFont are based on the same design; only the building blocks—ants, bugs, and a stylized mouse—have been changed.

Manaslu is based on handwriting with a marker. This font is suitable for cartoons, advertising or anything with need of a personal tone.

Designed as the main header text for the online, interactive, horror novel, DEAD ENDS. Based on historical documents of colonial-era New England.

Farmhouse Together - DUO is a lovely, pretty handwritten font with lots of alternative, binding styles. Has two Styles (Sans & Script) in one Font.

Bringing together features from early European grotesques and American gothics, Kostas Bartokas’ Averta (Greek: ‘αβέρτα’ – to act or speak openly, bluntly or without moderation, without hiding) is a new geometric sans serif family with a simple, yet appealing, personality. The purely geometric rounds, open apertures, and its low contrast strokes manage to express an unmoderated, straightforward tone resulting in a modernist, neutral and friendly typeface. Averta is intended for use in a variety of media. The central styles (Light through Bold) are drawn to perform at text sizes, while the extremes are spaced tighter to form more coherent headlines. The dynamism of the true italics adds a complementary touch to the whole family and provides extra versatility, making Averta an EXCELLENT tool for a range of uses, from signage to branding and editorial design. Take advantage of Averta’s extended OpenType features including alternate glyphs, small caps, fractions, case sensitive forms, contextual alternates, oldstyle and lining (proportional and tabular) numerals, small cap numerals, numerators/denominators, superiors/inferiors, and a variety of symbols. Averta comes in eight weights with matching italics and supports over two hundred languages with an extended Latin, Cyrillic (Russian, Bulgarian, and Serbian/Macedonian alternates), Greek and Vietnamese character set. It ships in three different packages offering different script coverage according to your needs: Averta PE (Pan-European: Latin, Cyrillic, Greek), Averta CY (Latin and Cyrillic), and Averta (Latin and Greek). Averta's Cyrillic have received the 3rd Prize in the 2017 Granshan Awards in the Cyrillic Category.

Introducing Goxac is a boldly shaped font that gives any project a cutting-edge, futuristic feel. Goxac’s slick lines and distinctive letterforms give your text a contemporary appearance, making it ideal for designs with a science fiction or technological theme. Goxac is the perfect tool for designing eye-catching headlines, posters, and social media graphics because of its bold aesthetic and futuristic theme. They are ideal for branding projects, packaging designs, book covers, and more due to their distinctive letter shapes. With a complete set of punctuation and numbers, Goxac is available in both upper- and lowercase letters. This multipurpose font is ideal for designers, marketers, and anyone looking to add a touch of futurism to their work because it has four different variants. With the Goxac font, rest assured that your designs will look unique, stylish, and futuristic. This font is perfect for those who want to stand out in the modern era, and for those who want to give their designs a touch of innovation. Goxac is a must-have for anyone looking to create a plan that really stands out. So don’t wait, make Goxac your font of choice today, and take your design to the next level! What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Introducing "Melt," a captivating and versatile font that seamlessly blends boldness with soft, rounded curves, exuding an irresistible charm. This font is a harmonious fusion of cursive elegance, bold confidence, and modern trends, making it perfect for eye-catching headlines that demand attention. The Melt font family is thoughtfully crafted with three distinct selection font files, ensuring a range of creative possibilities: Melt Italic (Full Features): The italic variation of Melt boasts full features, providing a dynamic and playful touch to your designs. With its stylish slant and graceful curves, Melt Italic is ideal for adding a touch of sophistication to headlines, posters, and other creative projects. Melt Swashes: Elevate your designs with the Melt Swashes font file, where uppercase letters are replaced with delightful swashes. These swashes add a whimsical and artistic flair to your text, creating a unique and expressive visual impact. Perfect for adding a touch of creativity to logos, branding, and more. Melt Swashes Alt: For those seeking alternative swashes for uppercase letters, Melt Swashes Alt offers a distinct set of alternative swash designs. This variation provides even more versatility and customization options, allowing you to tailor your typography to suit the specific aesthetic of your project. Whether you're designing for a trendy website, playful branding, or vibrant marketing materials, Melt's bold, cursive, and rounded style, coupled with its three font file options, ensures that you have the perfect tool to make a lasting impression. Embrace the charm of Melt and let your headlines stand out with a delightful blend of modernity and cuteness.

Since the beginning, Palsam was intended to be a super multilingual family, with a real cursive Arabic companion, and a display cut. The typeface was designed to be used for setting text and titles of contemporary Arabic content, specially magazines, and websites. The Arabic and Latin scripts were designed at the same time, to make a true authentic bilingual typeface. Both scripts have affected each other in several ways through the entire design process, which happened within ten years. Palsam has an inviting, approachable, fashionable and humanist look. Thanks to its low contrast, open apertures, detailed calligraphic strokes, and smooth counters, which also make it easy to read at smaller sizes. The main highlight for Palsam was the Cursive companion. For the first time, the calligraphic Ijaza style was used as a model for designing the Arabic cursive. Since the Ijaza is a hyper combination of Naskh and Thuluth, which makes it perfect to be a companion for the upright Naskh. Moreover this script was used in margins, and to highlight specific content inside a paragraph in older manuscripts. With true cursive companions in five weights, and many opentype features, Palsam grants all the tools needed to set complex information and editorial designs applications. More than 1000 characters are included per weight, including small caps, fractions, old style and lining numbers, ligatures, contextual ligatures, and discretionary ligatures. It supports over 40 languages that use the Latin extended, as well as Arabic, Farsi, and Urdu Languages. The latin script was designed in collaboration with the Slovenian type designer Alja Herlah.

Graced Script is a calligraphic brush font in high quality, with a full alternate alphabet. Turn on contextual alternates to get natural letter variations.

Ginky is another one of those grafitti- and comic-inspired pizzadude.dk fonts! You will need to use OpenType supporting applications to use the ligatures.

A light weight slab serif font, useful for posters and large ads, based as it is on wooden fonts designed in the 19th century.

Otherslide Handwritten Script Font is a beautiful and stylish handwritten font. It looks stunning on a variety of designs that need a natural touch.

A revival of one of the popular wooden type fonts of the 19th century, condensed, bold, curved serifs, a very useful design for display.

Exablock is a display typeface based on a 6x6 grid, highly modular and geometric. Diacritics appear as negative space cut into the glyph form.

Roncesvalles is based on samples of medieval calligraphy. It features a traditional lower case character set with unique decorative capital letters featuring unusual flourishes.

FatSally is written with a broad felt-tip marker, scanned and finished by hand on screen, taking care to emphasize the typical "marker" feeling.

JH Mars is a modern style typeface; it is designed based on old Koufi, Maghribi & Diwani scripts, typical for corporate identity, headlines, branding & signage...

Hatter Halloween, is an extension of After, which includes ligatures, Extrude, Swash, Layers and contains entertaining Dingbats for Halloween parties or on horror themes.

Sports Jock JNL brings you a serif-style sports font built on the classic design of an early-1900s block font with chamfered angles.

Based on the original design by Robert Hunter Middleton. Digitally engineered by Steve Jackaman and Ashley Muir from the Ludlow drawings, circa 1931–1942.

Glitterati is Disko 2005. This font contains alternative versions that enable customisation of headlines and are intended to be freely mixed in one setting.

Developed for ParaType (ParaGraph) in 1997 by Alexander Tarbeev, based on PT Pragmatica, 1989, by Vladimir Yefimov. For use in advertising and display typography.

Comicbon is a handwritten font that simultates text being writen on a comic, ads, creating logos, branding, teaching websites/apps/games, and many more.

One of the classic old German large x-height Grotesques revised and still in use, identifiable by the rounded form of certain diagonal strokes.

With its contours roughened by ink spread on porous cardboard, Shenzhen Industrial evokes packing crates, stamped documents and urban grit with high-impact urgency.

A revival of one of the popular wooden type fonts of the 19th century, suitable for display, geometric slab serifs unbracketed, short descenders,condensed.

Folk Singer JNL was modeled after a 1960s lettering stencil, which was in turn designed as a variation on the ever-popular Ad Lib.

Print Oddities JNL gathers various cartoons, embellishments, spot illustrations, border elements and arrows into one nostalgic collection; all re-drawn from vintage source material.

Monitor is an early experiment in TV-wall pixeldom, and has the unique property of becoming easier to read the further away one gets.

It is the 3rd inscription font I shared with Liljegren Runic, one of the inscriptions in America. I couldn't find much information about it.

A revival of one of the popular wooden type fonts of the 19th century, suitable for display, short ascenders and descenders, pronounced slab serifs.