Hoxie JNL is based on an example found in an old sign painter's design book from the early 1900s and has been translated to digital form by Jeff Levine. All of the quirks and charm of hand lettering have remained.

Banners, arrows with numbers, cartoon cuts, decorative elements and ad helpers make up the assortment of classic images found in Printers Choice JNL. Each were carefully re-drawn from vintage sources to offer a wide variety of topics and uses.

On the sides of freight cars, passenger trains, trolleys, buses and cable cars was once found identifying letters and numbers with a bold, yet quaint hand-painted look. Public Transportation JNL emulates the old-style look of those bygone years.

Grapo - are handwritten fonts with a unique bounded shape, is perfect for any titles, logo, product packaging, branding project wedding invitations, stationery, photography, social media posts, product packaging, greeting cards, and much more! Grapo also come with Multi-Lingual Support.

Silly Behavior JNL is based on a hand lettered alphabet found within the pages of the vintage lettering book “100 Alphabets Publicitaires” (100 Advertising Alphabets). The fun, haphazard arrangement of the letters and numbers convey a casual approach to titling.

Candy Shop is a vintage decorative font. It has a classic elegant look, perfect for food packaging and label design. Additional curly swashes can help you to create a unique lettering compositions. Five additional swashes can be found in "Glyphs" panel.

Hand lettering found in the September, 1936 issue of the French film publication “La Cinématographie Française” is rendered in a lovely Art Nouveau serif type style. This is now available digitally as French Film JNL, in both regular and oblique versions.

The pattern for this delightful gem was found in Dan X. Solo's "Rustic and Rough-Hewn Alphabets" book under the name "Antique No 14." For this font, the rough-hewn lines have been cleaned up, but the underlying fun remains.

Lettering found on the cover of 1915 textbook pamphlets from the Woman’s Institute of Domestic Arts and Sciences, Inc. [of Scranton, PA] inspired the creation of Nouveau Formal JNL. This attractive serif typeface is available in both regular and oblique versions.

The Vadstenakursiv font was inspired by letterforms first used in the Vadstena nunnery, Sweden, founded by Birgitta, later canonized Saint Birgitta and buried in Rome 1373. These letterforms were also used in documents for different guilds, and on commercial documents.

An interesting bit of Art Deco influenced serif hand lettering was found on the cover of the sheet music for 1938's "Boatman's Serenade". This became the model for the digital font Inlet JNL; available in both regular and oblique versions.

Warmth and friendliness are at the heart of Bell Ring, a handwritten font that captures the essence of the season. Its distinct charm makes it an ideal choice for a wide spectrum of design projects, where your creativity knows no bounds.

The Postea font family is Veronika Burian and José Scaglione’s take on German geometric typefaces, reshaped with the right attributes for setting paragraphs and headings, and perfect for branding and text use. Some typefaces are a rough tool, like a pumice rock: abrasive to the senses, unforgiving, and unhelpful for most reading situations. Postea is an obsidian: smooth and classy, with attractive nuances in any light. The classic curves and purposeful details keep its individuality intact while allowing it to fit an incredible range of geometric font needs. Because of these qualities, Postea makes normal reading in paragraphs a cinch and your branding memorable. Compared to midcentury attributes of restraint and a sparse appearance, Postea’s deliberate play between character widths injects life and distinctiveness into its personality. The default ‘t, f’ have lyrical doses akin to a robust evening drink and are rounded out with a serpentine ‘s’ and rotund ‘o, g, b’. Another nice surprise awaits: spacing for the Hairline weight is tighter for optimal use in large headings and titles, while the regular weights have the expected, slightly looser spacing for text. Setting the test word ‘bogarts’ brings all this together nicely, invoking a balance between a constructed and human feel while brushing away the dust from a century of derivatives. Postea is opinionated and its modern stylistic sets allow it to be accommodating with softer, specially-designed alternative characters. SS01 replaces ‘b, f, M, m, t’, while SS02 changes only the lowercase ‘a’ to the round style, and SS03 swaps out the angled ‘y’ for a straight version. The fourth and sixth stylistic sets are packed with wallpaper-worthy geometric patterns, ornaments, arrows, and symbols aplenty. Postea’s 14 styles (seven upright and italic) and two variable fonts are accompanied by an all-new family of icons in three weights, which we developed a new, easy way to activate. Simply bookend the desired icon name with colons (:arrowUp: :chargingStation: :aid: :firstAid:), making sure to capitalise each word after the first word, then highlight and activate SS05. Icons include wayfinding, social interface, sanitary precautions like face masks, thermometers, and hand washing, and much more. Postea is resilient in the number of ways the family can be used, and its recognisable characters make it a prime selection for branding, signage, corporate typefaces, and magazines. Beginning with midcentury virtues, Postea is the rational response for text — a lyrical take on geometric sans serifs.

Dingocittà with its 12 fonts, contains a large amount of features like small capitals, different figure sets, automated fractions, ordinals, standard ligatures, contextual alternates (generates letter combinations to avoid form collisions by simultaneous maintaining word fugue) and discretionary ligatures. Dingocittà is suitable for a wide range of applications and can be readily combined with other fonts.

Flashes is a striking display font based on Enric Crous-Vidal's design from 1953. Unger redesigned the font based on artwork from old font books, and extended the character set to cover not only standard Western but also the Central European character set. It has been a tremendous amount of meticulous work to digitize and edit all the flashes!

ITC Deelirious is the first typeface of Dee Densmore-D'Amico and its name comes from the astounding number of D's packed into her name. The design came from her own handwriting. The differences between capital and lowercase letters are sometimes arbitrary, but this characteristic and the many alternate letterforms give ITC Deelirious the spontaneity and naturalness of true handwriting.

Wood Type Bodoni JNL is a variant of the popular ultra bold version of the classic Bodoni design, with variants in character widths and shapes. Based on a vintage set of wood type, the "hairline" strokes of the 4 and 8 have been made ever-so-slightly thicker in spots to add a modest amount of additional contrast.

It doesn’t take long to see that Cheap Skit is a super legible, easy going font. It is intended to be used where text needs to be clear and legible, but have certain amount of handmade energy. I’d say that products that has something to do with children (toys, clothes, games, posters …) or something organic, recipes, bookcovers …

Mymra fonts – an upgraded version of Mymra Forte and Mymra Mono (2009), with a careful re-dress of glyph shapes, and the extension of glyph amounts – which enables support of more Latin languages. One more weight – Black – has been added to the original three of Mymra Forte fonts. Fonts are intended for use in a vast variety of publications.

Burdigala X Sans is an open and spacious typeface, ideal for larger amounts of (printed) texts in brochures, magazines and books. Being wider than usual, it works especially well in media intended for on-screen reading, such as in Pdf-documents, e-books, applications and so on. Burdigala is the ancient Roman name of the city of Bordeaux France.

Oxford was designed by Arthur Baker for Agfa Compugraphic in 1989. A calligraphic typeface with a slight incline, fine lines, and delicate serifs, Oxford is easily identified by its quirky lowercase b. Oxford is a functional display type for headings, announcements, and brochures that also works for setting small amounts of text, such as ad copy.

Drop Dead Gorgeous is a slightly slanted all caps Brush font. I made it with the last of my Chinese ink (I ordered a new batch, it should arrive tomorrow). Drop Dead Gorgeous is a very legible font, ideal for headlines, posters and book covers. Comes with alternates for lower case letters and a truly breathtaking amount of diacritics.

Abelia is a rough(ish), cursive, handwritten font. It was made with an almost dried up felt tip pen, so as to create some roughness in the edges. It comes with a generous amount of diacritics. For those who are just dying to know: Abelia is a honeysuckle-like flowering shrub, native to Eastern Asia and Mexico.

Skie is a simple gothic sans serif with normal, condensed, and wide widths. Its distinguishing characteristics are the small x-height with tall ascenders and a minimal amount of contrast, while the apertures are semi-open to help in readability. The simple design keeps the appearance fairly neutral and presents a blend of modern and vintage qualities.

Slug is a clean, geometric font, like those that were widely used in the 1970s. To give the user a wide range of possibilities, we made not only a half, a single and a double version, but also provided a bicolor solution: by combining Bicolor A and B you will create astounding multicolored pieces of typography.

Fox Sans Pro – an upgraded version of Fox Sans TRF (2008), with careful refinements to glyph shapes and extension of glyph amounts, which enabled support of more Latin languages as well as support of Cyrillic. Four more styles have been added to the original six styles. This typeface is released in OpenType format with some OpenType features.

Oxo is an expressive typeface from typedepot. Designed to be used as a decorative, headline font which quickly evolved into great new font usable for large amounts of text as well. Available in 4 weights - thin,light, regular and bold with their matching italics plus three extra weights: Outline, College and Deco which are great addition to the family.

FF Milo Slab is not just the sans with slabs attached. It has undergone a wide range of careful adjustments from increased contrast, longer ascenders and descenders and modified glyphs in the heavier weights. All these changes amount a typeface that feels enough like Milo but also can stand on its own as a new and fresh typeface.

Censorship JNL joins the wide array of stencil-themed fonts from Jeff Levine. An advantage to this particular design is the larger amount of stencil sections per letter or number. When used with a plotter/cutter, stencils in excess of 12 inches high can be cut into masking material without the cut-out characters becoming floppy or unstable.

An ad for the annual Variety Club Convention appeared in the March 18, 1940 issue of "The Film Daily. The main headline was hand lettered in a classic Art Deco "solid" style of sans serif - ultra bold and with no counters - but had one additional feature: 'engraved' lines to the left of each character. This has now been expanded into the digital typeface Trade Convention JNL, which is available in both regular and oblique versions. Variety Clubs (now know as Variety - The Children's Charity) was founded in Pittsburgh, Pennsylvania in 1928 by entertainers specifically to aid children. Their history can be found at https://variety.org/who-we-are/history

Nylon is an interpretation of pre-16th century letterforms, in particular those found in mediaeval portraits at the National Gallery, London. The source material contains many unusual and manic shapes—it appears as if these classical forms have, over time, become perverted, almost demonic. Draylon is the more restrained counterpart to Nylon; it is based on letterforms found on 18th century ceramics—some 200 years after the source material of Nylon. Nylon and Draylon have been designed so that they can be mixed together with ease. Both typefaces have been drawn with a kind of crude digital awkwardness—acknowledging the tool of the present moment, the computer, in the design process.

The name Type Warmers JNL traces its lineage to small catalog booklets issued by Indianapolis' Cobb Shinn for his line of letterpress cuts; of which a few can be found included within this typeface. Presumably type could "warm up to" these stock illustrations and work hand-in-hand to deliver the message, hence the "Type Warmers" sobriquet. Originally known for illustrating many attractive and comical postcards of the early 1900s, Shinn moved into the field of purchasing stock art and redistributing them as electrotypes or "cuts", the predecessor to today's digital clip art. A number of the cartoons he sold can be found in the Shinn Kickers JNL font.

Work for the Xcetera typeface started with the desire to create a classical serif design but using the less contrasted stroke thickness found in a host of sans serif designs. My aim was to retain some of the clarity found in modern strokes yet use the serifs to aid in letter recognition and legibility. The result is a form of hybrid design that is surprising clear in small point sizes yet offer a lot of personality in larger formats. Suited for both display and text settings, Xcetera aims to be both functional and fun while looking to explore new possibilities for the classical typeface style.

Our Margarine Pro draws its roots loosely from numerous inspirations, but its unique thick marker weight and deliberate carrying of rounds into regularly straightened letterforms allows this typeface to stand on its own. The lively letterforms are legible yet slightly offbeat, while the SmallCaps and extensive figure sets expand the range of usability and appeal. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

Skapa is all about creation (translation from Old Norse: "to create"). It's simply the font I always needed and wanted. A well balanced, modern with delicate round corners sans serif, comprised of 5 weights with matching italics. Great for varied graphic design projects and perfect for logos and headlines, print art, billboards etc. Extended support for Central, Eastern and Western European languages. OpenType layout features: Fractions, oldstyle figures, ligatures, slashed zero, superscript, subscript, numerator, denominator and combining diacriticals (Mark Positioning) plus tabular figures for standard figures ,oldstyle figures & currency symbols. Think. Design. Create.

Font breeding is much like animal breeding, where stallion and mare, or bull and cow, or boar and sow are carefully matched in hopes of yielding a robust and useful offspring. When typefaces RoundUp with fat, rounded serifs and WyomingSpaghetti with fat, squarish serifs were chosen to be parents, it was clear that their offspring would inherit large serifs. But to discover exactly what the offspring would look like, the pairing needed to be consummated, which was done with the “Blend Fonts” commend in Fontographer. The two styles of RoundWhy are the result.

Candlebright is a gothic calligraphy font with 345 glyphs, including stylistic alternates, swashes, ligatures, and a set of matching ornaments. Candlebright's smooth lines and round corners make it warmer than the average blackletter font, and it can be used for both vintage-inspired and modern designs. Candlebright works particularly well in logotype designs, or as a display font in editorial or website designs. The set of matching ornaments is perfect to add a touch of elegance to any design, and you can use it to achieve eye-catching social media and promotional designs.

»SLAM« is my new, very sturdy but elegant slab-serif font family. I designed this font family with body copy in mind and gave it all the glyphs necessary for use with all latin writing languages. I also gave the fonts all kinds of different numerals as well as a complete set of small caps and overall extensive kerning. It comes in eight normal weights with corresponding oblique cuts and it comes in a rounded version and corresponding obliques as well. Enjoy this original font, it is a real work horse!