Winner™ and Winner Sans™—Classic athletic aesthetics, finally as a versatile contemporary super family. Just when you thought there was nothing left to add to the classic sports design, we lifted it to a whole new level. Whatever you want to set in whatever space, with seven weights in seven widths both with or without serifs, you’ll definitely find the right proportions for it! Winner supports not only most Latin-based languages but also Greek. Its extensive character set also contains currency signs, arrows, as well as a wide range of numerals from small figures to Roman numerals. Furthermore, its sophisticated OpenType layout features give you access to alternative letter shapes, fractions, tabular figures, and contextual alternates. With more than 24,000 glyphs in 49 fonts, Winner leaves nothing to be desired. Grab Condensed Regular for free and give it a spin!

Dubrove is a wedge serif typeface inspired by Moravian (Czech) type designs of the 1930-50s. The character font is expressive: free, daring and graceful, delicious and attractive. Here are more than 1100 glyphs, all 102 European languages, all Ancient Slavic Alphabet (49 characters), Latin and Slavic small capitals and OpenType features with many solutions. Dubrove has several stylistic sets, historical forms, localized forms of several languages, interest contextual ligatures and many other delicacies. In the Dubrove typeface several stylistic sets of Slavonic lowercase letters are made. In addition to font basic style (in fact it is close to the natural lowercase character) is a traditional [ss02] set (postpreliminary, the Soviet Union, when most copy lowercase letters are uppercase) and lowercase the natural character [ss03], the style of which, in particular, is often used in the Bulgarian script.

Cryptic is a font family of caps and small caps whose unique design was inspired by Morse Code. The traditional dots and dashes have been re-imagined as diamonds that you can read from top to bottom on the letters themselves. Secret code hidden within the letters, hence - Cryptic. This font family is truly versatile! The letters are all based on the character shapes of the Naked style, and all the diamonds have the same proportions, so you can stack and layer as many as you like to create a custom look for any project. Cryptic is perfect for website headers, posters, t-shirts, billboards, book covers, SVG cutting files, and anything else you want to add a little mystery, intrigue, or glitz to. Please note that some styles are better suited for larger scale projects to show off the fine details.

Tipperary was designed by Steve Matteson and named for a favorite 'single track' bike trail, Tipperary is a monoline Humanist Sans Serif typeface. The clear, open, letter forms curve abruptly in an almost squarish geometry much like the sharp turns on the Tipperary trail. The clear, austere forms offer exceptional legibility for both interface designs and extended reading. Small size package labels and crisp branding programs benefit from Tipperary's emphasis on clean, readable design. eText typefaces are designed to meet the challenges of extended reading in digital environments such as mobile devices or desktop screens. Their forerunners are among the world's most popular and important book typefaces for print media. These classic designs were reinterpreted to conform to technological constraints of LCD and e-Paper while retaining the properties of proportion and form which made them favorites for print.

Here is a profoundly delicate and graceful design that has its roots in art deco fashion. This elegant typeface is based on an old 1930s lettering style popularized by Carl Holmes in his wonderful book on the subject. Somewhat condensed with a very tall lowercase, Panorama carries itself beautifully. It is similar to such classics as Stellar and Optima with stems flaring slightly at the ends. Panorama has a great number of alternate capital, small capital, and lowercase characters including two sets of alternate figures. Panorama, Panorama Alts, and Panorama SC are also available in the OpenType Std format. Some new characters have been added to these OpenType versions. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

This is yet another Willard T. Sniffin deco-inspired original. Created for the American Type Foundry, Hollywood Deco remains a classic that is still as contemporary today as when it first appeared in 1932. Use this novelty gothic typeface on announcements and stationery. It is also well-suited for many advertising situations where a stylish retro look is desired. A useful set of alternate characters (including the illustrious “Overlapping O's”) is included with this version. Hollywood Deco Medium with Alternates is also available as an OpenType font. This version now contains small caps, lining and oldstyle figures, prebuilt fractions, stylistic alternates, word buttons and a wide assortment of f-ligatures. These advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

M Ling Wai is a humanistic script based on a real handwritten style. It has a feminine, urban and lively character filled with literate finesse. M Ling Wai was written with a thin ball pen by a young woman in a unique, personal, running writing style, such that it is real, natural and feminine. Contrast of strokes is low and the text is visible and eye-catching. Its light to medium stems (豎) make it suitable for small text and subheading with little conglutination. All strokes are highly irregular, inconsistent, irregularly oriented and tightly coupled or connected. Spatial distribution, positioning, size and relative proportion of radicals fully reflect a natural and personal favor. It is one of the first proportional width font in a full scale. It is best suited for casual lively text, illustrations, set upright (non-slanted), non-condensed.

Introducing Arkais, a glyphic serif typeface inspired by the rhythmic construction of Gothic architecture. This unique typeface is characterized by slightly broken shoulder and bowl shapes, offering a fresh and classic feel. With contrasting brackets, consistent barb, and beak shapes, Arkais brings a touch of elegance to any project. Arkais features five weight variants—light, regular, medium, bold, and extra—as well as three width options: condensed, normal, and expanded. Each font family also includes italic styles, providing even greater versatility. Equipped with OpenType features, Arkais offers multiple character alternatives, ligatures, small caps, and more, ensuring a tailored look for your designs. Designed as an alternative to current trends, Arkais is perfect for creating strong headers or captivating display text. The typeface supports over 500 basic Latin glyphs, making it suitable for a wide range of projects.

Kairos Sans, designed by Terrance Weinzierl, is an octagonal sans serif influenced by 19th Century Grecians, with the weights and widths of a contemporary palette. The bold simplicity radiates in headlines and sub-heads, with suitable performance in text. Of course, it pairs perfectly with the slab serif companion, Kairos . Kairos Sans is available in 48 styles; 8 weights in 3 widths, all with matching italics. Condensed, Regular and Extended widths range from Thin to Black. There are 4 Rough styles as well, bringing the whole family to a total of 52 styles. It comes in Latin, Greek and Cyrillic scripts. It also comes with some extras and OpenType features: Small capitals, proportional and tabular figures, superscript and subscript figures, support for fractions, ornaments, arrows and Stylistic Alternates. It often looks athletic, industrial, and stern. Kairos Sans is stout, but has energy.

Prostir Sans is a powerful typeface of the humanistic sans serif. He strives to be a "workhorse" that does almost any job without unnecessary problems, while remaining expressive enough. Has large x-heights and small ink traps. The typeface looks emotional and feels free, combining smooth curves and contrasting connections. It consists of 2 conditional parts — Basic and Display, which differ in the thickness of diacritical symbols and additional elements. This contrast adds unusual rhythm and liveliness. It has 7 grades in weight and and supports variable, adjustable on two axes, which allows you to fine-tune the desired style with sliders. Features: – Total glyph set: 753 glyphs; – 14 styles (7 weights x 2 widths); – Support 210+ languages; – Latin Extended; – Cyrillic Basic + Bulgarian letters; OpenType features: – Proportional, oldstyle, circled, tabular numerals, superiors, fractions; – Punctuations and symbols; – Arrows; – Stylistic sets; – Ligatures; – Case-sensitive forms.

Twogether Sans builds upon the achievements of Twogether Rounded, creating a more comprehensive system and positioning itself as a suitable choice for general text usage. By removing the rounded elements from each character, Twogether Sans gains increased flexibility and a broader range of possibilities for different types of projects. It retains the essential characteristics of its counterpart, such as proportions, x-height, small caps, ligatures, numerals, and the construction of the italic variant. This version also introduces distinctive alternate characters for "T," "Y," "y," and "a." However, in this case, the position of the "a" with an old-style eye has been adjusted to enhance legibility in this context. These details maintain consistency with the Rounded version while reinforcing Twogether Sans' unique personality. It remains an excellent choice for branding, editorial design, promotional materials, packaging, and digital applications.

Baldufa is a charming typeface with strong personality, which looks very comfortable in text. There is a search to obtain complicated curves and detailed features, which gives the typeface a touch of beauty and elegance. However, this is also a self-conscious design that claims through the rounded serifs and irregular vertical stems appreciation for quirkiness and human imperfection. The letterforms in the Latin are inspired by the slight distortions and idiosyncrasies that came with old printing methods. It has distinct, features such as rounded serifs, irregular vertical streams, ink traps and extremely thin junctions. In the Italic, serifs have been removed to enhance movement and expressivity. These experiments in form have not come at the cost of legibility: The typeface remains suitable for both small and display text. Baldufa Greek Ltn covers Greek and Latin.

Bloque es una fuente moderna de tipo bloque perfecta para proyectos de grandes dimensiones como vallas, pósters artísticos, señalización, packaging, títulos y logotipos. Ya que su contador es tan estrecho no debes usarla en tamaños pequeños porque la definición de cada carácter se perderá. Es una fuente que cuenta con una sensación limpia y minimalista. Bloque es una excelente elección cuando se necesita una fuente impactante de letras en bloque para crear diseños impresionantes. Bloque is a modern block font perfect for large projects like billboards, poster art, signage, packaging, headlines and logos. Since its counter is so narrow you should not use it in small sizes because the definition of each character will be lost. It's a font that boasts a clean, minimalist feel. Bloque is an excellent choice when you need a striking font of block letters to create impressive designs.

Introducing the 'Merchande' Font Trio Inspired by a variety of midcentury typefaces, the Merchande trio was designed to add pizzazz to your branding, packaging, advertising, and print projects. What's Inside? The serif is fantastic for headlines, logos, and anything that needs to grab attention. Its tall, condensed, and confident appearance is a great head-turner, made even better when combined with the two below. The script is perfect when a premium touch is needed for your work. Its use immediately adds a charming, personal quality. The best part, it's wonderfully legible in any size. While the sans works fantastic as a large display font, it truly shines when used for its intended purpose. Small text. Evidence of this is scattered throughout the presentation images. Tip: Increase the space between the letters (tracking), it looks awesome. Thanks for looking! Tom

ITC Élan combines a gothic simplicity with elegance in a distinctive yet subtle typeface design. There is also a feeling of architectural strength which is derived primarily from an optically even line-weight and a sense of vertical stress. The small, almost Latin, serifs add distinction at both display and text sizes. The large x-height, minimum stroke variance, and open counters are ideal design traits for typeface legibility. Additional characteristics which distinguish ITC Élan are the splayed M" and bowls which do not quite close in the "a," "b" and several other letters. In contrast to the roman, there is almost a calligraphic playfulness to the italic. ITC Élan is the second ITC typeface from Albert Boton of France, who also designed ITC Eras. ITC Élan comes in four weights, book, medium, bold, and black, each with a corresponding italic."

Introducing Genezyte - Monospaced Display Font Genezyte is a monospaced display font that is perfect for use in a variety of applications. Its clean, crisp lines and modern aesthetic make it ideal for use in headlines, titles, and body copy. The font's monospaced nature ensures that your designs maintain a consistent look and feel, while its high legibility makes it suitable for use in small sizes. Genezyte's bold, geometric forms give it a modern, futuristic feel, and its versatility allows it to be paired with other fonts and used in a range of color schemes. Whether you're a designer, marketer, or UI designer, Genezyte is an excellent choice. FEATURES - All Caps - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word Hope you Like it. Thanks.

Wait a second... Seconda. A sans serif with its own individuality. A typeface which combines character with legibility. A typeface which combines business with pleasure. Its moderate contrast and narrowing terminals give this typeface a gentle and sophisticated nature. Use it for books, reports, magazines, business letters — and relax. Use it for brochures, posters, signs, corporate identity projects — and enjoy. Seconda has sixteen styles, extensive language support, eight different kinds of figures, sophisticated OpenType features — so it’s ready for advanced typographic projects. For text and display use. When using Seconda in small text sizes, it will be a reliable and legible text face. When using it in big display sizes, it will show its refined details. Seconda has the companion typefaces Seconda Soft, Seconda XtraSoft, and Seconda Round. For more information about Seconda, download the PDF Specimen Manual.

Bluset Monospaced enlarges the re-worked and expanded text- and headline typeface family Bluest Now with 6 new cuts. The concept for Bluest Now was based, in its original form, on a corporate design typeface by Elsner+Flake in 2004, ordered by the Landor Agency for a large German energy corporation. Regularly re-worked and brought up to modern standards, the typeface is still used to this day. Because of its large x-height and its well-balanced appearance, Bluset Now Mono is also excellent for use in small typesizes. The three Roman cuts, Regular, Medium and Bold, and the corresponding obliques, allow a clear differentiation of base- and display applications for every typesize. The character complement has been created for 72 Latin-based language areas and thus allows a neutral text exchange across language borders. Translation Inga Wennik

Orca Pro is a modern sans-serif font family. Its lowercase letters are inspired by the well known OCR-A font, however every single glyph has been more or less revised. Capitals, numerals and all other characters and punctuation marks are entirely new. Feel free to download the PDF Specimen for detailed info and examples. The Orca Pro family consists of 10 fonts – light, regular, medium, bold and heavy weights including real italics. It supports many OpenType features like automatic fractions, ordinals, proportional/tabular figures, numerators, denominators, superiors, inferiors or case sensitive forms and offers great multilingual support for most of Latin-based languages (including CE). Orca Pro contains a number of standard and discretionary ligatures, numerals as well as 62 bullets, symbols and arrows. Orca reveals its soft, rounded character in bigger sizes while it remains distinct and legible in small sizes.

Piano Keybuild is a small font designed for creating piano keyboard layouts. It was inspired by my Yamaha CLP-840, a wonderful digital piano. The face consists entirely of keyboard keys that can be combined to form realistic keyboards. These keys come in four styles: basic outlined keys, filler keys (for adding a second color inside the outlines), keys with note names, and pre-made sets of keys. Keys of a given kind will kern with one another, but only in the order that they would naturally occur on a keyboard. (This makes it easier to spot incorrect key sequences.) It also includes digits 0 through 9 inspired by numerals used in traditional music notation. The user guide (PDF under Gallery tab) demonstrates the locations of all the glyphs as well as how to use them together effectively.

Brava Sans (the naked & extended version of Brava Slab ) is a family of 8 weights, 2 widths and true italics. Designed for editorial purpose, it has a monolinear appearance with a humanist construction, open counters and a tall “x height” that give it a right personality for use in branding. Also Brava Sans has a lot of helpful features as a wide range cover of Latin languages, a lot of OpenType features, a new condensed width and two bolder and cooler weights that make Brava Sans a useful tool for the graphic designer. A full range of numerals (included old style figures, lining, numerators, denominators, superiors, subs, circled and black circled), small caps, forty ligatures (between standard & discretionary ligatures), a lowercase superior and inferior set and a stylistic set are some of the features that makes Brava Sans a solid choice.

Something beautiful does require extra energy to realize it !!! This Saylove font is very tiring in its work but now you only need a few minutes in an instant to make various crafts that you are working on, which allows you to work on various types of typography you need to get beautiful hands made in a short time. With some interesting initial and final forms, the Saylove font suits your needs in creating logos, invitations, cards, product packaging, headers, and whatever you want. You will be very satisfied with the presence of attractive replacement letters, where you can make according to the shape you expect, Saylove is equipped with a number of small letters including swash that you can use to realize a hand job that suits your imagination. I really hope you will get special satisfaction in using this font.

Elvira Serif is a typeface family that proposes to make the use of display serifs a little more fun, including in its anatomy some sharp points, ink traps implanted in some glyphs, and the formality of a traditional serif. All of these elements make Elvira Serif a great option that balances the contemporary with traditional touches. Elvira Serif has 9 weights, as well as true italics, which gives it dimension and versatility in its use. It can be used for a wide variety of purposes: it works well on the web, headlines and especially designed for book publishing at small sizes. Elvira Serif has the ability to look robust and imposing in its black weight, and subtle and elegant in its light weight. Enjoy it, it is made with a lot of passion and fun by Sudtipos and Vástago.

Slovakian type designer Peter Bil'ak created this serif FontFont in 1998. The family has 5 weights, ranging from Regular to Bold (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing as well as wayfinding and signage. FF Eureka provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. FF Eureka received several awards: the National Slovak Design Centre award in 1997 and the The Best Design in the Category of Type 19th International Biennale of Graphic Design Brno award in 2000. This FontFont is a member of the FF Eureka super family, which also includes FF Eureka Mono and FF Eureka Sans.

As a successor of Didots famous font, which marked the beginning of modern typography, the Monceau has inherited the spirit, elegance and sophistication of french style, although in a revamped design, typical for the first years of the 21st century. Liberated from its serifs and with soft and round small letters the Monceau approaches ornamental typography and thus perfectly lends itself to being enlarged: it’s a font that loves to be closely looked at. Its name, lent from the famous parc Monceau in Paris, evokes and reinvents in a modern graphical way all of the Parisian chic at the end of 18th and the beginning of the19th century (the time Didot was born), the French Revolution and Empire, the architecture of this business quarter and notably the arabesques of the monumental gates still present in our times.

Column Sans, talking about space efficiency. The character set that condensed can maximize the use of limited space without losing good legibility aspects. The typeface is very appropriate to be used as a text in a small column widths, display text, caption, title, author credit on the film, etc. Column Sans is available in OpenType format in the three weights Light, Regular, and Bold, whereby there are corresponding italics for all variants. In the same narrow italic versions, the "a" has a closed form while the "f" has a descender. Besides of standard ligature, this typeface is also equipped with some additional ligature and deligature like "fr", "tt", "cb", "ch", "ck" and so on as well as three "stylistic ligature": "the", "Mr" and "Mrs". Please find more information about the OpenType Manual of this typeface on the gallery page (pdf) if possible.

Inspired by the graphic spirit of old packaging and store signs of Portugal, this font seeks to transmit the warm and sunny sound of Portuguese language in a visual way. Portuguesa has 3 partners, designed to work nicely together and to complement one with each other. Portuguesa Script, with friendly and rhythmic personality, great for titles and short text, Portuguesa Caps, with small caps and ligatures that perfectly match (and contrast) with the script version. And Portuguesa Icons, that recalls the legendary blue tiles. This last version was specially designed to mix signs up with delightful combinations for creating patterns, borders, stationary, tableware and all kind of commercial products and projects that needs a memorable strike. The possibilities are numberless. As a mantra, Portuguesa is always in a positive mood, spreading the “Portuguese art of welcoming people”. Seja Bem-Vindo!

Designed by Nadine Chahine, the Amariya™ typeface family is intended for long form, on-screen textual content. It supports the Arabic, Persian and Urdu languages. The design is consistent with traditional text typeface models popular in the Middle East, but has a lower level of stroke contrast optimized for on-screen reading. The family is available in nine weights ranging from a light hairline to a very bold black. The middle weights are intended for setting text copy while the extreme hairline and black designs are best suited for headlines, sub heads and similar applications. The Amariya family can be used for numerous projects from branding to blogs, in a variety of interactive design environments on both large and small screens. The fonts include the ITC Charter design by Matthew Carter as a Latin companion.

Copenhagen has been in need of a typeface that unites the city’s many visual expressions. The three designers Morten Rostgaard Olsen, Henrik Birkvig and Ole Søndergaard have designed and developed the typeface FP København. Now available from MyFonts in 20 styles: Uprights & Italics, small caps, pictos-characters, stencils, sprayed style, OT-features, ligatures, contextual alternates etc. The shapes of the letters are inspired by the city’s culture and the visual environment and design in Denmark in the 20th century. It is relatively low and wide as the city itself and with rounded corners that give it a warm visual mood. “You can find examples of the use of a typeface with the same purpose in other parts of the world, for example, to identify local areas or urban tourism materials. FP København is our take on that kind of typeface” the designers add.

ITC Lubalin Graph® was initially designed by Herb Lubalin and drawn to fit the requirements of typographic reproduction by Tony DiSpigna and Joe Sundwall in 1974. Its underlying forms are those of Lubalin's previously released ITC Avant Garde Gothic, but its shapes were modified to accommodate large slab serifs. Its condensed weights, which include small caps and oldstyle figures, were later additions by Helga Jörgenson and Sigrid Engelmann in 1992. The family, with its generous x-height and overall tight fit has come to represent the typographic style of American graphic design in the 1970s. The typeface is at home when paired with mid-century modern design and spare sanses or more traditional text faces from the period. ITC Lubalin Graph covers four weights in its condensed width from Book to Bold, and five weights in its normal width.

Banjax is a humanist sans serif typeface, designed to be highly versatile and efficient in both print and digital environments. The extreme weights are perfect for display purposes, with the central core weights ideal for body copy. While Banjax has a branding focus, it would be suitable for pretty much any text application in any Latin language. See more detailed examples here. Distinguishing features include a large x-height, short descenders, distinctive asymmetrical contrast, angled terminals, squared dots and punctuation, and maybe a little flair here and there to enhance this typeface’s personality. Overall, Banjax makes for a pleasant reading experience with enough nuances to make it an ideal choice for branding purposes. Key features: 9 weights in Roman and Italic Small Caps, Petite Caps and 3 Alternates Latin Extended and Basic Greek glyphs 1100 glyphs per font.

Charliez Script is a modern handwritting script. I hope you are interested in this font, if you want to use it for your work, this font can be used easily and simply because there are many features in it containing a full set of letters small and large, various kinds of punctuation, numbers, and multilingual support. The font also contains several alternative styles and stylisticsSets for those of you who have software that is able to work OpenType (Photoshop / Illustrator / InDesign). Charliez Script is suitable for market designs that are currently being developed, this font has a trendy, natural and soft model, with this font you can take advantage of opportunities at every moment in one extraordinary way to highlight your party celebrations. This font has provided PUA unicode (special code font). if you have a problem? Contact me: Cooldesignlab@gmail.com

Creative greetings... Introducing the Woreby font which has a unique looking design. This font has additional large and small arches. You can use Woreby in modern and contemporary designs, and is suitable for use in various media such as stickers, posters, covers, typography and other digital media. FEATURES; -Uppercase. -Support Foreign, Numbers and Punctuation. -Works on PC. -Simple installation. -Accessible in Adobe Illustrator, Adobe Photoshop. Adobe InDesign, it even works in Microsoft Word. -Fully accessible without additional design software. Woreby is encoded with Unicode PUA, which allows full access to all additional characters without having to design any special software. Mac users can use the Font book, and Windows users can use the Character map to view and copy any extra characters to paste into your favorite text editor/app. Thanks for visiting, have a nice day ;)

Altivo is a proper workhorse sans serif. Sixteen OpenType fonts in eight weights (with true Italics) range from Thin to Ultra. Meticulous care was taken to ensure high legibility in text sizes on the screen. The typeface is designed to have wide proportions, generous x-height, loose spacing, ink traps, large apertures and low stroke contrast. Altivo’s ink traps are not only a functional design feature, they also look interesting and lend character to the typeface in headlines. True Italics, small caps and multiple sets of figures, as well as a complete set of lowercase superscript were all included in the family to accommodate high typographic standards. If you need to pair it with a serif font, you can’t go wrong with Chiavettieri, since both typefaces were made with the same basic proportions, and their tabular figures are the same width.

Rebrand is all about geometry, a typography that boosts confidence. However, contrary to pure, cold mathematics, this font seeks a more jovial and friendly face. The goal with Rebrand is to offer a Geometric Sans Serif font that can work in various instances, from symbols and titles, to text, and everything in between. It also creates a whole lot of personality, ideal for branding. There are two versions: Display, which is more fluid and dynamic with nine programmed weights for a wide array of intensity. This version also has various alternative characters and swashes. Text, which has the same attitude as Display, but is a little more serious with seven programmed weights to provide distinctive extremes and subtle variations among the mid-tones. Both cover basic Cyrillic and come in small caps. Both create one phenomenal typography: Rebrand.

Bahar was inspired by the playful-energetic nature of Cooper Black from Souvenir's soft but confident stance and was born from the idea of creating a new structure by blending this structure with calligraphic strokes. The title and body are presented in two sets for perfect results. Bahar has a wide variety of character alternatives to create the perfect and fun title. It offers calligraphic flavors with swashes, start-finish forms, and fun ligatures. Bahar Text is prepared for Body texts and offers a good reading experience. Does not include swash and style alternatives. Bahar consists of five weights, Bahar Text four, a total of nine weights, and 18 styles with true italics. For each weight, there is a complete set of open type features including ligatures, small caps, old-style and table numbers, and positional numbers.

NCL BLISS SUREAL is bold brush script font. It's fun, unique, stylish and modern-classic display font. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level! It was purposely crafted to be used in large point sizes, although it doesn’t lose its magic in small point sizes. It is perfect for headline, billboard, magazines, website, titles, poster, branding, t-shirt design, and logos. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation. With this beautiful font, absolutely you can make your project stand out from the rest. See the previews above to get some inspiration on how to use them. FEATURES Contains 374 Glyphs Uppercase, Lowercase, & Numeral Punctuation, Symbol & Currencies 25 Ligatures Multilingual Support

Yunyun, a bold, rounded, and fun display font that is perfect for about teenagers project, with thick strokes and smooth, curved lines, this font conveys a sense of warmth and approachability. This font is perfect for branding, advertising, and marketing materials targeting teenagers. One of the best features of Yunyun is that it supports multiple languages, making it perfect for use in global projects. It also includes many OpenType features such as Small Caps, this feature will add more variations design to your project. Yunyun's design is also perfect for creating eye-catching and attention-grabbing headlines, posters, flyers, and packaging designs. This font is also suitable for more artistic and creative projects like book covers, album covers, and more. Whether you're a designer, a marketer, or just someone looking for a fun, teenager-friendly font, Yunyun is an excellent choice.

PTL Attention a robust and contemporary sans serif type family with its very own characteristics. Made for work in text as well as display it comes with nine weights in two styles, including small caps, a set of contemporary OpenType features, all standard figure sets and a rich language support. The concept for PTL Attention goes back to the days of Viktor’s thesis Type Attack!. From the beginning there was the idea not only to have a display stencil type like PTL Attack, but also to create a more serious companion. One of the intentions while designing it was also to come to an result that shows not another feel-good, streamlined corporate typeface. A pinch of "anti" should vibrate with it. Nevertheless the main intention was to create a highly legible and useful type family.

Introducing Quilin Serif - latin and cyrullic Quilin is luxury, vintage typeface loaded with alternate glyphs, ligatures and multilingual support. It's a very versatile font that works great in large and small sizes. Quilin is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, lowercase, numeral, punctuation & Symbol Alternate glyphs Ligatures Multilingual support Cyrillic support How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!