10,000 search results (0.048 seconds)
  1. Bellowers by Aestherica Studio, $12.00
    Introducing a new handwritten script font by Aestherica Studio. Bellowers is perfect for product packaging, branding projects, magazines, social media, wedding, or just used to express words above the background. Enjoy the font.
  2. Castonvilla by Rockboys Studio, $19.00
    Castonvilla is a beautiful and refined script font. It has a classy, elegant and modern look that can be used for logos, branding, invitations, stationery, wedding designs, social media posts, and much more!
  3. Rastering by Romie Creative, $19.00
    Introducing our new product called Rastering | Elegant Calligraphy Font Manu script. Rastering fonts include uppercase and lowercase letters, numbers, various types of punctuation and ending. All lowercase including last swash and alternate fonts.
  4. Moon Corps by Vic Fieger, $13.99
    Moon Corps was designed as a simplistic approach to the Japanese katakana script. Though the look of the font is supposed to evoke futurism, the primary intent was always to put legibility first.
  5. Hello Signature by Romie Creative, $15.00
    Hello Signature is a handwritten script font, this font is perfect for logos, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product design, labels, photography, watermarks, special events, or anything else.
  6. Carla Pro by RMU, $35.00
    Carla Pro is a lively, legible, and partly joining broad-nib script font. I named it after a favourite colleague, in my hot-metal time, who set on the Linotype next to mine.
  7. Bitten Amore by FHFont, $18.00
    Bitten Amore is script font with hand-lettering brush style, and includes OpenType features. It is suitable for design, element design, weddings, events, t-shirts, logos, badges, sticker, and any other awesome work.
  8. Wascer by Maulana Creative, $12.00
    Give your designs an authentic handcrafted feel. "Wascer Modern Script Brush Font" is perfectly suited to signature, stationery, logo, typography quotes, magazine or book cover, website header, clothing, branding, packaging design and more.
  9. Building by HafisHidayat, $20.00
    Building Script is a modern calligraphy design, including Regular. Can be used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes, and more.
  10. Magnefida by Adante Creative, $23.00
    Introducing by Adante.Creative Magnefida A Handwritten Script Font Magnefida is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Magnefida also multilingual support.
  11. Hittany by ahweproject, $14.00
    Hittany is a lovely script font featuring charming, playful characters that seem to dance along the baseline. Add this font to your most creative ideas, and notice how it makes them stand out!
  12. The Magistica Bright by Letterena Studios, $9.00
    The Magistica Bright is a magical script font carefully created with a touch of elegance. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!
  13. Novata by Eurotypo, $34.00
    Novata is a new script font, casual, organic and with strong character. Novata includes 529 glyphs, with stylistic and contextual sets, swashes, many ligatures to combine and make your texts original and authentic.
  14. Xerochasy by Ali Hamidi, $15.00
    Xerochasy is a bold script with classic touch and very readable at glance. Really perfect for you who needs a typeface for especially logotype, apparel, invitation, branding, sticker, social media, packaging, advertising etc.
  15. Dartie by Sakha Design, $12.00
    Dartie is a lovely script font featuring charming, playful characters that seem to dance along the baseline. Add this font to your most creative ideas, and notice how it makes them stand out!
  16. Biloxi Calligraphy by Roland Hüse Design, $15.00
    Biloxi Calligraphy is heavier weight version with calligraphic strokes of a handwritten font of mine called "Biloxi Script". Casual handwritten style with a calligraphy feel, ideal for blog headers, menus, headlines and logotypes.
  17. Hello Beauty by FHFont, $17.00
    Hello Beauty is a script in a hand-lettered, modern, calligraphy style. It is suitable for a variety of uses such as in design, weddings, events, t-shirt, logos, badges, sticker, and more.
  18. Rocklay by Din Studio, $29.00
    Rocklay is a bold script font. With a classy and natural style, it brings beautiful typeface. Rocklay is best used for branding, logotype, and quotes. Features: - Multilingual Support - PUA Encoded - Numerals and Punctuation
  19. Oyange by Stringlabs Creative Studio, $29.00
    Oyange results out of a stunning pairing of a brush pen that makes it look incredibly endearing and authentic. Use this gorgeous and unique script font to bring any DIY project to life!
  20. Comic Candy by Beast Designer, $15.99
    Comic Candy is a fun script font. It will elevate a wide range of design projects to the highest level, be it wedding designs, branding, headings, invitations, signatures, logos, labels, and much more!
  21. Hellowhiten by Rockboys Studio, $17.00
    Hellowhiten is a thin lettered and graceful script font. Fall for its ravishing style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more!
  22. Kayane by Differentialtype, $10.00
    Kayane is a splendid script font that can be used for branding, greeting cards, wedding invitations, and many other projects. It will add luxury to any design project that you wish to create.
  23. Juliane by Just Lett, $13.00
    Juliane is a thin lettered and delicate script font. Fall for its ravishing style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more!
  24. Safiya by ARToni, $19.00
    Safiya is a lovely script font featuring charming, playful characters that seem to dance along the baseline. Add this font to your most creative ideas, and notice how it makes them stand out!
  25. Best Forest by Rhd Studio, $17.00
    Best forest is a modern handwritten script font. This font is perfect for svg designs, shirts, crafts, websites, farmhouse décor, branding, blogs, logos, invitations, and more! Most accent characters are included. Thank you!
  26. Amerliosa by Rockboys Studio, $23.00
    Amerliosa is a lovely script font featuring charming, playful characters that seem to dance along the baseline. Add this font to your most creative ideas, and notice how it makes them stand out!
  27. Nana by Autographis, $39.50
    Nana is a classic joining script with long ascenders and descenders, that is based on a set of unique but forgotten initials that were designed in the roaring 20s and 30s in Paris.
  28. Winter Beauty by Typestory, $12.00
    Winter Beauty is a sweet, fancy hand-lettered script. The playful rounded characters make it the perfect font for creating stunning calligraphy art. Add it to your designs and make them come alive!
  29. Heatwave by Maulana Creative, $15.00
    Give your designs an authentic handcrafted feel. Heatwave is a handmade, brush script font and is perfectly suited to stationery, logos and much more. It also includes multi-lingual support. Many Thanks, MaulanaCreative
  30. Landscape by Rochart, $10.00
    Landscape is a modern hand writing script. It's great for logotype, Branding Design, Logo Design, Digital Lettering Arts, T-Shirt/Apparel, Poster, Magazine, Signs, Advertising Design, wedding invitation and any hand lettered needs.
  31. Marijose by FHFont, $19.00
    Marijose is script font with handlettering brush style, inspired feminime signature style with opentype feature include of the font. Suitable for wedding, logo lettering with feminime style, apparel, card invitation, and awesome project.
  32. Silkplum by Ardian Nuvianto, $18.00
    Silkplum is a lovely script font featuring charming, playful characters that seem to dance along the baseline. Add this font to your most creative ideas, and notice how it makes them stand out!
  33. Avengeline by Rockboys Studio, $22.00
    Avengeline is a beautiful and refined script font. It has a classy, elegant and modern look that can be used for logos, branding, invitations, stationery, wedding designs, social media posts, and much more!
  34. Gardenisa by Balpirick, $15.00
    Gardenisa is a stylish and incredibly distinct script font. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch.
  35. Fionetta by ARToni, $18.00
    Fionetta is a thin lettered and graceful script font. Fall for its ravishing style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more!
  36. Graby by IbeyDesign, $16.00
    Graby Bold Script Font feels equally charming and elegant. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards, and every other design which needs a handwritten touch.
  37. Zimbara by Slex Studio, $12.00
    Zimbara script is calligraphy font with a classic style and a touch of elegance, inspired by the handwriting of ancient manuscripts. Carefully designed to work together in harmony that makes it very suitable for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires a classic, formal or luxurious. Try Zimbara scrpit, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. multilingual support and ligatures Your download will include OTF & TTF format files. If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows): Do not forget to see, buy, like and share my other great products. Thank you for purchases.!
  38. Alverata by TypeTogether, $58.00
    Gerard Unger’s new typeface Alverata is a twenty-first-century type-face inspired by the shapes of romanesque capitals in inscriptions of the eleventh and twelfth centuries, without being a close imitation of them. It is additionally based on the early twentieth-century model, but tweaked so as to prevent blandness and monotony. Alverata performs beautifully in both screen and on paper, delivering excellent legibility. Its letters are open and friendly in small sizes and lively and attractive in large sizes. They are robust, and show refinement in their detail. It is an extensive type family, with versions for both formal and informal applications. Alverata consists of three different fonts: Alverata, Alverata Informal and Alverata Irregular, that variate in form and width, but maintain the same spirit. The ‘irregular’ version is particularly inspired by the Insular letterforms, the uncials, and their constantly changing positioning. Alverata PanEuropean includes Greek and Cyrillic relatives. The typeface strikes a balance among Europe’s diversity of languages, combining contemporary typographical practices with features of medieval letterforms, from the time when Europe came into being. Visually, some written languages, such as Czech and Maltese, differ quite strongly from languages like English and German, notably because of their many accented characters. While other typefaces will show this difference, Alverata removes it. As a result, Alverata enables harmonious convergence of languages.
  39. Hawkes by Kimmy Design, $15.00
    Hawkes is an extensive handmade typeface family that comes with a bundle of weights, widths and styles, all designed to work cohesively. Here is a breakdown of the Hawkes family. Hawkes Sans: The primary subfamily is a sans-serif typeface that includes nine fonts: three weights (light, medium and bold) and three widths (narrow, regular and wide). Within this set are an array of stylistic features; including small capitals, character style alternatives, discretionary ligatures and contextual alternatives. See details below for more information on OpenType Features. Hawkes Variable Width Sans: The secondary subfamily is the same base sans-serif fonts but combined in variating widths. Essentially, it takes all three widths of each weight and randomly mixes them together. This creates a funky and creative alternative to the more traditional sans-serif set. The variations are for the uppercase, lowercase, small capitals, ligatures and numbers. Hawkes Script: The last subfamily is the script typeface. It’s a quirky script with variations of its own, including ligatures, swashes and contextual alternatives (again, see below for further details.) The script font works great as a complimentary style to the sans-serif, or on it’s own. FEATURES Alright, let’s get into all the extra goodies this typeface has to offer. Small Capitals: Small caps are short capital letters designed to blend with lowercase text. These aren’t just capital letters just scaled down but designed to fit with the weight of both the lowercase and capitals. With Hawkes, small caps can either sit on the baseline (in line with the base of the capital and lowercase) or to be lifted to match the height of the capital letters by applying the discretionary ligature setting in the OpenType panel. These small capitals have a dot underlining them that sit along the baseline. The feature offers a unique display affect that is great for logos, titles and other headline needs. Discretionary Ligatures: A discretionary ligature is more decorative and unique combination than a standard ligature and can be applied at the users discretion (as the name indicates.) The specific styling for these ligatures varies for different fonts. With Hawkes, they are used as an all capital styling feature, or to lift the small capitals to align with the height of the capitals. In the former setting, both lowercase and uppercase letters are first changed to all capitals, then a specialized set of letter combinations are transitioned so small characters are positioned within a main capital letter. These combinations only happen with main characters that include an applicable stem, such as C F K L R T Y. Some of these combinations include two or three characters. When Small Caps is turned ‘on’, this feature will lift the small caps to the height of the capital letter. For more information, please check out the user guide! Stylistic Alternatives: Stylistic alternates are a secondary form of a character, often used to enhance the look or style of a font. For Hawkes, these alternatives provide a slightly more handmade feel. A - the capital and small capital A will lose its pointed apex and become rounded. Think of it more as an upside-down U than an up-side-down V ;-) Oo, G, Ss, Cc- these characters’ topmost terminal becomes a loop. The O is applied automatically, the G S and C need to be turn on individually. Titling Alternatives: This feature does sort of the opposite of what it intends. Instead of being used for titling purposes, this feature makes the text look better in paragraph text settings. Kk Rr h n m - curved terminals on the are straightened e - the counter stroke also gets straightened from a more looping motion y - the shape of y is changed from a rounded character to a sharper apex (think more like a ‘v’ than ‘u’) Contextual Alternatives: Contextual alternates are glyphs designed to work within context of other adjacent glyphs. With Hawkes Sans, there are three slightly different variations per character. The feature rotates the application of each variation. This helps with organic authenticity, so if you have two e’s next to each other, they won’t look identical (reflecting the natural variations in handwriting and lettering.) With Hawkes Variable width fonts, I have created a contextual pattern that randomizes the widths of each character. So, when the feature is turned ‘on’ in the OpenType panel, the widths would alternate in a pattern such as: Narrow, Wide, Regular, Narrow, Regular Wide, Narrow, etc. It happens automatically so the user doesn’t have to think or worry about getting a random seed. With Hawkes Script, contextual alternates allow strokes to connect properly from one character to the next while maintaining a believable, natural flow. Connecting strokes are present for two letters next to each other but are replaced by a shorter stroke when located at the end of a word or sentence. Some characters have in-strokes when located at the start of a word. When a character is preceded by a capital letter that doesn’t connect, it too needs an in-stroke or altered spacing. This feature is complicated and messy, but luckily you don’t really have to think about it! I’ve done all the coding so all you have to do is turn ‘on’ the feature in the OpenType panel and you are off to the races! I’m just letting you know what’s happening behind the scenes. Swashes: These are just for Hawkes Script and provide tail swashes to the start and ends of letters. There are three different options. You can pick the basic option by turning ‘on’ the swash feature in the OpenType panel, or you can pick using the Glyph panel. Stylistic Sets: This feature work in new versions of Illustrator CC and InDesign CC. You can pick specific styling sets instead of turning on an entire feature. For example, let’s say you want to have a loopy S, but not a loopy C or O, you can just turn on the S in the Style Set. It also helps create the little drop box that pops up when you hover over a character, showing you the alternates associated with that character. This makes it easy to pick and choose specific styles you want in a word or headline. ---------- And there it is folks! That’s all the basic info on Hawkes, I know it’s been a lot and I appreciate you hanging on. If you are like me and need more of a visual reference to accessing all these goodies, I’ve made a user guide to help navigate Hawkes and everything it has to offer. Altogether this extensive family boasts 14 total fonts in a wide array of styles, weights and widths, making it a great addition to any handmade type collection. Enjoy!
  40. Mashq by Arabetics, $29.00
    The Mashq script is the oldest documented Arabic Jazm calligraphy style. It was invented by the early Muslims in the Arabian cities of Mecca and Medina, exclusively for writing the Quran and other Islamic religious texts. The Mashq style employed complex ligature and multi-level baseline rules, and therefore it went through a continuous simplification process. Around the time period Mashq was developed, the early Arab Muslims experimented with another short-lived Mashq-like style with heavily slanted vertical stems, which closely resembled the common Ḥijazi style. This style is commonly referred to as the Ma’il (slanted) style. Eventually, the early complex Mashq style was replaced as the main Islamic Arabic script, by a more simplified Mashq-derived calligraphy style that was developed in the city of Kufa, modern day Iraq, which was commonly referred to as Kufi. The Kufic style became the official Arabic script style for centuries before it was replaced by the more developed Naskh, the modern Arabic script style used today. The Mashq font family by Arabetics includes three styles of Mashq. The first is Mashq regular, which closely follows the script style of Musḥaf ‘Uthman (currently displayed in the Topkapi Museum in Turkey) with only the initial and final Haa’ baselines shifting. The second is Mashq Maail, which emphasizes the features of the Ma’il style shared with Mashq. The third is Mashq Kufi, which closely follows the script style in an adequate sample from the Quran manuscripts of the Bergstraesser Archive. All three fonts include two styles, with and without Tashkeel (dots). The Mashq and Mashq Kufi fonts include two more styles, with and without Harakat (soft vowels), and Hamza. Only three soft vowels are implemented along with their Tanween (double) forms. The Sukoon vowel is the default shape before inserting a soft vowel. Hamza was treated as a vowel in the Mashq and early Kufi manuscripts. Kashida is a zero width character. In the Mashq fonts, inserting one Kashida before the final ‘Ayn glyph group will trigger alternative shapes. In the Mashq Kufi fonts, inserting one Kashida (or two) before the final Yaa’, ‘Ayn, and Ḥaa’ glyph groups will trigger alternative shapes. The Mashq font family by Arabetics was designed to be as compatible as possible with the Arabic keyboard and Unicode alphabet used in computers today. Calligraphic variations were implemented only when they marked significant and permanent script features.
Looking for more fonts? Check out our New, Sans, Script, Handwriting fonts or Categories
abstract fontscontact usprivacy policyweb font generator
Processing