Designed after the sixties neon sign of an arthouse cinema in downtown Zurich, Studio 5 is now a typeface for many applications. The three different styles include old style numbers and alternate characters for titling. All styles have the same metrics. Bold and open styles can be layered for neon sign effects.

Spooky Christmas is an incredibly unique and spooky display font. Add this font to your favorite Halloween-themed ideas: invitations, banner, logo, app game scary or horror, and notice how it makes them come alive! Spooky Christmas is PUA encoded which means you can access all of the glyphs and swashes with ease!

Abelarde is a classic medieval gothic style font which combines traditional blackletter style lower case characters with more ornate and decorative capital letters with some nice swash features. We've done some simpler fonts in the same general vein like Cymbeline, Aneirin and Perigord, but Abelarde takes the style to a higher level.

Introducing a hand-crafted label font duo named Stuntman. All available characters you can see at the screenshots. This family have two fonts - Script and Stencil; and for each included two styles - Clean and Paint (dripping effect). This font will good viewed on any retro design like poster, t-shirt, label, logo etc.

Gumley - a font which has a fresh natural look and feel inspired by nature, at the same time it has a gummy feel which would fit very well on packaging design. With a little inspiration every product can look awesome with this font, starting from kids magazines to logos and package design.

Electrical Tape is a mono-case display type. The idea came from generating custom letters using pieces of electrical tape. The over all design was then influenced by the graffiti subgenre as well as a hint of constructivist influence. Recommended applications of the font are for display purposes as well as digital media.

Red Sun – A futuristic font with simple and strong characters. Inspired by the visuals and colour scheme of neon signs and synthwaves. A really great font for many projects, like game design, websites, magazines, branding, posters, logos, and more. - Unique glyphs - Multilingual support - UPPERCASE - Lowercase - Numeric - Symbol - Punctuation - PUA encoded - Stylistic alternates

LTC Holly Leaves consists of three ornament fonts. Holly Leaves A is a solid color set of holly leaves borders. LTC Holly Leaves B is the same ornaments but with just the leaves and LTC Holly Leaves C is just the berries. B & C can be overlayed for a two color effect.

Rundo is all-caps decorative font family available in 5 styles: Fill, Inline, Decline, Stencil and Partenon. With wide proportions and serifs characteristics for slab serif fonts, Rundo is lively family intended to be used for product names on packages, big titles and outdoor graphics. Comes with standard ligatures as OpenType features.

Winter is coming and Winttra Wonsy is here to celebrate it. Winttra Wonsy is a perfect addition to make your holiday and winter more exciting. Feel free to use it for any craft work, book cover, name card, poster, logo, magazine, cover, banner, t-shirt, or even artwork in a large scale.

The Royalstaf Sans Serif font incorporates a unique, modern style that can be used in a variety of design projects. Royalstaf consists of 6 fonts from Thin, Oblique to Bold. Royalstaf helps give your project a different feel with such beautiful alternatives and ligatures, commitment to the same line thickness is Royalstaf character.

Revain has the power to be mindful of typographic design. Equipped with an OpenType feature that can make a variety of style choices, namely: Small Caps, Stylistic Set 1 (for Uppercase), Stylistic Set 2 (for Lowercase). All characters have been PUA Encoded so that they can be accessed on most software in general.

Unicorn Fold inspired by fairytail creature "Unicorn". Comes with display font, this layered font make a shiny effect for typography that you creates. Unicorn Fold is perfect for branding, logo, invitation, stationery, social media post, product packaging, merchandise, blog design, game titles, cute style design, Book/Cover Title and more. Features : - Multilingual Support

Power Smash is a cool and bold display font. Whether you use it for cartoon-related designs, children’s games, or just any creation that requires a playful touch, this font will be an amazing choice. Whats Included ? Uppercase Lowercase Symbols Numerals European Multilingual Also Outline, Shadow One, Shadow Two Thank for stopping by.

Lagermont is inspired by console games, labels and print media from the 19th century. With a strong and bold serif font style comes with an elegant, where every curve is made very gracefully and gently. It will be a perfect choice for graphic design, clothing, books, logos and many other visual displays

Laricio is the italian name of the larch tree. This typeface has naturalist and renaissance connotations. The design of the stems is organic. The general feeling is slightly prickling like the foliage of conifers. In french, the word "fût" qualifies the "stem" (of a letter) and also the "bole" (of a tree).

Introducing new fonts! its called Pixelfy. Pixelfy is hand made pixel font. perfect contour, shape and square. this font its very perfect match for your project. 8bit games, chiptunes music, vaporwave design, digital ads and quotes. What's inside the fonts ? Uppercase Lowercase Numerals & Punctuation Multilinguals Support Opentype Features Stylistic Alternates Thank you!

What excactly is a snacky plop? To be honest, I don't know!!! The name comes out of a wordplay! :) But what I know is that this font is playful, unpredictable and fun to look at and use! I have added 5 different versions of each letter, and they automatically changes as you type!

This engaging headline face is based on a rather pudgy typeface named "Bullion Shadow", which was originally released somewhere on the cusp between the hippie and disco eras, and was equally at home in both. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

Boller is based on handwriting found on the blueprints for the Jayhawk Theater in Kansas. Thomas Williams & Boller Bros. Architects are the only names found on the blueprints. The character set is extremely limited and many of the missing characters are extrapolated from existing letters and symbols. Ideal and distinctive at large sizes.

Better Step is a handmade font with stunning characters. Made with a brush and high-quality water-based ink. Ideal for name tags, handwritten quotes, product packaging, merchandise, social media, greeting cards, etc. To make your designs look even more naturally handwritten, Better Step has 1 extra set of alternate lowercase letters.

With the name Helvetica (Latin for Swiss), this font has the objective and functional style which was associated with Swiss typography in the 1950s and 1960s. It is perfect for international correspondence: no ornament, no emotion, just clear presentation of information. Helvetica is still one of the best selling sans-serif fonts.

Challenge is the work of English designer Martin Wait. The brush lettering gives the typeface a unique, spontaneous quality. Capitals should be set closely and lowercase letters overlapped to produce the look of authentic handwriting. Challenge is at the same time informal and authoritative and good for a variety of display applications.

Gold Standard got its start from a few letters found on an old Gold Certificate from 1882. From those few letters spelling out the word GOLD, the rest of the alphabet was designed to match. The lowercase design was based on lettering found on an old silver certificate from approximately the same year.

No, I don’t have a fictional friend, nor an imaginary one. Never had! But that name popped up in my head and I used it for this font. Fictional Friend font is a handwritten ‘comic book’ font - sort of. It’s very legible, soft and rounded and comes with all the accents you want!

A cool looking bouncy font, with its unique characters, you can actually mix caps and lowercase letters in the same word. Sugar Shack allows you to be as creative as you want, it has its own designed animation built into the font. Experiment with the characters and you will be quite satisfied.

In Brazil, young people sign their gang names on the top of São Paulo City buildings. Their letters are tall and structured just like the buildings that they have to scale. For them, typography has become an extreme sport. The font Brazil Pixo Reto pays homage to these new athletes of design.

The inspiration for Dotmap came about while researching text size screen fonts for use on LCD and LED displays. Conforming strictly to a matrix there are no kerning pairs and all characters are positioned on a fixed increment providing the user an authentic grid effect. This font is suitable for screen or print.

MGN Humble is a sans-serif type that provides room for users to express their experimental and playful side. The pixelated strokes engage venturously with the need to communicate excitement; a perfect set for clothing, gaming, technology, and experimental poster use. Currently available in a beta version and to be developed further.

Johann Carl Ludwig Prillwitz, the German punch cutter and type founder, cut the first classic Didot letters even earlier than Walbaum. The earliest proof of so-called Prillwitz letters is dated 12 April 1790. Inspired by the big discoveries of archaeology and through the translations of classical authors, the bourgeoisie was enthused about the Greek and Roman ideal of aesthetics. The enthusiasm for the Greek and Roman experienced a revival and was also shared by Goethe and contemporaries. »Seeking the country of Greece with one’s soul«. All Literates who are considered nowadays as German Classics of that time kept coming back to the Greek topics, thinking of Schiller and Wieland. The works of Wieland were published in Leipzig by Göschen. Göschen used typefaces which had been produced by until then unknown punch cutter. This punch cutter from Jena created with these typefaces master works of classicist German typography. They can stand without any exaggeration on the same level as that of Didot and Bodoni. This unknown gentleman was known as Johann Carl Ludwig Prillwitz. Prillwitz published his typefaces on 12th April 1790 for the first time. This date is significant because this happened ten years before Walbaum. Prillwitz was an owner of a very successful foundry. When the last of his 7 children died shortly before reaching adulthood his hope of his works was destroyed, Prillwitz lost his will to live. He died six months later. His wife followed him shortly after. The typeface Prillwitz as a digital font was created in three optical styles (Normal, Book and Display). The typeface Prillwitz Press was created especially for a printing in small sizes for newspapers. »Prillwitz Press« combines aesthetic and functional attributes which make written text highly readable. It was originally designed for a newspaper with medium contrast to withstand harsh printing conditions. Its structure is quite narrow which makes this typeface ideal for body text and headlines where space is at premium. For the Normal – even more for the Book – a soft and reader-friendly outline was created through a so-called »Schmitz« and optimized in numerous test prints. The arris character and the common maximal stroke width contrast of the known classicist typefaces (Didot/Bodoni) were edited by the study of the original prints. This was also done in order to reach a very good readability in small type sizes. This typeface is perfectly suited to scientific and belletristic works. Accordingly it has three styles: Regular, Bold and Italic as Highlighting (1). The typeface Prillwitz is a complete new interpretation and continuing development of the conservated originals from 1790. They have been kept in the German Library in Leipzig. It was always given the priority to keep the strong roughness and at the same time optimizing the readability of this striking font. The type family has all important characters for an efficient and typographic high quality work. ----------- (1) Accentuation of particular words or word orders (e.g. proper names, terms etc.). Typographic means for Highlighting could be Italic, SmallCaps or semi-bold.

Beauchef is a sans serif typeface originally created to meet the needs of Centro de Modelamiento Matemático de la Universidad de Chile (University of Chile Center for Mathematical Modeling). Beauchef is a typeface with rough strokes that features subtle optical compensation and does not strictly follow the laws of perception. This typeface might not be too cheerful, but shows a very particular idiosyncrasy of form. Beauchef is as tough as advanced mathematics; however, it is as legible and exact as numbers themselves. This is an avant-garde typeface that resembles the development of mathematics, but at the same time it is as conservative, calm and respectful as clients who require its services. Beauchef is so astonishing as mathematical formulas that mathematicians work with, but at the same time it is as humble as resulting figures.

This font family has derived from a lettering creation for my wedding stationery. One of the most significant momentos for me and my wife Xana (hence the font name - Xanas Wedding). I hope this typography can give a touch of informal elegance and discreet beauty to your projects. There can be multiple applications, since this font is flexible enough to appear as a custom text or a variable, organic, handwritten work. Initial and final swashes: you select a letter (like "a" of xanas wedding inicial swash) and then you type the other letters, but with another font (like xanas wedding bride, for example). In the final of the phrase/name, you type "a" or "d" and select this final letter and switch the font for xanas wedding final swash.

During the spring of 2006, while creating this typeface, I was reading Praying For Gil Hodges, by Tom Oliphant, who grew up a Brooklyn Dodgers fan. I grew up a Los Angeles Dodgers fan. My mother worked as secretary to the president of the old Triple A LA Angels Baseball Team. In 1952 when she was pregnant with me, she left the team. They gave her an autographed baseball and a puppy named Angel. That's the dog I grew up with. Toward the end of the book the author talks about Gil Hodges' favorite ballplayer, a slugger for the LA Angels, Jigger Statz. I thought, could it be? My mother died two years ago and I got the team baseball. Sure enough, the first name after the dedication to my mother was Jigger Statz.

In 1978 I went to work at Mergenthaler as a letter drawer. Being an inquisitive sort I decided that I should take a stab at this type design 'stuff'. I drew 25 or 30 glyphs before the work found its way to a high shelf in a dark corner of my apartment. Just 23 years later I found the drawings on a different shelf, in a different home, in a different city and decided to finish what I had started. I'm still trying to deal with my predisposition toward procrastination but I've finished the font. The name of the font is the last name of somebody I played softball with before I moved to Beantown. Ronnie Geis was one of the courageous firefighters we lost on September 11th when the WTC collapsed.

Omnibus is one of my absolute favourites. My intention was to design a typeface as easy to read as Baskerville, without being a copy of it. It is easy to see that I was influenced by Baskerville, e.g. in the open lowercase g. I had in mind to design a Baskerville with the looks of the Baskervilles used in earlier typesetting. I put aside those plans for a while (but fulfilled them later on) and dedicated myself to Omnibus. In both cases my aim was to achieve a typeface with darker looks than the most used Baskerville. The name has nothing to do with buses, it is Latin with the meaning of for all". It is also in the name of Omnibus Typografi. Omnibus was released in 1993.

Bramante™ is an original display font by LetterPerfect Fonts, designed by Garrett Boge in 2020. It is modeled after a fifteenth-century inscription in the church of Santa Cecilia in Trastevere, Rome. The name is a tribute to the pre-eminent Renaissance architect Donato Bramante, whose Tempietto (1502, San Pietro in Montorio) marked the beginning of the High Renaissance in Rome. In 1503 he was named lead architect for the new St. Peter's Basilica, which was completed by Michelangelo, Maderno and Bernini a century later. Based on the pervasive use of Adobe Trajan as a classical-inspired titling face, LetterPerfect offers this Renaissance revival of imperial Roman capitals as an alternative with additional refinement and personality. (The full size capitals are complemented with small capitals in the lowercase positions.)

It is still a mystery to us why Martin Wilke's 1968 Konzept design was ignored by the digital age. It certainly has the elements of attractive yet realistic handwriting, as well as a few very distinctive letters that make it very unique in its class. So here it comes digitally under another feline name from Canada Type. We named it Cougar because the top of the C gives off just that impression. Ditto the G's casual descender, and the gorgeous a and g. With casual letters like these, a handwriting font cannot get any more realistic. Cougar is ideal for handwritten notes, both long letters and friendly short sentences. It's also great for use in scrawl design, titling, or any environment where friendly and casual appearance is of importance.

The origin of this font was a frieze in the RAF Chapel in Westminster Abbey which Michael Harvey was commissioned to design and create. It was comprised of the names of the top brass in wartime Bomber Command, namely Dowding, Harris, Newall, Tedder, Portal and Douglas. The Brief was to cut the letters in bronze and gild them. Instead, they were cut in perspex and gilded. To sit comfortably within the long and narrow vertical space available beneath the chapel’s stained glass window, extended letterforms were used with many vertical serifs omitted and with lengthened horizontal serifs. Some twenty years later, the missing upper-case letters were drawn together with the lowercase letters and Frieze, the font, was born. Subsequently, additional weights and styles were added to create a font family of six styles.

The DEWANY (ALMONA DEWANY ) font is a font of original Arabic fonts and is specialized in writing in the offices of the Sultan and Arab’s Kings. It is also one of the most beautiful Arabic fonts as it has the flexibility to write official graduation certificates, certificates of appreciation, scientific progress and decorations. It is also commonly used in writing posters and sequences for serials, films, medals and decorations on clothes. The ALMONA DEWANY font has its aesthetics derived from its round and interlocking letters. In this version of Dewany font ( Almona Dewany ) you will find many of Arabian names, Ayat of Holley Quran and Good names of Allah (Asmaa Allah Al-Hosnna) and all of this is ready to written quickly by one click and choose glyphs you want to add.

Bougainville was inspired by many of my favorites and has been on the drawing board in excess of ten years. Only this year I decided to expand the original 1994 design to include other weight variants. The quirky Binner Gothic-inspired high axis and its funky g, rounded e, angled stroke endings together with the influence of contemporary designs such as Officina Sans, Din Mittelschrift and MetaPlus, Bougainville exhibits a similar flavor and compactness to Bodega Sans. This typeface family has been named in honor of the renowned eighteen-century French mathematician and explorer Louis-Antoine de Bougainville to whom we owe the naming of South Sea Islands and colorful tropical flora he discovered along his journey. Bougainville makes for effective headings at any size and is equally readable at semi-display sizes.