Bandes is a bold, thick lettered, retro styled display font. Whether you use it for cartoon related designs, children games or just any creation that requires a lovely touch, this font will be an amazing choice.

This ultrabold headline font is basically patterned after the font Nubian Black, designed by Willard T. Sniffin for American Type Founders in the 1920s, but includes an unusual inline treatment of the caps. Named for the local television show on KFJZ-TV (later KTVT) in Fort Worth, Texas, that introduced a whole new generation of kids to the Three Stooges, and hosted by the erstwhile Icky Twerp. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Clean and Glam is a sweet handwritten font duo that has a sassy modern style to create the most beautiful design projects. ❤️ Includes a light monoline script font that is so chic and clean, and it combines perfectly with the uppercase sans to create amazing text combinations. Works great for Logos & branding, product packaging, product design, labelling, wedding design, social media posts, advertisement, editorial design, etc. Includes: Clean and Glam: A light modern script font. Includes numerals, uppercase and lowercase characters, punctuation and some cute hearts. Clean and Glam Sans: A modern uppercase sans font that is the perfect match of the script, great for descriptions, taglines, ingredients, etc. Includes numerals, uppercase and lowercase characters, punctuation and more cute hearts. Language support

I remember that my auntie once made a dish called ‘Macaroni and Smac’. It consisted of little ‘elbow’ macaroni, Spam (which in Holland was called Smac), cheese and ketchup. I am sure it didn’t contain on of your five a day, but it was delicious. As far as I know, I have eaten it only once, but it did make a lasting impression! Biscuits & Spam is a handmade ‘Western’ style font, which I found in my ‘unfinished fonts’ folder. It comes with multilingual support, a full set of alternates for the lower case letters and a really happy vibe.

K-Type’s ‘Banks & Miles’ fonts are inspired by the geometric monoline lettering created for the British Post Office in 1970 by London design company Banks & Miles, a project initiated and supervised by partner John Miles, and which included ‘Double Line’ and ‘Single Line’ alphabets. The new digital typeface is a reworking and extension of both alphabets. Banks & Miles Double Line is provided in three weights – Light, Regular and Dark – variations achieved by adjusting the width of the inline. Banks & Miles Single Line develops the less used companion sans into a three weight family – Regular, Medium and Bold – each with an optically corrected oblique. Although the ‘Banks & Miles Double Line’ and ‘Banks & Miles Single Line’ fonts are based on the original Post Office letterforms, glyphs have been drawn from scratch and include numerous adjustments and impertinent alterations, such as narrowing the overly wide Z and shortening the leg of the K. Several disparities exist between the Post Office Double and Single Line styles, and K-Type has attempted to secure greater consistency between the two. For instance, a wide apex on the Double Line’s lowercase w is made pointed to match the uppercase W and the Single Line’s W/w. Also, the gently sloping hook of Single Line’s lowercase j is adopted for both families. The original Single Line’s R and k, which were incongruously simplified, are drawn in their more remarkable Double Line forms, and whilst the new Single Line fonts are modestly condensed where appropriate, rounded letters retain the essentially circular form of the Double Line. Many characters that were not part of the original project, such as @, ß, #, and currency symbols, have been designed afresh, and a full set of Latin Extended-A characters is included. The new fonts are a celebration of distinctive features like the delightful teardrop-shaped bowl of a,b,d,g,p and q, and a general level of elegance not always achieved by inline typefaces. The Post Office Double Line alphabet was used from the early 1970s, in different colours to denote the various parts of the Post Office business which included telecommunications, counter services and the Royal Mail. Even after the Post Office was split into separate businesses in the 1980s, Post Office Counters and Royal Mail continued use of the lettering, and a version can still be seen within the Royal Mail cruciform logo.

»SLAM« is my new, very sturdy but elegant slab-serif font family. I designed this font family with body copy in mind and gave it all the glyphs necessary for use with all latin writing languages. I also gave the fonts all kinds of different numerals as well as a complete set of small caps and overall extensive kerning. It comes in eight normal weights with corresponding oblique cuts and it comes in a rounded version and corresponding obliques as well. Enjoy this original font, it is a real work horse!

A wild and wacky font that falls in that extreme catagory.

»SLAM« is my new, very sturdy but elegant slab-serif font family. I designed this font family with body copy in mind and gave it all the glyphs necessary for use with all latin writing languages. I also gave the fonts all kinds of different numerals as well as a complete set of small caps and overall extensive kerning. It comes in eight rounded weights with corresponding oblique cuts and it comes in a normal version and corresponding obliques as well. Enjoy this original font, it is a real work horse!

A quick scribbled font, made to look written in a hurry...and believe me, it was!

Based on Morris Fuller Benton's 1905 oeuvre American Extra Condensed, this titling face packs a lot of information into very little horizontal space. Its champfered corners give the font an industrial feel which remains fresh even after more than a century. Both versions include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, with localization for Lithuanian, Moldovan and Romanian.

I don't know why exactly, but I felt the need to create a Western font. Band Wagon is a handcrafted cowboy font. It comes with curly slabs, spurs and ye olde outlaw spirit.

The hand lettered opening title for the 1935 movie “Thanks a Million” is rendered in a condensed, thick and thin Art Deco sans serif design. It is now available as the digital typeface Stocks and Bonds JNL – in both regular and oblique versions.

A beautiful bold serif specially designed for display. Inspired by modern fashion and classic typography, this font equipped with hundreds of alternative characters and ligatures. The Brande and Lotaline typeface represented luxurious, elegant, glamour, fashion, and wealthiness. This font works perfectly for logotype, invitation, cards, magazine, apparel, fashion, lifestyle, poster, social-media kit, and many more!

Introducing Slamed by Forberas Club Slamed is a Handwritten Script font that will make your designs look classic, Farmhouse, Boho, and Feminine. It is a great font for events, Wedding Project, fashion, apparel projects, signature, album covers, logos, branding, magazines, social media posts, advertisements, but it also works great for other projects. Add it to your fonts’ library, and it will enhance your creativity! Slamed is best for: - logos, branding, & Signatures. - Flyers, Album cover, Magazine, & Advertisements. - Website design , design blogs, & fashion. - Quote graphics for social media. - and also it works great for other projects. Whats included : - Character Set - Numerals and Punctuation (OpenType Standard) - Accents (Multilingual characters) If you have any questions, before or after purchase, please feel free to get in touch.

PLAM is a sans serif font in Geometric style, based on the new concept ofstructure and ratio between the elements of the letters. The proportions are subordinated to the decorative element present inall signs, which creates a sense of rhythm, dynamics and drive. The representation of PLAM in various designs reveals itsartistic touch - a symbiosis between the classical and decorative vision reveals various application options.

Scam is a discordantly eccentric geometric display face with exaggerated, alternating forms. Letters variate in extremes between bold and blacked-out and strictly linear, creating unpredictably unique letter pairings. Stylistically, Scam pushes the boundaries of type-as-image while retaining an acute legibility and refinement, greatly contrasting its aberrant nature. Features include: -Precision kerning -Expanded ligature set (89 unique ligatures, plus alternates) -Alternate characters (D, H, O, P, Q, R, 0, 6, 9, 8, _) -Alternate ligatures -Slashed zero -Full set of numerators/denominators -Automatic fraction feature (supports any fraction combination) -Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

Randing Signature Font is signature style font with stunning characters, including Monoline, Regular and Bold. This font is casual and pretty with swashes. Can used for various purposes. such as logo, product packaging, wedding invitations, branding, headlines, signage, labels, signature, book covers, posters, quotes and more. Randing Signature Font features OpenType stylistic alternates, ligatures and International support for most Western Languages is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions.How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Randing Signature Font is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app.How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need help or have any questions, please let me know. I'm happy to help :) Thanks & Happy Designing!

Bonding Font that has a distinctive character that is very thick and elegant to use Bonding is a relaxed and flowing Handwritten Font. Incredibly versatile, this font fits a wide pool of designs, elevating them to the highest levels. Add this font to your favorite creative ideas and notice how it makes them come alive! Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature Multilingual Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Catalan, Chiga, Cornish, Danish, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu There it is! I really hope you enjoy it

Rounded and bended slab that's why we named this font "Bandy" This font is great for you to use as a display font and is suitable for body text. cool anyway if you use it for your design and printing needs. Available in many languages, and open type features, supported with Latin and standard Cyrillic. Build with 14 fonts with 7 sizes with matching Oblique and 2 Variables

Bant - A modern comic font that compliments any sort of graphic and web design. A doodly doodle font, this font is perfect for comics, doodle, whiteboard animation, branding, wedding invitations, magazines, business cards, quotes, posters, and websites. The complete font set includes; Bant will bring a unique and comic look to your overall design, as any typeface is a major part of the design. Kufic Studio is a platform that provides professional and high-quality designs & fonts to fill the gap that has been missing in the market.

Branding, a modern typeface for modern needs! Branding, especially designed for meeting contemporary aesthetic and functional needs, is the interpretation of a modern typeface from the designer’s own perspective. This typeface encapsulates a wide range of nuances and combines, seemingly, opposite elements such as technology and friendly rounded shapes. In addition, alternative characters make Branding an ideal tool for both graphics designers and art directors. Branding is a sans-serif spurless typeface with a medium-large x-height, slightly wider horizontal proportions, straight curves and convex terminals. This font is well-suited for logotypes, isotypes, short text, etc. Branding comes in 7 weights—ranging from Thin to Black—with matching italics and includes a set of 544 characters that supports 128 different languages. European accents, old style numbers and multiple alternates are also included.

Its very simple form is the hallmark of this font, the bond font is a simple styled font but still has an aesthetic value, this font is suitable for use in simple themed designs.

Banda is a semi-serif typeface characterized by a tall x-height and rounded semi-serifs. Although it was first designed as a display typeface, Banda quickly evolved into more complex type consisting of seven weights plus their respectful italics. Banda can be used for short passages of text as well as a fancy display type. Varying from the elegant and finesse, thinner weights to the almost childish bubbliness of the heavier weights, Banda is a great all-round performer suitable for logos, headlines, package & food designs & much more.

Bang was designed by David Sagorski in 1993 as a playful font of spirals. It consists of two capital alphabets which can be combined like the usual capitals and small caps, although both have the same height. They differ from one another only in the decorative forms which adorn them and the highly decorated characters of one set are complemented by the slightly more reserved characters of the second. Serious this font is not, rather, with its circles and spirals, Bang is best in point sizes 12 and larger and is meant for short texts and headlines.

Bend is a contemporary ribbon type family. Unlike most typefaces of that genre Bend is a sans serif. It is the top view angle and the characteristic stripes that create an elegant illusion of volume. A prominent feature of Bend is the ascending baseline. Simply rotating the text element by 14 degrees reveals the 3D effect and Bend's full potential. Bend comes in two widths and with three different layers for chromatic results. As a display typeface Bend likes to be set in big sizes and short sentences.

Jam jars; Warhol’s “Tomato Soup”; chalk lettering and baseball. Those were the triggers to make this soft chancery cursive turned into a script font. Brand is thought mainly for packaging but can be used in magazines and invitations also. It can be easily converted into a logo when using it and its features. Pro styles are loaded with the most complete sets of alternates, ligatures and ornaments; while Std styles are smaller versions of the font, with no decorative alternates.

Branding handwriting brush typeface that is suitable for design projects ; logo, branding, poster, quotes, and any other designs. Branding is unique, so natural and catchy. Features: All Uppercase Numeral Punctuation Symbol Multilingual Support PUA Encoded Characters - Fully accessible without additional design software. Thank you

The typeface “Hand Stamp Slab Serif Rough” was designed for the Typo Graphic Design font foundry in 2017 by Manuel Viergutz. It is a display font with a classic slab serifs based on real rubber stamp letters for a authentic, rough & dirty, stamped-by-hand appearance. It provides a vintage look through state-of-the-art Open Type features such as contextual alternates that cycle automatically through 5 different letter variants for each character to create a varied look, just as if the letters were stamped by hand. The font is intended for use in logos, magazines, posters, advertisements, and as a webfont for decorative headlines. The font works best for display sizes. There are 1031 glyphs with 5× A–Z, 0–9 & a–z and 70+ decorative extras like arrows, dingbats, symbols, geometric shapes, catchwords, and many alternative letters. A range of figure set options including oldstyle figures and additional deco­ra­tive liga­tures (type the word “love” for ❤ … ), Ver­sal Eszett (German Capital Sharp S), symbols, and emojis. Have fun with this font & use the DEMO-FONT (with a reduced glyph-set) FREE!

We produce original printing press letter fonts, for example from the journal Southern Literary Messenger (circa 1830 - 1870). The only one in the world. What makes our fonts so attractive to the eye, are the myriad imperfections. It's not an approximation to the printing-press letters--- these are the actual letters, complete with all their manifold differences. If you look closely you will notice that the letter 'e' say, each time it is printed, is slightly different. These differences arise from the mechanical action of the inked-wooden press on the paper, and cannot be faked by artificial means. The eye subconsciously picks up this text as the actual printing press letters. Edgar Allan Poe published many of his great works in the Southern Literary Messenger, as did many other great nineteenth century writers, ie. Henry Wadsworth Longfellow, Nathaniel Hawthorne &c.