Nahid is a sans-serif font family designed by Naghi Naghashian in 3 weights: Nahid Light, Nahid Medium and Nahid Bold. It is extremely legible even in very small size. This font family is a contribution to modernisation the Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Nahid supports Arabic, Persian ( Farsi ) and Urdu. It also includes proportional and tabular numerals for the supported languages. Nahid fulfils the following needs: 1. Explicitly crafted for use in electronic media fulfils the demands of electronic communication. 2. Suitability for multiple applications. Gives the widest potential acceptability. 3. Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Bauhaus Arabic’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. 4. An attractive typographic image. Nahid was developed for multiple languages and writing conventions. Nahid supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. 5. The highest degree of calligraphic grace and the clarity of geometric typography.

Behtab is a sans-serif font family designed by Naghi Naghashian in tree weights. Behtab Light, Behtab Regular and Behtab Bold. It is extremely legible even in very small size. This font family is a contribution to modernisation the Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Behtab supports Arabic, Persian ( Farsi ) and Urdu. It also includes proportional and tabular numerals for the supported languages. Behtab design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Bauhaus Arabic’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Behtab was developed for multiple languages and writing conventions. Behtab Arabic supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Gilan is a sans-serif font family designed by Naghi Naghashian in tree weights, Gilan Light, Gilan Medium and Gilan Bold. It is extremely legible even in very small size. This font family is a contribution to modernisation the Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Gilan supports Arabic, Persian ( Farsi ) and Urdu. It also includes proportional and tabular numerals for the supported languages. Gilan design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Gilan’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Gilan was developed for multiple languages and writing conventions. Jaleh supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Singel is a neoclassical serif with semi-condensed proportions. As a contemporary interpretation, this typeface combines the rationalist modulated stroke with an elegant silhouette and crisp serifs. The altogether splendid appearance of Singel, completed with a full set of Small Capitals and true form of italics makes it perfect for any luxurious and graceful design. Other aspects of its characteristics include the consistency of 10 styles from Light to Bold; a coverage of Extended Latin and Cyrillic with span for more than 130 languages; a flawless functionality and support of many OpenType features, such as localizations, tabular numerals, inferiors and superiors, numerators & denominators, fractions, case sensitivity etc. Features: • Over 900 glyphs in 10 styles (Light to Bold); • Extended Latin and Cyrillic for more than 130 languages; • Tall x-height and Semi-Condensed proportions; • High contrast and modulated stroke with vertical stress; • Neoclassical characteristics and moderate apertures; • Full set of Small Capitals; • True form of italics; • Coverage of multiple OpenType features; • Suitable for wide design purposes.

Report School is a geometric sans-serif typeface that was inspired by student handwriting practice worksheets. But don’t worry, it’s not just a copy of those worksheets. Report School is designed to be easily readable, with legible letterforms that make it perfect for use in educational materials. You might be wondering what makes Report School different from other school-oriented geometric sans-serif typefaces. Well, for starters, it’s designed with readability in mind. While other typefaces might prioritize pure geometry, Report School puts legibility first. That means that when you use Report School, your readers will have an easier time reading your text. And speaking of easier reading, Report School has some features that are designed to make things even more legible. For example, instead of using straight quotes for inches, feet, or degrees, you can use primes. And Report School has regular primes, double primes, and triple primes, so you can choose the right one for your needs. Plus, the numerals in Report School are tabular, which means they’re vertically aligned for easier math equation alignment. But that’s not all! If you’re using OpenType savvy applications like InDesign, Illustrator, or Photoshop, you can access even more features. For example, you can use the stylistic alternates feature to access the letters “I” and “J” with no serifs, as well as a straight lowercase “q”. And if you’re looking for something a little different, you can check out Report School’s rounded version, called Report, or a version with casual strokes, called Sweater School. If you’re looking for a typeface that’s easy to read, but still has some personality, look no further than Report School. It’s the perfect choice for any educational materials that need to be both legible and stylish. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Brother XL & XS is an expansion of Brother 1816, one of the best sellers of 2016: myfonts.com/fonts/tipotype/brother-1816 We decided to add new widths to the type system, designing a condensed version (XS) that is perfect for narrow spaces without loosing legibility, and an expanded version (XL) with a lot of character for display uses but without abandoning funcionality. Both typefaces where created to adapt in diverse design languages being able to be “retro” or “modern” making it very flexible and working well in texts or titles, in print or screens. Brother XL & XS mixies Geometric shapes with Humanistic strokes at the same time. You can choose between a pure geometric or humanistic style, condensed or expanded, or even mix between XS, XL, or its alternate characters to create the feeling that you need for your projects. Its humanistic nature makes it easy to read, legible in small sizes; perfect for branding, editorial and signage. It has a total of 32 fonts, which are divided into 2 groups: XS (16 condensed weights) & XL (16 expanded weights). Each weight has +460 characters, +20 alternates, angular and straight edges, swashes, fractions, ordinals and much more.... Brother has also been specially designed for web (using hinting instructions), making it work in small and large sizes on different types of screen resolutions.

This font is inspired by ancient games that still use pixel displays. This font can be used for various designs as needed, especially pixel-themed designs. In addition, the Shape Bit font can also give a retro feel to your designs.

Modal Stencil is the companion to Modal type family. It brings an extra expression for different uses. It can be used for Display better than Modal. It has all the styles that Modal so it can be used together harmoniously.

Candy Shop is a vintage decorative font. It has a classic elegant look, perfect for food packaging and label design. Additional curly swashes can help you to create a unique lettering compositions. Five additional swashes can be found in "Glyphs" panel.

Introducing Heroid, the typeface that’s as powerful as a superhero! With its bold and daring letterforms, this font is guaranteed to make your design stand out from the crowd. Heroid comes in both regular and bold, so you can choose just how much of an impact you want to make. And with a selection of alternate caps, you can customize your design even further, making it truly one-of-a-kind. This typeface is so strong, it could punch its way through a steel door! So why settle for a plain, boring font when you can have Heroid, the typeface that’s as heroic as you are. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

This script font is inspired by the flexible nib strokes to create a concatenation of refinement with character mixing the contrast with pronounced but rounded angles. This angles along with the inktraps give the font a better performance when printing. Texts will have a very even rhythm due to its consistency on the stroke’s angle and spacing. The words can receive a dramatic touch by using the wide range of glyphs with curly and refined ornamentation. There are lots of caps and number variants dressed up with a variety of swashes. Also, two sets of versatile ornaments will be found: a first set of ending flourishes that match with any lowercase letter and a second set of independent flourishes to be placed around the words. Quarzo will give a great sophistication level to invitations, cards, tags, menus, advertising and packaging. Its character map covers Western and Central European characters.

Standie Bold is inspired by Inspired by the 90's playful cartoon & comic books. This font comes in Regular and Italic. Each letter is modified so that the distance, width, and weight can give the beauty of the alternates given. This font can be used for modern and vintage designs and also can be easily paired with some graphic elements (Illustration, Photography) this font is perfect for, Logotype, Branding, Title, and Packaging.

Yume is a fun loving font with a cruel streak that can sometimes turn laughter into daggers. This wicked personality can lead to some aggressive turns of phrase, but when it’s not being mean, Yume can use its strength and sense of humour to do a lot of good. Either way, Yume is sure to have a big impact on your audience, shocking them into paying attention through crisp, sharp lines and chunky, bold characters.

With Encrypted Wallpaper you can create your own decorative wallpaper that you can still read. The forms of the font are perfect for creating wallpaper, background patterns and decorative elements. The human eye needs time to decypher the cryptic forms back into a font. Women can decypher Encrypted Wallpaper much faster than men. So all you guys out there, if you don't want to look like a fool, don't show this to your wife.

Mintaka is a gorgeous and retro-styled script font crafted to add tons of stylish character to your designs. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease! This font can be used for logos, branding, invitations, stationery, wedding designs, social media posts, and much more! Mintaka Features : Ligature Kerning Stylistic Alternates Swash PUA encoded which means you can access all glyphs Multilingual Support

Introducing a fresh product that can be a reference for your collection, we called Beyond Worth, this font has a fun and bold style so your project can feel more outstanding and elegant. *Beyond Worth* made with regular and outline styles so you can mix and match for your design project. Beyond Worth font is perfect for headline, title, logotype, branding, bold text, etc that especially for the purpose feel outstanding and stand out.

Stickley Decorations contains 26 classic images from the pages of "The Craftsman," the foremost journal of the American Arts & Crafts Movement of the early 20th Century. These are graphic elements that can be used in many ways and for all occasions, whether creating a custom greeting card or designing and producing unique personal stationery. They can be used exactly as intended, as "decorations" on a printed page, or they can be combined into unusual borders.

One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Pilot Point is based on an older font found in Dan X. Solo’s book on Circus Type; the designation fits perfectly. The font gets its name from a small town in Northeast Texas, where several scenes from Arthur Penn’s Bonnie and Clyde were filmed. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

Gopetter is a casually and quickly handwritten brush script. Letters are made with procreate brush pen on ipad. Then scanned and carefully drawn into vector format. There is just a right amount of texture left so it looks good in small and big sizes. These elements gives modern, clean and elegant. Gopetter font has five sets include with swashes to give some variation for your project. Some projects that are suitable for this font include quotes, invitations, menus, taglines, flyers / posters and many others. Enjoy!

Mr Palker Dadson — has appeared in a natural evolution of the Palker-Palkerson family. Its closest relative - burly slab serif Mr Palker Dad. This generation is more stout than the previous one. One may even be brave enough to use them for composing small texts. Notably Mr Parker Dad has become one of the frequently sold typefaces on the «Peterburg. The city speaks» map as it is highly readable while remaining extremely tight. Mr Parker Dadson has all the features of P&P’s family.

Cartographer by Hipopotam Studio is a hand drawn serif typeface designed for our book Maps. Drawn with a 0.1 mm tip pen in a very small scale. It has only uppercase characters but each has alternate glyphs. It also has a lot of very useful features including multi-language support (with Cyrillic), discretionary ligatures, stylistic alternates, fractions, ordinals and contextual alternates that will automatically set alternate glyphs depending on frequency of appearance of the same character (even in web font but only in HTML5 browsers).

introduce Gencis unique display font. You can use this font that has a funny, cute, attractive, and playful shape for various things in your special project. It can be used as the title of your news article, or it can be used in your search button. Or you can even use it as a subtitle in various visual media to promote your company. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

A true workhorse. The only Grotesk you’ll ever need. Allrounder Grotesk is a neutral, powerful Neogrotesk member of the Allrounder superfamily. An unobtrusive teamplayer as well as an excellent soloist, this hard-working sans-serif typeface is ready for any task you’ll throw it at. A workhorse that lives up to its name, Allrounder Grotesk consists of ten weights ranging from a delicate Air to a powerful Black with 900+ glyphs per font. Each weight is accompanied by carefully hand-corrected italics. Allrounder Grotesk supports more than 200 Latin-based languages, containing the complete “LatinPlus” glyph set developed by Underware. It also provides you with plenty of OpenType features and additional goodies: small capitals, ten sets of figures, case-sensitive forms, ligatures, superiors, fractions and arrows. Equipped like this, you’ll be ready for any kind of sophisticated typesetting scenario you might encounter. With Allrounder Grotesk, you’ve got a sans that works great for body text, yet looks crisp and clean in headlines and display sizes. Whether annual reports, magazine and editorial layouts, nonfiction books, branding and packaging work, large-scale advertising, forms and contracts, or contemporary posters: Allrounder Grotesk is up for it. This multitalented font family was developed in a 2-year process by Moritz Kleinsorge. It was the first release of the Allrounder superfamily, a series of typefaces sharing the same color and horizontal metrics (cap height, small cap height and x-height): a typesetting system whose components match each other perfectly. Any other part of this design kit, e. g., Allrounder Antiqua or Allrounder Monument, may be easily combined with Allrounder Grotesk. Perfect Pairing: Allrounder Antiqua + Allrounder Grotesk Allrounder Antiqua is the ideal complement to Allrounder Grotesk. They both share common vertical metrics and a common color. This allows you to pair both typefaces within the same layout—even within the same paragraph—without creating visual disruption. Head over to the Family Page of Allrounder Antiqua to get more information about this typeface. Design Trick: Bilingual Design With the Allrounder Superfamily Combining Allrounder Grotesk with Allrounder Antiqua is an ideal approach for bilingual designs, wherein both languages get the same emphasis yet are distinguished with two different typefaces. It's also best practice to set headlines in a different typeface than the body text if they harmonize with each other. Allrounder Grotesk and Allrounder Antiqua provide you with the perfect pair for this purpose. In any kind of design, in any type of medium, working with Allrounder fonts is effortless. That’s why Allrounder got its name.

Bitcrusher is not your ordinary typeface. It is a futuristic, ultra-compact sans-serif font that draws inspiration from the sleek design of automobiles and cutting-edge consumer electronics. Its unique compression capabilities allow you to pack more words into a single line than most techno typefaces can ever dream of. Available in five weights and four widths, Bitcrusher is a versatile font that gives you unprecedented control over your typography. If you need to fit more text into a tight space, Bitcrusher Condensed is the perfect choice. And if you want to push the limits of font compression, Bitcrusher Compressed has already reached the standard limit. For those who demand even more compactness, Bitcrusher Crammed has an abnormally small footprint, while Bitcrusher Crushed has an absurdly high density that defies all conventions. But no matter which variant you choose, you can be sure that Bitcrusher delivers consistent stem, space, and gap widths that allow you to break the rules of scaling and tracking. With Bitcrusher, you have complete control over your typography. Want thicker stems? Simply scale a narrower width to a bigger breadth. Need to go even tighter than Crushed? Make it even thinner. Bitcrusher is a font that cannot be broken. It is the ultimate tool for designers who demand precision and control over their typography. Choose Bitcrusher and discover the power of true compression. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

Handmade Mr Moustache™ is designed for Great Type. · Extra thin letters, condensed and with a handwritten touch, Mr Moustache gives a warm and friendly feeling to your layout. Mix upper- and lowercase letters according to your own liking. Furthermore, choose between a hand-drawn Unicase and an almost Unicase appearance. Use Mr Moustache Display for headlines and anything BIG. Use Mr Moustache Text for small type sizes or large volumes of text. · Mr Moustache is accompanied by frames, ornaments and dingbats in regular and solid, that can be layered for multicolored effects, providing endless design-possibilities. Please download MrMoustacheAccessories.pdf to get a complete overview. If you prefer the document in Indesign, please send an email to office@buerofliegenpilz.at · Mr Moustache offers OpenType features, including contextual alternates and stylistic sets. The font family works best with frame-based layout programs that support full OpenType functionality. · For Mr Moustache Frames please note: The glyph preview in your design application may be a bit confusing due to the size of the "letters". Please download the MrMoustacheAccessories.pdf which shows all possible frame parts. Here you can easily copy and paste all the parts you need. · View other fonts from Georg Herold-Wildfellner: Sofa Serif | Sofa Sans | Mila Script Pro | Pinto | Supernett | Mr Moustache | Aeronaut | Ivory | Weingut · Language Report for MrMoustache / 175 languages supported: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic, Asturian, Aymara, Basque, Bikol, Bislama, Bosnian, Breton, Cape Verdean, Catalan, Cebuano, Chamorro, Chavacano, Chickasaw, Cimbrian, Cofan, Corsican, Croatian, Czech, Danish, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Galician, Genoese, German, Gooniyandi, Greenlandic, Guadeloupean, Gwichin, Haitian Creole, Han, Hiligaynon, Hopi, Hungarian, Icelandic, Ido, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istroromanian, Italian, Jamaican, Javanese, Jerriais, Kala Lagaw Ya, Kapampangan, Kaqchikel, Karelian, Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino Sine, Lojban, Lombard, Low Saxon, Luxembourgish, Makhuwa, Malay, Manx, Marquesan, Meglenoromanian, Meriam Mir, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinhpatha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Norwegian, Novial, Occidental, Occitan, Oshiwambo, Ossetian, Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Qeqchi, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami Lule, Sami Southern, Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Seri, Seychellois, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio, Somali, Sorbian Lower, Sorbian Upper, Sotho Northern, Sotho Southern, Spanish, Sranan, Sundanese, Swahili, Swazi, Swedish, Tagalog, Tetum, Tok Pisin, Tokelauan, Tshiluba, Tsonga, Tswana, Tumbuka, Tzotzil, Uzbek, Venetian, Vepsian, Volapuk, Voro, Walloon, Waraywaray, Warlpiri, Wayuu, Wikmungkan, Wiradjuri, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni

Small family called Bartender, for the lovers of retro style typefaces. Ideal for product names, packages, labels, old fashioned coffee shops, bars and everything with specific characteristics of past times.

Bevelle is a serif font with characters that have beveled corners. It is ideal for headlines, titles, branding, small blocks of text or wherever a clean, fresh look is desired.

This is a beautiful typeface to invitations, posters, cover books and small texts. All diacritic marks for vocalization are present (Nikud), including shevana, kamats katan, cholam chaser and dagesh hazak.

The font is based on an alphabet from a mid1920s art deco book. The original seemed to have tapering strokes but it was too small to be sure; I made all strokes parallel & orthogonal and slightly modified the original in a number of other ways to bring it into the 21st Century. The designers of the original were Paul Carlyle and Guy Oring. Nocturne has all the elegance of the Deco fonts of the 1930s. It recalls the romantic, sophisticated Zeitgeist of the early 20th century, that nostalgic time "between the wars". Nocturne comes in two styles: Nocturne Regular, which uses the Art Deco convention of small x height, and long ascenders. This style is perfect for headers, posters, labels etc. Nocturne Book, which, with its higher x height and slightly wider characters, is extremely legible and suitable for small size text.

The fastest and easiest way to create original images. It is necessary to take any text and use it with Type Tile. Create pictures, patterns and backgrounds from real texts. Font can be used in various encodings and you can type texts in many languages. Type Tile supports Central European languages that use Latin script, (Polish, Czech, Slovak, Hungarian, Slovene, Serbian, Croatian, Romanian and Albanian), Cyrillic alphabets, Western languages, Greek, Turkish, Hebrew, Arabic, Baltic languages, Vietnamese, Thai and Japanese. You can make the background from the original text for the page on which can print the translated text. This symbiosis can create a feeling of presence in the original text. Decorate the packaging in which the text is written in the form of ornament. Several layers of the texts with Type Tile shows an incredible pictures. Use a pair of letters can give a regular pattern. Type Tile provides endless and fantastic opportunities for design on any surfaces and for different purposes in publish, fashion, textiles, industry, animation, Internet and so on.

Say hello to my multi-layered handmade sans font - not as frisky as the name, but frisky enough for most designs that needs that extra twist! Mix the 3 layers as you wish for great results!

Campland from Magpie Paper Works is a rustic, hand-lettered, sans-serif font chock full of summer-camp fun. This Opentype font features decorative glyphs and interlocking borders, as well as a complete uppercase & lowercase alphabet.

A light sans serif designed for Susanna Lakner’s 22 Days mail art project. The characters were drawn on each of 22 evenings throughout November 2004. In December the drawings were scanned to create the Susanna font.

MetroBots is a fun loving, non-traditional but very functional family of 6 fonts made of big city skies, the long tropical morning shadows of ancient ziggurats and entire pueblo villages, nestled into the steep cliff-sides of sage-topped mesas in south western deserts. This is a good solid, but kind of whacky looking display type family borrowing from the heft of good old-fashioned children�s wooden building blocks and the look and feel of both modern and ancient pueblo architecture. With a bit of the not-so-subtle expressiveness of a comical robot on a WD-40 high on the side.

Project D is the fourth typeface released by DM Founts. It was inspired by the infamous graffiti atop the former Heygate Estate in South London, which I had passed by numerous times on the overground train years ago. Heygate Estate has since been replaced by soulless luxury flats, as per the gentrification agenda. The letters don't entirely match the graffiti as they were created from memory, but I thought such a profound statement should be honoured. Project D is best used for impact at large sizes, although it should scale well. Use it for computer interfaces, retro headings and anything involving defiance, espionage, infiltration and spy games.

The Swiss typewriters were famous for their unique precision. As complex digitalizations and macro shots were a start for the inspiration and studies, each character has been carefully re-crafted from the ultra high def scans of the printouts made on a special bleed-proof paper. Today’s characters such as @, euro sign and most of accents have been crafted according the original alphabet design. The idea was to digitize and keep a saving of the original typewriter including all its functions (e.g. underlining key) . It’s surprisingly very legible at small sizes. Thanks to an x-height tighter and more spaced, a glyph design less detailed and more neutral/simple than other fonts found on american or italian typewriters. The final artwork can be set at very large sizes due to the highly detailed glyph design. Swissa Piccola Regular is loaded with more than 150 glyphs created with the typewriter to avoid letter repetition in a word. This OpenType feature can be accessed through the 'discretionary ligatures' option. Plus it comes with two stylistic sets : one with an original underlining feature, another with a slashed-x feature. In which all characters are unique and also have been originally typed with the typewriter. It contains more 600 glyphs in total. The two features are separated in another two fonts (Swissa Piccola Slashed x and Underlined) in case a non OT-savvy app is used. If you wish to obtain exactly the same prints as the original Swissa Piccola typewriter, you should set your font at 11.3 pt and 19.5 pt of line spacing. The Swissa Piccola font was originally offered in a dedicated limited edition packaging.

Bushcraft is a fun geometric monoline script and sans serif font. This family includes five weights, a sans serif font and art. Bushcraft Basic and Pro scripts are simplistic with a geometric look. Bushcraft Basic scripts comes with one set of 63 alternates and ligatures. Bushcraft Pro scripts includes 278 alternates and ligatures. Both versions supports extended Latin Pro and OpenType. Bushcraft Sans is an all caps, vintage inspired font that pairs nicely with the scripts and artwork. Bushcraft is well-suited for type art, murals, product design, books, film, television, branding, magazines, signage and other creative projects. To use the OpenType ligatures/alternates you will need to use any program that supports OpenType features such as Adobe Illustrator CS and Adobe InDesign. Fonts designed by Cindy Kinash.

The font collection is called "Brocades", it is a crafted display with vintage themes. These collections contain monoline script, sans serif stencil and serif stencil. Every font comes with 4 style typefaces (regular, rounded, rough and stamp). Brocades give more extras 2 pack illustrations (animals and motorcycle). This script font includes 3 sets alternates and swashes. The Brocades matches apply in some designs such as the logotype, poster, label, badge, packaging, apparel, branding, and more custom design. Brocades features : 4 style typefaces (regular, rounded, rough and stamp) Uppercase, lowercase, numeral, symbol, punctuation, alternate and swash in monoline script All-caps, numeral, symbol and punctuation in sans serif and serif font Multilingual PUA Encoded Brocades includes : 14 fonts (script, sans serif, serif and dingbat) 52 illustrations in dingbat Thank you for your support and choosing us.

The font collection is called "Higakles", it is a display font for logotype. These collections contain serif and sans serif font. Every font comes with 4 style typefaces (regular, rounded, rough and stamp). Higakles give more extras 24 mystic and mythology illustrations. This stamp style has unique vintage handmade looks. The Higakles matches apply in some designs such as the logo, poster, label, badge, packaging, t-shirt, branding, quotes and more custom design. Higakles features : 4 style typefaces (regular, rounded, rough and stamp) Uppercase, lowercase, numeral, symbol, punctuation in serif font All-caps, numeral, symbol and punctuation in sans serif font Multilingual PUA Encoded Higakles includes : 9 fonts (serif, sans serif and dingbat) 24 hand-drawn illustrations in dingbat If you have any questions, please contact (edignwn11@gmail.com)

Nadhiratil Mahira is interesting because the typeface is pleasing to the eye, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter connections. I also offer a number of decent stylistic alternatives for multiple letters. Classic styles are very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or all kinds of advertising purposes. . . Nadhiratil Mahira has alternative characters, including support for multiple languages. With OpenType features with an alternative style and elegant binding. The OpenType feature does not work automatically, but you can access it manually and for the best results required for your creativity in combining these Glyph / Character variations. Font Features : * Lowercase beginning and ending swash * Uppercase beginning swash * Initials * International Language I heavily use programs that support OpenType features and the Glyphs panel such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so that you can view and access all the variations of the Glyph. Nadhiratil Mahira is coded with Unicode PUA, which allows full access to all additional characters without having any special design software. Mac users Mac users, and Windows users can use Character Map to view and copy any of the additional characters to paste into your favorite editor / application. Please send a message if you have questions or problems, and don't hesitate to say hello on Instagram : @monolinecalligraphy Thank you & Happy Designing!