Introducing, Donthank Script Typeface. Donthank is a script typeface with swash.This font is perfect for quotes, branding, packaging, etc. What will you get: Including number and symbol. Support Multi Language Ligatures Alternates This font also support PUA Encoded! So, grab your own. Thank You!

Desk Drawer JNL is a collection of twenty-six images representing the kinds of small items lying around inside a desk at any given time… From a thumbtack to a spring clip… from a postage stamp to a roll of tape… even some shirt pins or some gummed labels… the center drawer of a desk can house just about anything that fits inside it!

Weirdtopia - is retro, fun, and playful. It really ties together your piece to make it feel retro. Perfect for making any project like header, quote, layout magazine, and others. Even better if used on the 60s and 70s design projects. A mix of psychedelia and groovy, it came with open-type features such as stylistic alternates that you can modify to fit your own style.

Introducing Beijin Layered Font Beijin is a serif font and comes with 7 layer style, that allows you to stack however you want. There are more than 407 glyphs in this font including Stylistic sets, Contextual Alternates etc. OpenType features with Stylistic Alternates, Contextual Alternate in some characters that allows you to mix and match pairs of letters to fit your design. Beijin Layered Font is suitable for Logo, greeting cards, quotes, posters, branding, stationary, design title, blog header, art quote, typography art, modern envelope lettering or any purpose to make our art/design project look pretty and trendy.

Bassanova is a dynamic display font inspired by lettering on the "Love in the Afternoon" movie poster by Saul Bass. The font captures the minimalistic, yet very distinct look that is so typical for his designs. Bassanova offers four versions for each letter that change automatically and give the font a handlettered feel. It also contains over 100 discretionary ligatures to add even more dynamic letter combinations to the mix. This cool all-caps typeface fits a wide range of design applications, and it features a full international character set. Please activate Open Type Features to get the most out of this font.

A simplified blackletter designed by Peter Behrens, architect and graphic artist who came into prominence around 1900. Issued by Rudhard's Typefoundry, Offenbach A. M., this face was typical of many in the Jugendstil period. Its squarish look works well in Craftsman period layouts.

Lucifer Sans is a modern sans serif font rooted in Scandinavian geometry and minimalism, mixed with a healthy dose of black metal and irreverent attitude. Harsh vertical cuts and angles throughout the font creates a very strict and hard look, that can either be amplified or loosened up through its stylistic sets. Lucifer Sans family contains 162 font, 9 different weights and width, plus italics. In addition there are 3 different stylistic sets. This creates substantially diverse set of characters for contrasting against another and makes it a versatile font for different formats. Style 01 takes on an almost hand drawn style, while Style 02 enhances the geometric aspects of the font further. Style 03 uses only the rounded letter 01 without the hand drawn variations.

Rayid (رائد): Pioneer. “What if we remove the curves?” This was the whole idea. Rayid could be used at its best for names, titles, headings and other large size contexts. It has the ability to catch the eyes of the target. It is a modern font which respects the traditions by futurism. *Arabic marks (Tashkeel) are included but if your design needs them, first check if they work properly for you.* Please DO NOT HESTITATE to tell me if you saw any bugs.

Zanzabar is an exotic display font with a distinctive Middle Eastern flair. Its characters loosely mimic the Arabic script with lowercase letters being much smaller than uppercase. Special emphasis was given to the wispy, brush-like appearance of its characters for a suggestion of authenticity. This works best from far away or at small sizes. Although decorative by nature, the entire character set is relatively easy to read. Use Zanzabar for a restaurant logo, children’s book, or a movie poster.

Futura is one of the best known and most widely used of modern typefaces. Designed by Paul Renner between 1924-1927 for the Bauersche Giesserei, it remains today one of the most successful typefaces due to its simplicity of features, perfect legibility, and meticulous finish of each of its letters. Its great variety of styles and weights makes Futura particularly fit for distinguished user interfaces, information displays, smart watches, e-readers, television apps, technical appliances, and internet-related uses. Futura is a Trademark of BauerTypes SL

Hello! Introducing a decorative font named Chewing Gum. It's an abstract shape smooth typeface with curly elements. For the English alphabet, there are alternative characters included. It basically simplified letters that are more readable in small sizes (You can access these letters by activating a "Stylistic Alternates" on your OpenType panel). Twelve fancy ligatures will make your lettering more organic and natural.

Gatha is a fun font duo that includes signature scripts and elegant, soft sans that grab 4 styles – it's fit and ready to go together for your next design! Gatha includes a complete set of beautiful upper and lowercase letters, numbers, a wide variety of punctuation marks, ligatures, and super pretty prefixes as well as a final sweep thus providing a realistic handwriting style. These typefaces are versatile and can be used successfully in Magazines, Posters, Branding, Websites, etc. Fonts include multilingual support. Please message me if you're unsure of any language support. Ligatures • Are also available for several lowercase characters (double-letters which flow more naturally). These are only accessible via software with opentype capability or a glyphs panel, e.g. Photoshop/Illustrator. I hope you have a blast using Gatha. Thanks for use this font ~ Khaiuns X zelowtype

Introducing Molend - a unique display font that allows you to customize the letter width to create one-of-a-kind designs. With its futuristic, techno, brutalist, and experimental styles. Inspired by kinetic typography and urban style. This font is perfect for display, headline, magazine, editorial, label, logotype, branding, movie, poster, and short quotes. Molend also features up to 6 sets of special characters, giving you the freedom to mix & match your designs. With its sans-serif style, Molend is highly versatile and can be used for a variety of projects. Molend is the unique font, customizable letter width and bold style are sure to grab the attention of your audience and leave a lasting impression. What you'll get : All capitals characters Number & punctuation Symbols Stylistic alternates Stylistic set 01-06 Multilingual support. Thank you for your time.

Introducing, Space Boards, a sci-fi logo font! Space Boards is a sans based font with unique lowercase & uppercase that will make your design looks futuristic and modern. You can use this font for any purpose, especially to make hi-tech logotype. This font is also suitable for science-fiction movie poster. You can mix and match the uppercase and lowercase to make your logo more unique and stand-out. This font also support multi language.

Maris is a rich, elegant script, subtly characterized by a whimsical handwritten calligraphy. The family is composed of six different weights, each one bolder than the last but all equally as filling. The lighter weights move delicately through each line, showing a gentle strength in their smaller frame. The six weights from these lighter forms to the bold include some textured versions such as jean, wood, print, rough and halftones. The Maris family performs superbly in custom headlines and logotypes. Turn on Swash, Stylistic or Contextual Alternates for even greater emphasis. Opentype lets you "auto-magically" swap out letter sets with alternate versions and creates the visual diversity that gives you the one-of-a-kind look of custom lettering. It also uses OpenType features to assist with letter flow. When you choose to make use of its open-type decorative glyphs, your headlines will dazzle. For the greatest benefit, grab the entire Maris family. Thanks to its variety of styles, Maris makes it easier for you to design. With this large font family, solve your design problem with just one typeface.

Salom was designed by Austrian type designer Igor Labudovic during his year at Reading University. Besides Latin, it originally included Arabic and Hebrew. The peaceful coexistence of both writing systems in his fonts led him to combine the words Salaam and Shalom to the font family name. Salom’s sibling, Salom Sans, features the same letter proportions and therefore allows a rich spectrum of diverse typography, yet keeping the harmony between all styles. The sans has an additional light weight, while the serif comes with an expressive stencil style.

Introducing Koriyah, a stunning Arabic font that combines elegance with modernity. With its captivating design and exquisite details, Koriyah is sure to make a lasting impression on your audience. An Original typeface that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Modern Sweet Retro that contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Azqad is an elegant Arabic-style font that combines traditional elements with a touch of modernity, with its graceful curves and intricate details. An Original typeface that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Modern Sweet Retro that contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Nestapha is an elegant Arabic-style font that is perfect for a variety of design applications, for example those related to Ramadan. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Danomo is a modern take on the extra bold typeface design. With extra big and wide body and extra small counter makes this font unique and grabs attention. Best usage on logo, poster, display, headline, t-shirt design and many more.

Proudly present Moon Swing - Futuristic Type, created by ikiiko. Moon Swing is a thin-minimalist style typography that embodies both modernism and futurism. The simplicity and clean forms combined with the decorative curves convey a futuristic aspect that represents the future. The sans-serif styling and the font's light strokes and gentle curves give this font a clean and elegant look. The corners of the letterforms are rounded to provide a precise geometric feel, making it perfect for applications where a contemporary look is required. This typeface is perfect for an elegant logo, branding, fashion brand, luxury brand, layout magazine, beauty product, packaging product, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Ligature (Bonus) Multilingual Support Works on PC & Mac

Sharely is a minimalist brush font, with a beautiful and feminine feel. Inspired by the girly style and modern-minimalist label that visualize naturality with the brush style. This font has a simple letterform either the uppercase or lowercase that emphasizes the minimalistic feel. Sharely is designed in condensed shapes which perfect for the logotype, short quote, labels, display information, merchandise, t-shirt, poster, mug, and more. This brush font also complete with some OpenType features that you can mix and match to get the more playful brush style! Fonts featured : Uppercase Lowercase Numbers Symbols & punctuation Stylistic alternates Ligatures Swashes (simply type 'underscore' and a number, eg: _1, _2, _3, etc) That's all folks! Thank you for watching.

Thulth font (Thulth Tharwat Emara Golden) distinguished by beautiful artistic structures and ready-made sentences to help you design the designer designs and paintings easily. It also retains the beauty of its original Arabic calligraphy. This font can be used in titles of books, magazines and Quranic verses. Also specialized in printing on clothes, Najaf and antiques. It is the first font that you can write complete sentences and Ayat of Quran by beautiful artistic structure like as those written by the calligrapher. It also simulates the handwriting and no need to calligraphy it when you have this font.

Meet the Letterpress! Jakob Erbar’s Phosphor was released by the Ludwig & Mayer Foundry before 1923. The origins of Aurora date back to 1912 (Johannes Wagner Foundry). Permanent Headline was designed by Karlgeorg Hoefer, also known simply as Headline. It was fun making a mix out of the three classics – with Letterpress Bastard you will quickly get astounding results. To complete the family we added a font containing random symbols we also found in the metal type boxes. Please note that we provided loads of ligatures for double-letters to make your design look as authentic as possible.

Home Run Script has the formality of 18th-century English roundhands, narrow, tightly fitted and drawn in a very bold weight and inspired by my ITC Eclat font. The x-height is large, and the caps are simply drawn with minimal swashes. Its companion font Home Run Sanscript, sold separately also, has sans serif caps that enable the user to combine script and sanserif caps with the same slope. It has the same lowercase as Home Run Script with a few alternate characters and sans serif lining and Oldstyle figures. Both Young Finesse and Home Run include Richard Isbell’s “interrabang,” appropriately used for statements that are both interrogative and exclamatory.

The Afeesh typeface is an attempt to create a solid and robust type family, that is based on the Ruq'a calligraphy style. Following the Egyptian style of drawing Ruq'a, which was very popular on movie posters during the 50s-70s. The typeface comes with an extensive set of ligatures, and opentype features such as swash and stylistic alternates. Arabic, Farsi, Urdu, in addition to Kurdish are supported.

Geryline simplifies elegance into one truly outstanding handwritten font. It maintains its classy calligraphic influences while feeling contemporary and fresh. This versatility will appeal to a wide range of crafty ideas, from letterheads and titles, to stationery. This font is PUA encoded which means you can access all of the cute glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Tachyon font family combines design simplicity of modern sans serifs with a futuristic feel based on a condensed character concept. Its clean lines can bring unusual spark to logo designs, headlines, magazine designs, quotes, documentaries, advertisements or similar projects. This font will find its use also in larger text blocks where simplicity, clean lines and well applied kerning are a must. Create something spectacular with Tachyon.

The original Avenir typeface was designed by Adrian Frutiger in 1988, after years of having an interest in sans serif typefaces. The word Avenir means “future” in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura, Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Avenir a harmonious and sensible appearance for both texts and headlines. In 2012, Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next to life, as a new take on the classic Avenir. The goal of the project was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. Since then, Monotype expanded the typeface to accommodate more languages. Akira’s deep familiarity with existing iterations of the Frutiger designs, along with his understanding of the design philosophy of the man himself, made him uniquely suited to lead the creation of different language fonts. Avenir Next World family, the most recent release from Monotype, is an expansive family of fonts that offers support for more than 150 languages and scripts that include Latin, Cyrillic, Greek, Hebrew, Arabic, Georgian, Armenian and Thai. Avenir Next World contains 10 weights, from UltraLight to Heavy. The respective 10 Italic styles do not support Arabic, Georgian and Thai, since Italic styles are unfamiliar in these scripts/languages. Separate Non-Latin products to support just the Arabic, Cyrillic, Georgian, Hebrew and Thai script are also available for those who do not need the full language support.

The original Avenir typeface was designed by Adrian Frutiger in 1988, after years of having an interest in sans serif typefaces. The word Avenir means “future” in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura, Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Avenir a harmonious and sensible appearance for both texts and headlines. In 2012, Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next to life, as a new take on the classic Avenir. The goal of the project was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. Since then, Monotype expanded the typeface to accommodate more languages. Akira’s deep familiarity with existing iterations of the Frutiger designs, along with his understanding of the design philosophy of the man himself, made him uniquely suited to lead the creation of different language fonts. Avenir Next World family, the most recent release from Monotype, is an expansive family of fonts that offers support for more than 150 languages and scripts that include Latin, Cyrillic, Greek, Hebrew, Arabic, Georgian, Armenian and Thai. Avenir Next World contains 10 weights, from UltraLight to Heavy. The respective 10 Italic styles do not support Arabic, Georgian and Thai, since Italic styles are unfamiliar in these scripts/languages. Separate Non-Latin products to support just the Arabic, Cyrillic, Georgian, Hebrew and Thai script are also available for those who do not need the full language support.

The original Avenir typeface was designed by Adrian Frutiger in 1988, after years of having an interest in sans serif typefaces. The word Avenir means “future” in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura, Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Avenir a harmonious and sensible appearance for both texts and headlines. In 2012, Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next to life, as a new take on the classic Avenir. The goal of the project was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. Since then, Monotype expanded the typeface to accommodate more languages. Akira’s deep familiarity with existing iterations of the Frutiger designs, along with his understanding of the design philosophy of the man himself, made him uniquely suited to lead the creation of different language fonts. Avenir Next World family, the most recent release from Monotype, is an expansive family of fonts that offers support for more than 150 languages and scripts that include Latin, Cyrillic, Greek, Hebrew, Arabic, Georgian, Armenian and Thai. Avenir Next World contains 10 weights, from UltraLight to Heavy. The respective 10 Italic styles do not support Arabic, Georgian and Thai, since Italic styles are unfamiliar in these scripts/languages. Separate Non-Latin products to support just the Arabic, Cyrillic, Georgian, Hebrew and Thai script are also available for those who do not need the full language support.

Say hi to “Metalsmith” font family, a stylish custom culture typeface. Started from the enthusiasm of custom motorcycles, artsy looks of hand made typefaces & illustrations, along with the freedom vibes that came with it, become the first motivation in making this Metalsmith typeface. Packed up with three styles font; regular Clean, Ink Paint & Vintage textured. Italic version on each styles are included. There are 655 glyphs on each styles font including Stylistic sets, Discretionary Ligatures, Standard Ligatures, Contextual Alternates etc. Powered with OpenType features that allows you to mix and match pairs of letters to fit into your design.

Maroon And Black a display sans serif is a very versatile font, clean, and visual elegance. Also available Maroon And Black Outline to help you mix and match it to fit your creative work in harmony. perfect for magazine images, to wedding invitations, to branding, poster design, and more. Files included: Numerals & Punctuation Stylistic Alternates & Ligatures PUA Encoded Characters Thanks so much for looking, I really hope you enjoy it and please don't hesitate to drop me a message if you have any issues or queries :)